Articles
<![CDATA[MULANS GREAT UPWARD DRIVE TOWARD ANDROCENTRISM IN MULAN IN DISNEY BELOVED TALES BY JANE BRIERLY, ROBYN BRYANT AND STEPHANIE WERNER ]]>
<![CDATA[Listiari, Erna Dwi]]>;
<![CDATA[Sutarto, Sutarto]]>;
<![CDATA[Supiastutik, Supiastutik]]>
<![CDATA[ Publika Budaya Vol 2, No 1 (2014): Maret ]]>
Publisher : <![CDATA[Publika Budaya ]]>
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<![CDATA[This paper seeks to outline the representation of woman character specifically in using her drive in respondingto androcentrism in Mulan in Disney Beloved Tales. It is one of short stories written by Jane Brierly, RobynBryant and Stephanie Werner and published in 2001 in Canada. The androcentrism undergone by woman maincharacter will be discussed. The great upward drive will be discussed and related to the woman maincharacters response to androcentrisms. This will be placed in the context of woman representation in literaryworks. The approaches used in this discussion are feminist and psychological approach. Feminist approach isused to know the woman characters position in the story and how she is represented. Psychological approach isused to know the psychological state and the response of the main character toward the androcentrisms in thestory . The method of the study used in this thesis is deductive method from the general discussion to the specificdiscussion. The data are collected through library and cyber research. The result of the research shows thatMulan, the main woman character experiences three kinds of androcentrisms namely woman for reproduction,ethical concept and warfare. She uses her great upward drive in responding the three androcentrisms. Therepresentation of Mulan is made very positively that gives good values about woman character in the literarywork.Keywords: great upward drive, tales, Mulan, feminist critique, androcentrism, patriarchy.]]>
<![CDATA[A QUESTION OF MANâS IDENTITY: THE POTRAIT OF SOLDIER IN REBECCA WESTâS THE RETURN OF THE SOLDIER ]]>
<![CDATA[Hidayati, Iin Nurul]]>;
<![CDATA[Supiastutik, Supiastutik]]>;
<![CDATA[Astuti, Irana]]>
<![CDATA[ Publika Budaya Vol 2, No 2 (2014): Juli ]]>
Publisher : <![CDATA[Publika Budaya ]]>
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<![CDATA[This article is made to show how gender identity is constructed in England and how the naturalized conception of gender is something unstable. Chrisâs portrayal as a dependent man in the hands of women is far from the image of the soldier as the picture of manliness. It confirms that all knowledge including biological knowledge is socially constructed. Thus, the character of Chris Baldry as the symbol of masculinity is questioned in this article. Chrisâ deviation occurs after coming home from the battle field because of shell shock. This malaise has made him forget the last fifteen years of his life. In war, his body is assaulted in the name of masculinity: menâs bodies are expected to put up a performance where values such as courage, fierceness, and patriotism are reflected in physical action. When suddenly performance can no longer be sustained, his gender/masculinity becomes vulnerable. Therefore, Judith Butlerâs theory is used to conceive how a subject gets and loses his gender identity. This application confirms Butlerâs performativity that gender is not something fixed. Key words : Gender identity, Masculinity, Performatifity]]>
<![CDATA[THE REPRESENTATION OF LIBERAL FEMINISM IN A WOMAN IS NO MAN BY ETAF RUM ]]>
<![CDATA[Wulandari, Mega Dwi]]>;
<![CDATA[Supiastutik, Supiastutik]]>;
<![CDATA[Pujiati, Hat]]>
<![CDATA[ Lentera: Jurnal Ilmiah Kependidikan Vol 12 No 2 (2019): Lentera ]]>
Publisher : <![CDATA[LPPM STKIP PGRI Bandar Lampung ]]>
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<![CDATA[This study discusses liberal feminism in 21st century in America. Liberal feminism. The representation of liberal feminism in A Woman is No Man explains how powerful is the feminism movement in encouraging Arab woman in Arab-American society. The representation of liberal feminism in A Woman is No Man is depicted through female characters’s struggle in getting the equal right with men. The narratives and the dialogues of the novel construct the discourse of liberal feminism where Arab women are considered as inferior and Arab men are considered as a superior. However, the liberal feminism is showed through the main female characters’ struggle to get the same equal right with men in the novel. According to this reason, Stuart Hall's representation theory and discursive approach by Michel Foucault are applied as the main tool to analyze the problems. Betty Frieddan’s Feminine Mystique is utilized as the supporting theory to analyze the liberal feminism in the novel. The results of this study shows that the idea of Arab men is superior, Arab women are inferior become a common knowledge and general agreement among society.]]>
<![CDATA[MULAN'S GREAT UPWARD DRIVE TOWARD ANDROCENTRISM IN MULAN IN DISNEY BELOVED TALES BY JANE BRIERLY, ROBYN BRYANT AND STEPHANIE WERNER ]]>
<![CDATA[Erna Dwi Listiari]]>;
<![CDATA[Sutarto Sutarto]]>;
<![CDATA[Supiastutik Supiastutik]]>
<![CDATA[ Publika Budaya Vol 2 No 1 (2014): Maret ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
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<![CDATA[This paper seeks to outline the representation of woman character specifically in using her drive in respondingto androcentrism in Mulan in Disney Beloved Tales. It is one of short stories written by Jane Brierly, RobynBryant and Stephanie Werner and published in 2001 in Canada. The androcentrism undergone by woman maincharacter will be discussed. The great upward drive will be discussed and related to the woman maincharacter's response to androcentrisms. This will be placed in the context of woman representation in literaryworks. The approaches used in this discussion are feminist and psychological approach. Feminist approach isused to know the woman character's position in the story and how she is represented. Psychological approach isused to know the psychological state and the response of the main character toward the androcentrisms in thestory . The method of the study used in this thesis is deductive method from the general discussion to the specificdiscussion. The data are collected through library and cyber research. The result of the research shows thatMulan, the main woman character experiences three kinds of androcentrisms namely woman for reproduction,ethical concept and warfare. She uses her great upward drive in responding the three androcentrisms. Therepresentation of Mulan is made very positively that gives good values about woman character in the literarywork.Keywords: great upward drive, tales, Mulan, feminist critique, androcentrism, patriarchy.]]>
<![CDATA[A QUESTION OF MAN’S IDENTITY: THE POTRAIT OF SOLDIER IN REBECCA WEST’S THE RETURN OF THE SOLDIER ]]>
<![CDATA[Iin Nurul Hidayati]]>;
<![CDATA[Supiastutik Supiastutik]]>;
<![CDATA[Irana Astuti]]>
<![CDATA[ Publika Budaya Vol 2 No 2 (2014): Juli ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas Jember ]]>
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<![CDATA[This article is made to show how gender identity is constructed in England and how the naturalized conception of gender is something unstable. Chris’s portrayal as a dependent man in the hands of women is far from the image of the soldier as the picture of manliness. It confirms that all knowledge including biological knowledge is socially constructed. Thus, the character of Chris Baldry as the symbol of masculinity is questioned in this article. Chris’ deviation occurs after coming home from the battle field because of shell shock. This malaise has made him forget the last fifteen years of his life. In war, his body is assaulted in the name of masculinity: men’s bodies are expected to put up a performance where values such as courage, fierceness, and patriotism are reflected in physical action. When suddenly performance can no longer be sustained, his gender/masculinity becomes vulnerable. Therefore, Judith Butler’s theory is used to conceive how a subject gets and loses his gender identity. This application confirms Butler’s performativity that gender is not something fixed. Key words : Gender identity, Masculinity, Performatifity]]>
<![CDATA[THE REPRESENTATION OF WOMAN’S OPPRESSION IN LISA SEE’S SNOW FLOWER AND THE SECRET FAN ]]>
<![CDATA[Azara Nafia Irmadani]]>;
<![CDATA[Supiastutik Supiastutik]]>;
<![CDATA[Irana Astutiningsih]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 20 No 1 (2019): Semiotika: Jurnal Ilmu Sastra dan Linguistik ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v20i1.12832
<![CDATA[Snow Flower and The Secret Fan is one type of fiction novel written by Lisa See in 2005. Snow Flower and The Secret Fan tells about the lives of Chinese women in the nineteenth century where women's position was lower than men. In that era, there was a tradition that required women to tie their legs when they were young then caused them to endure unbearable pain because of a leg tie. By tying their legs, they can get married and improve their social status and bring them to a better life. Legs bound are to be sexually pleasure for men to achieve sexual satisfaction. In addition, in that era women were not permitted to get education like men. This problem was the impact of the Patriarchal culture. In the Patriarchal culture, there is a Confucian teaching that is used as a way of life for Chinese people. The teaching requires women to obey men: Father, husband, and later their sons. Therefore, Chinese women live as a second-class. In conducting this research, the author uses Representation Theory by Stuart Hall. Research shows that female oppression is clearly illustrated in the novel through a leg tie. Lisa See realistically describes the real conditions of women's oppression in China in the Snow Flower novel and The Secret Fan.]]>
<![CDATA[A Linguistic Landscape Study of English in Yogyakarta: Its Representation of Power in Commercial Boards ]]>
<![CDATA[Dewianti Khazanah]]>;
<![CDATA[Hadi Sampurna]]>;
<![CDATA[Reni Kusumaningputri]]>;
<![CDATA[Riskia Setiarini]]>;
<![CDATA[Supiastutik Supiastutik]]>
<![CDATA[ ELLITE Vol 6, No 2 (2021): ELLITE: November ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Jember ]]>
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DOI: 10.32528/ellite.v6i2.6380
<![CDATA[This research explores how English is used in the expanding circle: tourism areas in Yogyakarta, Indonesia. Although Bahasa Indonesia is the official language used, this does not mean that other languages will have a little share in the linguistic landscape. The total data used were 519 signboards which were analyzed qualitatively and quantitatively. This research found that in monolingual boards, the use of English was 23.7%, and Indonesian was 73.5%. The magnitude of the use of English, which is close to as salient as the use of Bahasa Indonesia, is particularly shown on the bilingual and multilingual signboards. This study highlights discussion on the representation of power of English in the investigated signboards, which was shown from the number of appearance and combination of English and other languages in the signboards. It is revealed that English is expressed not only for informative reasons but also for symbolic reasons such as indexing sophistication, cosmopolitanism, and fashionable appearance.]]>
<![CDATA[Transfer of meatball and nugget making and nugget making technology as development of merang mushroom processed products in Rambutpuji District, Jember Regency ]]>
<![CDATA[Niken Widya Palupi]]>;
<![CDATA[Supiastutik Supiastutik]]>;
<![CDATA[Subekah Nawa Kartikasari]]>;
<![CDATA[Eka Ruriani]]>
<![CDATA[ Berdikari: Jurnal Pengabdian Masyarakat Indonesia Vol. 1 No. 3 (2019): Berdikari: jurnal Pengabdian Masyarakat Indonesia ]]>
Publisher : <![CDATA[Future Science ]]>
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<![CDATA[IbM's activities on the socialization of making meatballs and nuggets as developers of processed meat-based products are to introduce to the people of Jember, especially those who live in the area of mushroom mushrooms, about the appropriate technology for making meatball and mushroom mushrooms. This IbM activity is carried out at UD. KAOLA MANDIRI located in Rambigundam Village, Rambipuji District, Jember Regency. Mushroom farmers are given training and training on the technology of making mushroom substitution meatballs and mushroom mushroom nuggets. To facilitate understanding of mushroom farmers regarding the technology of making meatballs and nuggets, training activities are carried out by direct practice. The whole participants are mushroom farmers invited to be directly involved in the activities of making products. The technology of making meatballs and nuggets in the utilization of straw mushrooms as substitute or substitute materials can be easily absorbed and the level of enthusiasm of participants in the training material is very high.]]>
<![CDATA[PENGARUH “Code Mixing” DAN “Code Switching” TERHADAP KEMAMPUAN PEMAHAMAN BAHASA INGGRIS: KEMAMPUAN PEMAHAMAN BAHASA INGGRIS Supiastutik, supiastutikjuhanda@gmail.com, Universitas Jember. Gaguk Rudianto, gagukrudianto@gmail.com. Universitas Putera Batam ]]>
<![CDATA[supiastutik astutik]]>
<![CDATA[ BASIS (Bahasa dan Sastra Inggris) Vol 1 No 2 (2014): JURNAL BASIS UPB ]]>
Publisher : <![CDATA[Universitas Putera Batam ]]>
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<![CDATA[Didalam proses pengajaran bahasa Inggris di sekolah baik di tingkat SMA maupun tingkat SMP penggunaan bilingual tidak dapat dihindari. Penggunaan bilingual yang sering digunakan dalam proses “mencerdaskan kehidupan bangsa” adalah “Code Mixing” dan “Code Switching.” Kedua alih kode tersebut berperan sangat penting dalam membantu pemahaman kepada siswa. Sejauh mana pengaruh dari kedua kode tersebut didalam pemabahan? Penelitian ini akan mengungkapkannya secara detail dan data yang didapatkan dianalisa dengan menggunakan uji Kruskal Wallis One Way Anova dengan menggunakan nilai chisquare untuk mengetahui signifikansinya.]]>
<![CDATA[THE CONSTRUCTION OF ORIENTALISM IN DAN BROWN’S DIGITAL FORTRESS ]]>
<![CDATA[Ghassani Auliannnisa Widjajati]]>;
<![CDATA[Ikwan Setiawan]]>;
<![CDATA[Supiastutik Supiastutik]]>
<![CDATA[ Haluan Sastra Budaya Vol 6, No 1 (2022) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v6i1.57158
<![CDATA[This article studies orientalism constructed in the novel of Digital Fortress that is written by Dan Brown. Orientalism discourse appears in the literary works through narrative events and conversations of the Western and the Eastern. Ensei Tankado, a Japanese character, will be presented in this study in the lens of Western. The aim is to explore orientalism discourse in the novel to get an understanding of the ideology interest as part of the Western power. Theory of Orientalism by Edward Said is applied in this study. It modifies Foucauldian discourse theory and Gramscian hegemony. The four concept of Orientalism discourse including political power, intellectual power, cultural power and moral power will be used in this study. How the Eastern subject is positioned by the Western in Digital Fortress becomes the focus. Japanese and the United States in the novel can be related to the contextual condition that cultural domination and hegemony still occur between Japan-USA since World War II. Orientalism in the literary works is a new imperialism. The goal of this study is to reveal that the novel brings cultural domination.]]>
