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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 24 Documents
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Search results for , issue "Vol. 9 No. 1 (2017)" : 24 Documents clear
PENGALAMAN EKSPLORASI PERTUNJUKAN TARI DALAM ACARA PEMBUKAAN FESTIVAL SEBAGAI TEMUAN METODE CIPTA SENI (Studi Kasus Proses Penciptaan Karya Tari Seno Kridho) Samsuri, S.,; Wibowo, Anggono Kusumo
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2125

Abstract

In the domain of public dance performances, aspects of space, time, and particular interests greatlyaffected creative outcomes. Space, time, and particular interests were sometimes considered as limiting the creativity. In this art work planning, the limitation of space, time and interests were used as atrigger for creativity. On this occasion the dance performance creation would be directed to make aset of dance performances as a festival opening by carrying a wayang story titled “Dewa Ruci”, andtrying to show typical performance requirements for a festival opening ceremony, namely: festive, fullof surprises, message events, and still pay consideration to the dramaturgy impression in the packaging. Dance performances as the opening of a festival was a form of performances packaging thatwere within the limits of space, time, and particular interests, it could not be negotiated. While theshort duration still demanded excitement and surprise, the message content of the event must beshown in the work. This became a huge creative challenge for an artist. The experience of creating aperformance in this interest context, became a methodological experience that could be proposed asa finding.Keywords: festival opening perfomance packaging, drama “Dewa Ruci”.
PROSES KREATIF PEMERANAN RUTH MARINI DALAM MONOLOG WANCI KARYA IMAS SOBARIA Hudha, Tafsir
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2126

Abstract

Ruth Marini’s creative process in performing Wanci Monologue by Imas Sobariah, was Ruth Marini’sattempt in exploring various stages of work or creativity in the role of Icih as the main character in WanciMonologue. As a consequence of the singular characterization of the monologue, the subsequent searchwas directed at the specific creativity that Ruth Marini had done in transforming the Icih character to therole of several other figures as a result of Icih’s narrative of her past which later spawned tragic stories inher life. The search for this creative process was thus focused on the creative ways that Ruth Marinipursued in developing role play or acting, including the stimulants that supported the maximal acting ofRuth Marini in the Imas Sobariah’s Wanci Monologue.Stimulants that were excavated for the developmentof Ruth Marini’s acting was traced through various views of Ruth Marini works of art, especially RuthMarini’s perspective on acting in a monologue. The conclusion of the views of art and acting would bepreceded by exploring some of Ruth Marini’s works of art through previous performances to understandRuth Marini’s contributions to her artistic enrichment process, specifically to the development of actingthat was required in the Wanci Monologue by Imas Sobariah.Keywords: Monologue,art perspective, acting.
MODEL PENYELENGGARAAN STUDIO PEMBELAJARAN PROGRAM TELEVISI YANG IDEAL UNTUK INSTITUSI PENDIDIKAN PERTELEVISIAN Adji, Titus Soepono; Agung, I Putu Suhada
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2127

Abstract

The learning studio for television programs was the space used by educational institutions in television program as studio simulations that demonstrate television stations, in organizing the productionof television programs for students. This room was the main infrastructure that should be owned byeducational institutions that run television programs, considering most television programs were produced in the studio. Currently, many educational institutions opened television and broadcastingprograms, but in reality not all television program administrators had studio that met the standards.This caused the learning process did not take place optimally. The number of work produced bystudents each semester were not maximum, the production ability was also not optimum, and thiscaused the expected output from graduates in mastering in-door studio production became not maximum too. The purpose of this research was to arrange the model of organizing studio production fortelevision program in educational institution so that it could increase the target of learning to beachieved. This research was a qualitative research, with data collection methods in the form of observation and interview with purposive sampling model in some educational institutions. The analysisused was qualitative verification analysis. The conclusion was to design an adaptive television studiothat could be held in an existing room while maintaining the standards of television program production.Keywords: Learning studio model,production studio of television program.
RANCANG BANGUN DESAIN STAND PKL NGARSOPURO BERBASIS ERGOKULTURAL DENGAN PEMANFAATAN LIMBAH KAYU PALET Utomo, Tri Prasetyo; Mardjono, M.,
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2128

Abstract

Stand product is an important tool that is used to support the smooth operation of the business in thepublic space for entrepreneurs. Stand product used by employers to display merchandise products inorder to attract visitors to come and make transactions, so as to increase the income of smallentrepreneurs.This applied research aims to determine the condition of the product PKL Stand NightMarket Ngarsopuro, then perform analysis and sinteta, then do engineering design in accordancewith ergonomic aspects and kulural. Stand so that there can function optimally support the view theproducts offered, to increase sales turnover PKL. Give a touch of local culture so that tourists whocome to identify with both local content in Surakarta. Creation of art / design endeavors to utilizewood waste material discarded packaging / pallets which are found in Surakarta container terminalto be used again. Applied research objects of art / design is PKL Stand Night Market Ngarsopuro, themethods used in descriptive qualitative approach supported by quantitative data, or can also becalled dual research strategy. Kuantitafif here using numerical data which is the result of the measurement field, and then compared with the reference referred, sources and analyzed by researchersinterpretation. Activities beginning with product discovery phase to obtain a result of the creation ofinnovations in product design process.The results of applied research art / design show that the standthat there is now not yet meet the standards of ergonomics and yet showed a touch of culture. Furthermore, in this study, the design of booths in accordance with the standards of ergonomics and cultural.Keywords: stand products, ergokultural, wood waste.

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