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Adabiyyat: Jurnal Bahasa dan Sastra
Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta
ISSN : 25491482     EISSN : 25492047     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Adabiyyāt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal Adabiyyāt adalah bahasa Indonesia. Jurnal Adabiyyāt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.
Arjuna Subject : -
Articles 439 Documents
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POSTCOLONIAL MELANCHOLY AND FEMINIST AESTHETICS IN SITI RUKIAH’S 1950 NOVEL KEJATUHAN DAN HATI: A SUBVERSIVE TENDERNESS Dewi Candraningrum; Titis Setyabudi; Kania Bening Rahmayna
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090204

Abstract

This study reexamines Kejatuhan dan Hati (1950) by Siti Rukiah Kertapati as a foundational yet neglected work in Indonesian literary modernity. Departing from the masculinist and nationalist revolutionary narratives of its time, the novel articulates postcolonial melancholy through emotional interiority, intimate loss, and the crisis of female subjectivity. Using qualitative textual analysis informed by feminist narratology and postcolonial theory, the study investigates how Rukiah’s fragmented, epistolary form constructs a feminine interiority that resists nationalist and patriarchal ideologies. The analysis draws on the critiques of gendered silencing by Chandra Talpade Mohanty and Trinh T. Minh-ha to interpret Susi’s psychological fragmentation as an act of affective and epistemic resistance. The results reveal that Rukiah transforms vulnerability and melancholy into political agency, redefining emotion as a site of historical meaning. Her narrative techniques—fragmentation, introspection, and affective honesty—subvert the masculine heroism of socialist realism, asserting tenderness as a radical feminist aesthetic. The article also traces the novel’s critical reception, from early marginalization to later reevaluation by scholars such as Annabel Teh Gallop and Yerry Wirawan. As an affective archive of postcolonial disillusionment and feminine resistance, Kejatuhan dan Hati emerges as a politically potent reimagining of nationhood through gendered emotion.
REPRESENTING RELIGION AND GENDER STEREOTYPES IN HOMEIRA QADERI’S DANCING IN THE MOSQUE (2020) Noria Mohammadi; Mohammad Ibrahim Paracha
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 1 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090105

Abstract

This study examines how religion contributes to the construction of gender stereotypes in Afghan society as represented in Homeira Qaderi’s memoir Dancing in the Mosque (2020). The memoir illustrates how patriarchal norms legitimized through religious discourse restrict women’s education, autonomy, and social participation. To analyze this issue, the research applies Susan Lanser’s feminist narratology, which emphasizes the mimetic function of narrative and its connection to lived reality. Through a close reading of narrative elements such as voice, focalization, and symbolic space, the study demonstrates that religion is often instrumentalized to justify cultural practices that sustain gender inequality. At the same time, Qaderi’s act of storytelling functions as a form of resistance, breaking silences, and challenging patriarchal authority by amplifying women’s voices. These findings show that feminist narratology provides an effective framework for linking narrative structures to the realities of Afghan women’s lives. The research underscores the importance of literature in exposing oppression, strengthening feminist critique, and contributing to the discourse on social change.
TIPOLOGI STRATEGI PENAMBAHAN PETER NEWMARK DALAM PENERJEMAHAN KITAB UṢŪL AL-FIQH SYARḤ AL-WARAQĀT Mohammad Nasih Al Hashas
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 1 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090106

Abstract

The addition of editorials in translations is often found in Islamic religious books, especially in the discipline of Uṣūl al-Fiqh. One example is the Syarḥ al-Waraqāt by Imām Ḥaramain, translated by Mujiburrahman. This book is written in the ījāz style (few words but rich in meaning), so it requires additional explanations to make its meaning easier for readers to understand. This study aims to describe the forms of addition strategies in the translation of the Syarḥ al-Waraqāt book and explain the process of its occurrence in the context of Arabic-Indonesian translation. This study uses a qualitative descriptive approach with documentation methods and note-taking techniques. The results show that the translation process is in line with Peter Newmark's translation strategy theory. Two forms of addition strategies were found: additions made based on considerations of language structure, and additions made based on semantic considerations to clarify or enrich the meaning of the text. The addition process is carried out in three ways: inserting additions directly into the text, writing them in brackets, or placing them in footnotes. These three methods reflect the application of amplification and description techniques in the translation of Islamic books.
LINGUISTIC LANDSCAPE IN TOURISM SPACES IN PUNCAK Misran; Masrun Masrun; Aprijon Efendi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090205

Abstract

This study investigates the linguistic landscape in tourism spaces in Puncak, a popular tourist destination in West Java, Indonesia. It explores the diversity, distribution, and functions of languages used, as well as the reasons why this phenomenon occurred in this specific area, where people host tourists. Using a qualitative approach, this research examines language use in signs, advertisements, and public notices, revealing the socio-cultural and economic dynamics that shape language choices. Findings highlight the prominence of three languages: Indonesian, Arabic, and English, reflecting local identity, the influence of Middle Eastern tourists, and global tourism trends. The study also investigates how multilingualism, cultural identity, and the commodification of languages interact in tourism. By examining the symbolic and informational roles of language in public spaces, this research contributes to an understanding of sociolinguistic diversity in multicultural tourism settings. It offers insights for the development of inclusive language policies, especially in tourism spaces.
A CRITICAL DISCOURSE ANALYSIS OF KING SALMAN’S SPEECH AT THE G20 RIYADH SUMMIT Zumrotul Imanda Wachid Hakim; Mohammad Pribadi; Nabilla Rana Dermawan
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090206

Abstract

This study examines the discourse strategies employed by King Salman bin Abdulaziz Al-Saud in his speech at the 2020 G20 Riyadh Summit using Teun A. van Dijk’s Critical Discourse Analysis (CDA) framework. It aims to reveal how the ideology of monarchical legitimacy is constructed through textual structures at the macro-, super-, and microstructural levels, and how these constructions shape social cognition and reproduce power relations within the global socio-political context. The significance of this study lies in its effort to understand political speeches delivered at international forums as symbolic instruments of legitimation, particularly those produced by monarchical leaders. The findings indicate that King Salman’s speech strategically constructs a representation of Saudi Arabia as a responsible, solution-oriented, and humanitarian-oriented global actor. This discourse frames G20 countries as legitimate authorities in determining the direction of global governance, while positioning the international community as beneficiaries of these policies. These findings demonstrate that G20 discourse functions as a discursive mechanism to normalize and legitimize Saudi Arabia’s monarchical leadership within a global political landscape marked by uncertainty resulting from health, economic, and global governance crises.
HUMOR VERBAL DALAM ROASTING TIGA “CAPRES” PADA ACARA LAPOR PAK! : ANALISIS GTVH Sukma Sukma; Mulyadi Mulyadi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10 No 1 (2026)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2026.100101

Abstract

This study aims to analyze verbal roasting humor in the show Roasting Tiga “Capres” on the program Lapor Pak! using a semantic humor approach with the General Theory of Verbal Humor (GTVH) by Attardo and Raskin. This research is significant because verbal roasting humor in political contexts has not been systematically analyzed from a linguistic perspective, and thus this study can reveal how language strategies and humor structures are employed to convey criticism, negotiate power, and influence public perception. This study is qualitative with a descriptive method, using observation and note-taking techniques, and data analysis following the Miles and Huberman procedures. The results show that 31 instances of verbal roasting humor were identified and analyzed using six Knowledge Resources (KRs), namely: SO (personal identity, competence, public image, power relations), LM (faulty analogy, belittling, figurative language, inversion, comparison), SI (situational context, including participants, activities, objects, and conditions that form the humor), TA (humor target centered on a specific figure), NS (dominance of dialogue form), and LA (word arrangement consistently using set-up and punch line to create humor). This study enriches the study of language by examining the strategies, structures, and functions of verbal humor in political interactions, while also providing new insights for the analysis of political communication.
REPRESENTASI PERLAWANAN DALAM SASTRA ARAB MODERN: KAJIAN KOMPARATIF ATAS AL-AJNIḤAH AL-MUTAKASSIRAH KARYA JUBRĀN KHALĪL JUBRĀN DAN AWLĀD ḤĀRATINĀ KARYA NAJĪB MAḤFŪẒ Angga Putra; Yani'ah Wardani
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10 No 1 (2026)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2026.100102

Abstract

تهدف هذه الدراسة إلى تصوير المقاومة في عملين أدبيين عربيين معاصرين نشأا من خلفيات اجتماعية وثقافية مختلفة. هذان العملان هما رواية "الأجنحة المتكسرة" لخليل جبران (1912) من تراث المهجر ورواية "أولاد حارتنا" لنجيب محفوظ (1959) من الشرق الأوسط. النقطة الرئيسية في هذه الدراسة هي معرفة كيف يستخدم كلا المؤلفين رواياتهما لإظهار كيفية مقاومتهما لهياكل السلطة القمعية في حياتهما الخاصة. يمثل جبران المقاومة من خلال انتقاد السلطة الدينية والبنية الأبوية للمجتمع في بلاد الشام الاستعمارية، بينما يمثل محفوظ المقاومة من خلال إظهار المجتمع المصري المضطهد اجتماعيًا وسياسيًا بعد الثورة التي حكمها الطغيان. تم استخدام المنهج الأدبي المقارن لسوزان بوسنت لفحص موضوع المقاومة في كلتا الروايتين وصفيًا ونوعيًا. تُظهر النتائج أن جبران يستخدم حرية التعبير في سياق المهجر للتعبير عن شكل من أشكال المقاومة الشخصية والروحية ضد السلطة الأبوية والدينية. في هذه الأثناء، يبني محفوظ، تحت ضغط الاستبداد ما بعد الاستعماري، مقاومة جماعية ورمزية من خلال استعارات متعددة الطبقات. ورغم نشأة كليهما من مواقف ثقافية وتاريخية مختلفة، إلا أنهما يتحدّيان الظلم المنهجي وهياكل السلطة المهيمنة. علاوة على ذلك، تشير هذه النتائج إلى أن استراتيجيات محفوظ السردية تتأثر بشكل خفي بجماليات الإنسانية الروحية والاحتجاج الرمزي الموجودين في أعمال جبران. وينطبق هذا بشكل خاص على استخدامه للاستعارات لنقل النقد السياسي الخفي. وتُظهر النتائج أن الأدب العربي، داخل العالم العربي وخارجه، يُمثل أداة مهمة للتعبير عن النقد، ومعالجة الظلم، ودعم التغيير الاجتماعي.
PHONEME CHANGES IN ENGLISH LOANWORDS FROM ARABIC (A STUDY OF PHONEME CHANGE PATTERNS IN GRIMM'S LANGUAGE MODEL) Musthofa Musthofa; Vika Wafa Ilmi; Sahiron Sahiron
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10 No 1 (2026)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2026.100104

Abstract

This article is part of a historical linguistic study on word nativization caused by cultural contact between two nations with different languages. Cultural contact causes language contact, language contact causes word adoption from other languages, which then leads to phonemic changes. What are the phonemic changes in English loanwords from Arabic? What is the pattern? The researchers discuss phonemic changes in English loanwords of Arabic, based on the analogy of Grimm's Law regarding phonemic change patterns. It aims to identify English loanwords derived from Arabic and the patterns of phonemic change. The method used in this study is comparative descriptive. The results of this analysis include the discovery of 50 phoneme change patterns in English loanwords from Arabic. The 50 patterns were then further classified to obtain 22 groups of phoneme change patterns. In terms of the form of change, these 22 change patterns can be classified into five forms of phoneme change. 1) Phoneme replacement, 2) Phoneme deletion/elimination, 3) Phoneme addition, 4) Phoneme shift, and 5) Drastic and extreme changes in loanwords that are almost impossible to recognize as loanwords.
IMAJI KESETARAAN DALAM BINGKAI NEGARA: REPRESENTASI TANGGUNG JAWAB PEREMPUAN PADA TEMA HARI IBU DI INDONESIA Barkatun Nisa Alfia Alfia; Dadang Anshori
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10 No 1 (2026)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2026.100103

Abstract

The commemoration of Mother's Day in Indonesia is a poignant moment that holds rich historical and ideological significance. Over time, Mother's Day has evolved in its meaning within social and political contexts. The themes carried by the Kementerian Pemberdayaan Perempuan dan Perlindungan Anak Republik Indonesia (KPPPA) in commemorating Mother's Day reflect the dynamics of thinking about women and their roles in society. This study examines the portrayal of women's responsibilities in the official themes commemorating Mother's Day in Indonesia over the past two decades (2005–2024). Using descriptive-analytical qualitative methods and Sara Mills' critical feminist discourse analysis approach, this study examines how the state shapes the social construction of women's roles through the language used in these themes. Data were collected through the documentation of themes released by the KPPPA, supported by secondary sources. The results of the analysis show that although women are positioned as active subjects in social change, the state still controls the narrative about women's ideal roles. The language in these themes functions as an instrument of power that regulates the meaning of equality, presenting women's responsibilities ambivalently: between recognizing agency and reproducing normative ideological values.

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