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INDONESIA
Jurnal Desain Interior
Published by Institut Teknologi Sepuluh Nopember Surabaya
ISSN : 25272853     EISSN : 25492985     DOI : -
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
Jurnal Desain Interior (pISSN 2527-2853 eISSN 2549-2985) menerima artikel penelitian penuh di bidang desain interior dan lingkupnya dari bidang subjek sebagai berikut: Sejarah Desain, Sejarah Interior, Budaya Visual Interior, Metodologi Desain, Proses Desain, Wacana Desain, Desain Interior dan Budaya, Sosiologi Desain, Manajemen Desain, interior dan seni kritik, Antropologi dari desain interior, Artifact desain, desain Industri, desain interior, Kerajinan, Arsitektur, Industri Kreatif, Kebijakan desain, psikologis, Perilaku Meruang, Psikologi Desain, Ergonomi, Sain Interior, pendidikan dan konseptual lainnya di interior Desain.
Arjuna Subject : -
Articles 232 Documents
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Material Lama menjadi Makna Baru: Analisis Semiotika Interior Warung Pelan-Pelan Rifdah Anggraheni; Muhammad Raufan Gusrananda; Nadhila Widyanti
Jurnal Desain Interior Vol 11 No 2 (2026)
Publisher : Direktorat Penelitian dan Pengabdian kepada Masyarakat (DRPM), ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/jdi.v11i2.10645

Abstract

Food places today are not only used as spaces for eating and drinking, but also function as social spaces that shape patterns of interaction. One example is Warung Pelan-Pelan in Yogyakarta, which appears as both a food place and a shared space that carries a more casual approach through its design, daily activities, and stories shared on social media. This study aims to understand how the space in Warung Pelan-Pelan creates meaning through its interior elements. This research uses a qualitative method with a semiotic approach based on Roland Barthes. Data were collected through visual observation of spatial elements using photo documentation and relevant social media content. The analysis is carried out through three levels of meaning: denotation, connotation, and myth. The results show that interior elements such as materials, spatial layout, and social activities do not only function in a practical and visual way, but also create meanings of togetherness, openness, and an alternative view toward the fast rhythm of modern life. These findings confirm that interior space can be understood as a medium of cultural communication that works through the visual and social experiences of its users.
Hibridisasi Teknik Batik Cap dan Tie-Dye untuk Pengembangan Tekstil Dekoratif Interior Kontemporer Sugeng Wardoyo; Arif Suharson; Riza Septriani Dewi
Jurnal Desain Interior Vol 11 No 2 (2026)
Publisher : Direktorat Penelitian dan Pengabdian kepada Masyarakat (DRPM), ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/jdi.v11i2.10955

Abstract

The development of contemporary interior design has increased the demand for decorative textiles with strong aesthetic appeal and cultural value. This study aims to examine the reconstruction of batik craft aesthetics through the hybridization of stamped batik and tie-dye techniques and to evaluate its impact on the quality of surface patterns and the effectiveness of visual displays for interior decorative textile products. The study employs an action research method with a descriptive qualitative approach, using participatory observation, in-depth interviews, and visual documentation at Kenanga Batik, a micro, small, and medium-sized enterprise involving 25 artisans. The results show that hybridizing the two techniques produces contemporary surface patterns that are more expressive, varied, and relevant to the aesthetic requirements of interior spaces. Stamped batik provides a consistent motif structure, while tie-dye creates organic and distinctive color effects. In addition, strengthening digital-based visual displays enhances the perceived value of the products and expands their marketing reach. The study concludes that hybridizing production techniques is effective in transforming traditional batik craft into competitive and sustainable interior decorative textiles while simultaneously reinforcing cultural identity and improving the economic well-being of local artisans.

Page 24 of 24 | Total Record : 232

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