cover
Contact Name
Akhmad Saifudin
Contact Email
akhmad.saifudin@dsn.dinus.ac.id
Phone
-
Journal Mail Official
japanese.research@fib.dinus.ac.id
Editorial Address
-
Location
Kota semarang,
Jawa tengah
INDONESIA
Japanese Research on Linguistics, Literature, and Culture
ISSN : 26555836     EISSN : 26554836     DOI : -
Core Subject : Humanities, Art,
Japanese Research on Linguistics, Literature, and Culture is an academic, open access, and peer-reviewed journal founded and first published in 2018 by the Japanese Department Universitas Dian Nuswantoro, Semarang. Focusing on Japanese linguistics, literature, and culture as it is viewed from one or multi disciplines perspective. Issues are published two times per year (in May and November), and articles are published in Indonesian or in English.
Arjuna Subject : -
Articles 6 Documents
Search results for , issue "Vol. 4 No. 1 (2021): November" : 6 Documents clear
Symbols and meanings of kanji with bushu onnahen As representation of women Sunarni, Nani
Japanese Research on Linguistics, Literature, and Culture Vol. 4 No. 1 (2021): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v4i1.5286

Abstract

Kanji are characters used in Japanese which are the result of Chinese thought adopted by Japanese society. The main elements in kanji (bushu) can be gender markers, water, trees, and others. One of these elements is a female gender symbol called onnahen. The data used in this study, in the form of kanji with bushu onnahen. The data were analyzed based on the theory of semiotics and hypersemiotics which view kanji as a cultural phenomenon. The results of the analysis identified that the female symbol in the kanji with bushu onnahen represents that Japanese woman have a respectable character when they become a wife and mother, are authoritative, trustworthy, helpful, but have no character, are false, selfish, and jealous. Theoretically, this research is useful to add references in the study of gender and kanji.
The hidden meaning in Hamasaki Ayumi's Secret song lyrics based on Riffaterre’s semiotics analysis Dewanti, Yustika Fatimatuzzahro
Japanese Research on Linguistics, Literature, and Culture Vol. 4 No. 1 (2021): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v4i1.5435

Abstract

There is always a hidden meaning in literary works, concise works like poetry. It is always there even though it is not visible in the expression of its words. This is one of the main factors that characterize poetry, a string of impressive, dense, and implied meaning. This study attempts to describe the meaning contained in the lyrics of the song Secret by Hamasaki Ayumi by using the semiotic theory of Riffaterre's poetry. In this study, song lyrics are treated like poetry because of the similarity in form and nature. The results of data analysis found that the main message to be conveyed by the author is freedom. The author feels confined and bound by his status as a famous artist. He feels that he does not have his world because his world belongs to the public.
Use of hedges ~to omoimasu to soften speech and its implications for Japanese politeness teaching Winingsih, Irma; Santoso, Budi; Wahyuningsih, Tri Mulyani
Japanese Research on Linguistics, Literature, and Culture Vol. 4 No. 1 (2021): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v4i1.5423

Abstract

In Japanese society, the main concept in communicating is to consider the other person's feelings by not speaking directly, too frankly or to the point.  One of the grammatical features this concept is Verb ~omoimasu which means in English ~I think (I think…, I think….). In the result of the essays by the students who take the Japanese Popular Writing course. In his essay students should use these verbs which also function as hedges to express opinions or ideas but ignore them because they may not understand that the use of these functional verbs is to maintain language politeness, especially in communicating in Japanese. Seeing this phenomenon, the writers tried to find out by identifying student essays that do not use these hedges, and the possible causes. Then by adopting the concept of communicating in Japanese that considers the feelings of the other person, the writers have found out how the implications of using these hedges have on the values of politeness in language that have effect on the politeness of behavior of students who take Japanese Popular Article Writing lectures. With research that adopts the concept of communicating in Japanese society, the writers can create a language politeness learning model that is expected to influence behavioral aspects.
The concept and use of Aisatsu Saifudin, Akhmad
Japanese Research on Linguistics, Literature, and Culture Vol. 4 No. 1 (2021): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v4i1.5359

Abstract

This paper discusses the use of aisatsu to understand the concept of aisatsu for Japanese people and how Japanese people use aisatsu. The research was conducted using qualitative methods with data sources in recordings and notes from observations and interviews with research subjects. These namely two Japanese students were taking part in summer course activities in Semarang for three days. The approach used in this research is linguistic anthropology with Hymes' ethnographic theory of communication. From the results of data analysis, it was found that aisatsu is used as a greeting, request for permission, an expression of the speaker's feelings, both expressions of apology, gratitude, and feelings of empathy for the speech partner. It was also concluded that the concept of aisatsu is a ritual related to the ethics of politeness and as a sign that represents that the speaker is ready and hopes that his interlocutor is also ready to be involved in the interaction.Tulisan ini mambahas penggunaan aisatsu dalam rangka memahami konsep aisatsu bagi orang Jepang serta bagaimana orang Jepang menggunakan aisatsu. Penelitian dilakukan dengan metode kualitatif dengan sumber data berupa rekaman dan catatan hasil observasi dan wawancara terhadap subjek penelitian, yaitu dua orang mahasiswa Jepang yang sedang mengikuti kegiatan summer course di Semarang selama tiga hari. Ancangan yang digunakan dalam penelitian adalah linguistik antropologi dengan teori etnografi komunikasi Hymes. Dari hasl analisis data ditemukan bahwa aisatsu digunakan sebagai salam, permohonan izin, ungkapan perasaan penutur, baik ungkapan maaf, terima kasih, maupun perasaan empati kepada mitra tutur. Disimpulkan juga bahwa konsep aisatsu merupakan ritual yang berkaitan dengan etika kesopanan dan sebagai tanda yang merepresentasikan bahwa penutur telah siap serta berharap mitra tuturnya juga siap untuk terlibat dalam interaksi.
Hana wa sakuragi: Discourse analysis of cherry blossoms in haiku of ‘The Great Four’ Ramlan, Muhammad Nadzif
Japanese Research on Linguistics, Literature, and Culture Vol. 4 No. 1 (2021): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v4i1.5285

Abstract

The proverb hana wa sakuragi, hito wa bushi highlights the significance of cherry blossoms (sakura) as the pinnacle of Japanese aesthetics and floral symbolism. This paper constructed a discourse analysis of cherry blossoms portrayed in the haiku by the Great Four - namely Matsuo Basho, Yosa Buson, Kobayashi Issa and Masaoka Shiki. Three poems from each poet were analyzed as samples, accumulating to 12 haiku overall. To avoid equivocality, all 12 haikus observed would explicitly mention sakura with its kanji character or hiragana. The analysis would cover linguistic aspects and metaphorical interpretations associated to convey the portrayal of cherry blossoms in the context of that haiku. Further discussion of the analysis would have the creative representations of cherry blossoms among the four esteemed poets to be compared in six aspects – time, imagery, state, rhetoric, idiomatic expression and contrasting quality. With both linguistic aspect and relativistic viewpoint to form the discourse analysis, this shows that cherry blossoms can act as a form of display for personal philosophical values and personalities of the four Japanese poets specifically as well as the Japanese society in general.
Comparative analysis of cultural elements in the fairy tales of “Timun Mas” and “Momotaro” Ramadhani, Anis Kusuma; Rachmawati, Enna; Siagian, Irwan
Japanese Research on Linguistics, Literature, and Culture Vol. 4 No. 1 (2021): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v4i1.5454

Abstract

This study aims to analyze and describe the comparison of cultural elements found in the Indonesian fairy tale "Timun Mas" and the Japanese fairy tale "Momotaro". This research is a comparative literature study. This study uses qualitative research methods with a comparative literature approach and Koentjaraningrat theory to compare the cultural elements contained in the two fairy tales. The data source is a collection of folklore books, including the Timun Mas fairy tale and the Japanese "Momotaro" http://kursus-jepang-evergreen.com/index.php/cerita-dongeng-jepang/63-momotaro The study found differences and similarities in the cultural elements of the Timun Mas fairy tale and the Momotaro fairy tale. Of the seven elements of culture, five similarities were found, namely the elements of the religious system and religious ceremonies, social systems and organizations, knowledge systems, livelihood systems, and technology and equipment systems. In comparison, the difference lies in the elements of language and art.

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