cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Reizki Habibullah
Contact Email
reizkihabibullah@gmail.com
Phone
+6281372370131
Journal Mail Official
jurnalsorai@gmail.com
Editorial Address
Jl. Ki Hadjar Dewantara No.19, Kentingan Jebres Surakarta, Indonesia
Location
Kota surakarta,
Jawa tengah
INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 2 Documents
 1 
Search results for , issue "Vol. 18 No. 2 (2025): December" : 2 Documents clear
TRACKING ECOLOGICAL ISSUES IN MUSIC: KOES PLUS' SONG "KOLAM SUSU" IN NATURAL SYMBOLS Bagaskara, Akbar; Rokhani, Umilia; Molo, Benediktus; Pratama, Wahyu; Alanta Dewa, Daggo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose of this research is to trace ecological issues in music, especially the song Kolam susu popularized by the band Koes Plus in 1973. The research method used in this research is a qualitative type, in which the form of data is descriptive narrative. Data sources in the research were taken from scientific articles, books, and public space information (netnography). The validation technique applied in this research is the triangulation technique and for the theory of analyzing the meaning of the lyrics used is the semiotic theory of Ferdinand de Sassure. The results of this study found (1) ecological issues have also become a concern for many music artists in the world, (2) Kolam susu songs in general include the first generation of music that represents ecological issues in the case of Indonesia, the popularity of Kolam susu songs also certainly has a strong impact on the distribution of positive ecological messages massively and widely (3) the presence of ecological criticism expression format in song media will make social messages more easily accepted by the public.
TAMAR JAYA'S ACTIVISM IN STRENGTHENING AND PRESERVING ENREKANG MUSIC CULTURE IN SOUTH SULAWESI Ilham, Ilham; Aji Manggala, Bondan; Darlenis, Teti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article explores the contributions of Tamar Jaya as an art activist committed to advocating for the preservation of traditional music in Enrekang, a region characterized by its remoteness and lack of external support. This study applies a qualitative methodology, utilizing a character study framework based on Abdul Mustakim. It incorporates a historical lens and individual life narratives to explore his life journey, intellectual contributions, original concepts, and the socio-historical backdrop that influenced his activism. The findings indicate that Tamar Jaya's decisions are shaped by an intellectual wisdom acquired after higher education, which fosters a critical viewpoint on the stagnation within the arts ecosystem in South Sulawesi. This perspective particularly highlights the deficiencies in life skills among artists and the fluctuating political commitment from the local government. His activism unfolded in two strategic phases: an initial decade-long grassroots initiative (Gerakan Akar Rumput) aimed at revitalizing communal traditions, followed by a shift towards embodying a cultural survivor through the adoption of a hybrid Artist-Farmer model, characterized by a nuanced approach to political engagement. This study can be used to describe the Tamar Jaya activism movement as a model of cultural-political management, which aims to maintain and disseminate the existence of marginalized arts and culture by optimizing management skills, networks, and funding literacy.

Page 1 of 1 | Total Record : 2

 1 

Filter by Year

2025 2025


Reset
Filter By Issues
All Issue Vol. 18 No. 2 (2025): December Vol. 18 No. 1 (2025): July Vol. 17 No. 2 (2024): December Vol. 17 No. 1 (2024) Vol. 17 No. 1 (2024): July Vol. 16 No. 2 (2023): December Vol. 16 No. 2 (2023) Vol. 16 No. 1 (2023) Vol. 16 No. 1 (2023): July Vol. 15 No. 2 (2022) Vol. 15 No. 1 (2022) Vol 15, No 1 (2022) Vol 14, No 1 (2021) Vol. 14 No. 2 (2021) Vol 14, No 2 (2021) Vol. 14 No. 1 (2021) Vol 13, No 2 (2020) Vol. 13 No. 2 (2020) Vol 13, No 1 (2020) Vol. 13 No. 1 (2020) Vol 12, No 2 (2019) Vol. 12 No. 2 (2019) Vol 12, No 1 (2019) Vol. 12 No. 1 (2019) Vol 11, No 2 (2018) Vol 11, No 1 (2018) Vol. 11 No. 2 (2018) Vol. 11 No. 1 (2018) More Issue