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<![CDATA[PERANCANGAN INFORMASI KERIS BERUPA MULTIMEDIA INTERAKTIF BERBASIS KIOSK ]]>
<![CDATA[Panindias, Asmoro Nurhadi]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.27
<![CDATA[This art design study was inspired from Keris which is known as a World Heritage and received a honorary as a Masterpiece of The Oral and Intangible Heritage of Humanity from UNESCO. Recently the speed of enlarge information demand this nation to extend information about Keris to public. Multimedia interactive has been choosing, which is use computer function to create and join link and tool that possibly user to do a navigation, interaction, recreation and communication. More specific about multimedia interactive, this is designed with kiosk base. Kiosk is an information system base on computer that put in a place who can be access by public, offer access to information or transaction for a group of user constantly with various anonym, use a short time dialogue and user interface that typically simple.Keyword : Keris, Multimedia Interactive, Kiosk, Public Information]]>
<![CDATA[Identitas Lokal Dan Global Dalam Iklan ]]>
<![CDATA[Murtono, Taufik]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.1
<![CDATA[This article incorporate globalization issue in advertising industry in Indonesia, particulary in discussing the presence of dultural identity in global world context. The finding abaout the modus of advertising strategy gives comprehension on how commercial advertisement communicate the identitiy they were offered. Identitiy works in many patterns those used product figure, verbal language and visual symbol. The existence of mixed identity as it appears in global products those try to use local element in their advertising while some local products do the contrary-show that identities srocc reference had happened in advertising world.Keyword : identity, globalization, advertisement]]>
<![CDATA[KEUNIKAN, KEARTISTIKAN, DAN KENYAMANAN INTERIOR WARUNG MAKAN LESEHAN PADA MODEL BANGUNAN RUMAH BAMBU DI WILAYAH KABUPATEN SUKOHARJO JAWA TENGAH ]]>
<![CDATA[Moedjisoewasti, Moedjisoewasti]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.15
<![CDATA[Bamboo house as a subject matter of this research will be examined in a whole sphare which is reach design interior aspecst in about its uniqueness, its artistic, and its convenience. This article is also will strives what kind of study of bamboo house applied in the interior design of restaurants especially on those previous aspects above. Because of an effective propose it will be limited to the sample population among restaurants in around Sukoharjo district, Central Java. Through this article description, I would like to expose the bamboo materials had not only useful functionally but it had been a uniqueness, artictic, and convenience for the user who stay and enjoyablein all thing related to its interior design of the bamboo, besides it can be searched all thing of the construction included in the materials entirely.Keyword : bamboo construction, interior design, uniqueness, artistic, convinience]]>
<![CDATA[PERPADUAN JAWA-EROPA KEARTISTIKAN INTERIOR DALEM WURYANINGRATAN ]]>
<![CDATA[Budiwiyanto, Joko]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.31
<![CDATA[This article is a part of research result about Architecture Profile of Prince’s fashion: “The Artistic Value of Interior of Dalem Wuryaningratan of Kasunanan Palace Surakartaâ€. The research objective is to reveal the artistic value of interior of Dalem Wuryaningratan. The research result shows that in the matter of the artistic of its interior design, dalem pangeran always oriented toward symbolic classification based on two, four, and eight. The view of classification two always manifested with kiwa-tengen, atas-bawah, or loroning-atunggal is always combined with something bigger and absolute. The view is not contrast; it is a relationship between two different things but it is harmonious. The balance controller is a point in the middle (the third point) which is absolute or God. Symmetric conception in interior element design shows the meaning of harmony. The conception is a manifestation from the meaning of balance with a purpose to reach the harmony of live, which means living harmoniously each other, living harmoniously with nature, and living harmoniously with God. The dualism conception is reflected in the room structure, door, window and colonnade/saka arrangement, and even in the structuring of furniture.]]>
<![CDATA[Mulat Sarira Karya Komposisi Karawitan ]]>
<![CDATA[Saba, I Ketut]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.3
<![CDATA[Mulat Sarira(Bali language) literally means self instropection. This term is often used in dialogue or monologue in lakon for dance drama, wayang, or other performing arts. Mulat Sarira is also used as a title of Karawitan Composition. It started from the idea of the writer’s anxiety towards social phenomena which tends to be unnatural. This work tries to reflect human attitude which do not obey the rule, which is not afraid, ashamed, and sinful when they do unrespectable deed. Instropection becomes a realizing expression through oral tradition approach (it is dominant in Hindu spiritual practices) and that is a purpose of this work. Vocal becomes an important and dominant element in this work for it is placed as a medium for religious advice giving which is hoped to affect the spiritual and physical harmony in social life.Keyword : social phenomena, realizing, treatment(garap), vocal vocabulary.]]>
<![CDATA[TELEVISI LOKAL SEBAGAI MEDIUM PENCITRAAN LOKALIAS DAERAH ]]>
<![CDATA[Sugihartono, Ranang Agung]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.17
<![CDATA[Local television as a imaginary media in a localities exist as a phenomena in order to expressed reality. This article will examine a what kind of contribution need a specific perspective regarding to local identity entirely. According to the main contribution of local television, this article attempt to local materials appearance as well as social educative impacts gained from their program itself. At least the local materials supposed to be news program competence, program production’s competence, local imaginary competence, and Actualization of local competence. Through this article what I would like to strives can not be separated from relationship among existence of media television and imaginary of local product. Based on a mainstream of indigenous localityand imaginary approaches, so that local television has a specific contribution upon social educative’s roles in their own phenomena.Keyword : media television, locality, imaginary approach, social educative.]]>
<![CDATA[SPIRITUALITAS MISTIS DI BALIK EKSPRESI KESENIAN RAKYAT JARANAN ]]>
<![CDATA[Alkaf, Mukhlas]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.35
<![CDATA[Jaranan is a piece of dance tradition belonged to Lencoh village, Selo district, town of Boyolali in Central Java. The existence of this dance tradition kind of thing has a special reason to be researched and it’s attemption to expose a relationship among misticism and a saveral aspects of the living society itself. Through this article this research will strives the object in depth based on a discipline of anthropology in order to examine interrelation amongst a set of value belong to the village society which is supported way of live into them. From this domain a set of meaning simbolized and accompanied their way of live instead on balance values, and commnal values which is formed by their own costums, historicism, and spirit. According to this article mentioned an ethnographic method with strong emphases into several attemption optimalization of balance pattern founded by misticism values itself. In other way, it focused on the existence of jaranan dance tradition as a little tradition arts had relationship with religiousities view an misticism entirely could be studied by a stressing its cultural text can not be separated by anthropological aspects of dance studies. It will means Jaranan as a little dance tradition can be studied in the whole misticism aspects in the Lencoh village itself.Keyword : misticism, Jaranan dance, symbolism, society, ethnography]]>
<![CDATA[Estetika Tari Gambyong Solo Minulya Karya S. Maridi ]]>
<![CDATA[Sumargono, Sumargono]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.5
<![CDATA[This writing will disclose and identify the aesthetics of Gambyong Solominulya dance by applying a special attention to the analysis of dance’s elements and the ralations of one element to the others. The notation patterns of the music dance were described in detail so that it was possible to identify the tempo, laya, rhyme, musical tate and the pattern of kendangan mungkus / mlaku. The result is that we know the choreography of Gambyong Solominulya dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style, both the technique and its taste. The concept covers pacak, pancat,lulut, luwes, ulat, wiled, rhyme and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other style.Keyword : Gambyong, aesthetic, gendhing, dance movement, dramatic design]]>
<![CDATA[KEAKTORAN NANIK SETYARINI DALAM PERTUNJUKAN WAYANG ORANG SRIWEDARI SURAKARTA ]]>
<![CDATA[Widyastuti, Mamik]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.19
<![CDATA[This article will strives a field of Nanik Setyarini as an dance-actrees on the wayang orang performance of Sri Wedari, Surakarta. Nanik Setyarini’s acting process has been built since her childhood while she get along by watching wayang performance. Her sensitive abilities to the wayang performance had examined her to start her dancing practice and brought her to join the wayang groups of Sri Wedari, from her role as a supporting dancer to her role as a main dance-actrees as a wayang Srikandi, at least she become a director of wayang performance of Sri Wedari. Nanik’s dedication of her dancer-actrees’s entities to the wayang performance of Sri Wedari at Surakarta seems her role as a wayang Srikandi presently. Nanik Setyarini has her gandar excellence, dance movement expression, dialogues, tembang singing, musical sensibility, and her excellence of acting dedication on a wayang’s she taken role entirely.Keyword : acting dedication, Nanik Setyarini, excellence, wayang orang]]>
<![CDATA[Strategi Komparatif Iklan Televisi Produk Shampoo Wanita ]]>
<![CDATA[Herry P, Basnendar]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.9
<![CDATA[The advertisement is an important element in culture because it reflects and attempts to change our life style. Advertisment does not only offer commodity, but it also offers sexuality, beauty, facilitation, modernity, happiness, success, and status. Talking about television advertisement through cultural perpective is an unfailing topic to discuss because it is related to the broad and crucial question. The advertisement intens to give stimulation to the target audience in order to create buying and selling condition. So does television advertisement to reach a wider target, it will be more effective to the advertisers if they use this media. The research takes the category of body treatment advertised in television electronic media. The advertisement of shampoo products to be compared in this research are : Pantene Pro-V Shampoo advertisement and CLEAR Shampoo advertisement, where both advertisement contain comparative stategy. The research finds that the three advertisements of the shampoo product, the comparative of the way to use the product, and the comparative from the product itself so it can be categorized that comparative strategy from both shampoo products burn into monotonous and tend to be cliché.Keyword : television advertisement, comparative strategy, shampoo product]]>
