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Journal of Islamic Architecture
Published by Universitas Islam Negeri Maulana Malik Ibrahim Malang
ISSN : 20862636     EISSN : 23564644     DOI : -
Core Subject : Humanities, Art, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture
Journal of Islamic Architecture (JIA) is a scientific publication for widespread research and criticism topics in Islamic architecture studies. JIA is published twice a year in June and December since June 2010 by International Center for Islamic Architecture from the Sunnah (CIAS), Department of Architecture Universitas Islam Negeri Maulana Malik Ibrahim Malang, Indonesia. One volume of JIA is published in two-year calendar.
Arjuna Subject : -
Articles 330 Documents
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Woodcarving Panels in Johor Traditional Malay Houses Influenced by the Islamic Principle Hanita Yusof; Izudinshah Abd Wahab; Azmal Sabil; Nur Amalina Hanapi
Journal of Islamic Architecture Vol 7, No 2 (2022): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i2.17659

Abstract

Woodcarving can be influenced by numerous aspects, including religions and beliefs, which may be comprised of the selections of motifs and also wood-carving panels. In Johor, Malay is one of the major ethnic groups and is considered the majority of the state's population, contributing to the significant heritage, including architecture. Traditional Malay houses in Johor have in-stilled woodcarving into some placements of the houses, including windows on jerejak panels. This paper aims to identify the typology of woodcarvings panels and the percentage of usage among the panels found in Johor Malay houses to identify its influence. 72 Johor traditional Malay houses with distinctive woodcarvings were selected to do inventory, photographed, and analyzed. Interviews were conducted while the samples taken were discussed and verified by woodcarving experts. Results show five-piece panels take the highest percentage while six-piece panels come in second in the overall statistic where it is concluded that the Pillars of Islam/Rukun Islam and Pillars of Faith/Rukun Iman have been the influence on the findings. The findings show that the Islamic religion is the most significant influence contributing to the justification of choice. This study can bring recognition to Johor woodcarvings and contribute valuable guides for woodcarvers to apply these panel typologies to their future works to sustain and cherish the Johor houses' wood-carving identity
The Architecture of Dezzak Grand Mosque, Iranian Baluchestan With Reference To Prophet Mohammad Mosque in Medina Hossein Sarhaddi-dadian; Sabereh Malekzadeh; Zuliskandar Ramli
Journal of Islamic Architecture Vol 7, No 2 (2022): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i2.17018

Abstract

This paper investigates the architecture of the Dezzak Grand Mosque in Saravan City for the first time to the best of our knowledge. One of the most important research problems was the lack of sufficient information about the Dezzak Mosque. Considering that some of the Islamic geographers had sporadically mentioned an old mosque in the southeast of Iran, comprehensive field research was not done in this regard. This study compares Dezzak Mosque the oldest mosque in South East of Iran with the Prophet Mohmmad Mosque in Medina and other mosques of Early Islam in Iran such as Fahraj Tarikhane Damghan mosques in Iran from the perspective of style and architectural features. With the arrival of the Muslim Arabs to Iran and acceptance of the new religion, Islam, Iranian Muslims were engaged in the construction of mosques in this country. The Dezzak Mosque was one of them. The mosque has a square plan with a corridor, which is surrounded by circular columns and arches around the courtyard with clay raw. The columns have a diameter of 1.5 meters around the courtyard, which is most on the South Side. Raw bricks for the construction of the building and palm trees are used to cover the roof. Recent studies show that the Dezzak Mosque in terms of stylistic influences of the Khorasani style is the first Islamic-Iranian style. Dezzak Mosque is similar to the Prophet Mosque in Medina in case of plan, materials, and architectural features, and also it has been influenced by Tarikhane Damghan and Fahraj as the oldest mosques In Iranian Plateau.
Critical Regionalism Approach for Djami Mosque Design Towards the Aesthetics of Sustainability Mohd Hanif Masridin; Alice Sabrina Ismail
Journal of Islamic Architecture Vol 7, No 2 (2022): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i2.17135

Abstract

Sustainable architecture seeks to minimize the negative environmental impact of buildings by efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. It adopts a conscious approach to energy and ecological conservation in designing the built environment. This conscious process involves the embodiment of phenomenology as embedded in the critical regionalism approach that explains 'human experiences as being' in the built environment. In this sense, the aesthetics of sustainable architecture may be accomplished when three factors (the visual perception of space, spatial, experiential perceptions, and the cognition of the natural environment) are incorporated together. This paper aims to identify and unveil how the critical regionalism approach contributes to sustainable architectural design based upon five determinants - placemaking, genius loci, the phenomenology of senses, climatic and environment responsiveness, and communal and humanity tectonic. In Malaysia, the critical regionalism approach is not widely explored and defined due to a lack of value application and awareness amongst local designers in public building design. Hence, it resulted in public building design like Mosque that emphasizes only superficial aesthetics, which lacks importance on the user's needs. The study used the hermeneutic method through the interpretivism paradigm to understand this. As a case study, the two indicators of architectural elements, form making and spatial elements of mosque buildings, are analyzed to document the value of critical Regionalism that embraces adaptability, reinterpretation and realization of reality. This study will benefit many parties in providing recommendations for mosque design, referring to the critical regionalism approach toward sustainable architecture. This critical regionalism approach can foster the formation of a national identity architecture that can contribute to the unity of society and strengthen the sentiment of nationalism in the present Muslim and multi-racial society. In addition, by having a better-quality design, the built form can readily be accepted and adopted in terms of functions for the benefit of the entire community.
Architectural Study of Koca Sinan Pasha Mosque at Kaçanik, Kosova Orges Drançolli
Journal of Islamic Architecture Vol 7, No 2 (2022): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i2.17609

Abstract

Koca Sinan Pasha Mosque is one of the oldest classical mosques built in Kosova during the reign of the Ottoman Empire (1389-1912). The mosque bore the name of its donor and was completed in 1594/95. It is located in a small town in the southern part of the country, in Kaçanik. Regarding its compositional scheme, the monument belongs to the examples of Ottoman-style mosques in the Balkans with local elements. Its compositional scheme comprises a prayer hall, portico, and a minaret. The paper focuses on a brief history of the Koca Sinan Pasha, the history of the mosque, architecture, pictorial and sculptural decorations, current condition, and the monument's surroundings. By doing so, the paper helps identify the challenges that the mosque faced during its existence, as well as changes in the structure of the building and its decorations that occurred with time. The study relies on the existing monument as the primary source of information. However, the documentation of the Institute for the Protection of Cultural Monuments of Kosova and the relevant literature that directly or indirectly deals with the issue in question has also been used. The study is accompanied by architectural visualization and photographs of the mosque's exterior and interior. The Paper aims to help study, promote and display the mosque's value to a wider audience
Evaluation of Architectural Publicness Design Elements on Seremban State Mosque of Negeri Sembilan Nangkula Utaberta; mohd tajuddin mohd rasdi; Teoh Chee Keong; Lee Yun Sheng
Journal of Islamic Architecture Vol 7, No 2 (2022): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i2.15756

Abstract

This research paper aims to examine the architectural design and the publicness of a state mosque in Malaysia while taking into consideration the social inclusiveness and national identity among religious buildings within the compound and beyond the framework of religion. The research objective is to evaluate the architectural design elements in a mosque on publicness. The methodology used in this research is by reviewing literature and evaluating the Negeri Sembilan State Mosque; Seremban Mosque, as a case study of its social publicness. The finding from the research concludes that the state mosque can do more to achieve inclusivity and friendliness through architectural design elements such as perception, permeability, and territoriality of the building in relation to its context and religious adherents, as well as the larger Malaysian population. Furthermore, the significance of the finding identified that religion and religious buildings play a crucial role in sustaining unity and harmony among all ethnicity in a community with such a diverse society in order to promote further the manifestation of social inclusiveness and national unity among religious buildings and diminish the conflict in race and religion.
The Courtyard in Cairene Traditional Houses; A Territorial Dispute, Game of Spaces Geometry and Light Sadek Ahmed Saad
Journal of Islamic Architecture Vol 7, No 2 (2022): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i2.15427

Abstract

The courtyard lost its role in contemporary Egyptian architecture. Despite its importance in the family social life, the western model of the villa and townhouse is adopted. The author argues that presenting the courtyard as a climatic solution only is inaccurate in introducing the courtyard to local urbanism. The study adopted qualitative and quantitative approaches, collecting historic courtyards houses in Cairo analyzing their courtyard form, geometry, and introductory spatial sequences. Related literature was reviewed for collecting data and introducing criteria. The study sample analysis proved the strong relationship between the spatial territoriality, the house transition zone, the public right to assert the order of their built environment (through collective deliberation) and other forces, which are of great importance to the courtyard role and meanings.
The Collaboration Between Space Form and Islamic Cultural Rituals on the Cultural Landscape Pattern of Cirebon City Dini Rosmalia; Dhini Dewiyanti
Journal of Islamic Architecture Vol 7, No 3 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i3.17764

Abstract

There is a collaboration between spatial forms and Islamic (Javanese) cultural rituals in Cirebon city, which has the potential to shape the uniqueness of the cultural landscape. The research object is the Kanoman Sultanate which conducts the annual ritual, 'M(a)uludan' tradition. The aim is to describe the collaboration between the physical forms of the Keraton Kanoman and the M (a)uludan Tradition, which is the Islamic or Javanese culture. This involved using the qualitative description method through cultural participation for a period of 8 years. The results showed the existence of an imaginary space formation strung together by the presence of residents from 31 villages as followers (wargi) of the Keraton Kanoman. Moreover, the spatial form of the ritual route was discovered to have been formed for several generations. The people strongly believe that the presence and involvement of these routes can bring them virtue, blessings, prosperity, as well as protection from misfortune. This research argues that the imaginary space forms were created by these cultural events.
Plant Elements Reinforcing the Sense of Place Identity of The Muslim Malay Royal Town Intan Khasumarlina Mohd Khalid; Nor Atiah Ismail; Osman Mohd Tahir; Noor Hayati Ismail
Journal of Islamic Architecture Vol 7, No 3 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i3.14079

Abstract

Due to a lack of secure identity following the new developments in a Muslim Royal Town of high-tech modernization in the twentieth century, the craft maker created any motif with an unknown purpose. As a result, the original character of the location will be tarnished, and the image will vanish. This paper aims to identify the qualitative responses of the plant elements reinforcing the Muslim Royal Town of Kuala Kangsar, conducted semi-structured interview participants based on purposive sampling, including professionals, policymakers, and skilled practitioner's categories. The data was analyzed through qualitative coding using Atlas ti 8.0. The significant findings reveal that the flower, the color related to the flag, leaf, and types of plant, tendril/ meandering cloud, the shape of the plant, and an element of the plant on a Perak Coat of Arm reflected the royal Muslim town. This finding contributes to assessing the details of the plants' motif representation to assist the city council in preserving the unique and valuable historical heritage for the place image of the Muslim Royal Town of Kuala Kangsar, Perak.
Patterns of Sacred Spaces in the Settlement with Religious Plurality: Balun Village, Lamongan Agus Subaqin; Antariksa Antariksa; Lisa Dwi Wulandari; Herry Santoso
Journal of Islamic Architecture Vol 7, No 3 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i3.20020

Abstract

Plurality in religion is one of the absolute realities of social reality that is inevitable. Religious plurality is a challenge to create harmony in the religious life and, on the other hand, a vulnerable source of conflict and disputes by various parties. This study explores the pattern of religious space structure in religious plurality settlements in Balun village, Lamongan Regency. Using a structuralist approach (Levi-Strauss) to structure religious activities in a (1) pragmatic (contextual/technical), (2) syntactic (pattern/layout), and (3) semantic (perception) about space, form and sign to explore the pattern of sacred space with the aspects studied, namely the structure, territory and spatial dynamics of various worship activities in religious plurality settlements on a micro, meso and macro scale. Data was collected through direct observation and in-depth interviews with systematic purposive sampling. The results showed that the pattern of spatial order of religious spaces was formed by utilizing public spaces for religious activities; the change of public space into a space of religious activity forms the flexibility of the functioning of space and changes in the territorial boundaries of sacred space – profane. This research contributes to the theoretical development of spatial patterns of religious spaces in religious plurality settlements and creates a space for tolerance in religious life in Balun village, Lamongan.
Studying the Human Scale and Proportionality of Great Mosque in Jawa Timur, Indonesia Hammam Rofiqi Agustapraja; Izudinshah Bin Abd Wahab
Journal of Islamic Architecture Vol 7, No 3 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i3.17382

Abstract

The proportion and scale of humans in the building are one of the invoices in shaping the beauty and effectiveness of the function of the building. In architecture, there is a golden ratio as a reference for calculating the proportions of a shape. While in Indonesia, especially in Java and Bali, there is a traditional measurement method for developing a building, using body anatomy measurements. This study uses the Golden Ratio and Traditional Measurement methods to analyze the dimensions of the prayer room at the Great Mosque in East Java with case studies of the Lamongan Great Mosque, Tuban Great Mosque, and Gresik Jamee Mosque. The results obtained from this study for the dimensions of the existing prayer room with the largest percentage approaching the golden ratio are the prayer room of the Great Mosque of Lamongan (82%), and the smallest is the Jami Gresik Mosque (61.8%). While the dimensions of the prayer room need adjustments to be more effective in meeting the human scale in performing prayers, traditional measurement methods that approach modern measurements use "kilan" and "hasta." From these results, it is hoped that in the future, mosque planning can pay attention to the proportions and dimensions of the human scale, both with modern and traditional measurements, which are the local wisdom of the local culture.

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