Commodification of Metro TV’s 24-Hour YouTube Live Stream and Audience Engagement

Alfiansa Alfiansa (Universitas Esa Unggul)
Bayquni Bayquni (Universitas Esa Unggul)

Locus Journal of Academic Literature Review
Vol 5 No 9 (2026): September

This article examines how a television news livestream becomes embedded in platform-mediated content, labor, and audience commodification. It uses qualitative documentary case analysis of Metro TV’s 24-hour YouTube distribution, drawing on an anonymized case narrative, an official livestream listing, YouTube documentation, and scholarly literature. Vincent Mosco’s political economy distinguishes potential exchange-value orientations of content, professional work, and audience attention; a bounded Gramscian reading examines how disruption and adaptation are framed as organizational necessities. A provenance register, explicit decision rules, and a passage-level evidence matrix distinguish verifiable public artifacts from uncorroborated claims and conceptual inference. The analysis proposes a conditional circulation–measurement–repackaging mechanism: broadcast material becomes accessible through a third-party platform; accounts describe optimization and expanded production roles; and reported use of viewing indicators may inform subsequent clips. Only the livestream listing and platform capabilities are independently corroborated; organizational workflows, worker experiences, audience behavior, and financial outcomes remain unverified. The article provides an evidence-bounded interpretation without equating digital convergence with exploitation, visibility with revenue, or managerial narratives with consent. Implications concern research transparency and the distinction between engagement signals and public-interest editorial judgment.