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Adabiyyat: Jurnal Bahasa dan Sastra
Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta
ISSN : 25491482     EISSN : 25492047     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Adabiyyāt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal Adabiyyāt adalah bahasa Indonesia. Jurnal Adabiyyāt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.
Arjuna Subject : -
Articles 431 Documents
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REALITAS BAHASA Lubis, Ismail
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 1 No 1 (2002)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2002.%x

Abstract

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KONSEP KETERBATASAN BAHASA DAN MAJAZ (KAJIAN TENTANG PLURALITAS PENAFSIRAN AL-QUR'AN) Said, Sukamto
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 1 No 1 (2002)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2002.%x

Abstract

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MEMAHAMI DIMENSI WAKTU DALAM BAHASA ARAB (STUDI GRAMATIKA) Hasibuan, Rusli
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 1 No 1 (2002)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2002.%x

Abstract

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“M3GAN YANG MEMBADAI”: MENYINGKAP MORAL STATUS POSHUMANISME DALAM FILM M3GAN (2022) Nugroho, Aji Royan
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080105

Abstract

Superintelligence plays an important role in the development of discourse about posthumanism. In this context, the researcher discussed posthumanism studies in the movie M3GAN (2022). The study focused on the moral status of artificial intelligence embodied robotic prototypes created by humans, namely M3GAN. In other words, how can the protocol system be implemented on M3GAN? Does M3GAN possess moral status regarding suffering, pain, autonomy, interactivity, and adaptivity? How did the humans reveal and interact with this technology in the posthumanism era as depicted in the movie? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. The study used descriptive qualitative data from the dialogue scenes and visual screenshots to represent the analysis results. The results of this research show that artificial intelligence in the form of the M3GAN prototype has moral status, such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
UNSUR-UNSUR KESASTRAAN DALAM PUISI NAHJ AL-BURDAH KARYA ’ABD AL-ḤAMĪD IBN AḤMAD AL-KHAṬĪB Rosalinda, Rosalinda; Nurdin, Nurdin
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 7 No 2 (2023)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2023.07025

Abstract

This article examines Nahj al-Burdah, a work by the Saudi Arabian poet 'Abd al-Ḥamīd ibn Aḥmad al-Khaṭīb (d. 1381 H). This article aims to discuss the literary aspects based on Ahmad Amin's concept. This concept includes analysis of emotions, meaning, imagination, and stylistics. According to Amin, the stylistics includes aspects of rhythm and rhyme. The analysis results show that this madḥ al-Nabī work has a distinctive characteristic: expressing love for Allah SWT before expressing love for Prophet Muhammad Saw. This madḥ of the Prophet contains eleven themes, including the poet's nostalgia, good news for the soul, repentance, surrender, and hope, praise for the Prophet, the birth of the Prophet, the miracles of the Prophet, the glory of the Qur'an, struggles in jihad, the Isrā' and Mi'rāj, seeking forgiveness from Allah, and al-munājāh. The emotional expressions of love in the poem include feelings of love, fear, regret, satisfaction, and submission to Allah SWT. The imagination that emerges in this poem focuses on visualizing the depiction of angels delivering revelation to the Prophet. The language style used by the poet includes tasybīh, majāz, and kināyah. The poet chooses the rhythm of baḥr basīṭ and the rhyme of mīm.
PROSEDUR PENERJEMAHAN METAFORA KONSEPTUAL DALAM PIDATO PRESIDEN JOKO WIDODO Hakim, Amirul; Sutrisno, Adi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 7 No 2 (2023)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2023.07026

Abstract

This research aims to examine how interpreters translate conceptual metaphors in President Joko Widodo's speech during the 2022 G20 Summit meeting in Bali. This research used the basic conceptual metaphor theory of Lakoff and Johnson (1980) and the metaphor translation theory by Broeck (1981) in its analysis. This research is descriptive research with a qualitative approach. The data source in this research was taken from President Joko Widodo's speech at the G20 Summit in Bali, which KOMPASTV uploaded. This research has three stages: data provision stage, data analysis stage, and data analysis results presentation stage. The researcher found 76 conceptual metaphor data from the study in President Joko Widodo's speech at the 2022 G20 Summit meeting. Of the 76 conceptual metaphors found, there are 53 (69.7%) metaphors translated with the same imagery, 13 (17.1%) metaphors translated with different imagery, and 10 (13.2 %) metaphors had their imagery removed. Most of the metaphors in this speech were translated while maintaining ST's original image (69.7%).
SOCIAL IDENTITY CONSTRUCTION OF THE DISABLED IN FORREST GUMP NOVEL Susanto, Bambang Margo; Haryanti, Rahayu Puji
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080106

Abstract

Superintelligence plays an important role in the development of discourse about posthumanism. In this context, the researcher discussed posthumanism studies in the movie M3GAN (2022). The study focused on the moral status of artificial intelligence embodied robotic prototypes created by humans, namely M3GAN. In other words, how can the protocol system be implemented on M3GAN? Does M3GAN possess moral status regarding suffering, pain, autonomy, interactivity, and adaptivity? How did the humans reveal and interact with this technology in the posthumanism era as depicted in the movie? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. The study used descriptive qualitative data from the dialogue scenes and visual screenshots to represent the analysis results. The results of this research show that artificial intelligence in the form of the M3GAN prototype has moral status, such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
SUBALTERNITAS PEREMPUAN TIONGHOA DALAM NOVEL MEI MERAH 1998: KALA ARWAH BERKISAH Wijayanti, Fadhilah Ayu; Alayya, Syamila Isyqi; Susanto, Dwi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 2 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080201

Abstract

This study aims to examine the subject of women in colonial discourse by natives through the novel Mei Merah 1998: Kala Arwah Berkisah. To achieve this goal, descriptive qualitative is used as a research method. The data source is the novel Mei Merah 1998: Kala Arwah Berkisah (2018) by Naning Pranoto and all information related to the research topic. The research data ranges from language and sentences to thoughts in the text of the novel which contains narratives of female subjects who experience oppression and other related data. Data collection techniques are done by reading and taking notes. This research shows that Chinese women in Indonesia are in a subaltern position in the societal hierarchy. These women experienced double oppression, from their identity as Chinese under native domination and from their position as women under male domination. The events of May 1998 were proof of colonialism against ethnic Chinese women.  The voice of the silenced minority group is attempted by the author to construct through the narration of the female subject in the novel. These Chinese females in this narrative experience ambivalence and mimicry as a way of resisting colonial discourse from the dominating natives.
IRONI, PARODI, DAN PASTICHE DALAM PUISI “TANAH AIR MATA” KARYA SUTARDJI CALZOUM BACHRI (Kajian Posmodernisme) Herawati, Diyah; Liliani, Else; Purbani, Widyastuti
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 2 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080202

Abstract

This study explores the use of irony, parody, and pastiche in Sutardji Calzoum Bachri's poem Tanah Air Mata through a postmodernist lens. This research is motivated by the fact that literary works play a role in conveying deep meanings and criticisms. Sutardji, a renowned contemporary Indonesian poet, often addresses profound themes such as social injustice. This research aims to comprehensively analyze how postmodern elements are employed in the poem to critique social and political issues. Using a qualitative descriptive method, the study involves textual analysis of the poem and secondary sources. The findings reveal that irony, the most dominant element in this poem, underscores the disparity between hope and reality in the form of suffering society feels amidst Indonesia's prosperity. Parody imitates the dominant narrative in Indonesia’s national anthem lyric, and pastiche blends traditional and modern elements to create layered meanings. Moreover, intertextuality is used to analyze these elements, linking the poetic text to grand narratives and other cultural symbols, creating a dialogue that enriches meaning and inspires readers to look critically at social reality. This approach enriches the understanding of a poem entitled Tanah Air Mata and demonstrates the power of postmodern aesthetics in contemporary poetry to highlight and critique social injustices.  
MASKULINITAS DAN KORUPSI PADA MINIATUR: SEBUAH STUDI PENTIGRAF Harendika, Melania Shinta; Dewojati, Cahyaningrum
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 2 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080203

Abstract

Pentigraf is a three-paragraph short story produced by a creative writing community called Kampung Pentigraf Indonesia (the Indonesian Pentigraf Village or KPI). By composing Pentigraf, the authors can articulate the social phenomena such as corruption with greater clarity. Since the 1970s, corruption has become a problem in Indonesia. KPI published a Pentigraf anthology entitled Hanya Nol Koma Satu (Only Zero Point One) in 2020 to express concerns about corruption. KPI has more than 3,000 members on Facebook from diverse backgrounds, including female homemakers, who, in this anthology, discuss masculine dominance themes connected to corruption. This study shows how masculine norms and gendered perspectives contribute to the perpetuation of corruption, as articulated through Pentigraf, written by female homemakers. This study gathered the data from fifteen Pentigrafs written by female homemakers. Employing Bourdieu’s theory of masculine domination, this document analysis analyzes the intrinsic structure of pentigraf by homemakers in Hanya Nol Koma Satu to deconstruct how masculine standards correlate with textual representations of corruption. The results show that male characters in the Pentigrafs have the personalities of being desirous and indifferent to the suffering of others because they cling to wealth achievement and supremacy. Pentigraf is a mini-fiction that is not easy to analyze deeply. Nevertheless, it can articulate moral teachings and capture social phenomena.

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