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All Journal Humaniora Imaji: Jurnal Seni dan Pendidikan Seni Publika Budaya Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya VIVID Journal of Language and Literature KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) EDULITE: Journal of English Education, Literature and Culture Panggung RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya LEKSIKA Indonesian Journal of English Language Teaching and Applied Linguistics Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JENTERA: Jurnal Kajian Sastra Suar Betang Communicology: Jurnal Ilmu Komunikasi Pioneer: Journal of Language and Literature Paradigma: Jurnal Kajian Budaya Journal Of Humanities Community Empowerment Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Journal of Social Sciences and Cultural Study Jurnal Kawistara Panggung Indonesian Journal of English Language Teaching and Applied Linguistics
Ikwan Setiawan
Fakultas Sastra Universitas Jember
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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MODERNITY, LOCALITY, AND POSTCOLONIALITY OF VILLAGERS IN THE 80S Setiawan, Ikwan
LITERASI: Jurnal Ilmu-Ilmu Humaniora Vol 1, No 1 (2011)
Publisher : LITERASI: Jurnal Ilmu-Ilmu Humaniora

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (165.293 KB)

Abstract

Being modern in local sphere at the 80s was a complicated process. Local societies experienced and dreamed modern cultures as the dominant discursive formation caused by Green Revolution, but they still believed and practiced traditional cultures. The New Order regime’s developmentalism policy resulted socio-cultural shifting and change in both cities and villages. This article, by combining cultural studies and postcolonial studies, discusses genealogy of socio-cultural shifting and change in a village at the 80s when modern cultures came into peasants’ life--world through public television programs, education, and industrial products. However, I see the villagers could play in-between space to appropriate some modern cultures and negotiate some traditional cultures into their daily life. The cultural in-betweenness has represented the dynamics of village postcoloniality under direction of the New Order regime and has made modernity as ideological dream for the villagers in constructing their locality. Keywords: villagers, modernity, the 80’s, locality, postcoloniality
DECODING PENONTON TERHADAP IKLAN LAYANAN MASYARAKAT IMUNISASI WAJIB BAGI BALITA TAHUN 2013 DI TELEVISI (DECODING OF SPECTATOR TOWARD ADVERTISEMENT ABOUT MUST IMUNIZATION FOR CHILDREN UNDER FIVE IN 2013 ON TELEVISION) Prayoga, Muhamad Faizi; Setiawan, Ikwan; Aji, Fajar
Publika Budaya Vol 3, No 1 (2015): Maret
Publisher : Publika Budaya

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Abstract

The process of understanding a presentation presented on television especially service society’s advertisement is very important in succeed supporting of a product which is produced. The purpose of this research is to know the background of television viewer and customer of service society’s advertisement about must immunization for children under five in 2013 and to know the process of decoding service society’s advertisement about must immunization for children under five in 2013 by using descriptive qualitative method, observation, not structural interview, focus group discussion and data analysis (flow model). The result of the research shows that decoding is an important part in a set of communication process because media cannot hegemony the viewer or the customer without television viewer’s decoding. The background and position of decoding show that knowing a same text which read and understood by the viewer set the viewer in the certain decoding position and known customer’s reception level upon the text that consumed. Keywords: perception, service society’s advertisement, decoding ABSTRAK Proses memahami dalam pemaknaan sebuah tayangan yang hadir di televisi terutama iklan layanan masyarakat sangatlah penting dalam mendukung keberhasilan sebuah produk yang telah diproduksi. Penelitian ini bertujuan untuk mengetahui latar belakang penonton dan konsumen iklan layanan masyarakat imunisasi wajib bagi balita tahun 2013 dan untuk mengetahui proses decoding iklan layanan masyarakat imunisasi wajib bagi balita tahun 2013 dengan menggunakan metode deskriptif kualitatif, observasi, wawancara tidak terstruktur, wawancara kelompok fokus, dan analisis data (flow model). Hasil penelitian menunjukkan bahwa decoding adalah bagian terpenting dalam rangkaian proses komunikasi, karena tanpa decoding penonton, media tidak dapat menghegemoni penontonnya atau konsumennya. Latar belakang dan posisi decoding menunjukkan bahwa mengetahui sebuah teks yang sama dibaca dan dipahami oleh penonton menempatkan penonton pada posisi decoding tertentu dan diketahui tingkat penerimaan konsumen atas teks yang dikonsumsi. Kata Kunci: persepsi, iklan layanan masyarakat, . 1. Pendahuluan Televisi adalah alat elektronik, alat yang baru dalam perjalanan sejarah peradaban manusia, berupa kotak hitam yang semula hitam putih menjadi berwarna dan menampilkan sebuah tayangan dari stasiun penyiaran sehingga khalayak dapat melihat sesuatu dari jarak jauh Fakultas Sastra Universitas Jember decoding.
BUDAYA NASIONAL DI TENGAH PASAR: KONSTRUKSI, DEKONSTRUKSI, DAN REKONSTRUKSI Setiawan, Ikwan
Jurnal Kawistara Vol 2, No 1 (2012)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.266 KB)

Abstract

In the Reformation period, the state regime still mobilizes traditional-ideal values as national culturewithout giving conceptual and operational explanations. In this article, I combine two approaches,cultural studies and postcolonial studies, for reading national culture as represented in some PresidentSoesilo Bambang Yudhoyono’s presidential speeches. I will analyze ideal-but-ambivalent constructionsof national culture in regime’s perspective as represented in those speeches, particularly, in the contextof continuous of national culture in regime’s perspective in those speeches, particularly, in the context ofthe government’s continuous mobilization of traditional meanings as the invisible power for Indonesianpeople, while, at the same time,placing emphasis on economic progress.Instead of a strategic culturalconstruction, national culture produces its own deconstruction and fails to be discursive formation.Further, I argue that the regime operates their governmentality by reconstructing newer nationalculture based on market economics as discursive constructions, which ideally can provide conceptualand material basis for state regime in conducting governance and for citizens in achieving welfare inneoliberal formation.
Exertion of Cultures and Hegemonic Power in Banyuwangi: The Midst of Postmodern Trends Setiawan, Ikwan; Tallapessy, Albert; Subaharianto, Andang
KARSA: Journal of Social and Islamic Culture Vol 25, No 1 (2017)
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v25i1.1118

Abstract

This article aims to criticize the incorporation and commodification of Using cultures undergone by Abdullah Azwar Anas in Banyuwangi, East Java. To answer the problem, we analyze primary data from our field research and secondary data from online media related to AAA’s efforts to incorporate, articulate, and commodify Using cultures into various carnival programs (2011-2017) by applying theories of commodification, postmodernism, and hegemony. The result of this study shows that, driven by his desire to promote Using cultures globally in the midst of postmodern trends, since 2011 the government of Banyuwangi has created many carnivals and festivals, such as “Banyuwangi Ethno Carnival”, “Banyuwangi Beach Jazz Festival”, “Parade Gandrung Sewu”, and other various programs. Economically, the programs are idealized to support the regional economic growth through tourism activities, both for domestic and international tourists, by displaying traditional expressions with new styles and performances. Politically, the carnivals and festivals can support AAA efforts to negotiate its political concern in order to produce consensus.Copyright (c) 2017 by KARSA. All right reserved DOI: 10.19105/karsa.v25i1.1118
Analisis Framing Pemberitaan Media Online Mengenai Kasus Glorifikasi Saipul Jamil Eni Nurhayati; Sukarno; Ikwan Setiawan
Communicology: Jurnal Ilmu Komunikasi Vol 9 No 2 (2021): Communicology: Jurnal Ilmu Komunikasi, Volume 9 No 2 Desember 2021
Publisher : DIII Prodi Humas Fakultas Ilmu Sosial Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/COMMUNICOLOGY.022.010

Abstract

ABSTRACT The glorification of Saipul Jamil's release on Sept 2, 2021 drew public criticism. Many residents are restless and prefer Saipul Jamil as a pedophile not to appear on television. This study aims to obtain an overview of the framing carried out by Kompas.com and Liputan6.com in constructing the news about Saipul Jamil's glorification. The data in this study are in the form of words, phrases, clauses, sentences or paragraphs obtained from various reports about the glorification of Saipul Jamil that appear on the news portals Kompas.com and Liputan6.com. The source of the data in this study is the news of Saipul Jamil's glorification that appeared in the media Kompas.com and Liputan6.com. Data analysis in this study uses a framing model of Robert N. Entman with four categories, namely define problems, diagnose cause, make moral judgment, and treatment recommendation. The results of this study show that Kompas.com's reporting seems to corner the perpetrators to be punished or sanctioned for glorification actions that violate the law, while Liputan6.com places more emphasis on the impacts that occur as a result of glorification events. Keywords: Framing Analysis ; Glorification; Robert N. Entman Analysis ABSTRAK Aksi glorifikasi pembebasan Saipul Jamil yang dilakukan pada tanggal 2 September 2021 menuai kecaman publik. Banyak warga yang resah dan membaikot Saipul Jamil sebagai pelaku pedofilia untuk tidak tampil di televisi. Penelitian ini bertujuan untuk memperoleh gambaran terkait pembingkaian yang dilakukan oleh Kompas.com dan Liputan6.com dalam mengkonstruksi pemberitaan tentang glorifikasi Saipul Jamil. Data dalam penelitian ini berupa kata-kata, frase, klausa, kalimat atau paragraf yang diperoleh dari berbagai pemberitaan tentang glorifikasi Saipul Jamil yang muncul di portal berita Kompas.com dan Liputan6.com. Sumber data dalam penelitian ini yaitu pemberitaan glorifikasi Saipul Jamil yang muncul di media Kompas.com dan Liputan6.com. Analisis data dalam penelitian ini menggunakan model framing milik Robert N. Entman melalui empat kategori yaitu define problems, diagnose cause, make moral judgement, dan treatment recommendation. Hasil penelitian ini menunujukkan pemberitaan Kompas.com tampak menyudutkan pelaku untuk diberi hukuman atau sanksi atas aksi glorifikasi yang melanggar hukum, sedangkan Liputan6.com lebih memberikan penekanan terhadap dampak yang terjadi akibat peristiwa glorifikasi. Kata kunci: Analisis Framing; Glorifikasi; Analisis Robert N. Entman
BUDAYA NASIONAL DI TENGAH PASAR: KONSTRUKSI, DEKONSTRUKSI, DAN REKONSTRUKSI Ikwan Setiawan
Jurnal Kawistara Vol 2, No 1 (2012)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.266 KB) | DOI: 10.22146/kawistara.3952

Abstract

In the Reformation period, the state regime still mobilizes traditional-ideal values as national culturewithout giving conceptual and operational explanations. In this article, I combine two approaches,cultural studies and postcolonial studies, for reading national culture as represented in some PresidentSoesilo Bambang Yudhoyono’s presidential speeches. I will analyze ideal-but-ambivalent constructionsof national culture in regime’s perspective as represented in those speeches, particularly, in the contextof continuous of national culture in regime’s perspective in those speeches, particularly, in the context ofthe government’s continuous mobilization of traditional meanings as the invisible power for Indonesianpeople, while, at the same time,placing emphasis on economic progress.Instead of a strategic culturalconstruction, national culture produces its own deconstruction and fails to be discursive formation.Further, I argue that the regime operates their governmentality by reconstructing newer nationalculture based on market economics as discursive constructions, which ideally can provide conceptualand material basis for state regime in conducting governance and for citizens in achieving welfare inneoliberal formation.
PEREMPUAN DI BALIK KABUT BROMO: Membaca Peran Aktif Perempuan Tengger dalam Kehidupan Rumah Tangga dan Masyarakat Ikwan Setiawan
Humaniora Vol 20, No 2 (2008)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (79.731 KB) | DOI: 10.22146/jh.931

Abstract

This article is an ethnographic study of Tengger women in Wonokerso, Sumber, Probolinggo, East Java. It focuses on some significant and active roles of Tengger women, especially in the household, society, and traditional rites. The data for the research were obtained through interviews with some informants and participatory observation. The results show that Tengger women have some significant roles in taking care their families, especially in managing their family welfare and children’s education, participating in social life, and conducting traditional rites as the key to find an equilibrium of life; a conducive and strategic collaboration between traditional commitments and economic motivation in order to have a better familial and socio-cultural life.
TRANSFORMATION OF LUDRUK PERFORMANCES: FROM POLITICAL INVOLVEMENT AND STATE HEGEMONY TO CREATIVE SURVIVAL STRATEGY Ikwan Setiawan; Sutarto .
Humaniora Vol 26, No 2 (2014)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (391.257 KB) | DOI: 10.22146/jh.5241

Abstract

This article discusses the transformation of ludruk performances, from Soekarno to Reformation era. In discussing the problem, we apply a cultural studies perspective. From our analysis, there are three findings related to the discursive transformation of ludruk stories. Firstly, in the era of Soekarno, many ludruk groups joined Lembaga Kebudayaan Rakyat (Lekra/Institute of People’s Culture), which had many ideological similarities with Partai Komunis Indonesia (PKI/ Indonesian Communist Party). Consequently, ludruk groups performed some provocative stories that exposed the problems of lower-class people and criticized Islamic religious beliefs. Secondly, after the bloody 1965 tragedy, the regional military apparatuses controlled ludruk groups and their performances, including the stories. In this era, ludruk stories supported the New Order regime’s national development programs and raised people’s consensus on the significance of militarism through popular stories about people’s resistance to colonizers. Thirdly, in the Reformation era, some ludruk groups make newer, interesting stories about many complicated social problems in contemporary society. Finally, we conclude that this mode of transformation through creating newer, social problem-based stories that intertwine with historical conditions has deep historical roots in ludruk performances. In addition, during the Reformation period in whichmarket capitalism becomes a dominant ideology and practice, such newer stories and breakthroughs of staging may become a suitable creative survival strategy for ludruk groups in the midst of techno-cultural popularity as the dominant taste and orientation in societies.
The Mobilization of Using Cultures and Local Government’s Political-Economy Goals in Post-Reformation Banyuwangi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (384.65 KB) | DOI: 10.22146/jh.22561

Abstract

This article deals with an ethnic identity-based-power through the mobilization of Using cultures in Banyuwangi under local government policies in post-Reformation. By juxtaposing Foucauldian discourse, Gramscian hegemony, and political economy perspective, we discuss some cultural projects conducted by two Banyuwangi regents in post-Reformation periods, Samsul Hadi (2000-2005) and Abdullah Azwar Anas (2010-2015 and re-elected for 2016-2021 period). With different emphasized aspects, both of them created programs, which incorporated and mobilized Using cultures for accomplishing their political economy goals. Samsul legalized Using cultural expression, such as a local dance and language, as the way to strengthen the dominant-ethnic identity and reach consensus for his political authority. In more sparkling activities, Anas has transformed Using identity into various carnival programs, which, in one side, have supported tourism industry and, in other side, have helped him in gaining consensus for his hegemonic position. However, in the context of real cultural empowerment, those programs have not given positive effect for the cultural worker in the grass root.
MERAH BERPENDAR DI BRANG WETAN: Tegangan Politik 65 dan Implikasinya terhadap Industri Musik Banyuwangen Ikwan Setiawan
Imaji Vol 8, No 1 (2010): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (209.193 KB) | DOI: 10.21831/imaji.v8i1.6652

Abstract

This article discusses (1) creativities and complicated-tragic problems of Banyuwangen musicians, especially they who involved in Lekra (People Cultural Institution, the cultural organization of Indonesian Communist Party), during 1965 and some years later and (2) the development of Banyuwangen music industries after the bloody 1965. In Orla (Old Order), most of Banyuwangen musicians joined, culturally and ideologically, Lekra that had ideal promises to strengthen and empower people arts and cultures as the base for Indonesian culture. At post-1965, they experienced tragic life caused by regime’s surveillance mechanism towards cultural activities that were re assumed having relationship to communism. Fortunately, their friends from another cultural institutions helped and saved their life by arguing the government that they are cultural assets and very important for New Order regime. After 1965, the government to ensure disappearance of Leftist ideology guided Banyuwangen music industries. This development led to private music industries that produced and published Banyuwangen music in Melayu and kendang kempul instrument as the base of the recent development of Banyuwangen music industries. Key words: Lekra, communism, Banyuwangen music, recording industries
Co-Authors A. Sasli, Siti Atiqahgania Agus Sariono Agustin, Yuli Ayu Albert Tallapessy Ali Badrudin Andang Subaharianto Andi Ahmad Fijai Asih Putri Wardhani Bangkit Sandy Pratama Bilqis, Bahiroh Chrisdianto Wibowo Kamandoko Dita Dwi Yulianti Eni Nurhayati Fajar Aji, Fajar Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hairus Salikin Hartanto, Denny Antyo Hat Pujiati Imam Basuki Indah Wahyuningsih Irana Astutiningsih Kusumayanti, Dina D. Kusumayanti, Dina Dyah Lidiana, Dwi Mery M. Sukarno Muhamad Faizi Prayoga Muhamad Faizi Prayoga, Muhamad Faizi Muhammad Zamroni Mustafa, Moch. Turdi Ni Luh Ayu Sukmawati Nurin Nauvalia Ririn Fatmawati SANTUSO, Santuso Sholihah, Alimah B. Suharto Suharto Sukarno Supiastutik Supiastutik Sutarto . Suwargono, Eko Talapessy, Albert Tarisa Badzlin Amajida Yuyun Wahyuni