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Lakon Jurnal Pengkajian & Penciptaan Wayang
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 19, No 1 (2022)" : 7 Documents clear
Begawan Durna Sang Maha Dwijo Sukatno Sukatno
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4468

Abstract

Resi Drona or Begawan Durna whose name was Bambang Kumbayana was the son of Resi Baratwaja from the country of Atas Angin or the kingdom of Argajembangan with the goddess Kumbini. Resi Durna, in his youth, had studied with Begawan Ramabargawa. Resi Durna also has a brother named Arya Kumbayana and a sister named Dewi Kumbayani. Resi Durna, who is located in Sokalima hermitage, has a high-spirited and arrogant character. He is a well-spoken person, ingenuity, magic and is good at using heirlooms, besides that, Durna is also good at war tactics. In addition, Durna also has a magic heirloom in the form of a keris named Cundamanik and Sengkali arrows. Because of his supernatural powers and skills in military practice, Resi Durna was appointed and trusted by Begawan Bhisma to become the teacher of the Pandavas and Kauravas.
Nilai Kemanusiaan dalam Lakon Gojali Suta YB. Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4473

Abstract

Gojali Suto is one of the Lakon in wayang kulit purwa that tells the conflict of triangular love between Boma, Hagnyanawati, and Samba. The triangular love conflict ended tragically because it resulted in the death of the three conflicting characters. This study emphasizes analytical descriptive studies. The aim of this research is to describe human values by paying close attention to how they resolve the conflicts. The results of the study indicate that the values of humanity that stems from human dignity can be seen in the way of resolving conflicts faced by the characters in the story. Due to the lack of self-control, human values are discarded which cause the destruction. By looking at the way they respond to and resolve the problems they experience, their moral quality will be seen. There are two conclusions obtained from this study. The first is that a fragile personality can be easily influenced by negative forces that come from outside. Second, that the closest people or the most trusted people can become enemies that are not detected.
Ebleg Sebagai Alat Penataan Wayang Kulit dalam Kotak Penyimpanan Sapto Sapto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4469

Abstract

Wayang kulit has its own charm in the world of performing arts. The appointment of wayang as The World Master Piece of Oral and Intangible Heritage of Humanity from UNESCO on November 7, 2003, confirmed the existence of Wayang  in the community. Fifteen years later, on December 11, 2018, the President of the Republic of Indonesia, Joko Widodo, declared it as National Puppet Day. The attractiveness of wayang performances depends on the various supporting elements of the performing arts. These elements include the puppeteer, performance script, musical accompaniment, sound system and stage layout, etc. In addition, what is no less important is the governance or management of the puppets. Researchers, in this case, see that there are elements that play an important role in the procedures of storing and structuring these wayang; namely ebleg. Therefore, the author is interested in studying this ebleg further. The pattern of the arrangement of ebleg in the wayang storage box at Sanggar Mayangkara has a maximum of fourteen ebleg in one box. The ebleg is arranged in layers from bottom up by paying attention to the safety and durability of the puppets, the effectiveness and efficiency of the circulation of the puppets to support the puppeteer’s performances, as well as paying attention to the ergonomics side.
Pembelajaran Pakeliran Gaya Pokok II Inovatif dalam Program Merdeka Belajar Di Era Industri 4.0 Andi Wicaksono; Jaka Rianto; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4474

Abstract

This article discusses hoe the Pedalangan Department develops and implements Digital Learning Innovations in Pakeliran Gaya Pokok II (The Basic Style of Pakeliran) course. The purpose of this program is to provide convenience and freedom of learning in access that is no longer bound by distance, space, and time in the era of the sophisticated Information Technology (IT). In addition, it is an effort to respond to the Covid-19 pandemic condition which demands that learning in universities must be held online. Learning innovations in the development and implementation of digital innovations for Pakeliran Gaya Pokok II (Surakarta) include system, media, and content. The result of this program is the availability of digital learning media for Pakeliran Gaya Pokok II which is innovative and supports the independent learning programs in the industrial era 4.0.
Edipeni dan Adiluhung Proyeksi Filsafati dalam Pertunjukan Wayang Suyanto Suyanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4470

Abstract

This essay is entitled “Edipeni Dan Adiluhung: Proyeksi Filsafati Dalam Pertunjukan Wayang” (Edipeni and Adiluhung: Proyection of Philosophy in Wayang Performance). The main point is to discuss how far the wayang performance has phylosophical values. It is very important because during the global era, cross culture between Western and Eastern have seriously effect toward the quallity and morallity of Indonesian young generation.Wayang performance seem to be a symbol of human life which has more spiritual than physical values. For the society who like it, it would be used as a reference for the role of action and character buillding, and the values of wayang performance look as a way of life, ideolgy, also as an esence of human life. In wayang performance, there would be found the role of the corellation between human and God, human and human, also human and nature. Beautifullness of wayang performance include the whole values which is exposed in performance. So the meaning of phylosophy in wayang really has a large meaning.
Gotong Royong dalam Festival Sindoro Sumbing Fawarti Gendra Nata Utami
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4471

Abstract

The Sindoro Sumbing Festival is part of the Indonesiana Platform. The Mapageh Sang Watu Kalumpang ballet is the core of the cultural event series Sindoro-Sumbing Festival (FSS) 2019 which took place at Kledung Field, Temanggung. This annual festival was held for the first time on 19 and 20 July 2019. It is a collaboration of the governments of Wonosobo and Temanggung Regencies that promoted local wisdom and environment friendly through a creative approach. The Sindoro Sumbing Festival is a mutual cooperation platform in strengthening the governance capacity of cultural activities as well as a forum for strengthening the cultural ecosystem. It shows how the synergy between the local government, in this case the Culture Office, with the community/artist and the cultural ecosystem in the area in collaboration with the UPT (Technical Implementing Unit), the Ministry of Education and Culture in the area such as the Archaeological Center, Museums, Cultural Conservation Center as well as various institutions, companies, CSR in each region. The Indonesiana Platform is expected to be a working model for organizing cultural arts festivals an various parts of the country.
Inovasi Pembelajaran Digital Mata Kuliah Garap Pakeliran Era Merdeka Belajar-kampus Merdeka Catur Nugroho; Sri Harti; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4472

Abstract

The digital learning innovation of Garap Pakeliran II course is a grant program from the Indonesian Ministry of Education and Culture. This program is also an implementation of the Merdeka Belajar Kampus Merdeka (the Independent Study of Independent Campus). The innovation made is to transform learning materials into digital materials in the form of text and audio-visual. The Garap Pakeliran course is a compulsory practical course for students majoring in puppetry. The learning material is to direct students to be able to compose a good and qualified puppetry work. This activity can also be participated by students from outside ISI Surakarta as a form of application for the MBKM program. The digital material that was successfully compiled was then uploaded to the ISI Surakarta e-learning and YouTube page. Through these activities, students can learn independently and creatively as well as innovatively so that it is in accordance with what students want to do in relation to the preparation of puppetry works.

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