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INDONESIA
IHiS (Indonesian Historical Studies)
Published by Universitas Diponegoro
ISSN : -     EISSN : 25794213     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 6, No 2 (2022)" : 7 Documents clear
Ideology and Political Orientation of Intellectuals from Koto Gadang 1930-1950: A Prosopography Nazra Cahyani Endah Regita; Herwandi Herwandi; Nopriyasman Nopriyasman
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.15899

Abstract

Koto Gadang is a traditional village in Minangkabau, which has produced many Indonesian political figures in the period before and during the early days of Indonesian independence. Koto Gadang scholar is an intellectual figure in Indonesian politics in various schools of thought. This study analyses the thoughts of the intellectuals from Koto Gadang; Yahya Datuk Kayo, Agus Salim, Rohana Kudus, Chalid Salim, and Sutan Syahrir; in Indonesian politics 1930-1950. The study shows that the variety of researchers' viewpoints is impacted by family, social, and instructive natural elements, inside and outside Koto Gadang. Yahya Datuk Kayo in the Koto Gadang environment built his region from various aspects, one of which was marked by the construction of Studiefonds [intellectualship foundations]. Rohana Kudus advances the ladies of Koto Gadang through the woman' abilities school, called Keradjinan Amai Setia. Agus Salim's considerations on Islam and his patriotism about the goals of an autonomous Indonesia. Chalid Salim's writings criticizing the colonial government led to him being arrested and imprisoned, in his actions to defend the workers. Sutan Syahrir grew up outside Koto Gadang, his nationalism was under the influence of socialism through the popular revolution he carried out.
From Komedie Stambul to Toneel: Theatre Arts Development in Batavia, 1891-1942 Khairana Zata Nugroho; Dhanang Respati Puguh
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.16023

Abstract

Performing arts became a popular entertainment form among groups in the colonial era. People who enjoy performing arts were always craving for something new, and in turn, performing troupes were trying to create new innovations for their performances. In the late 19th century, a theatre group Komedie Stamboel was established in Surabaya. This group soon became popular because their uniqueness: the hybridity of their dramaturgies and stories which combined the West and East aspects. Their popularity resulted in a tour across Java, one of tour destinations was Batavia. When they were in Batavia, many of Komedie Stamboel’s performances were influenced by Indische culture and Indo people. By implementing the historical method, this article find the role of the Indo people and the influence of the Indische culture in Batavia’s development of  theatre arts. The increasing popularity of Komedie Stamboel resulted in imitators, both professional and amateur, with the majority of their performers consisted of Indo [hybrid] and Pribumi [local; indigenous]. Komedie Stamboel also developed into a theatrical genre known as komedie stambul. In the 20th century, a  theatre form known as Toneel Melajoe emerged as a continuity of the Komedie Stambul with new additions. Other theatrical genre known as Indische Toneel, a colonial  theatre created by playwrights of Dutch totok and Indo descent that often held in theatres  in Batavia. They had komedie stambul influences and Indische culture references on them.
Colonialism and Climate Crisis: The Root of Environmental Changes and the Rise of Environmental Awareness in Indonesia Devi Itawan
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.16037

Abstract

This article explores the roots of environmental changes in the history of the Dutch colonization of Indonesia. It analyzed how the Dutch colonial exploitation, which was based on trade capitalism and later industrial capitalism, drove the re-organization of nature and integrated it into the world market system. As a result, it brought about systematic and structural deforestation, transforming the landscape of many parts of Indonesia. However, the state of deforestation raised concerns about environmental degradation as it is entangled with the importance of sustainability in extracting natural resources. From that point, the colonial environmental awareness paradigm was embarking. This article shows how the Dutch colonization and exploitation system directly led to significant environmental changes accumulated in the current climate crisis. Nevertheless, on the other hand, it also drove environmental awareness.
Language Plurality as Cultural Characteristics of Southeast Asia: A Review of John F. Hartman’s Thesis Agus Suwignyo
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.16937

Abstract

John F. Hartmann (1986) argued that the spread of the Indic languages in Southeast Asia took place in different overlapping periods, through which the region underwent a process of indinization. Hartmann’s thesis is very important to help understand the making of cultural networks in Southeast Asia. However, the scope of his thesis was limited by its sole focus on the Indic languages, on the mainland Southeast Asia, and on the early historic period of the region. Taking Hartmann’s thesis as a starting point, the present paper examined the spread of languages in Southeast Asia as a cultural network. By using a comparative bibliography method and by analyzing existing studies on the pre-historic and the historic stages of language development in Southeast Asia, this paper argues that the indinization as suggested by Hartmann comprised only the first phase in the overall making of the language-based cultural network in Southeast Asia. Bibliographical sources show that the language-based cultural network in Southeast Asia involved at least three other periods in addition to indinization, that is chinaization, arabization, and europeanization. In Southeast Asia, the spread of the cultural network depended not so much on a lingua franca – a language of unity – as on the plurality of languages. The successive phases in the spread of different civilizations created a Southeast Asian plural society, in which various linguistic branches molded as one of the most remarkable cultural notions of the region. Hence, the idea to have one regional language of integration, for example in the current context of ASEAN, contradicted against the cultural history of Southeast Asia. It is because Southeast Asia has become integrated through a pluralization, not unification, of languages.
Venereal Diseases Treatment for Merauke’s Marind (Marind-Anim) Tribe in the Dutch Colonial Period Rosmaida Sinaga; Hafnita Sari Dewi Lubis; Yushar Tanjung; Lister Eva Simangunsong
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.16428

Abstract

This article provides some proofs that influenced the increasing number ofMarind-Anim people who suffering from venereal diseases. It also providesfactual efforts that had been done by the colonial government as well as Catholicmissionaries in Merauke to overcome this problem. This study applies historicalmethods with four stages: heuristics, verification (internal and external criticism),interpretation/explanation and historiography. Primary sources obtained fromNational Archives of the Republic of Indonesia i.e., Memorie van Overgave van hetBestuur over de Afdeeling Zuid Nieuw Guinea; letter of the Minister of Colonies to theGovernor General of the Dutch East Indies; Report of Assistant Resident ZuidAfdeeling Nieuw Guinea to the Director of Government; and official printed sources,e.g., Volkstelling 1930. Michel Foucault's power relations theory is used to analyzethe causes of venereal disease in the Marind Tribe. The results shows that the causeof the increasing number patients who had venereal disease in the Marind tribe,Merauke, was related to their traditional understanding which legalized free sexand deviant sexual activities in the Marind tribe. The imbalanced power relationsbetween men and their wives and between men and adolescence men causingvenereal diseases and sexual perversions in the Marind Tribe. The strategyimplemented by the colonial government was to involve Catholic missionarieswho were trusted to overcome the disease by building a housing model that canonly be occupied by nuclear families who are not infected with venereal diseases.The colonial government demolished men’s houses because there werepossibilities of homosexual intercourses which become one of the causes ofvenereal disease among the Marind Tribe. In addition, the government requiredthe cenderawasih bird hunterers to have their genital health checked as a huntingpermit. The government built hospitals and clinics and invented doctors whospecialize in venereal disease to treat the patients. These strategies has succeededin treating and eradicating venereal diseases among the Marind Tribe.
Remnants of the Dutch Infrastructure in Banda Aceh During the Independence Revolution Muhjam Kamza; Farhan Fadillah; M Yusrizal
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.14412

Abstract

The feud between the Dutch and Indonesia again peaked after Indonesiaproclaimed independence on August 17, 1945. War broke out in almost everyregion in Indonesia, Aceh was one of them. The basis of the hatred of the Acehnesetowards the Dutch which grew under the spirit of jihad fisabilillah [war in the wayof Allah] made the Veranda of Mecca was never negligent in opposing the Dutchcompany. Uniquely, the prolonged war that erupted in Aceh did not affect theDutch heritage buildings in Banda Aceh as the epicenter of the resistance. Thisstudy examines the function of the infrastructure of the Dutch colonial remains inBanda Aceh during the Indonesian Independence Revolution. The historicalresearch method is emphasized on utilizing primary sources in the form essayscompiled by historical actors and witnesses who lived during the independencerevolution, as well as Dutch documents in the form of photographs and maps.According to the result, the Dutch heritage infrastructure in Banda Aceh duringthe independence revolution did not find any damage caused by war and wasused for various revolutionary purposes. These buildings are generally used asthe initial function and some of them are used according to the revolutionary war.However, the practice of vandalism in the form of crossing out and pastinginformation dissemination stickers often took place in the buildings at that time.
Soara Batak: The Batak People's Resistance Newspaper in the Colonial Period (1919-1932) Ichwan Azhari
IHiS (Indonesian Historical Studies) Vol 6, No 2 (2022)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v6i2.15173

Abstract

Newspapers have a very important position in the politics of the Indonesian independence movement. Soara Batak is the first independence movement newspaper published in Batakland. This newspaper became a medium of information and communication, for the political organization Hatopan Kristen Batak (HKB). The initial purpose of publishing this newspaper was to oppose Dutch colonialism and the threat of foreign plantation entrepreneurs who wanted to capitalize on Batakland for personal gain. This can be seen from the motto of this newspaper which is written: Oela tanom, Oelang digomak Oelando which means “Cultivate your land, so that the Dutch do not take it”. This newspaper's courage in criticizing the colonial rulers caused Soara Batak's movements to be closely monitored. Tuan M. H. Manullang and A. Soetan Soemoroeng, the dual HKB and Soara Batak received repressive measures from the colonial government for their bold and sharp writings. The presence of Soara Batak had an important role in the politics of the Batak people's movement, which succeeded in igniting the people's fighting spirit to want to oppose Dutch colonialism which was very oppressive.

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