Garuda - Garba Rujukan Digital

GARAP KEBAR DALAM KARAWITAN JAWA Sugimin, S.,
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Garap kebar is one of the treatment on the musical offerings of Javanese musical by using a kebarâ€™sÂ drum pattern presented irama tanggung and dados responsibility to fulfill the musical expression byÂ considering a variety of needs. The emergence of garap kebar on the musical offerings are caused byvarious factors, among which are interpretation of treatment, creativity of artists, and servingÂ functions. There are several options kebar drum pattern that each has a different character, thatÂ kebar gambyong, kebar golek, kebar matut, and kebar gecul. Various aspects of forming the musicalÂ sense in garap kebar include: musical pattern instrument, rhythm, tempo or laya, and servingÂ functions. Gending who worked kebar containing musical taste sigrak, berag, prenes, and gecul.Keywords: interpretation of treatment, creativity, and offering functionality.

PENCIPTAAN KARYA SENI INSTALASI BERBASIS EKSPERIMEN KREATIF DENGAN MEDIUM GEMBRENG Cholis, Henri
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

This research is a study on an installation work of art based on an experimentation exploring newÂ possibilities of the product of gembreng (zinc) handicrafts in Kabangan market, Laweyan, Surakarta.Â The product is used as one of the aesthetic elements of the installation art in a ready made shape or anew one which can be developed using a technique craftsmen in Kabangan market have. This researchÂ aims at studying to create an installation work of art with zinc as the main medium. This research isÂ designed as an explorative developing research. Therefore, it tends to be experimentative to findÂ possible innovation in shape, technique, medium, and material exploration. The data were collectedÂ through in-depth interview and an observation in the zinc industrial centre in Kabangan market,Â Laweyan, Surakarta. The subjects of this research were the craftmen of zinc to find out the techniqueÂ they usually used and the technical achievement which could be explored to create an installationwork of art. The object observed in this research was the product produced and the technique used toÂ create the handicraft in Kabangan market. It is important to do this to find out various possibilities ofÂ developing shapes as an aesthetic element of an installation work of art.To enhance the validity andquality of the work of art in this research, â€œtrial and seeâ€ or the controlled trying out by an adaptiveÂ strategy is used. The data were analyzed using SWOT analysis and the result of the analysis was usedÂ as the principle to make an installation work of art. The idea of shape in this installation work of artis based on Garuda and Jatayu, a kind of birds thought to be sacred in Javanese myth. The stages inÂ creating this work of fine art are as follows: exploration, improvisation, and shaping. The result ofÂ this research is an installation work of art of which the main material is zinc and its shape, colourÂ and ornament originate in Javanese culture.Keywords: Javanese myth, handicraft made of zinc, installation work of art.

KAJIAN STRUKTUR KOLONG DAN PERGESERAN FUNGSI GARDU POS RONDA STUDI KASUS PADA GARDU POS RONDA RW 29 MOJOSONGO, JEBRES, SURAKARTA Sumarno, S.,
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Night watch guardhouse (gardu pos ronda) is one of Indonesian cultural uniqueness forms comparedÂ with other states remaining to exist up to now. In such the condition, guardhouse is also a witness ofÂ historical course from several eras accompanying. The uniqueness of guardhouse lies, among otherthings, at its form and the system accompanying it. The structure of guardhouse is as same as otherÂ architecture construction consisting of floor, wall and roof. Several guardhouses, by its floor structure, consist of kolong (space underneath main construction) floor and guardhouse exactly on theÂ land. Amid the architectural culture abandoning kolong structure particularly in Java, the structure ofÂ guardhouse kolong is an interesting topic to study. It is because the kolongÂ structure is the reflection ofÂ Javanese floor construction structure in the past. The objective of research is to find out: (a) what theÂ structure of guardhouse construction is as the interior element; (b) in the present context, how theÂ change of the development of guardhouse function is and what activities it serves in addition to guardÂ security. In order to achieve the objective, the research method employed was a qualitative research.The research was taken place in Surakarta city. The sampling technique used was purposive samplingÂ one taking all of guardhouses with kolong structure existing in RW 19, Kelurahan Mojosongo, JebresÂ Subdistrict, Surakarta City. Techniques of collecting data used include interview, recording, librarystudy, measurement, and documentation. The data validation is conducted using data triangulation,Â while the data analysis is done by using Miles and Hubermanâ€™s interactive model of analysis.Keywords: guardhouse, kolong structure, function.

MEBEL KAYU BERUKIR SEBAGAI SALAH SATU PERWUJUDAN PELESTARIAN KARYA BERNUANSA LOKAL Kusmadi, K.,
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

The carved wood furniture is a three dimension visual art work that generally uses wood material toÂ be shaped in such a way that become a tools to support human activities. Although the furniture artÂ work has developed for a long time, in Central Java, it only developed rapidly in the certain area asÂ Jepara, SerenanSukoharjo, and recently, in Kalijambe, Sragen. For the reason, it becomes a chanceÂ for the writer to pay close attention to the works of the businessmen and artists in developing themselves to fulfill the consumerâ€™sdemand. Surakarta is one of the Javanese cultural cities as well as theÂ market area of the various product of carved wood furniture in Southern Central Java. From theÂ shape of design produced, it can be seen that the quality is increasing in various aspects including theÂ forms, making, ornamentation, finishing, etc. The carved wood furniture represents a support ofinterior and exterior elements and also as evaporationof the local culture identity.This research isÂ designed to be a research that stresses on library study supported by observation on the last development of carved wood furniture forms sold in Surakarta.The result shows that the dynamic of the localcarved wood furniture is inspired by the dynamic of the wood furniture development generally. TheÂ result also becomes a material for journal writing. The result is also hoped to be an understandingÂ base of carved wood furniture product as one effort to evaporate the local culture identity.Keywords: wood furniture, carved, local nuance.

EKSPLORASI GERAK AIR DALAM VISUALISASI FOTOGRAFI STILL LIFE Prasetyo, Andry
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

The research on the art work entitled â€œEksplorasi Gerak Air Dalam Visualisasi Fotografi Still Lifeâ€Â (The Exploration of Water Movement in Photography Visualization Still Lifeâ€ aims to create aÂ photography work with the object of water spot that quickly moves and forms a certain pattern thatÂ cannot be caught by eyes, that is then paused so that it can be enjoyed in detail by high speedtechnique. The research uses experimental approach. It is executed through two stages covering analysisÂ and development. The analysis includes identification and studies on the research object includingÂ water movement or water spot and the material forming a certain pattern as an object ofÂ photography. The method of photography creating Still Life covers three stages: exploration,Â planning, and realization. The result shows that firstly, the beauty of the photograph Still Life with theÂ object of water spot can be caught and seen by eyes with high speed technique. Secondly, the imageÂ of water movement that is freezed can produces visual element and aesthetic effect by adding the lightÂ of lamp in the background at the time the photograph is taken.Keywords: photography Still Life, water movement, exploration.

TARI JARAN GOYANG: SIMBOL PEMIKAT ASMARA Suharti, Mamik
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

A genre of dance Jaran Goyang is one of the traditional dance genres in Banyuwangi initiated byÂ Suparman which is composed in 1960s. The treatment developing is executed by SumitroHadi, a veryÂ productive dance expert in Banyuwangi. The dance Jaran Goyang represents a form of traditionaldance with love theme. The vocabularies of dance movements, dance music as well as ricikanthat areÂ used refer to the existing traditional dance. The dance name is taken from the name of a love spellÂ called â€œjaran goyangâ€. Jaran Goyang choreography shows about love refusal of a woman butÂ finally and suddenly she falls in love due to the supernatural power of the spell jaran goyang.Keywords: dance, rarely, symbol, attractive trick, amour.

PERSILANGAN GAYA KARAWITAN KARATON KASUNANAN DAN PURA MANGKUNEGARAN Sosodoro, Bambang
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

This research is a field study that examines the karawitan (Javanese music) of Karaton andÂ Mangkunegaran. The selection is based on the material objects of historical reality and the fact ofÂ music. It is that they have enough problems as interesting and actual scientific studies to increase theÂ repertoire of Karawitan. Surakarta palace compound and Mangkunegaran are two important pillarssupporting musical identity of Surakarta style. The issue of the Palace and Mangkunegaran KarawitanÂ is an interesting topic to be studied from the various viewpoints. This is because the two kingdoms areÂ at Surakarta style musical territory, but producethe different musical works. Idioms and vocabulariesare working on covering the game Ricikan and gending repertoire.The work of gending between theÂ two are the same but the result of musical taste shows differences. The second issue of the royalÂ musicians is increasingly attractive when the marriage is bond between the Mangkunegaran andÂ Yogyakarta Sultanate.The physical and aesthetic (musical) characteristics are identic between theÂ two. The marriage eventually leds to the musical dance of Yogyakarta style of Mangkunegaran.Â Although it is said to be identic but on the other hand it is also flowing style of Surakarta. This studyÂ aims to reveal the differences and similarities between the music and the dance of KaratonMangkunegaran. The discussionsof the two are limited to the Dance Srimpi. To uncover this needs theÂ use of textual and contextual approaches. Textual studies focus on the shape, form, and elementsÂ inherent in the study of arts subjects. The musicians sit as a text to be read and interpreted,and thecontextual approach is used to reveal the factors behind the development and the difference betweenÂ the two. This topic is important to be examined because the study that focuses on the comparison ofÂ dance music between the Palace and Mangkunegaran has never been done.Keywords: Cross culture, karawitan, dance Srimpi, palace, differences and similarities.

MENGEMBANGKAN KREATIVITAS ANAK MELALUI KEGIATAN MENGGAMBAR Shokiyah, Nunuk Nur
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

This research aims to determine how to develop childrenâ€™s creativitiesthrough drawing. This type ofÂ research is qualitative. The source of data in this study includes the childrenâ€™s works, many literaturesÂ related to the research, documents, data collection techniques used in the study of literature,observation, and documentation. Results of the study are several ways to develop the childrenâ€™sÂ creativitiesthrough drawing. They include enriching childrenâ€™s abilities in drawing, drawing freely,Â coloring by mixing a variety of medium, providing various facilities to draw, being creative every day,drawing while playing, drawing while storytelling, creative holidays, parental involvement. Some ofÂ the techniques describe efforts to develop the childrenâ€™s creativitiesthrough drawing. This studyÂ emphasizes on the development of childrenâ€™s creativities rather than emphasizing on the skill inÂ drawing. Drawing activity gives more attention to the process than the results. It is important to makeÂ the children relaxwithout coercion from others when theyare drawing,so that the resulted image isÂ very unique and naturally suitable to their expressive soul.Keywords: drawing, developing creativity

PENYAJIAN WAYANG ORANG LAKON KADHARMANING KUNTHI Subono, Blacius
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

The presentation of wayang orang (man puppet) refers to the characterization existed inÂ wayang kulit (leather puppet). The difference lies in the media of expression (man as three dimensionsÂ and puppets as two dimensions). The improvement of wayang orang movements is all forms ofÂ treatment changes done by the dalang or the lakon (story) composer. However, it is still closed to theÂ previous story repertoire. This work raises the issue of how the creative process in arranging theÂ script and text form of wayang orang lakon Kadharmaning Kunthi is. The thinking base of creativity isÂ used to solve the problem. Creativity is not marked by imitation, adjustment, or binding on the existedÂ pattern. Creativity involves ideas and imaginative action including: sensing, feeling, imaging, as wellÂ as searching and explanation of truth. Sensing means the absorption of sense which represents theÂ starting point of artist to actualize creativity. Creativity is also based on feeling and emotion. Feelingalso occurs because of the mutual relationship between man and man, man and nature, man andÂ things, and all events that happen in man life.Keywords: art works, wayang orang, creativity, Kunthi.

EKSPLORASI GERAK AIR DALAM VISUALISASI FOTOGRAFI STILL LIFE Prasetyo, Andry
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v7i2.2005

The research on the art work entitled â€œEksplorasi Gerak Air Dalam Visualisasi Fotografi Still Lifeâ€Â (The Exploration of Water Movement in Photography Visualization Still Lifeâ€ aims to create aÂ photography work with the object of water spot that quickly moves and forms a certain pattern thatÂ cannot be caught by eyes, that is then paused so that it can be enjoyed in detail by high speedtechnique. The research uses experimental approach. It is executed through two stages covering analysisÂ and development. The analysis includes identification and studies on the research object includingÂ water movement or water spot and the material forming a certain pattern as an object ofÂ photography. The method of photography creating Still Life covers three stages: exploration,Â planning, and realization. The result shows that firstly, the beauty of the photograph Still Life with theÂ object of water spot can be caught and seen by eyes with high speed technique. Secondly, the imageÂ of water movement that is freezed can produces visual element and aesthetic effect by adding the lightÂ of lamp in the background at the time the photograph is taken.Keywords: photography Still Life, water movement, exploration.

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Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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acintya@isi-ska.ac.id

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Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA