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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Paradigma : Journal of Science, Religion and Culture Studies Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) MUDRA Jurnal Seni Budaya International Journal of Cultural and Art Studies (IJCAS) Visual Heritage: Jurnal Kreasi Seni dan Budaya Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Malikussaleh Social and Political Reviews Jurnal Pendidikan Vokasi dan Seni (JPVS)
Bagaskara, Akbar
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Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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The Art of Puppetery in Demak: History of Islamic Da'wah and Lakon Carangan Created by Sunan Kalijaga Bagaskara, Akbar; Rokhani, Umilia; Jati, Galih Pangestu
PARADIGMA : JURNAL ILMU PENGETAHUAN AGAMA, DAN BUDAYA Vol 21 No 2 (2024): PARADIGMA Journal of Science, Religion and Culture Studies
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Islam 45

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/paradigma.v21i2.9652

Abstract

The purpose of this article is to analyze in general the phenomenon of puppetry in Demak Regency and its relation to Lakon Carangan created by Sunan Kalijaga as a medium for Islamic preaching. The research method used in this research is a qualitative type with a triangulation validation technique. The results of this research show that Sunan Kalijaga's Lakon Carangan is not just an ordinary story, but a story that is thick with Islamic elements that have been adjusted, as a means of moral and spiritual education that reinforces Javanese Islamic identity. Therefore, the art of puppetry in Demak Regency in the modern era can indirectly contribute to the preservation and sustainable development of Islam in the community
Life and Wisdom in Tembang Lir ilir and Kidung Rumekso ing Wengi: A Philosophical Analysis Bagaskara, Akbar; Rokhani, Umilia; Kustap
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2541

Abstract

The traditional Javanese songs created by Sunan Kalijaga, especially Lir ilir and Kidung Rumekso ing Wengi, have tremendous philosophical depth when associated with Javanese culture. Therefore, this research aims to explore and analyze the philosophical meaning contained in the two previous songs and find out how the spiritual messages in these songs are still relevant to the state of society in the modern era. This research uses Ferdinand de Saussure's semiotic analysis to find out the deeper meaning of the text, not forgetting to also use the cultural context approach, to minimize irrelevant interpretations. For data validation, this research uses the triangulation method, where the data comes from interviews, historical records, and direct observation. In practice, the point is to explore the messages contained in the two songs, which are all sourced from the lyrics of these songs and the opinions of experts. The results show that both songs contain philosophical teachings on how to achieve wisdom and peace in every episode of human life. They also teach about the importance of establishing a good relationship with God. In addition, this study also revealed that the spiritual messages in these two songs are still relevant as a reflection of the spiritual journey of everyone in the modern era.
Pendidikan Seni Musik Sebagai Terapi: Upaya Menjaga Kesehatan Mental Bagaskara, Akbar; Wahyuningsih, Septiana
Jurnal Pendidikan Vokasi dan Seni Vol 2 No 1 (2023): Jurnal Pendidikan Vokasi dan Seni Kuliner
Publisher : Program Studi Pendidikan Vokasi Seni Kuliner

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52060/jpvs.v2i1.1386

Abstract

Penelitian ini bertujuan untuk mengungkap dinamika antara terapi musik, pendidikan musik dan kesehatan mental yang akhir-akhir ini menjadi masalah dalam kehidupan masyarakat modern. Beberapa metode kesehatan baru pun dituntut untuk segara hadir dalam menjawab tantangan zaman. Hal ini disebabkan oleh kebutuhan kesehatan yang berbeda-beda setiap manusia yang kini mulai banyak dibutuhkan. Adapun metode kesehatan yang dijelaskan dalam penelitian ini secara umum menggunakan media musik. Teknik pengumpulan data dalam penelitian ini menggunakan studi pustaka, yang mana data akan didapatkan dari buku-buku dan artikel-artikel jurnal ilmiah yang terkait. Untuk menganalisis data, penelitian ini menggunakan model Spradley yang terdiri dari; analisis domain, analisis taksonomi, analisis komponensial dan analisis tema budaya. Temuan dari penelitian ini menunjukkan bahwa, seni musik dapat sangat berpengaruh dalam mengurangi efek negatif dari berbagai penyakit fisik dan mental yang dialami oleh masyarakat. Ditambah lagi fungsi dari pendidikan seni musik juga sangat dibutuhkan dalam melancarkan proses terapi musik disebabkan oleh standar kecerdasan musikal yang harus dicapai oleh pasien. Terakhir, gagasan mengenai pegiat musik yang mempunyai kesempatan untuk menjadi pusat popularitas membuat mereka jauh dari kesepian, yang berarti telah terhindarkan dari salah satu faktor penyebab menurunnya kesehatan mental. Namun, hal ini masih sebuah hipotesis umum yang dapat terus berkembang, bergantung pada keadaan masing-masing individu
Cultural Encounters: Puppetry Performing Arts (Wayang) and Dangdut Music as a Reflection of India-Indonesia Integration Bagaskara, Akbar; Rokhani, Umilia; Wahyuningsih, Septiana
International Journal of Cultural and Art Studies Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v8i1.15333

Abstract

The purpose of this research is to reveal the relationship or social and cultural influence of the Indian nation on the expression of performing arts (wayang) and dangdut music in Indonesia. The hope of this research is to increase public awareness of the identity of national performing arts and music, which is rarely realized to be heavily influenced by Indian culture. Specifically, the aspects examined in this research include changes in the content of stories from Indian epics in the adaptation of Indonesian performing arts, as well as dangdut music that adapts the energetic spirit of music and dance from India. The method used in this research is qualitative with primary data sources derived from scientific articles and books related to the research. The data validation analysis technique used in this research is triangulation. Triangulation is used as a means of comparing the amount of data, to determine its consistency and accuracy, which will be displayed in the research. The results of this study show that, the culture brought by India is not really one hundred percent imitated or copied by the Indonesian people. The author concludes that the hybridity that occurs between Indian and Indonesian culture actually forms a new innovation in the field of art itself or can also be called a new work. The Mahabharata and Ramayana stories, which were originally the source of puppetry, changed and adapted to Indonesian culture. As a result, there are many compositions of the two epics, character changes, and the emergence of new characters that do not exist in the Mahabharata and Ramayana themselves, such as the punakawan characters that are closely related to the spread of Islam in Indonesia. The same goes for dangdut, a music that was originally based on the character of Malay music from Indonesia, now transformed into a new genre called dangdut due to the influence of India, through political elements and the spread of Indian movies in the 20th century.
Filsafat musik: Memahami esensi, perkembangan, dan relevansinya Bagaskara, Akbar; Astuti, Kun Setyaning; Rokhani, Umilia
Imaji: Jurnal Seni dan Pendidikan Seni Vol 22, No 1 (2024): April
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v22i1.71954

Abstract

Tujuan dari penelitian ini adalah untuk menyelidiki serta menguraikan ilmu filsafat musik dari banyak dimensi, mulai dari pendefinisian esensinya hingga perkembangan keilmuannya sepanjang sejarah dan relevansinya di era kontemporer. Metode penelitian yang digunakan dalam peneltian kali ini adalah metode kualitatif, dengan ciri lebih mengedepankan pada analisis fenomena sosial budaya yang luas dan mendalam. Teori analisis data yang diaplikasikan pada penelitian ini adalah model dari Miles dan Huberman dengan konsep empat tahapan analisis data yaitu pengumpulan data, reduksi data, penyajian data dan kesimpulan. Adapun temuan dari peneltian ini adalah (1) filsafat musik bukan hanya sekedar analisis teoritis bentuk belaka, tetapi juga berkaitan dengan makna mendalam musik pada konteks yang lebih luas yaitu, sosial, budaya, individual maupun kelompok yang menyertainya. (2) Sejarah dari filsafat musik menggambarkan bagaimana perjalanan atau evolusi dari pemikiran tentang musik dari masa ke masa yang akhirnya memberikan pemahaman utuh terhadap fenomena musik era saat ini. (3) Pada era kontemporer analisis wacana filsafat musik condong kepada masalah-masalah seperti tren musik modern, teknologi yang menyertainya dan dampak perubahannya terhadap masyarakat global. (4) Urgensi dari mempelari filsafat musik sangat erat kaitannya pada, dihasilkannya keterbukaan wawasan mendalam tentang musik, yang pada akhirnya akan membuat siapapun yang mendalaminya akan lebih menghargai musik dan memiliki daya analisis kritis lebih pada fenomena musik di sekitar. Kata kunci: Filsafat musik, esensi, perkembangan, relevansi Philosophy of music: Understanding its essence, development, and relevance AbstractThe purpose of this study is to investigate and describe the science of music philosophy from many dimensions, from defining its essence to its scientific development throughout history and its relevance in the contemporary era. The research method used in this research is a qualitative method, characterized by prioritizing the analysis of broad and in-depth socio-cultural phenomena. The theory of data analysis applied in this research is the model of Miles and Huberman with the concept of four stages of data analysis, namely data collection, data reduction, data presentation and conclusions. The findings of this research are (1) the philosophy of music is not just a theoretical analysis of form, but also related to the deep meaning of music in a broader context, namely, social, cultural, individual and group that accompanies it. (2) The history of the philosophy of music illustrates how the journey or evolution of thinking about music from time to time which ultimately provides a complete understanding of the phenomenon of music in the current era. (3) In the contemporary era, the analysis of music philosophy discourse leans towards issues such as modern music trends, the technology that accompanies them and the impact of their changes on global society. (4) The urgency of studying the philosophy of music is closely related to, the resulting openness to deep insight into music, which will ultimately make anyone who deepens it will appreciate music more and have more critical analysis power on the phenomenon of music around. Keywords: Philosophy of music, essence, development, relevance
Ketokohan dan Nilai-nilai Spritualitas Ajaran Sunan Kalijaga dalam Praktik Kesenian Karawitan di Kabupaten Demak Bagaskara, Akbar; Rokhani, Umilia; Yuliantari, Ans Prawati
Resital: Jurnal Seni Pertunjukan Vol 24, No 3 (2023): December 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v24i3.10947

Abstract

Ketokohan dan Nilai-nilai Spritualitas Ajaran Sunan Kalijaga dalam Praktik Kesenian Karawitan di Kabupaten Demak. Tujuan penelitian ini dilakukan adalah untuk mengungkapkan ketokohan ataupun pengaruh Nilai-nilai spritualitas ajaran Sunan Kalijaga dalam praktek kesenian di Kabupaten Demak. Hal ini penting dilakukan, mengingat telah menjamurnya tokoh-tokoh dan ajaran atau falsafah barat yang lebih besar eksis di Indonesia, seolah Indonesia tidak mempunyai tokoh yang mewariskan falsafah/ajaran tertentu. Harapannya penelitian ini, bisa menjawab ketimpangan penggunaan falsafah/ajaran barat itu khususnya dalam bidang seni.  Metode yang digunakan dalam penelitian ini adalah jenis kualitatif. Dengan teknik pengumpalan data melalui observasi partisipatif, wawancara, dan studi pustaka. Adapun dalam analisis data, menggunakan model Miles & Huberman. Pertama, temuan dalam penelitian ini adalah, karya gending karawitan ciptaan Yusuf Sofyan pengurus Sanggar Seni Mulyo Sari Raras di Kabupaten Demak yang terinspirasi dari kisah hidup Wali sanga khususnya Sunan Kalijaga. Kedua, temuan falsafah murni Sunan Kalijaga dalam menjalani hidup bersosial maupun berkesenian yang diinformasikan oleh keturunan beliau.
Anthropology of Music: A Review of History, Theory, and Development Bagaskara, Akbar; Sinaga, Fajry Sub'haan Syah; Audhyati, Alfira; Maulana, Amy
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 6 No 2 (2024)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v6i2.194

Abstract

Purpose: This article generally discusses music anthropology as a multidisciplinary field of study that explores the relationship between music, culture, and human behavior. The problem raised in this article is the lack of in-depth understanding of how music acts as a reflection, shaper, and connector of cultural dynamics, especially in the era of globalization which brings significant changes to the study of music anthropology. By exploring its historical roots in ethnomusicology to its development in the modern era, this article underlines the transformation and relevance of music studies in understanding cultural and social dynamics in various contexts, with the hope of providing theoretical and practical insights in understanding, preserving, and integrating traditional music into the modern context. Method: This research uses qualitative methods by integrating literature review, comparative analysis, and thematic exploration of key texts and case studies in the field. Data sources came from relevant books and scholarly articles to provide a comprehensive perspective. Triangulation techniques were used to validate the data through comparisons between definitions, theories and historical contexts, thus ensuring consistency of findings across approaches. Results and Discussion: The results in this study show that music anthropology, both in its classical and contemporary approaches, remains relevant as a cultural analysis tool. Conclusion: This study emphasizes the importance of interdisciplinary collaboration in understanding music, not only as an artistic expression, but also as a reflection of identity and its evolving dynamics.
Sociology of Music: Its Essence, History, and Challenges in the Contemporary Context Bagaskara, Akbar; Audhyati, Alfira
Malikussaleh Social and Political Reviews Vol. 6 No. 1 (2025)
Publisher : Master Program of Sociology, Universitas Malikussaleh,

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29103/mspr.v6i1.19486

Abstract

Music sociology is a discipline that studies the relationship between music and the society around it, how music reflects, shapes, and is influenced by social, cultural, and political dynamics. Using a qualitative approach sourced from scientific articles and relevant books, this paper discusses the essence of music sociology as a bridge between artistic expression and social reality, highlighting the role of music as a means of communication, cultural identity, and a medium of social transformation. The history of music sociology is explored, from its roots in modernism to contemporary theoretical developments that integrate interdisciplinary approaches. In the contemporary context, music is not only a part of popular culture, but also a means of understanding global issues, such as gender equality, human rights, and climate change. Music has become a platform for social protest, a symbol of resistance, and also a place for marginalized groups to voice their identity. It also examines the challenges facing music sociology today, including globalization, digitalization, and homogenization, which affect the diversity of local music and the way people interact with music. Through in-depth analysis, the article emphasizes the importance of a critical approach to music in understanding social dynamics. It also emphasizes the relevance of the sociology of music in bridging cultural gaps, strengthening social solidarity, and opening up discussion on broader humanitarian issues. Therefore, this article provides not only theoretical insights but also practical reflections on the position of music in changing or building society.
Estetika Musik Abad 21 Dalam sorotan: Dinamika Sejarah Sampai Pengindustrian. Bagaskara, Akbar; Setyaning Astuti, Kun; Pratama, Wahyu
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 8, No 1 (2025): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v8i1.10448

Abstract

Dalam memahami filosofi seni musik, dibutuhkan pengetahuan akan sejarah seni musik dari zaman dahulu sampai era modern. Pada seni musik abad 21, tantangan dari eksistensi seni musik menjadi dipertanyakan, oleh karena perkembangan teknologi yang terus melaju cepat. Maka dari itu, tulisan ini hadir dan bertujuan untuk mengungkap dinamika musik dalam sejarahnya, dan hubungannya dengan budaya industi abad 21, agar didapatkan pemahaman mengenai makna  sejarah estetika musik, serta masalah-masalah yang mengikutinya. Metode yang digunakan dalam penelitian ini adalah jenis kualitatif, yang mana data yang ditampilkan akan bersifat deskriptif. Pada tahap pengumpulan data, peneltian ini menggunakan pendekatan library studies, dengan menganalisis serta mengkonfimasi antara jurnal-jurnal ilmiah dan buku-buku terkait dalam penelitian. Temuan dari penelitian ini meliputi (1) Musik abad 21 memberikan kontribusi yang cukup signifikan pada perkembangan budaya musik, dengan hadirnya digitalisasi yang membuat musik lebih mudah diakses di seluruh dunia (2) Hadirnya budaya industri merubah budaya pendengaran masyarakat dengan hadirnya genre-genre musik yang baru (3) Disamping nilai positif, maraknya masalah hak cipta dan ekploitasi kapital pada dunia musik menjadi isu besar di abad 21
Profile Pendidikan Vokasi SMK Seni di Era Society 4.0 Wahyuningsih, Septiana; Bagaskara, Akbar
Jurnal Pendidikan Vokasi dan Seni Vol 2 No 1 (2023): Jurnal Pendidikan Vokasi dan Seni Kuliner
Publisher : Program Studi Pendidikan Vokasi Seni Kuliner

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52060/jpvs.v2i1.1385

Abstract

Pendidikan Vokasi pada SMK Seni di Indonesia harus bersinergi dengan arus revolusi industri 4.0 yang menampilkan lulusan yang bukan hanya terampil, namun mampu menghadapi tantangan revolusi industri dengan kompetensi lulusan yang mampu bekerja secara mandiri dalam dunia usaha dan dunia industri. Penulisan ini menggunakan metode studi literasi dari beberapa sumber tulisan yang relevan yang bisa dijadikan kajian. Profil pendidikan vokasi di Sekolah Menengah Kejuruan (SMK) seni pada era society 4.0 menampilkan pada peningkatan pembelajaran pada arus digitalisasi dan otomatasi sasi dan prospek kerja SMK seni pada revolusi industri 4.0.
Co-Authors Ans Prawati Yuliantari Audhyati, Alfira Jati, Galih Pangestu Kun Setyaning Astuti Kustap Kustap Maulana, Amy Setyaning Astuti, Kun Sinaga, Fajry Sub'haan Syah Umilia Rokhani Wahyu Pratama Wahyuningsih, Septiana