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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 14 Documents
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Search results for , issue "Vol. 1 No. 1 (2009)" : 14 Documents clear
Eksperimentasi Penciptaan Karya Keramik Monumental Dengan Tungku Rekayasa Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.237

Abstract

In the process of creating ceramic art, the size scale is a problem. When making large ceramic works, meaning the risk of failure too great. This relates well with the chemical composition of clay and the right mixture. After the drying process is also longer, but the longer the drying period is the longer the duration of the crack or rupture prone. Last is a burning issue that must use a big oven. Larger furnace is also more expensive. Some of these cons-traints which ultimately makes ceramic artists in Indonesia did not dare to experiment making great work. Complex process coupled with the limitations of the furnace equipment (oven) for high-priced, making leaps of the idea of creation of ceramic artists and Indonesia not seprogresif dyna-mic branch other art. Es-pecially in terms of its magnitude. Noted, functional ceramics produced most only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Chris-tanto very monu-mental in his "1000 man land". The fact is captured by the author. Article "Creation Experi-mentation Stove Works Engi-neering Ceramics Using" this merrupakan exploration of the possibility of aspects of the main raw material composition (clay structure and all materials mixed), initial combustion process, and the main thing is burning stove model development, which is inspired from the stove burning bricks. Keywords: Experimentation, Cera-mics, Sculptures Monumental, Furnace Combustion Engineering.
Menyoal Seni Lukis Indonesia Kini -, Dharsono
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.239

Abstract

Our painting trip since pioneering   R. Saleh until the beginning of this XXI, was still swayed by the impact of conception. Indonesian art esta-blishment that has not reached the level of success, it has been devastating by western modernism that produce alternative art, with the emergence of the concept art (art conseptual): "Installation Art", and "Performance Art", which once flourished in college campuses throughout the art of the late 20th century. Then came the various alternatives such as "collaboration" as the final mode. Along the same conventions of painting adorned with a variety of styles-galleries, which is no longer as a token of appreciation to the community, but an alternative investment business. Now (the early 21st century) painting exposed to two forces; art remains a classic value of conventional forces from the inner consumption that belonged to the community, cha-llenged by the phenomenon of art as a market management forces in berorentasi leading commercial value in popular culture. Art no longer belongs to the people ....... Keyword: arts, painting, popular culture
Perfilman Indonesia Harapan Dan Kenyataan Budiman, Dwi Aji
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.241

Abstract

Previously, the New Order era, many filmmakers complain of the absence of freedom. So they do not make a movie that contains criticism and protest, especially to the govern-ment. Now times have changed. Why do not they make movies critical. Film Indonesia currently exploit as taboo in the social and cultural issues, some social and cultural issues like just lying, do not question the filmmakers those problems. Society was considered problematic and the film only touches the edge themes. Film Indonesia is also a little offensive themes that comment on social life (social commentary) and cultural life (cultural commentary). Yet social and cultural life, as portrayed in the film well, will be able to provide an important contribution to our lives as a nation. Whereas many social phenolmena that have lived followed by a good research will be able to produce a representation of the critical themes and interesting. This is an internal failure of the filmmakers themselves. But there was no denying that there are barriers that are external to the emergence of themes that do not represent a critical public life. Bar-riers were named business interests. Keyword: Indonesian film and social representation
Tokoh Punakawan Pada Wayang Orang Sebagai Sumber Ide Penciptaan Animasi 2d Dengan Konsep E-Learning Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.243

Abstract

The problem in the rising generation society concerning local culture are conflicting between the needs of rising generation society to have a suistainable edutainment as unity of a “living culture”, with many changes affected from the importing culture developed by foreign resources, high technology and the pressure by the world culture growth. Panakawan as one of culture local figure variety have many utilized by art agents as inspiration of art creating and creation media with various artistry shaped. It oftentimes we can see, considering on pana-awan's figure there are many contain positive simbol that is utilized to build nation personality. But unhappily current, the local culture is getting not popular among the rising generation because it’s ingoing the import culture to this nation with in fast. By the encapsulate local tradition and animation (modern technology) method for the research we have destination that the rising generation society can feel comfort and back to local culture as nation wealth. With animations technology, an object at computer can be made more interesting because this technology make the object moving and becomes ‘ life’. The encapsulation is made with e-learning method. The result is edutainment creation. The user which exploit it will be given local culture education and entertainment all at once. e-learning is define as learning method with technology (electronic) supporting. Keywords: local culture, animasi, e-learning

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