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<![CDATA[MEDIA PEMBELAJARAN BAHASA JAWA DESAIN COMPUTER ASSESTED LEARNING (CAL) ]]>
<![CDATA[Masturoh, Titin]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.121
<![CDATA[Media Of learning covering hardware is easily found while the software media has been known since the development of communication and computer technology. Computer technology has supported the creation aflearning media for example application such as powerpoint presentation, VCD, MP3, web, and interactive CD. In order to make Bahasa Jawa ( Javanese language) learning not boring, it is important to try computer technology as the learning media. Besides, it is also supposed to increase the studying target. The purposeof this research is to ï¬nd a model of Bahasa Jawa learning and a model structure of Bahasa Jawa learning by computer media (Computer Assisted Learning/CAL). Multimedia CAL tries ta make students active in wing learning technology especially the function of studying source development so that the studying obstacle mainly in connection with the studying source limit can be overcome, besides. it is supposed to optimalize the student role in studying actively and independently.Key words: media, educational, old Javanese. computer.]]>
<![CDATA[KESENIAN RANDAI MINANGKABAU DITINJAU DARI SEGI ESTETIKA TARI ]]>
<![CDATA[Yetti, Elindra]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.113
<![CDATA[Randai is an art uniï¬cation of movement, vocal. literature, and theater: Chairul Harun. in Pustaka Msata Budaya qfRandai Minangkabau, describes that Randai has existed through a long historical joumey sine:twentieth century. Randai more develops in the area of Darek. It is an area in central West Sumatera thatbecames a center af Minangkabau culture development. Randai represents a dance of people in gmup moving toforrn a circle, dancing while singing and doing applause and mainly presenting a story. As one of the dance cultures that becomes an icon afMinangkabau society, this research would like to convey theaesthetic substantion adhered in Randai. The aesthetic aspects that would be studied include the aspects of harmony, purity and clearance, as well as unity aspect. This article is supposed to give an idea of study which can complete the aesthetic aspects of Randai as a cultural product.Key wards: Randai, aesthetic, harmony, pure, unity]]>
<![CDATA[TAPAKAN BARON NAWA SANGGHA PURA PUNCAK PADANG DAWA DALAM UPACARA RUWAT BUMI ]]>
<![CDATA[Dana, I Wayan]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.123
<![CDATA[Tapakan Barong Nawa Sanggha is not only gloriï¬ed in Pura Pucak Padang Dawa but also can be found in Para Natar Sari Apuan and Puro Pucak Kembar Pucung Baturiti, Tabanan.The three tapakan, in accordance to calculation time boxed on Bali calendar, by turns. conduct the ritual ceremony ngelawarig. melelungan. or ngunya amund the various area.\' of Central Bali as the fonn of Ruwat Bumi ceremony. The ceremony of Ruwat Bumi is an unseparable part of ‘panca yadnya ’( the ï¬ve holy victims) executed honestly by Hindu society. Tapokan Bamng Nawa Sanggha becomes a media in the ceremony because tapakanxymbolically master: and guards the power from all xides of point. The form of nine barong shows the pawerfmm all sides which is believed by the society to have God power that is able to purify the world from threatening dangen For the reason, the bamng is mostly waited for by the society in order to getpeaceï¬d and harmonious life forever:Keyword: Tapakan Barong Nawa Sanggha. Paruman Barong, Pucak Padang Dawa, Ruwat Bumi Ceremony]]>
<![CDATA[PERSPEKTIF ANTROPOLOGI DALAM SENI DAN ESTETIKA ]]>
<![CDATA[Simatupang, G.L Lono Asmoro]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.87
<![CDATA[This article examine an aesthetic and arts as an anthropological facts related to human being culturally perfected. Originally this article has been presented as a research paper for seminar of aesthetic and arts productivities belonged to marginal ethnic in the Indonesia Institut of Arts in Surakarta, Central Java. Based on a arts productivities and aesthetic production factually this article will strives a relativities of arts product and aesthetic product through the anthropological consepts of culture. There were strong relation according to intercontextual of the termonology of arts itself, the forms and aesthetic products. Here we wont to determined what kind of the definition eventhough therminology had separated from the anthropological perspectives. Keyword arts, aesthetic, anthropological perspective]]>
<![CDATA[KONSISTENSI TERMINOLOGI, INVENTARISASI POTENSI DAN PENGUATAN INFRASTRUKTUR DALAM UPAYA PELESTARIAN KRIYA ]]>
<![CDATA[Guntur, Guntur]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.115
<![CDATA[As the activities and products of the oldest arts, crqfl should have a reliability of conceptual art, both among the general population and even mone so in education. However; in reality it still shows the use of terminology no consistency Ironically, this occurred at a govemment institution that organizes educational programs in the ï¬eld of craft. Conservation eï¬nrts should be initiated to foster one of the pmblern. In addition to strengthening the existing infmstructure in craft world.Key wards: craft, conservation, consistency, and infrastructure]]>
<![CDATA[KONTRIBUSI KARATE DAN TAI CHI TERHADAP GERAK TARI GAGAH, ALUS DAN PUTRI GAYA SURAKARTA ]]>
<![CDATA[Supriyanto, Mt.]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.125
<![CDATA[This research conveys haw far the contribution of Karate and Tai Chi Chuan towards the movement of reï¬ne, dashing, and female dances is. Karate and Tai Chi are physical exercises given in Olah Tubuh (ï¬tness) course in semester ll’. One of the body treatments is the use of techniques or subjects in kinds ofsport such as Karate and Tai Chi. Kind of Karate namely self defense art comes from Japan while kind of Tai Chi namely self defense art comes from China. The diflerence between them is in case of characten Karate has hard, strict, and stnong character while Tai Chi has soft, slow, and streaming character. Bothhave training disciplinary that is useful for the development of traditional dance especially in supporting the dance quality increase. As we can see that the physical aspects in body treatment are the same as those in dance covering reï¬ne, dashing, and female dances. The aspects include power. endurance. balance. flexibility, speed, liveliness, coordination, and accuracy. This research is descriptive qualitative namely the method which collecting data based an observation and interview. The data founded include data and picture. The result of this research gives much contribution in increasing movement awareness andconcentration. dance deepening and enriching dance vocabularies.Key words: tai chi, karate, the movement of reï¬ne and dashing dances, dance of Surakarta style.]]>
<![CDATA[FILM DOKUMENTER SEBAGAI MEDIA PELESTARI TRADISI ]]>
<![CDATA[Utami, Citra Dewi]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.93
<![CDATA[the concern of tradition which is often said ancient becomes an idea of various arts. Tradition that is oftenly considered to be given things, one of them is penanggalan Jawa (Javanese calender), is sometimes ignored if is observed tradition of penanggalan jawa is still very closed to the society's social lives. Some daily activities are unconsciously planned based on the Javanese calender. Traditional is many times executed ritually. Sometimes people forget to inherit its phylosophy and use. Documentary film is one of audio visual media genres used to mediate the tradition preservation ad return which is essentially becomes a great heritage. Documentary film shows the importance of critizising the myth of various tradition.Keyword : documentary film, medition, tradition]]>
<![CDATA[KEKUASAAN JAWA DALAM STRUKTUR KERAJAAN ISLAM AN PEWAYANGAN : SEBUAH ANALISIS STRUKTURALISME LEVI-STRAUS ]]>
<![CDATA[Ansari, Isa]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.117
<![CDATA[The purpose of this research is to ï¬nd a model of Javanese power structure by using the perspective of structuralism, Levi-Strauss. Material object of this research is the history of the pap-Islamic kingdom in Java Starting fmm Demak, Pajang and Mataram Kingdoms, this is certainly an the contrary of theassumption of theoretical structuralism which makes history only supplement and not part of the data analyzed. The model structure is then transformed into lakon Wahyu Makhutarama. The source data used in this study consists of two types of data that is written data obtained fmm the writings that have beenrecorded, and research reports. Both data sources are the result of an interview recorded with a tape recorder. The results of this study indicate that the model is dialectical Javanese power structure consisting of elements of thesis, antithesis. and synthesis. The model is transfarmative to puppet stories in particular lakon wahyu Makhutarama in the Java power system, shows the dialectics of power in establishment of genealogical and transcendental.Keywords: Javanese Power, Structural Levi-Strauss, Dialectics]]>
<![CDATA[FOTOGRAFI POTRET INDONESIA DALAM KARYA-KARYA FOTOGRAFER KASSIAN CEPHAS DAN ANDREAS DARWIS TRIADI ]]>
<![CDATA[Prasetyo, Andry]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.127
<![CDATA[Kassian Cephas and Andreas Darwis Triadi are two most popular photographers who become benchmarks in the development of pa trait photography in Indonesialheir photos are able to bring them to higher position and are able to make Indonesia being in the same place to other developed notions in photography of their era. Analysis result through aesthetic approach of potrait photography towards potrait photos produced by Kassihan Cephas ( I 845 — I 912) and Andreas Darwis Triadi shows that the works are produced by the process of creating which is built of aesthetic values so that they are able to lift civilization of each photograph artist. The works are also produced by a good skill of photography technique as well as creativity skill with high aesthetic touch. It can be seen from the costume, make up, style, and property used increating woman portrait photography. But it also cannot leave the human practical needs to support their daily lives such as spiritual need and personal interest.Key words: Potrait Photography, Aesthetics, Kassian Cephas and Darwis Triadi.]]>
<![CDATA[MEMBANGUN CITY BRANDING MELALUI SOLO BATIK CARNIVAL ]]>
<![CDATA[Murfianti, Fitri]]>
<![CDATA[ Acintya Vol. 2 No. 1 (2010) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v2i1.101
<![CDATA[City branding is an ejfort to establish the identity of a city. ldentiql is a construction. a consequence of B process of interaction between people, institutions, and praxis in social life; o place/region which bring:its uniqueness and may appear diï¬erently from its competitors not only in slogans or tagline but also in its ability to oï¬er something which is unique and dtflerenl, crystallized as a strong identity in the customers‘ perception. Solo Batik Carnival is a creative industry that produces “symbolic goods †in the form of ideas, experiences, and images. The event is hold as on effort to construct the image which represents the city of Solo as a city of Batik and makes the city of Solo a marketable city. Thus, SBC has a dual function. Apanfrom an attempt to potent batik culturally and oflirm brand Solo as the City of Batik, SBC also can function as a showroom or storefront that oflers a unique batik Solo as a unique selling proposition so that it can be used as a tourism pmmotion event of the city of Solo in national and international scale.Keywords: Solo Batik Carnival, City Branding, Identity]]>
