<![CDATA[This study aims to analyze word-formation processes and their stylistic functions in selected poems by Emily Dickinson. The research employs a qualitative case study design. Data consisting of words and phrases containing morphological processes were collected through documentation and analyzed through identification, classification, and interpretation based on morphological and stylistic theories. The findings reveal three major word-formation processes: derivation, compounding, and inflection. Derivation emerges as the most stylistically dominant process because it produces abstraction, semantic contrast, foregrounding, and emotional intensification. Compounding strengthens imagery and semantic density, while inflection supports grammatical coherence and temporal perspective in the poems. The analysis indicates that the use of these morphological processes contributes significantly to the artistic and linguistic characteristics of Dickinson’s poetry. Furthermore, the findings highlight the relationship between linguistic form and literary expression in creating poetic effects and deeper meaning. The study demonstrates that morphology functions not only grammatically but also stylistically in constructing poetic meaning and expression. Therefore, morphological analysis provides valuable insights into how language resources are utilized to enhance the aesthetic quality and interpretive richness of poetry.]]>
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