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Haluan Sastra Budaya
Published by Universitas Sebelas Maret
ISSN : 08520933     EISSN : 25491733     DOI : -
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
Haluan Satra Budaya (HSB) is a biannual scientific journal of humanities published by the Faculty of Cultural Sciences, Universitas Sebelas Maret, Indonesia. This journal issues research papers, conceptual frameworks, and case studies are drawn from a wide range of disciplines, Language and Linguistics, Art, Literature, as well as Culture (anthropology, history, and archeology).
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Articles 7 Documents
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Search results for , issue "Vol 6, No 1 (2022)" : 7 Documents clear
TRADISI LEDUG (LESUNG BEDUG) SURA DALAM PERSPEKTIF STRATEGI KENUSANTARAAN DI MAGETAN Dea Lunny Primamona
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.58253

Abstract

This article aims to read the annual tradition of Ledug Sura in Magetan from an archipelagic strategy perspective. This study uses an archipelagic strategy perspective derived from a historical approach and a critical paradigm of cultural studies. The research uses several methods including: observation, interviews, archive studies, and literature studies. The results of this study indicate that the Ledug Sura tradition in Magetan was built by the history of Nusantara culture in Magetan and the process of revivalization. The layers of Magetan cultural history consist of three dimensions, namely: 1) Era of Civilization before and after Majapahit: 2) Mataram era civilization and colonialism; and 3) The era before independence until now. The reality of globalization has led to a process of revivalization of art which is expressed in a complex manner in the annual Ledug Sura ritual in Magetan. The revivalization is based on: 1) The spirit of cultural heritage as a form of respect for ancestral traditions; 2) The ideals of community unity and harmony; and 3) Construction of local cultural identity in the midst of globalization challenges.
THE CONSTRUCTION OF ORIENTALISM IN DAN BROWN’S DIGITAL FORTRESS Ghassani Auliannnisa Widjajati; Ikwan Setiawan; Supiastutik Supiastutik
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.57158

Abstract

This article studies orientalism constructed in the novel of Digital Fortress that is written by Dan Brown. Orientalism discourse appears in the literary works through narrative events and conversations of the Western and the Eastern. Ensei Tankado, a Japanese character, will be presented in this study in the lens of Western. The aim is to explore orientalism discourse in the novel to get an understanding of the ideology interest as part of the Western power. Theory of Orientalism by Edward Said is applied in this study. It modifies Foucauldian discourse theory and Gramscian hegemony. The four concept of Orientalism discourse including political power, intellectual power, cultural power and moral power will be used in this study. How the Eastern subject is positioned by the Western in Digital Fortress becomes the focus. Japanese and the United States in the novel can be related to the contextual condition that cultural domination and hegemony still occur between Japan-USA since World War II. Orientalism in the literary works is a new imperialism. The goal of this study is to reveal that the novel brings cultural domination.
FUNGSI SINTAKSIS FRASA NOMINA DALAM CERKAK “PESUGIHAN KANDHANG BUBRAH” KARYA JMV SUNARDJO PADA RUBRIK ALAMING LELEMBUT MAJALAH PANJEBAR SEMANGAT Khotimatul Aminah; Khoirul Afidah
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.47294

Abstract

Phrases in Javanese are usually composed of two or more words as members. Nominal phrase is a type of phrase that contains the essence of a noun in its constituent elements and can act as a substitute for a noun. Syntax functions related to words or phrases in a sentence consist of subject, predicate, object, complement, description. This study aims to describe the forms and characteristics of the nominal phrase functions contained in the magazine Panjebar Semangat number 52, 26 December 2020 edition. The research method used is descriptive qualitative. The data presented is in the form of a verbal word in the form of a sentence in which there are noun phrases. Sources of data in this study are documents or written data in the form of a softening rubric in Panjebar Semangat magazine number 52 December 26, 2020 edition. Data collection methods in this study are observation and note-taking techniques. The main instrument in this study is the researcher himself (human instrument). The method of data analysis in this research is a separate method using the basic technique for the direct elements (BUL). This study uses triangulation that utilizes theory, namely checking using syntactic theory books. The results of the research are the forms and functions of noun phrases in Panjebar Semangat magazine number 52 December 26, 2020 edition consisting of 3 forms and functions of noun phrases consisting of noun + noun with the findings of the noun phrases bongkotan pring (S) and wooden fork (O), noun + verb, there are findings of my semedic room  that occupy the complement (Pel), noun + adjective, there is a finding that the little one occupies the subject (S).
REPRESENTATION OF ICONIC CULTURE IN SOUTHEAST ASIAN IN “RAYA AND THE LAST DRAGON” Anak Agung Sagung Sonia Sarwindah; Lambok Hermanto Sihombing
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.60727

Abstract

This study discusses the representation of iconic culture in Southeast Asia in the movie. This research focuses on findings of the scene that shows the iconic culture of Southeast Asian in the film Raya and The Last Dragon. The qualitative method is applied to analyze the data in this study and the applied theory is representation theory by Stuart Hall and culture theory. Therefore, the result of this research shows the representation of iconic culture from Indonesia, Thailand, and Philippines, the iconic culture itself is detailed represented and recognizable. The first iconic culture is the weapon used by Indonesian in the form of traditional weaponry. The form of iconic culture from Thailand is represented through the vehicle used by Raya. This vehicle is the iconic mode of transportation that can be found in Thailand. Finally, the Martial Arts used in the scenes are the Philippines iconic culture.
FUNGSI DAN MAKNA KUE CANG DALAM FESTIVAL DUAN WU JIE MASYARAKAT ETNIS TIONGHOA DI KOTA MEDAN Lisa Wulandari Nasution
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.56663

Abstract

The title of this research is the Function and Meaning of Cang Cake in the Duan Wu Jie Festival of Chinese Ethnic Communities in Medan. This study aims to explain how the process of welcoming Cang Cake in the Duan Wu Jie Festival of the Chinese ethnic community in Medan City, and to explain how the function and meaning of Cang Cake in the Duan Wu Jie Festival of the Chinese ethnic community in Medan City. The method used in this study is qualitative methods. Some of the analysis results obtained from this research are Cang Cake is a traditional food of the Chinese ethnic community, cang cake is very popular in Indonesia, Java Island to Sumatra, especially in Medan City. Cang cake made from glutinous rice. Cang cakes have types that are filled and some are not. Cang cakes that contain the name bakcang which means pork, while cang cakes that do not contain are named kicang. The research uses the Functionalism Theory which this theory applies in culture regarding the habits in the life institutions of the Chinese ethnic community towards their culture.
MODERNIZING OF JAVANESE WOMEN DRESSING STYLE CULTURE IN 20TH CENTURY: THE EDUCATION IMPACT Moch. Dimas Galuh Mahardika
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.54816

Abstract

The Dutch colonialism not only leaves stories about exploitation, the breakdown of social strata, and other inhumane stories. On the other hand, the presence of Dutch colonialism in Nusantara gives the influence of modern culture to several aspects of bumiputra people's lives. After the colonization runs for centuries in Nusantara, the colonial government seems to have the awareness for"return the favor" to the bumiputra people by implement the Ethical Policy that are aimed at improving the welfare of bumiputra people. After the enactment of Ethical Policy, Javanesse people get into the modernization, one of them in the education aspect. After receiving the western education models, Javanese women began more often wearing the western dressing style. This article try to explain the women history in the appearance style aspects as the one of implementation education impacts by the colonial government for the bumiputra people.
TRANSLATION ANALYSIS OF MATERIAL CULTURE TERMS FOUND IN VIDEO GAME ENTITLED CITAMPI STORIES Allfine Ary Kurniawan
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.58670

Abstract

This article analyzed Indonesian material culture terms found in video game entitled “Citampi Stories”. The objectives are to classify the material culture term categories, to identify the translation techniques used and to assess the accuracy of the translation. The study is a qualitative descriptive study, designed to be single-embedded case study and product oriented study. Results shows that there are four categories of material culture terms found in game, which are foods, clothes, houses and towns, and artifacts. In addition, the analysis shows that six translation techniques are used; they are adaptation, borrowing, discursive creation, established equivalence, generalization and literal translation; and then, the accuracy assessment result explains that the translation of Indonesian material culture terms in “Citampi Stories” are less accurate, resulted in an average score of 2.05.

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