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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 14 Documents
 1   2 
Search results for , issue "Vol. 4 No. 2 (2012)" : 14 Documents clear
Batu Sebagai Simbol Pribadi Dalam Karya Seni Lukis Rizky, Muhammad
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2262.662 KB) | DOI: 10.33153/bri.v4i2.371

Abstract

Stone is represent object owning interesting characteristic, exotic, and have multifariously of symbol which not yet to exploration, specially will become symbol having the character of personal. Combination between experience of person among social reality, where stone as object at the same time to be subject  which personate symbol of personality ( metaphor). Along with style combination of surrealistic and of minimalistic, created masterpiece make an impression on ' in' and is free.Keywords: stone, symbol, artistic of paint
Komunitas Airbrush Indonesia Dalam Rana Seni Rupa Lestari, Dina
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1686.007 KB) | DOI: 10.33153/bri.v4i2.359

Abstract

Indonesia Airbrush community was founded in 2007 by MG. Pringgotono, an airbrush artist from Jakarta. Members that are joining this community came from different places in Indonesia such as Jakarta, Yogyakarta, Bandung, Lampung, Palembang, Solo, Tanggerang, Tuban, Serang, Bekasi, Pematang Siantar, Ngawi, Bali, Kediri, Bangka Belitung and many more. This community was build as a reaction to respond the influence of commercial industry on airbrush developmental image branding by making a change and expanding to the realm of visual art. Their vision and mission is to support the Indonesian airbrush artists, mapping, and collecting data and archive of Indonesian airbrush development by providing information and developing Indonesian airbrusher as a preparation for the creative era. Some of their program is to hold a workshop, an airbrush art exhibition, compiling Indonesian airbrush art work catalogues, held an Indonesian airbrush artist meeting gathering, arranging an airbrush competition and operating  an airbrush website which is Airbrush Indonesia websites. Keyword: Airbrush, Indonesia, Community and Visual Art
Digital Graffiti: Ekspresi Kreatif Di Lingkungan Digital Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1576.134 KB) | DOI: 10.33153/bri.v4i2.373

Abstract

Digital technology is enabling graffiti art to take on new forms, creating an alternative for the artist in making art work. Few attempts, though, have been made to integrate classical expression of graffiti into virtual space, and digital graffiti artists are still adjusting himself to the Internet and to digital tool. This paper describes a variety of graffiti form movement from the streets to the virtual, from the technology used, classification, until coding. Various advantages presented of digital graffiti, more practical, more diverse, and reach out to all corners of the world. We aim to enrich digital art culture, drawing inspiration from the art form and culture surrounding graffiti, making it visible to mainstream Internet user and creative expression. keyword: digital graffiti, digital environment, technology, internet
Ekspresi Anak-Anak Petani Tradisional Taram Dalam Lukisan -, Hanafi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2274.965 KB) | DOI: 10.33153/bri.v4i2.361

Abstract

The agricultural sector is a sector that has stratesis role in national economic development structure. This is a sector that does not get serious attention from the government in nation building. Ranging from protection, credit to none other policies that benefit the sector. Agricultural development programs that were never targeted goals even further plunges in the destruction of this sector, and also farming in Indonesia is still a lot that mengarap farm with traditional systems. When we look at the lives of farmers villages Taram Harau Sub District Fifty Cities of West Sumatra province rich in natural tones, surrounded by hills are fresh sounds, and also worked on his rice field farmers still use traditional tools. Taram seen from the way farmers work their fields, who are still using tools tradisioanal painstakingly family survival. There appears an impression that inspires the heart to express it in a painting, thus giving special value of the beholder. Painting to be made in this work, starts from the fact that occur in the environment around the residence and family home writer, born of a family of low income farmers. This situation prompted the authors to express their anxieties, pressures, and ketikberdayaan see the reality of what happened. In the work will be made only writer to express anxieties heart to see and feel what is happening within the family. Forms of his paintings are not made ​​of natural background and activities of farmers in general, but only as an expression depicts peasant children with realist style, which is an imitation of a painting depicting the actual object. Keywords: expression of the kids, agriculture, economy.
Animasi Kartun 2D Berbasis Seni Pertunjukan Tradisi Sugihartono, Ranang Agung; Murtono, Taufik
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3113.362 KB) | DOI: 10.33153/bri.v4i2.377

Abstract

Indonesian animation lack in using the potential of local culture is the basic reality for this artistic research. The animation creation that refering on the characteristics of traditional performing arts is the focus. This study uses an pratice-based research. Research procedures conducted in two phases, namely analysis and development/implementation. Analysis involves identifying and studing the research object (puppet motion as a reference) and the creation of animated cartoon films. The results of this artistic research showed that a) Elements such shadow puppets (Wayang Kulit) and Wayang Beber typical with their decorative can be applied in character and environment visualization, and provide imaginative effects, b) Movement shadow puppets have a body language that can be used as a reference animated cartoon motion c) the philosophy and meaning in shadow puppets movement is applied to the animated film that can make an animated cartoon has special characteristics and different from Western animation principles, and d) Performance of narrative animation that refers to Dalang’s narratives in shadow puppets making movies more typical Indonesian animation.keyword: film, cartoon, animation, tradition
Transformasi Kreatif Fobia Pada Karya Seni Lukis Tryamei, Tito
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2800.216 KB) | DOI: 10.33153/bri.v4i2.365

Abstract

Creation of art work “Creative Transformation of Phobia on Painting Art Work” basically is subjective realization or personal expression. It’s a very common thing, because for translate feeling and emotion to visual language supported by experience of using media and technique. Generally, phobia caused having experience of fear, shyness and fault that there are pressed into sub conscious. For me, as artist, fear can be a positive influence, it is source of imagination to create visual objects. I’m use this phenomena fot theme creation of art works, ang I hope it can be treatment or decrease my fear. Keywords: creative, fobia, painting
Performance Art Antara Media Penyadaran, Kepentingan Pasar Dan Partisipasi International Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1768.109 KB) | DOI: 10.33153/bri.v4i2.369

Abstract

Good performance art is work that managed to amaze the public. Successfully influenced public to observe every detail. Instead, the public will demand the uniqueness of the event that makes it willing to pay attention to the performance, detailed for detailed. From the above explanation affirmation finally appeared a question, when a performance art relies heavily once with the right choice of space and how the public (audience or the audience), thus creating a unique event and can amaze the public. In the video performance, no other consciousness to show more conceptual performance: performance scene that has been designed, presented in video media. May be more readily as experimentation on attempted filmed theater, but completely abandoned the live performance itself, because of the possibility of a repetition of the scene to be there. As an avant-garde art (avant garde) as described above,” originality” and the seriousness of the challenges of performance art gets a modern capitalist society. Performance art that was originally to be agents of change in the value of the community, the are deflected by spearheading the advertising to market interests. keywords : performance art, agent of change, ambient media
Komunitas Airbrush Indonesia Dalam Rana Seni Rupa Lestari, Dina
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.359

Abstract

Indonesia Airbrush community was founded in 2007 by MG. Pringgotono, an airbrush artist from Jakarta. Members that are joining this community came from different places in Indonesia such as Jakarta, Yogyakarta, Bandung, Lampung, Palembang, Solo, Tanggerang, Tuban, Serang, Bekasi, Pematang Siantar, Ngawi, Bali, Kediri, Bangka Belitung and many more. This community was build as a reaction to respond the influence of commercial industry on airbrush developmental image branding by making a change and expanding to the realm of visual art. Their vision and mission is to support the Indonesian airbrush artists, mapping, and collecting data and archive of Indonesian airbrush development by providing information and developing Indonesian airbrusher as a preparation for the creative era. Some of their program is to hold a workshop, an airbrush art exhibition, compiling Indonesian airbrush art work catalogues, held an Indonesian airbrush artist meeting gathering, arranging an airbrush competition and operating  an airbrush website which is Airbrush Indonesia websites. Keyword: Airbrush, Indonesia, Community and Visual Art
Ekspresi Anak-Anak Petani Tradisional Taram Dalam Lukisan -, Hanafi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.361

Abstract

The agricultural sector is a sector that has stratesis role in national economic development structure. This is a sector that does not get serious attention from the government in nation building. Ranging from protection, credit to none other policies that benefit the sector. Agricultural development programs that were never targeted goals even further plunges in the destruction of this sector, and also farming in Indonesia is still a lot that mengarap farm with traditional systems. When we look at the lives of farmers villages Taram Harau Sub District Fifty Cities of West Sumatra province rich in natural tones, surrounded by hills are fresh sounds, and also worked on his rice field farmers still use traditional tools. Taram seen from the way farmers work their fields, who are still using tools tradisioanal painstakingly family survival. There appears an impression that inspires the heart to express it in a painting, thus giving special value of the beholder. Painting to be made in this work, starts from the fact that occur in the environment around the residence and family home writer, born of a family of low income farmers. This situation prompted the authors to express their anxieties, pressures, and ketikberdayaan see the reality of what happened. In the work will be made only writer to express anxieties heart to see and feel what is happening within the family. Forms of his paintings are not made ​​of natural background and activities of farmers in general, but only as an expression depicts peasant children with realist style, which is an imitation of a painting depicting the actual object. Keywords: expression of the kids, agriculture, economy.
Transformasi Kreatif Fobia Pada Karya Seni Lukis Tryamei, Tito
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.365

Abstract

Creation of art work “Creative Transformation of Phobia on Painting Art Work” basically is subjective realization or personal expression. It’s a very common thing, because for translate feeling and emotion to visual language supported by experience of using media and technique. Generally, phobia caused having experience of fear, shyness and fault that there are pressed into sub conscious. For me, as artist, fear can be a positive influence, it is source of imagination to create visual objects. I’m use this phenomena fot theme creation of art works, ang I hope it can be treatment or decrease my fear. Keywords: creative, fobia, painting

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