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INDONESIA
Jurnal Ilmu Budaya
Published by Universitas Lancang Kuning
ISSN : 18298338     EISSN : 25407651     DOI : -
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Jurnal Ilmu Budaya (ISSN 2540-7651; E-ISSN: 1829-8338) is an international journal published by the Faculty of Humanities, Universitas Lancang Kuning and published twice a year. It specializes in humanities, library science, philology, literature, cultural studies and current issues on the subject. This journal warmly welcomes contributions from scholars of related disciplines.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol. 18 No. 2 (2022)" : 5 Documents clear
ANALISIS STRUKTUR DAN MAKNA DALAM DRAMA SERIKAT KACAMATA HITAM KARYA SAINI KM Deni Afriadi; Jefrizal Jefrizal
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9464

Abstract

This research will analyze the structure of the play in the drama script of the Serikat Kacamata Hitam by Saini KM. The text of the manuscript will be analyzed using a non-interactive qualitative method (non interactive inquiry). Non-interactive research, also called analytical research, conducts studies based on document analysis. This study collects, identifies, analyzes and synthesizes data to then provide interpretations of concepts, policies, events that can be directly or indirectly observed. The source of data from non-interactive is documents. The play structure analysis used will describe the plot or story outline, characterization or characterization, dialogue or conversation, setting or foundation, theme or basic tone of the story, and the author's message or message in the text of Saini KM's Serikat Kacamata Hitam manuscript.
ANALISIS BENTUK FUNGSI DAN MAKNA WACANA CORONA VIRUS VERSI BAHASA INGGRIS (SUATU TINJAUAN PRAGMATIK) Edward Edward; Sorta Hutahaean
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9465

Abstract

This research was aimed at describing the types of forms and meanings found in the documentary text of the current cyber paper on coronavirus. The result shows that texts tend to be representative, and out of 32 data, only one was in the form of declarative, three directives, four commissives, and the rest were representatives. Meaning and form were determined by context and co-text. It can be concluded that the meaning is context-dependent but the structure varies accordingly. Some may have compound, comples, compound-complex, and even transformative sentences. In short, the context influences the whole text. It was found that exospheric context or reference was greatly influencing the meaning of the text.
SIMBOL DALAM KAIN ULOS PADA SUKU BATAK TOBA Inestya Fitri Desiani
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9466

Abstract

One of the tribes found in the western region of Indonesia, specifically North Sumatra, is the Batak Toba tribe. The Batak Toba tribe is one of the tribes which likes to do the weaving culture, making it one of the local wisdoms for the Batak Toba tribe, namely ulos cloth. Ulos is a traditional cloth obtained through a weaving process carried out by Batak women, producing various patterns. Each ulos cloth symbolizes a different message depending on the type and purpose of making the ulos cloth. The symbol carried by the ulos cloth is reflected in the patterns, patterns, and colors of the ulos cloth made on Martonun Ulos. Therefore, the types and meanings of each type of ulos cloth symbolize something from local wisdom for the Batak Toba tribe. The ulos cloth of the Batak Toba tribe symbolizes several meanings: ulos ragi hotang is usually used to ulos someone with the hope that God will give him the best results, and that person will be diligent in working. Ulos ragi is alive with colors, paintings, and patterns (ragi). giving the impression as if ulos is alive, so people call it live ragi, which is a symbol of life. Ulos sibolang with the ulosi procession is intended so that he is always careful with his family friends, and understands who should be respected, pays respect to all relatives of the wife's side, and as a sign of respect for his services while being the wife of the deceased. The local wisdom of ulos traditional weaving is an ancestral heritage that has high value and can strengthen national identity and identity that needs to be preserved by all parties to maintain the nation's cultural wealth.
SUPERIORITAS BUDAYA ASING DI INSTITUT TEKNOLOGI BANDUNG Naqisya Arifani; Muhammad Duta Wibawa Mawardi; Fiona Angelica Tjahjono; Elizabeth Michele; Maynardo Pratama Soegianto; Fathimah Afra Nailah Adma; Shelly Delfiani; Amelia Rahma Putri; Jesslyn Gracsella Rusli; Fedora Yoshuara; Jeremy Jeremy; Christian August; Tarissa Cindy Fitrian
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9467

Abstract

Xenocentrism is a phenomenon that has recently been embedded in people's lives, especially students, where they feel a culture-based tendency to value other cultures more than their own, which can manifest in various ways. In practice, xenocentrism can indirectly pose a threat to the identity and national integrity of the Indonesian nation. Therefore, this study was conducted to show the superiority of foreign cultures within the scope of the observed ITB students and how the decline of nationalism was seen from the implementation of foreign cultures within the scope of ITB students. The research method used in this research is descriptive research. The sample used is the students of the Bandung Institute of Technology with a total of 247 respondents. The respondent sampling method used is the method of convenience samples or accidental samples and also purposive. The benefit of this research is to build awareness of ITB students on the importance of respecting the nation's culture and fostering national integrity in the lives of ITB students. The results showed that the level of xenocentrism in ITB was not too high, although overall the level of xenocentrism in Indonesia was quite high.
RONGGENG DUKUH PARUK DAN PEREMPUAN KEMBANG JEPUN (KAJIAN SASTRA BANDING) Inung Setyami
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9468

Abstract

This study aims to discribe the form of subordination experienced by geisha in the novel Perempuan Kembang Jepun by Lan Fang and Ronggeng in the novel Ronggeng Dukuh Paruk by Ahmad Tohari. The data source of this research used two novels, namely the novel Perempauan Kembang Jepun (PKJ) by Lan Fang and the novel Ronggeng Dukuh Paruk (RDP) by Ahmad Tohari. The results showed that 1) novel PKJ by Lan Fang and novel RDP by Ahmad Tohar, the central character is a woman who works as a dancer. Ronggeng dancers are included in RDP, while geisha are inclued in PKJ; 2) Both novels present male characters related to the geisha and ronggeng professions; 3) There are similarities in ideas, namely women in both PKJ and RDP novels experience subordination to male power that has been socially constructed; 4) Biologically, dancers in PKL and RDP have the idea of eliminating the absolute nature of women (pregnancy, giving birth); 4) There are absolute requirements for prospective dancers, namely mizuage (virginity auction) for geisha candidates and "bukak klambu" (virginity contest) for ronggeng candidates.

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