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All Journal Jurnal Al-Tadzkiyyah Texture : Art and Culture Journal Abdi Seni Acintya Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Retina Jurnal Fotografi
Prasetyo, Andry
Institut Seni Indonesia Surakarta
Arts Humanities Education Social Sciences Other

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TURONGGO YAKSO DALAM ETNOFOTOGRAFI Perkasa, Mandira Citra; Prasetyo, Andry
TEXTURE : Art & Culture Journal Vol 1, No 2 (2018)
Publisher : TEXTURE : Art & Culture Journal

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (19.28 KB)

Abstract

ABSTRACTThe idea of a photographic creation work en titled “TURONGGO YAKSO IN ETNOPHOTOGRAPHY” was a response to the case of the disappearance of the founder’s handwriting book, the art of Turonggo Yakso which contained important notes about the arts of the Dongkol Village community. The book is about the history of the art of Turonggo Yakso, the design of the movement, and all the rules of the Baritan ceremony (the ritual of the Dongko community after harvest as gratitude for the Almighty God because of the successful harvest).The purpose of this project is to attempt to reassemble the archives in the form of text data from interviews with Turonggo Yakso art actors, and visual data on the documentation of the shows which are packaged in ethnophotographic photographs. The process of creating this work uses ethnophotographic methods which were initiated by Dipti Desai, namely Pseudo-Ethnography. Photographers do not carry out ethnographic methods strictly, but rather rely on field data from interviews by informants and environmental observations.The final project of this work presents visual data and text data about the history of Turonggo Yakso folk art which is the original art of the Kecamantan Dongko community, Trenggalek Regency, East Java Province from preparation, during the show, to the end of the show in ethnophotographic form.Keywords: Ethnophotography, Turonggo Yakso, Art of Tradition, Jaranan.ABSTRAKIde karya penciptaan fotografi yang berjudul “TURONGGO YAKSO DALAM ETNOFOTOGRAFI” merupakan tindak lanjut dalam menyikapi kasus hilangnya buku tulisan tangan sesepuh pendiri kesenian Turonggo Yakso, yang berisi catatan penting tentang kesenian masyarakat Desa Dongkol. Buku tersebut berisi tentang sejarah kesenian turonggo yakso, rancangan gerak, dan segala aturan seputar upacara Baritan (Upacara yang dilakukan oleh masyarakat Dongko setelah panen sebagai rasa syukur terhadap Tuhan Yang Maha Kuasa karena hasil panen yang sukses). Tujuan penciptaaan karya ini sebagai usaha untuk mengumpulkan kembali catatan-catatan yang berupa data teks hasil wawancara dari para pelaku kesenian turonggo yakso, dan data visual dari peristiwa pertunjukannya yang dikemas dalam foto etnofotografi. Proses penciptaan karya ini menggunakan metode etnofotografi yang dicetuskan oleh Dipti Desai yakni Pseudo-Ethnography atau etnografi “semu”, di mana pengkarya tidak mengikuti metode etnografi secara ketat, namun lebih mengandalkan data lapangan dari hasil wawancara oleh narasumber dan pengamatan lingkungan.Hasil tugas akhir karya ini menyajikan data-data visual dan data-data text tentang sejarah kesenian rakyat Turonggo Yakso yang merupakan kesenian asli masyarakat Kecamantan Dongko, Kabupaten Trenggalek, Provinsi Jawa Timur dari persiapan, saat pertunjukan, hingga akhir pertunjukan dalam bentuk etnofotografiKata kunci: Etnofotografi, Turonggo Yakso, Kesenian, Jaranan.
DIGITALISASI BAGI PUSTAKAWAN GUNA PENYELAMATAN NASKAH KUNO DI PERPUSTAKAAN WILAYAH SURAKARTA Andry Prasetyo
Abdi Seni Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2427.359 KB) | DOI: 10.33153/abdiseni.v9i1.2443

Abstract

AbstractThis paper describes the process of digitizing training for librarians to save and provide easy access for visitors, as well as a base for library digital libraries in the Surakarta Region. The training on media transfer and preparation of the E-Book uses participatory methods, namely librarians will be directly involved in the training process. The lack of knowledge of librarians in photographic technology as the basis of the digitization process (conversion of hard files into soft files), and the lack of budget allocations for digitalization are obstacles in saving ancient manuscripts. Therefore, it is necessary to make the right media transfer tool (reprograph). Librarians were finally able to understand the basic photography techniques and compilation of e-books with the PageFlip Book 3D application, so that a collection of manuscripts could be saved from extinction. Librarians get easy access to ancient manuscripts without having to touch physically with the original manuscript.Keywords: Digitalization, Ancient Manuscripts, Libraries, Surakarta.
DIGITALISASI SEBAGAI UPAYA PENYELAMATAN DAN KEMUDAHAN AKSES NASKAH KUNO Andry Prasetyo; Agus Heru Setiawan; M ali nurhasan islamy
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Naskah kuno yang berusia ratusan tahun dan menampung keberagaman teks dan pengetahuan tentang falsafah keagamaan, norma dan tuntunan hidup, sejarah suatu bangsa, kesusasteraan, kebahasaan, persoalan adat istiadat maupun perundang-undangan, merupakan aset penting bagi keberadaan masyarakat tertentu, yaitu berfungsi sebagai sarana mentransfer informasi dan pengetahuan lintas generasi, dan sekaligus penanda peradaban suatu jaman. Faktor usia, rapuhnya material yang digunakan, kompleksitas penyimpanan, serta aksesbilitas pengetahuan di dalamnya, menjadi persoalan yang dihadapi dalam upaya preservasi naskah-naskah kuno koleksi suatu perpustakaan tertentu. Penelitian ini bertujuan untuk menjawab pertanyaan tentang bagaimana upaya yang dimungkinkan untuk melakukan konservasi naskah-naskah kuno koleksi Perpustakaan Museum Radya Pustaka Surakarta yang terancam keberadaannya dan membangun model alih media yang memungkinkan pihak perpustakaan memberikan akses kepada pemustakanya tanpa membahayakan kondisi dari naskah aslinya. Hasil temuan di lapangan menunjukkan bahwa koleksi naskah kuno yang dimiliki oleh Museum Radya Pustaka, berada dalam taraf yang memerlukan tindakan penyelamatan secepat mungkin. Kondisi terkini dari naskah-naskah kuno tersebut rentan mengalami kerusakan yang tidak lagi dapat diperbarui. Kondisi ini diperburuk dengan sistem penyimpanan naskah kuno yang masih konvensional, yaitu dengan membuat file teks dan disusun ke dalam almari. Sedangkan untuk menjaga keselamatan naskah kuno, pengelola museum membatasi akses pengunjung untuk melakukan kontak langsung dengan naskah asli. Memperhatikan temuan tersebut di atas, model alih media ke bentukan digital menjadi satu metode potensial untuk dilaksanakan, terutama ketika melihat kondisi koleksi naskah kuno yang mulai rapuh serta memperhatikan tingginya ketertarikan pemustaka untuk mengakses koleksi naskah kuno dari perpustakaan Museum Radya Pustaka Surakarta. Selain itu perlu dibuat sebuah alat Reprographteknologi fotografi yang tepat guna, terjangkau dari segi harga, dan efektif yaitu yang diperuntukkan bagi perpustakaan yang memiliki anggaran kecil seperti perpustakaan Museum Radya Pustaka dan perpustakaan kecil di daerah-daerah.
THE AESTHETICS OF AGUS LEONARDUS’ POSTCARD PHOTOGRAPHY ON YOGYAKARTA SOCIO-CULTURAL ACTIVITIES Yuniar, Anang Ma'ruf Bagus; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4386

Abstract

This text aims to assess the aesthetic value of Agus Leonardus' Yogyakarta social and cultural activities-themed postcard photography works from both ideational and technical perspectives. This research adopts a qualitative interpretative approach, describing the postcard photo works as data. The analysis utilizes Soedjono's aesthetic theory, which encompasses both technical and ideational aspects. The results of this study indicate that Agus Leonardus' photos ideationally highlight ideas and themes related to social and cultural activities in Yogyakarta. On a technical level, they demonstrate a skillful combination of various visual elements, such as lines, shapes, and lighting. The arrangement of these visual elements in Leonardus' works is carefully considered, ensuring that each photo complements and supports one another, thereby enhancing the aesthetic value of the overall collection.
Analysis photo of the year 2006 Indonesian press photo award based on the three visual layers theory Prasetyo, Andry; Guntur, Guntur; Ajidarma, Seno Gumira; Soewarlan, Santosa
Gelar : Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5521

Abstract

This article aims to analyze the work of the 2016 Indonesian Press Photo Award Photo of the Year entitled "Tinjau Titik Api," using the "Three Visual Layers" theory. Photo of the Year 2016 was chosen because it has the advantage of good visual value and high news value, especially for people in the news. The three visual layers analysis includes optical, cultural, and photographic meaning. The optical aspect is for the non-blind eyes, the cultural aspect includes known visual appearances and unknown visual appearances, and the photographic aspect has a functional appearance, personal appearance, and subjective appearance. The research method is qualitative analysis because its implementation is based on visual analysis to find meaning from photos depicting three figures who are symbols of the strength of the Indonesian state, namely, the President of the Republic of Indonesia, Joko Widodo, TNI Commander General Gatot Nurmantyo, and Chief of the Indonesian National Police General Badarudin Haiti, who is inspecting the location of forest and land fires, in Geronggong Village, Ogan Komering Ilir Regency, South Sumatra. Data analysis involves: Scrutinizing relevant and irrelevant information, reducing data, compiling codes against findings data, and verifying codes as a reference for discussion and conclusion. The research results show that the 2016 Photo of the Year contains meaning that shows the Indonesian government's commitment to dealing with forest and land fires in Sumatra. The photo has advantages in terms of visual value which is reflected in the composition, depth of focus, and expression of the president, and in terms of news value, it is superior in terms of character value, as well as another advantage in the closeness of the photographer to the object of the event.
PEMBIASAAN POLA DAN PERILAKU BERPIKIR POSITIF PESERTA PELATIHAN KARAWITAN DI KOMUNITAS TERAS BUDAYA: - Prasetyo, Andry; Setiawan, Sigit
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5971

Abstract

Potensi seni yang dimiliki seorang anak kerap kali tidak disadari oleh orang sekitar bahkan dirinya sendiri, sehingga potensi yang ada tidak dapat diasah atau dikembangkan menjadi lebih baik lagi. Kecenderungan ini membuat anak-anak menutup diri atas potensi seni yang dimilikinya. Melalui seni dapat mengajarkan kebiasaan baik dan bermanfaat untuk menciptakn kualitas sumber daya manusia yang unggul di masyarakat.Tujuan: Penelitian ini bertujuan untuk mengaarkan perilaku dan cara berpikir yang baik kepada generasi muda melalui media seni karawitan Metode: Teknik pengambilan data yaitu teknik observasi, teknik wawancara dan teknik studi dokumen dengan menggabungkan pendekatan Psikologi yang mematangkan konsep pelatihan secara sistematis. Langkah yang digunakan untuk mencapai tujuan program ini adalah mengurai roadmap kegiatan, identifkasi potensi, masalah dan kebutuhan masyarakat Mojoroto, membentuk rencana intervensi melalui pendampingan dan pelatihan seni, studi banding, upaya pembentukan sanggar di Mojoroto.. Simpulan: Pemikiran dan perilaku positif pada anak-anak dapat memberikan kontribusi yang signifikan terhadap perkembangan kualitas hidup mereka secara keseluruhan di Mojoroto. Dengan berfokus pada pemikiran dan perilaku positif, anak-anak dapat lebih memahami dan beradaptasi dengan situasi yang mereka pelajari, sehingga menghasilkan kinerja yang lebih baik dan kesuksesan hidup mereka secara keseluruhan.
Penggunaan Depth of Field dalam Film "Hajat" Albertus Widya Dewanta; Michelle Gracia Kristiyanto; Andry Prasetyo
Retina Jurnal Fotografi Vol 5 No 1 (2025): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v5i1.4705

Abstract

Film Hajat menceritakan tentang Tole dan ibunya yang mencari cara untuk menghantarkan ayah mereka yang sakit menuju kematian. Dalam film ini, hubungan orang tua dan anak diperankan sebagai faktor penting dalam perkembangan individu. Pada penerapan Depth of field hanya terdapat, Deep Focus dan shallow focus saja. Deep Focus digunakan untuk adegan flashback, untuk memperkuat tangga dramatik dalam film sedangkan shallow focus digunakan untuk adegan realitas yang terdapat dalam film. Dalam menunjang unsur dramatik film Hajat diperlukan visualisasi adegan antara waktu realitas dan flashback menggunakan Depth of Field. Dengan menggunakan Depth of Field mudah bagi penonton untuk merasakan adegan realistis dan flashback melalui visual dari sinematografi.
FOTOGRAFI POTRET INDONESIA DALAM KARYA-KARYA FOTOGRAFER KASSIAN CEPHAS DAN ANDREAS DARWIS TRIADI Prasetyo, Andry
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3700.862 KB) | DOI: 10.33153/acy.v2i1.127

Abstract

Kassian Cephas and Andreas Darwis Triadi are two most popular photographers who become benchmarks in the development of pa trait photography in Indonesialheir photos are able to bring them to higher position and are able to make Indonesia being in the same place to other developed notions in photography of their era. Analysis result through aesthetic approach of potrait photography towards potrait photos produced by Kassihan Cephas ( I 845 — I 912) and Andreas Darwis Triadi shows that the works are produced by the process of creating which is built of aesthetic values so that they are able to lift civilization of each photograph artist. The works are also produced by a good skill of photography technique as well as creativity skill with high aesthetic touch. It can be seen from the costume, make up, style, and property used increating woman portrait photography. But it also cannot leave the human practical needs to support their daily lives such as spiritual need and personal interest.Key words: Potrait Photography, Aesthetics, Kassian Cephas and Darwis Triadi.
EKSPLORASI GERAK AIR DALAM VISUALISASI FOTOGRAFI STILL LIFE Prasetyo, Andry
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.832 KB) | DOI: 10.33153/acy.v7i2.2005

Abstract

The research on the art work entitled “Eksplorasi Gerak Air Dalam Visualisasi Fotografi Still Life” (The Exploration of Water Movement in Photography Visualization Still Life” aims to create a photography work with the object of water spot that quickly moves and forms a certain pattern that cannot be caught by eyes, that is then paused so that it can be enjoyed in detail by high speedtechnique. The research uses experimental approach. It is executed through two stages covering analysis and development. The analysis includes identification and studies on the research object including water movement or water spot and the material forming a certain pattern as an object of photography. The method of photography creating Still Life covers three stages: exploration, planning, and realization. The result shows that firstly, the beauty of the photograph Still Life with the object of water spot can be caught and seen by eyes with high speed technique. Secondly, the image of water movement that is freezed can produces visual element and aesthetic effect by adding the light of lamp in the background at the time the photograph is taken.Keywords: photography Still Life, water movement, exploration.
CARA MELIHAT Prasetyo, Andry
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (415.167 KB) | DOI: 10.33153/acy.v11i1.2610

Abstract

Abstract This study discusses John Berger's book entitled: The Way of Seeing which was first printed in 1972. The purpose of this study is to urge photographers to study harder and implement critical theories about concepts and philosophies that support photography. This language urgency helps foster the critical spirit and instinct of students who are studying photography.This research departs from a literature review. Because of its basic research, with qualitative descriptive forms, it is in the search for data sources on primary and secondary data. Primary data is Berger's original work entitled How to Look, while the secondary one is a review and commentary on Berger's main work by other authors.The results of this study show the concept of thought of John Berger: Seeing the building of our existence in the world that surrounds us, therefore we can explain in words, whatever is around us. Seeing not only the affairs of the mechanical reaction of the eye organs (lens, retina, etc.) but there is the activity of choosing from so many things outside us that are visible to the eye. Keywords: John Berger, How to Look, Critical Theory, Photographer
Co-Authors Agus Heru Setiawan Albertus Widya Dewanta Alfreda, Muhammad Bayu, Emirsyah Choirul Mahfud Dewanta, Albertus Widya Guntur Guntur Khairunisa, Amira Kristiyanto, Michelle Gracia M ali nurhasan islamy Michelle Gracia Kristiyanto Perkasa, Mandira Citra Perkasa, Mandira Citra Pitaloka, Dea Putri s sugito, s Seno Gumira Ajidarma, Seno Gumira Sigit Setiawan Soewarlan, Santosa Yuniar, Anang Ma'ruf Bagus