<![CDATA[AbstrakPenelitian penciptaan ini bertujuan untuk menghasilkan naskah drama Uga Wangsit Siliwangi berdasarkan kritik terhadap kerusakan lingkungan serta konflik sosial akibat eksploitasi tambang pasir di Kabupaten Garut, Jawa Barat. Penulisan naskah ini juga hendak menghidupkan kembali legenda Prabu Siliwangi sebagai simbol pelestarian alam. Metode penciptaan menggunakan pendekatan berbasis praktik seni yang diangkat dari realitas sosial. Observasi lapangan dilakukan di wilayah Leles, Garut, dengan wawancara dengan narasumber terkait. Studi pustaka terhadap naskah Carita Parahyangan, serta perumusan treatment, penokohan, alur berbasis perkembangan watak, dan latar Leuweung Sancang dan Buwana Larang. Hasil karya adalah berupa naskah drama tiga babak yang mengaplikasikan pendekatan estetika surealisme satir politis. Naskah ini memadukan bahasa Sunda buhun dan keseharian, serta menyajikan elemen surealis (seperti tembok pasir) dan satir politik melalui dialog-dialog sindiran. Naskah yang dihasilkan menawarkan pendekatan penceritaan baru dalam teater ekologis melalui perpaduan unik antara surealisme satir politik, bahasa Sunda, dan narasi folklor yang diadaptasi secara kritis. Kata kunci: teater ekologis, Uga Wangsit Siliwangi, satir politik, surealisme, tambang pasir. AbstractSand Mining in Garut Regency as Inspiration for the Creation of the Drama Script Uga Wangsit Siliwangi. This creative research aims to produce a play script titled Uga Wangsit Siliwangi, based on a critique of environmental degradation and social conflicts resulting from sand mining exploitation in Garut Regency, West Java. The script also intends to revitalize the legend of Prabu Siliwangi as a symbol of nature conservation. The creation method employs an arts-based practice approach derived from social reality. Data collection included field observations in Leles, Garut, and interviews with relevant informants. Additionally, a literature study was conducted on the Carita Parahyangan manuscript, followed by the formulation of the treatment, characterization, character-driven plot, and settings in Leuweung Sancang and Buwana Larang. The final work is a three-act play script that applies a political-satiric surrealist aesthetic. The script blends archaic (buhun) and colloquial Sundanese, featuring surreal elements—such as walls of sand—and political satire through satirical dialogue. The resulting script offers a new storytelling approach in ecological theater through a unique synthesis of political satiric surrealism, Sundanese language, and critically adapted folklore narratives. Keywords: Ecological theater, Uga Wangsit Siliwangi, political satire, surrealism, sand mining.]]>
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