cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
SASDAYA: Gadjah Mada Journal of Humanities
Published by Universitas Gadjah Mada
ISSN : 25483218     EISSN : 25493884     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
SASDAYA: Gadjah Mada Journal of Humanities (GMJH), is a multidisciplinary scientific journal with the primary aim of exchanging, developing, and disseminating of Humanities on Southeast Asia. Articles published in journals are based on research results, fieldwork, and literature studies (development of theory) by first through a peer-reviewed process. The Management of the journal invites academic, and researcher to submit their critical writing to contribute to the development of the humanities sciences.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 1, No 2 (2017): MEI" : 7 Documents clear
HUTAN JATI BERKALUNG BESI: PENGANGKUTAN KAYU JATI DI JAWA PADA AKHIR ABAD KE-19 DAN AWAL ABAD KE-20 Warto Warto
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27781

Abstract

Teak forests became one of the important resources in Java in the past. Teak forests did not only provide economic benefits for residents to fulfill their daily needs but also provided other benefits, especially in stabilizing the forest environment. However, the condition began to change when the teak forests exploited. In the 19th century and early 20th century, the environmental teak forests experienced degradation and deforestation that was difficult to control. The presence of teak logging companies at the end of the 19th century became the starting point of the accelerated deforestation. In running a business, they used modern tools that can simplify the process of harvesting and be transporting of teakwood. Some of the modern tools called trams and trains which were used to carry teak logs from the forests to shelters and ports. By utilizing modern transportation, teak woods can be transported quickly, accurately and massively. This paper shows that the opening of tram and train rail road’s in teak forests in addition to facilitating the transportation of goods and people, also led to the improvement and expansion of teak massive deforestation.
TRADISI MASYARAKAT SELO DAN PARIWISATA DI TAMAN NASIONAL GUNUNG MERBABU, BOYOLALI JAWA TENGAH Indah Riadi Putri; Lies Rahayu Wijayanti Faida; Chafid Fandeli; Ris Hadi Purwanto
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27782

Abstract

Culture can form civilization or tradition in meeting the needs and well being of the people involved in the environment. One of form the human culture is a work of art. Artwork reveals the attitudes, processes, Symbolics meaning in the form of movement, carvings, paintings, material realized from social and cultural knowledge. Cultural attractions have a high appeal because it has a special value in the form of art performances, traditional ceremonies, the noble values that are contained in an object of man's work in the past. People have a variety of cultural art that consists of various traditions ceremonies, art performances, habits of indigenous people in life. It can be a potential cultural attraction for tourists who visit the National Park area of Mount Merbabu in District Selo, Boyolali regency. The purpose of this research is to know the traditions of performance, art, and culture the people of Selo, Merbabu Mountain National Park, Boyolali Central Java. Culture can shape civilization or tradition in the needs and welfare of life for the people involved in its environment. One form of human culture is the work of art, which reveals attitudes, processes, symbols of meaning in the form of movements, carvings, paintings, material embodied from social and cultural knowledge. Social and cultural knowledge embodies special things such as artistic attractions, traditional rituals passed down until to the present day. The meaning of this honor is an expression of gratitude to the spirit of the ancestors who have helped keep the balance of the region and the agriculture of the Selo community to be safe, safe and abundant. This research uses qualitative and quantitative analysis method by measuring distribution/frequency of performance and implementation of tradition/culture of Selo society. The Selo community has various artistic and traditional cultures, including art performances, ancestral honors (sadranan on the 1st night of Suro), clean villages, and thanksgiving for the harvest. The results of the study found that: 1) the tradition of traditional ceremonies in the form of homage to ancestral spirits (ancestors) of 7.1 percent, 2) performances sendratari of 54.52 percent, 3) the use of public buildings with local architecture of Java that serves as a gallery art as much as 59.03 percent, and 4) Community activities work together 75.48 percent. The data also indicates that the traditions and culture of the Selo community, not only as a potential support for tourism but become an integral part of the development of nature tourism in the area of Gunung Merbabu National Park Boyolali, Central Java.
VERBA “MELUKAI” DALAM BAHASA ROTE DIALEK DENGKA: KAJIAN META SEMANTIK ALAMI (MSA) Efron Erwin Yohanis Loe
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27783

Abstract

This article will analyze and examine the verb “to hurt” found in Dengka Dialect of Rote Language. Based on the data collected from the informants, there are nineteen lexicons discovered and each of them will be further described in the discussion part of this article. The nineteen lexicons are: uta, tati, mbau, donggi, dui, undu, teta, ela, kalu, ali, isi, iɁi, tede, soso, nato, edo, ule, tutu and dodo. The approach applied to analyze those nineteen lexicons is natural semantics meta-language (NSM). By using this approach, we would optimise the analysis in order to obtain a better result, since there is only one meaning for each lexicon. The results of this analysis could become a reference for the readers and the researchers in writing articles using their language that related to semantics by using natural semantics meta-language theory.
KEARIFAN LOKAL ORANG JAWA DALAM METAFORA NOVEL PARA PRIYAYI, KARYA UMAR KAYAM Ari Wulandari
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27779

Abstract

The metaphor is born because of the limitations of human language, while the human mind is unlimited. This research data is a metaphor in the Para Priyayi novel. This study uses a qualitative research design or research context. Metaphors are covered depends context of existing metaphors in the Para Priyayi novel. Metaphoric consists of nine patterns, namely (1) one sentence, one metaphor, (2) one sentence, two metaphors, (3) one sentence, three metaphors, (4) tenor at the front, the vehicle in the behind, (5) vehicle at the front, tenor in the behind, (6) noun - verb, (7) verb - noun, (8) noun - adjective, and (9) the frozen form. As there are four kinds of metaphor, namely (1) a metaphor of man, (2) a metaphor of animal, (3) a metaphor of plant, and (4) a metaphor of natural circumstances. The sphere of life that exists in the Para Priyayi novel metaphor includes five programs: (1) economics, (2) the family, (3) community, (4) the natural environment, and (5) of religion and belief. The values of local wisdom includes nine things, namely (1) character, (2) ethics, (3) chivalry, (4) the concept of Manunggaling Kawula kalawan Gusti, (5) education, (6) the attitude of the community, (7) moral education, (8) self-control, and (9) leadership. The research proves that metaphor in the Para Priyayi novel has certain forms and types, contains the realm of Javanese life, and the values of Java local wisdom.
TEORI DIALOGISME BAKHTIN DAN KONSEP-KONSEP METODOLOGISNYA Fadlil Munawwar Manshur
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27785

Abstract

This paper discusses the theory advanced by Bakhtin about dialogism and methodological concepts. This theory to formulate the concept of human existence on the other, which is based on the idea that humans judge him from the viewpoint of others. Humans understand the moments of consciousness and take it into account through the eyes of others. According to this theory, the essence of human life is a dialogue. The Method of heteroglossia talks about signs in the universe of individuals because of the word "heteros" means "other" or different, while "glossia" means the tongue or language. In this method mentioned that people are saying needs to be heard, and the author also has the same rights that words need to be heard. A word is born from dialogue to address the problems of life. On the other hand, Bakhtin sees carnival method has spawned a new literary genre, the polyphonic novel. The polyphonic novel is a novel that is characterized by a plurality of voice or consciousness, and the voices or the overall awareness dialogical. Polyphonic essentially a "new theory of authorial viewpoint". Polyphonic appear in fiction when the position of the author freely allowed to interact with the characters. The characters in the novel are freely polyphonic appear to argue with each other and even with the author.
DARI MITOS TUJUH PUTRI HINGGA LEGITIMASI AGAMA: SUMBER KEKUASAAN SULTAN TERNATE Rustam Hasyim
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27777

Abstract

Noble people from the circle of Sultanate of Ternate construct and maintain their power base by creating the magical aspect of religious and Culture. This hegemonic strategy allowed this group to pose a certain powerful position and to have a certain place in the heart of the people of Ternate. There are, at least, four important heritage elements in the Sultanate of Ternate used as a strategy to form and strengthen their position. The first is the doctrine Jou se Ngofangare (king and servant) which means Sultan as the representation of God's power (macro cosmos). Second is the mythical Seven Princess, which justifies the Sultan position by using magical-religious as a means to gain people consent. Third, this group tends to use their noble title and heirloom as signs of charisma and sacred magical power. Those heirlooms such as sword and title function to legitimize the Sultan as ruler. Fourth, Kadaton (palace) which produces cultural meaning as the highest indigenous identity and the source of magical belief
AMBIVALENSI: CARA BARU MEMAHAMI IDENTITAS POST-KOLONIALISME BUDAYA INDONESIA Muharina Harahap
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27786

Abstract

Buku ini memuat kumpulan sembilan esai yang membicarakan tentang poskolonial dengan fokus pada perbincangan mengenai ambivalensi. Ke-ambivalensi-an tersebut masing-masing memiliki aspek yang berbeda-beda. Pembicaraan tersebut berpusat pada konsep mimikri, hibriditas, ‘ruang antara’, hegemoni, resistensi, dan sebagainya. Konsep-konsep tersebut dijadikan alat untuk membedah serangkaian wacana poskolonial mulai dari musik hingga yang terkait dengan agama.

Page 1 of 1 | Total Record : 7

 1 

Filter by Year

2017 2017


Reset
Filter By Issues
All Issue Vol 5, No 2 (2021): Agustus - Januari Vol 5, No 1 (2021): February - Juli Vol 4, No 2 (2020): Agustus Vol 4, No 1 (2020): February Vol 3, No 2 (2019): Agustus Vol 3, No 1 (2019): February Vol 2, No 2 (2018): MEI Vol 2, No 1 (2017): November Vol 1, No 2 (2017): MEI Vol 1, No 1 (2016): NOVEMBER