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INDONESIA
LEKSIKA
Published by Universitas Muhammadiyah Purwokerto
ISSN : 19781695     EISSN : 26204037     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
Leksika is a journal on language, literature and language teaching. It is published by Faculty of Letters, Universitas Muhammadiyah Purwokerto, Central Java, Indonesia. Its issues are published twice a year in February and August. Leksika has been indexed in Google Scholar, Academia edu, Base, Portal Garuda, i-Future and Sinta e-ISSN : 2620-4037 p-ISSN : 1978-1695.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol 2, No 1 (2008)" : 5 Documents clear
RAGAM TUBUH IDEOLOGIS: REPRESENTASI KELELAKIAN DAN KEPEREMPUANAN DALAM IKLAN DI MEDIA CETAK Ikwan Setiawan
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2255

Abstract

The media industry opens shared access to man and woman in pursuing their career. The contestation of woman in media is perceived to be the liberation against the patriarchal ideology. The perception cannot be separated from the discourses  of the pubic. Man, since thousand years ago, has been viewed to be more logic and superior than his counterpart. Woman is believe to have no ability to use his logics more than her heart and emotion. This paper tries to focus on the images of woman represented by the advertisement. Employing the foucault’s  discourse theory and Roland Barthes’s  semiotic of myth, it is aimed to disclose how woman represented and the ideology works underlying the representation.     The analysis shows that the ads in the mass media cannot be blamed to be the means to maintain the patriarchal hegemony only. The ads, in fact, are the representation arena pursued by the competing forces of discourse in the society. They, besides functioned to market the product, may provide and offer some ideological content. It means the ads cannot be whole-generalized to be the patriarchal media : they than have a potential  subversive shocking the hegemonic ideology. The feminist discourse evoke in the ads offers the strategic role of woman in the contestation. In sum, the bodies of woman in the ads are the fragmented ideological bodies slice by the negotiation of varying discourses of ideology developing in the society.
BENTUK WACANA MEDIA MASA PRANCIS TENTANG PERISTIWA DI INDONESIA Wulan Tri Astuti
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2251

Abstract

A discourse always has a topic which is included in a proposition. Topic is also about the theme that is being discussed in a discourse or in main idea. This research analyzes the structure of French o line media discourse and communication analysis, with the macro structure, micro structure, and super structure approach. The result shows that based on the macro structure approach, media discourse is divided into 5 element; which are the title, date, source, number of word , and text resume. Macro structure also refers to the theme, topic or main idea of the rubric discourse. Topic unity can be achieved by several ways; referring, ellipsis, pronominalize, repetition, and lexical equivalency. According to the micro structure approach, there are parts of text, such as: word, sentence, phrase, proposition, and image. Micro structure is related with the relation between proposition. The relation that is found from the data is argumentative relation and topicalisation relation; while according to the super structure approach, the discourse is related to the framework and part that is being arranged in the text as a whole.
VARIASI DIALEK BAHAS A JAWA DI KABUPATEN KEBUMEN (KAJIAN SOSIODIALEKOLOGI) Ambar Pujiyatno; Soepomo Poedjosoedarmo
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2252

Abstract

This research describes the differences of the Javanese of the dialectal varieties in Kebumen  Regency in the field of phonology, morphology, lexicon, and speech level; maps the Javanese dialectal varieties in Kebumen Regency; and describes the geographical and sociocultural factors causing these differences. The data were taken from the seven observation areas through interviewing, recording, and introspection technique. The interview was conducted by asking the questionnaires to the informants. The interview were recorded. In addition, other data were collected through recording the actual utterances in which the items of the questionnaires are spoken. Finally, the introspection technique was also applied to complete the data because the researcher is the native speaker of BJKK.                                    The conclusions of this research are (1) Kebumen Regency is a border or mixing of two Javanese dialects, (2) The regions that have easy access are easier  in getting the influence of bandek Javanese, (3) These regions that are difficult to reach tend to defend the language, (4) The other regions have more varieties. (5) The influence of Bandek Javanese comes  through lexicons, (6) The development between krama ngoko speech level and lexicons is different. The development of krama-ngoko speech level is gained through education and occupation, (7) Some regions have Krama-ngapak Javanese speech level, (8) BJKK has [a] and [o] speech level models, (9) There is a phonological difference between Bandek Javanese an Ngapak Javanese.
PESSMISM IN THOMAS HARDY’S THE DARLING THRUSH Lynda Susana Widya Ayu Fatmawaty
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2253

Abstract

Puisi dikatakan sebagai karya sastra yang palimng unik karena tercipta dari kontemplasi terdalam penyairnya. Namun, dalam memahami maknanya, kita mesti mangaitkan puisi dengan riwayat pengarang serta kondisi yang menjadi konteks pencipa karya.                                        Thomas Hardy adalah salah satu penyair terbaik dalam sejarah. Ia dikenal karena gayanya yang fatalis dan pesimis. Salah satu karyanya yang kental dengan warna itu adalah The Darkling Thursh, yang merupakan salah satu master piece. Puisi tersebut ditulis pada akhir abad ke-18 dan masa awal abad baru. Tradisi ini membawa banyak perubahan. Hardy mancoba melukiskan keraguannya dihadapkan dengan zaman baru itu. Segala nad yang hadir dalam puisinya membawa kita pada pandangannya yang begitu pesimis. Tulisan ini bertujuan menggambarkan nada pesimisme yang dilukiskan melalui karya itu.
CANTIK ALA REMAJA DALAM NOVEL-NOVEL TEENLITE Lilik Setijowati; Khrsitianto Khristianto
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2254

Abstract

Young female writers shocked the literary field of Indonesia by publishing their works in their way: light, unburdened, and fresh. Their language choice is easily understandable: the novels were written in colloquial style. The books were sold well. It did refresh our literary world. The teenagers, at least, have more alternatives to read something composed by their peers. Through their pens, our teens share their views on reality in their very style.                        One of outstanding concepts evoked in their writing is the formulation of “ beauty”. This paper took four novels, My Friends-My Dream, Ramalan Fudus Ororpus, Kana di Negeri Kiwi, dan Summer Triangle, to discover the teen’s perspective concerning beauty. The concept is internalized in their mind through the discourses developed in their social background and through the media. They select those discourses, and take one they believe in it.                    They analysis shows that their concept of beauty is not so different from the general one or patriarchal beauty. However, they insist that being beauty does not necessarily mean to be happy, as it was obviously declared in Kana di Negeri Kiwi. The beauty is : tall, white, black and straight hair, and well-shaped  body. This is just a result of the dominance of patriarchy, standing in the same position of capitalism to whom the main stream media are belonged. The media holder is the only one dictating what’s to be “ beauty.”        

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