cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Reizki Habibullah
Contact Email
reizkihabibullah@gmail.com
Phone
+6281372370131
Journal Mail Official
jurnalsorai@gmail.com
Editorial Address
Jl. Ki Hadjar Dewantara No.19, Kentingan Jebres Surakarta, Indonesia
Location
Kota surakarta,
Jawa tengah
INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 10 Documents
 1 
Search results for , issue "Vol. 17 No. 2 (2024): December" : 10 Documents clear
KREATIVITAS SENGGAKAN CENDOL DAWET OLEH KELOMPOK MUSIK DANGDUT MG86 Tantri, Dewi; Gendra Nata Utami, Fawarti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The research entitled “CREATIVITY SENGGAKAN CENDOL DAWET BY MG86 music group” was moti vated by the problem of the uniqueness of the musical text Cendol Dawet, the text is an insert used to fill in one part of the melody of a song. Cendol dawet is a song phenomenon in songs. From this uniqueness, Cendol Dawet is popular in the community. This study aims to find out how the process of forming Senggakan Cendol Dawet, The presentation structure and influence resulting from the crush by the members of the Gila 86 Music group that can build the group to become popular.This research uses the theory of “creativity” from Rhodes in Utami Munandar’s book, namely in creating a creativity is always supported by person, process, perss, product. There are two stages of creativity formulation found in this study, where “senggakan cendol dawet” as a product of creativity formulation by the initiator transforms and is treated as a person in the next formulation of creativity. The formulation of creativity in the second stage produces products in the form of the impact of popularity, management, and move ment that overshadow the identity of the music group and its glory.Qualitative methods are used to obtain field data. Based on the results of the study, it can be concluded that Senggakan Cendol Dawet presents a hope in creating senggakan does not have to use the word riot which connotes pornography which serves to advance the image of dangdut music so that it can be loved and enjoyed by the commu nity. In addition, the role of Senggakan Cendol Dawet can liven up the atmosphere of the stage during performances and provide social life changes for members of the Gila 86 Music group.
A JOURNEY WITHOUT A MAP: CHALLENGES AND STRATEGIES FOR INDIE MUSIC TO CROSS NATIONAL MARKETS Aryandari, Citra; Hendrawan, Danu
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Indie or independent music is created and distributed independently without the intervention of major record labels. The development of the internet and digital platforms provides opportunities for indie musicians to disseminate their work, but they still face difficulties in distribution and promotion to penetrate the national music market. This research aims to identify the barriers to digital distribution and promotion faced by local indie bands and find effective digital distribution and promotion strategies to penetrate the national market. The method used is in-depth interviews with indie musicians, independent label owners, music aggregators, and support staff involved in digital distribution. Qualitative data from the interviews will be analyzed to find themes, answer patterns, and explain respondents' perspectives comprehensively. The results of this research are expected to provide an in-depth understanding of the distribution and promotion problems faced by indie bands and formulate solutions in the form of appropriate strategies to expand their market reach to the national level and increase their visibility and popularity.
PENGGUNAAN DAN FUNGSI LAGU DODA IDI (STUDI KASUS: SAFIRA AMALIA 41 PROJECT OFFICIAL BIREUEN ACEH) Eka Karina, Angga; Bagus Gede Surya Peradantha, Ida; Setiaji, Denis
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Aceh memiliki lagu pengantar tidur yang disebut dengan doda idi. Doda idi biasanya dinyanyikan oleh seorang ibu untuk membuat anaknya tertidur lelap. Tradisi menyanyikan doda idi ini sudah mulai bergeser sejalan dengan perkembangan zaman. Artikel ini bertujuan menjelaskan bagaimana penggunaan dan fungsi lagu doda idi studi kasus Safira Amalia 41 Project Official. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Pengumpulan data dihasilkan dari observasi langsung ke studio 41 Project Official, dokumentasi rekaman audio-visual, dan wawancara mendalam kepada penyanyi, komposer, team artistik dan informan eksternal. Analisis lagu doda idi menggunakan pendekatan use and fungtion Alan P. Meriam. Hasil penelitian ini adalah lagu doda idi memiliki kegunaan sebagai pertunjukan budaya dalam konteks menidurkan anak, konteks pembelajaran seni budaya di sekolah-sekolah, dan konteks tradisi turun tanah anak (peutren aneuk). Adapun lima fungsi lagu doda idi yaitu: (1) fungsi penghayatan estetis yang memperkuat hubungan batin seorang ibu dan anaknya; (2) fungsi hiburan kepada pelantun dan penikmat; (3) fungsi komunikasi yang menyampaikan pesan moral dan membangkitkan semangat patriotik generasi muda; (4) fungsi memperkuat norma-norma sosial yang sejalan dengan Qanun Syari’at Islam; (5) fungsi pelestarian dan stabilitas kebudayaan Aceh yang disajikan dalam tradisi peutren aneuk dan konten youtube 41 Project Official.
GERAK SINKRON: PERAN GERAK DAN MUSIK BAGI HUBUNGAN INTERPERSONAL ANAK USIA DINI Yuda Oktadus, Henry; F.A. Yaqin, Ahmad
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Musical activities are often said to promote positive social experiences; however, certain conditions can hinder the success of children's social interactions during these activities. For instance, overly challenging musical tasks, unresolved interpersonal conflicts, and high levels of competition in group music settings may introduce pressures that inhibit collaboration and social engagement. Therefore, it is essential to investigate the factors that are crucial for fostering successful social dynamics in children's group musical activities. This article aims to explore how movement elements can influence the social interactions within these group settings. Hove and Risen's (2009) concept of interpersonal synchronization is employed to explain how feelings of safety and enjoyment emerge during movement-based music activities. This framework aligns with Hirschi's (1969) model, which outlines the prerequisites for forming social bonds in collective activities. Qualitative data were collected at Hanacaraka Edukids Montessori School Kindergarten in Yogyakarta through semi-structured interviews with three teachers and sixteen of the thirty-two participating children. The data were then analyzed using Schreier's (2014) content analysis procedures. The findings suggest that incorporating movement into group music activities can enhance children's positive mood, which, in turn, fosters positive interactions and strengthens friendships within the group. Keywords: music and movement, early childhood, interpersonal relationship
KREATIVITAS SENGGAKAN CENDOL DAWET OLEH KELOMPOK MUSIK DANGDUT MG86 Tantri, Dewi; Gendra Nata Utami, Fawarti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.5172

Abstract

The research entitled “CREATIVITY SENGGAKAN CENDOL DAWET BY MG86 music group” was moti vated by the problem of the uniqueness of the musical text Cendol Dawet, the text is an insert used to fill in one part of the melody of a song. Cendol dawet is a song phenomenon in songs. From this uniqueness, Cendol Dawet is popular in the community. This study aims to find out how the process of forming Senggakan Cendol Dawet, The presentation structure and influence resulting from the crush by the members of the Gila 86 Music group that can build the group to become popular.This research uses the theory of “creativity” from Rhodes in Utami Munandar’s book, namely in creating a creativity is always supported by person, process, perss, product. There are two stages of creativity formulation found in this study, where “senggakan cendol dawet” as a product of creativity formulation by the initiator transforms and is treated as a person in the next formulation of creativity. The formulation of creativity in the second stage produces products in the form of the impact of popularity, management, and move ment that overshadow the identity of the music group and its glory.Qualitative methods are used to obtain field data. Based on the results of the study, it can be concluded that Senggakan Cendol Dawet presents a hope in creating senggakan does not have to use the word riot which connotes pornography which serves to advance the image of dangdut music so that it can be loved and enjoyed by the commu nity. In addition, the role of Senggakan Cendol Dawet can liven up the atmosphere of the stage during performances and provide social life changes for members of the Gila 86 Music group.
A JOURNEY WITHOUT A MAP: CHALLENGES AND STRATEGIES FOR INDIE MUSIC TO CROSS NATIONAL MARKETS Aryandari, Citra; Hendrawan, Danu
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.6384

Abstract

Indie or independent music is created and distributed independently without the intervention of major record labels. The development of the internet and digital platforms provides opportunities for indie musicians to disseminate their work, but they still face difficulties in distribution and promotion to penetrate the national music market. This research aims to identify the barriers to digital distribution and promotion faced by local indie bands and find effective digital distribution and promotion strategies to penetrate the national market. The method used is in-depth interviews with indie musicians, independent label owners, music aggregators, and support staff involved in digital distribution. Qualitative data from the interviews will be analyzed to find themes, answer patterns, and explain respondents' perspectives comprehensively. The results of this research are expected to provide an in-depth understanding of the distribution and promotion problems faced by indie bands and formulate solutions in the form of appropriate strategies to expand their market reach to the national level and increase their visibility and popularity.
PENGGUNAAN DAN FUNGSI LAGU DODA IDI (STUDI KASUS: SAFIRA AMALIA 41 PROJECT OFFICIAL BIREUEN ACEH) Eka Karina, Angga; Bagus Gede Surya Peradantha, Ida; Setiaji, Denis
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.6387

Abstract

Aceh memiliki lagu pengantar tidur yang disebut dengan doda idi. Doda idi biasanya dinyanyikan oleh seorang ibu untuk membuat anaknya tertidur lelap. Tradisi menyanyikan doda idi ini sudah mulai bergeser sejalan dengan perkembangan zaman. Artikel ini bertujuan menjelaskan bagaimana penggunaan dan fungsi lagu doda idi studi kasus Safira Amalia 41 Project Official. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Pengumpulan data dihasilkan dari observasi langsung ke studio 41 Project Official, dokumentasi rekaman audio-visual, dan wawancara mendalam kepada penyanyi, komposer, team artistik dan informan eksternal. Analisis lagu doda idi menggunakan pendekatan use and fungtion Alan P. Meriam. Hasil penelitian ini adalah lagu doda idi memiliki kegunaan sebagai pertunjukan budaya dalam konteks menidurkan anak, konteks pembelajaran seni budaya di sekolah-sekolah, dan konteks tradisi turun tanah anak (peutren aneuk). Adapun lima fungsi lagu doda idi yaitu: (1) fungsi penghayatan estetis yang memperkuat hubungan batin seorang ibu dan anaknya; (2) fungsi hiburan kepada pelantun dan penikmat; (3) fungsi komunikasi yang menyampaikan pesan moral dan membangkitkan semangat patriotik generasi muda; (4) fungsi memperkuat norma-norma sosial yang sejalan dengan Qanun Syari’at Islam; (5) fungsi pelestarian dan stabilitas kebudayaan Aceh yang disajikan dalam tradisi peutren aneuk dan konten youtube 41 Project Official.
GERAK SINKRON: PERAN GERAK DAN MUSIK BAGI HUBUNGAN INTERPERSONAL ANAK USIA DINI Yuda Oktadus, Henry; F.A. Yaqin, Ahmad
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.6600

Abstract

Musical activities are often said to promote positive social experiences; however, certain conditions can hinder the success of children's social interactions during these activities. For instance, overly challenging musical tasks, unresolved interpersonal conflicts, and high levels of competition in group music settings may introduce pressures that inhibit collaboration and social engagement. Therefore, it is essential to investigate the factors that are crucial for fostering successful social dynamics in children's group musical activities. This article aims to explore how movement elements can influence the social interactions within these group settings. Hove and Risen's (2009) concept of interpersonal synchronization is employed to explain how feelings of safety and enjoyment emerge during movement-based music activities. This framework aligns with Hirschi's (1969) model, which outlines the prerequisites for forming social bonds in collective activities. Qualitative data were collected at Hanacaraka Edukids Montessori School Kindergarten in Yogyakarta through semi-structured interviews with three teachers and sixteen of the thirty-two participating children. The data were then analyzed using Schreier's (2014) content analysis procedures. The findings suggest that incorporating movement into group music activities can enhance children's positive mood, which, in turn, fosters positive interactions and strengthens friendships within the group. Keywords: music and movement, early childhood, interpersonal relationship
IDENTITAS JAKARTA MELALUI KARYA KREATIF LALEILMANINO BERJUDUL DJAKARTA Malya Faiza Ayudira; Ela Yulaeliah; Warsana
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.7216

Abstract

The creativity in the musical work titled "Djakarta", created by the alliance of producers and songwriters: Laleilmanino, was inspired as a gift for Jakarta’s 497th anniversary in 2024. This research aims to understand how musical creativity can represent the cultural identity of a metropolitan city through the fusion of traditional Betawi music (tehyan and kendang) with easily accessible pop music elements. A qualitative method is used to observe the phenomenon of creativity in Laleilmanino’s song "Djakarta." In its creation process, the song demonstrates that "Djakarta" successfully produces a musical product with a pop identity that is catchy yet retains its traditional roots. This fusion led "Djakarta" to be nominated for the 2024 AMI Awards as Best Pop Music Arrangement.
CAOSAN DI PADEPOKAN TJIPTA BOEDAJA LERENG MERAPI: Bentuk Aktifitas Pembelajaran Karawitan Di tengah Sajian Ritual Persembahan Gending Bagi Leluhur Widianto, Suwandi; Sunarmi; Sarwanto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.7249

Abstract

Makalah ini menguraikan pertunjukan gending (komposisi musik tradisional Jawa) yang diadakan di Padepokan Tjipta Boedaja di lereng Gunung Merapi di Magelang. Kegiatan ini dikenal sebagai Caosan, sebuah pertunjukan musik yang melibatkan permainan berturut-turut sekitar sepuluh hingga sebelas gending. Meskipun pada dasarnya merupakan praktik keagamaan, Caosan juga memiliki fungsi pendidikan dalam studi karawitan (musik tradisional Jawa), yang bermula dari niat untuk mencegah tidur siang di sore hari pada malam Kamis dan Selasa Kliwon—waktu yang dianggap sakral oleh anggota Padepokan. Untuk mencegah tidur selama periode ini, sebuah klenengan (pertemuan musik gamelan) diselenggarakan, yang sekaligus mengajarkan para anggota cara memainkan gamelan. Tersirat dalam acara tersebut adalah konsep “nggendong ngindit”, yang mengacu pada penyelesaian dua tugas yang saling berhubungan secara bersamaan—di sini, pembelajaran musik terjadi bersamaan dengan sebuah ritual. Caosan dapat dianggap sebagai acara keagamaan, meskipun pelaksanaannya tidak kaku atau khidmat seperti ibadah formal. Sebaliknya, ia memungkinkan suasana santai di mana kesalahan dalam bermain dapat diterima. Dalam keadaan darurat, seperti letusan gunung berapi atau grup musisi yang tidak lengkap, Caosan dapat dibatalkan. Namun, niat untuk tetap terjaga selama malam suci berlanjut melalui percakapan informal. Romo Yoso Sudarmo memanfaatkan Caosan sebagai platform untuk membentuk kelompok pangrawit (pemain gamelan), yang terutama diambil dari pemain wayang orang tradisional. Saat ini, Caosan telah berkembang menjadi praktik budaya yang menarik, meskipun jumlah penontonnya masih sedikit. Ini bukan acara wisata religi melainkan konser karawitan yang dimaksudkan sebagai persembahan kepada para leluhur, dengan harapan membawa kedamaian, keselamatan, dan kebahagiaan bagi masyarakat Padepokan. Kata Kunci : Caosan, Nggendong ngendit, Ritual, Pembelajaran Karawitan

Page 1 of 1 | Total Record : 10

 1 

Filter by Year

2024 2024


Reset
Filter By Issues
All Issue Vol. 18 No. 2 (2025): December Vol. 18 No. 1 (2025): July Vol. 17 No. 2 (2024): December Vol. 17 No. 1 (2024) Vol. 17 No. 1 (2024): July Vol. 16 No. 2 (2023): December Vol. 16 No. 2 (2023) Vol. 16 No. 1 (2023): July Vol. 16 No. 1 (2023) Vol. 15 No. 2 (2022) Vol 15, No 1 (2022) Vol. 15 No. 1 (2022) Vol 14, No 1 (2021) Vol. 14 No. 2 (2021) Vol 14, No 2 (2021) Vol. 14 No. 1 (2021) Vol 13, No 2 (2020) Vol. 13 No. 2 (2020) Vol 13, No 1 (2020) Vol. 13 No. 1 (2020) Vol 12, No 2 (2019) Vol. 12 No. 2 (2019) Vol. 12 No. 1 (2019) Vol 12, No 1 (2019) Vol 11, No 2 (2018) Vol 11, No 1 (2018) Vol. 11 No. 2 (2018) Vol. 11 No. 1 (2018) More Issue