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All Journal JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Abdi Seni Acintya Gelar : Jurnal Seni Budaya Lakon Jurnal Pengkajian & Penciptaan Wayang Wacana : Jurnal Bahasa, Seni, dan Pengajaran Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Pujiono, Bagong
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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PELESTARIAN DAN PENGEMBANGAN WAYANG GEDOG Sunardi Sunardi; Bambang Suwarno; Bagong Pujiono
Gelar : Jurnal Seni Budaya Vol 11, No 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (320.304 KB) | DOI: 10.33153/glr.v11i2.1481

Abstract

Wayang gedog categorized as rare puppet that has uniqueness in the play genre, the puppets’forms, gending, sulukan, or form of the show. Wayang gedog had experienced glorious days inSurakarta Paku Buwana X Era, but today has suffered a setback. This is caused by the difficultyin dalang’s generation knowledge transfer; performance techniques is perceived difficult for newdalangs, the lack of public interest and the lack of administration elite’s support in developingwayang gedog. The attempts to revive can be done by revitalize the wayang gedog. How are takenby holding the conservation and development gedog puppet. The preservation and developmentof wayang gedog can be done by documenting the design and the show, as well as constructingwayang gedog’s performance development models.
Makna dan Nilai Pertunjukan Wayang Golek Menak Kebumen Lakon Wrahatkustur Ngraman Sajian Sunarto Sindhu Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 1 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (213.564 KB) | DOI: 10.33153/lakon.v16i1.3153

Abstract

This study reveals the values and meanings implied in Wayang Golek Kebumen Lakon Wrahatkustur Ngraman by Sunarto Sindu. Lakon Wrahatkustur Ngraman tells about moral teachings for every human in relation to the God and social interaction. Javanese culture as the root of norms for Javanese people is used to be a reference to reveal the values reflected in the Lakon. The method used in data collection includes observation of material objects, interviews with competent interviewees, and literary studies. The results show that the performance of wayang golek Kebumen Wrahatkustur Ngraman reflects the values of community life that are closely related to the Javanese culture. Those values are reflected in Catur especially in the presented Gunem. The characters presented in Lakon have their own roles in delivering messages to the audience. Keywords: values, meanings, Wayang Golek Kebumen, Wrahatkustur Ngraman
Ciri Estetik Humor Lakon Wahyu Makutharama Sajian Ki Suyati Purwo Carito Qohhar Dwi Hatmono; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4105

Abstract

One of the puppeteers who has an interesting sense of humor is Ki Suyati Purwo Carito in the wayang kulit purwa lakon Wahyu Makutharama. This article is to answer the problem of how the aesthetic form of humor in Ki Suyati Purwo Carito pakeliran. The method used include observation, literature study and interviews. The approach used is by looking at the humor from various techniques, such as riddle, ridicule, cunundurum, and others. The results obtained show that Ki Suyati’s specific humor shows his characteristic personality in presenting pakeliran. The humorous and vulgar dialogue but not striking, give the impression and message to the audience to always think intelligently without leaving the expectations of human imagination with his point of view.
Estetika Pertunjukan Wayang Kulit Lakon Tripama Kawedhar Sajian Cahyo Kuntadi Ari Nurzeto; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3806

Abstract

The research entitled " Estetika Pertunjukan Wayang Kulit Lakon Tripama Kawedhar Sajian Cahyo Kuntadi" aims to reveal the aesthetic elements and their implementation in wayang kulit performance Lakon Tripama Kawedhar presented by Cahyo Kuntadi. This problem is studied using the aesthetic thought by Sunardi and Najawirangka. The analysis of this research is descriptive qualitative using data collection techniques through the literature study, observation, and interviews. The results show that, firstly, the aesthetic elements of the wayang performance, Tripama Kawedhar, can be observed through lakon, sabet, catur, and karawitan pakeliran. Secondly, the achievement of the aesthetic concept of puppetry is manifested through the success of the puppeteer in building an atmosphere of impressive scene of feeling regu , greget, nges, sem, renggep, antawacana, lucu, unggah-ungguh, tutuk and trampil. Cahyo Kuntadi succeeded in performing Lakon Tripama Kawedhar aesthetically. 
REVITALISASI DAN INOVASI WAYANG LANGKA MELALUI PERANCANGAN MODEL PERTUNJUKAN WAYANG GEDOG GARAP RINGKAS S., Sunardi; Bambang Suwarno; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 11, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (716.65 KB) | DOI: 10.33153/lakon.v11i1.2154

Abstract

This writing is meant to explore and identify wayang gedog; to design a model of wayang gedogshort performance; to compose and publish a guidebook for a practice of wayang gedogperformance; to socialize the short performance of wayang gedog for social appreciation; and tomake a learning media of wayang gedog in VCD. The research targets include identification ofwayang gedog life and derivation; composition of a model design for wayang gedog shortperformance; composition and publication of a guidebook of wayang gedog performancepractice; socialization of a model of wayang gedog short performance to society; composition ofa learning media of wayang gedog in VCD; and publication of this article in an accredited journal.This research applies descriptive qualitatif method and act analysis. The ways executed includelibrary study; observation and documentation; interview; descriptive qualitative analysis;designing a model; trying out the model ; evaluation and model improvement; learning mediapacking; and socializing the model of wayang gedog short performance to the society.Theanalysis shows that revitalization and innovation on the short wayang gedog can be divided intothree variant including: lakon Jaka Bluwo with a palace aesthetic model; lakon Angreni with a“new” aesthetic model (academic); and lakon Sekar Tanjung with a ruralaesthetic.Keywords: revitalization, innovation, scarce wayang, wayang gedog performance, society.
PENINGKATAN PEDALANGAN GAYA BANYUMAS BAGI ANGGOTA PEPADI BANYUMAS Bagong Pujiono
Abdi Seni Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (469.663 KB) | DOI: 10.33153/abdiseni.v9i1.2458

Abstract

PEPADI Purbalingga Regency is one of the organizations of the dalang associations in Purbalingga Regency which is still loyal to the existence of Banyumas-style Pakeliran. Most PEPADI members in Purbalingga Regency learn through self-education so that they need sufficient knowledge concerning Banyumas style of puppetry according to the aesthetic rules of puppetry in general. Therefore, these community service activities aim to improve the quality of Banyumasan puppetry. The training methods used include lectures, appreciation, and demonstrations to describe various styles of puppetry, sabet, catur and various things related to karawitan of puppetry. The results obtained show that Banyumas puppet performance is in accordance to the aesthetic rules of puppetry in general.Keywords: PEPADI, training, wayang performance, Banyumasan style 
STRATEGI PENINGKATAN GARAP CATUR DI SANGGAR PEDALANGAN SERENGAN SURAKARTA Bagong Pujiono
Abdi Seni Vol 2, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3223.839 KB) | DOI: 10.33153/abdiseni.v2i1.63

Abstract

The learning condition in puppetry studio Serengan is not systematically arranged yet so it needs an improvement. The study of garap pakeliran with the teaching material given is supposed to actualize a better result by maximizing the being human resource. One aspect of pakeliran that must be fulfilled in puppet theater is catur. The method used in the study of pakeliran practice in puppetry studio Serengan is appreciation, speech, and demonstration. Based on the method used, it can be concluded that students are successfully able to  catch catur of the characters in the short pakeliran lakon Gathotkaca Sungging presented by Ki Nartasabda which has been edited by Purbo Asmoro. Garap Catur is including janturan, pocapan, and ginem of the characters: Duryudana, Baladewa, Durna, Karna, Sengkuni, Nilayaksa, Kartamarma, Jayadrata, Gathotkaca, Samba, Setyaki, Antareja, Dewapawaka, Abimanyu, Semar, Gareng, Petruk, Bagong, Pragalba, Anoman, Arjuna, Banowati, Lesmanawati, and Bhatara Guru.Key words : studio, puppetry, ginem, janturan, and pocapan.
Pembelajaran Pakeliran Gaya Pokok II Inovatif dalam Program Merdeka Belajar Di Era Industri 4.0 Andi Wicaksono; Jaka Rianto; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4474

Abstract

This article discusses hoe the Pedalangan Department develops and implements Digital Learning Innovations in Pakeliran Gaya Pokok II (The Basic Style of Pakeliran) course. The purpose of this program is to provide convenience and freedom of learning in access that is no longer bound by distance, space, and time in the era of the sophisticated Information Technology (IT). In addition, it is an effort to respond to the Covid-19 pandemic condition which demands that learning in universities must be held online. Learning innovations in the development and implementation of digital innovations for Pakeliran Gaya Pokok II (Surakarta) include system, media, and content. The result of this program is the availability of digital learning media for Pakeliran Gaya Pokok II which is innovative and supports the independent learning programs in the industrial era 4.0.
Inovasi Pembelajaran Digital Mata Kuliah Garap Pakeliran Era Merdeka Belajar-kampus Merdeka Catur Nugroho; Sri Harti; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v19i1.4472

Abstract

The digital learning innovation of Garap Pakeliran II course is a grant program from the Indonesian Ministry of Education and Culture. This program is also an implementation of the Merdeka Belajar Kampus Merdeka (the Independent Study of Independent Campus). The innovation made is to transform learning materials into digital materials in the form of text and audio-visual. The Garap Pakeliran course is a compulsory practical course for students majoring in puppetry. The learning material is to direct students to be able to compose a good and qualified puppetry work. This activity can also be participated by students from outside ISI Surakarta as a form of application for the MBKM program. The digital material that was successfully compiled was then uploaded to the ISI Surakarta e-learning and YouTube page. Through these activities, students can learn independently and creatively as well as innovatively so that it is in accordance with what students want to do in relation to the preparation of puppetry works.
MORAL VALUES IN THE STORY OF NAAMAN SANG SENOPATI: A DISCOURSE ANALYSIS OF JAVANESE FOLKLORE Seruni Widaningrum; Bagong Pujiono
JUPIIS: JURNAL PENDIDIKAN ILMU-ILMU SOSIAL Vol 15, No 1 (2023): JUPIIS (JURNAL PENDIDIKAN ILMU ILMU SOSIAL) JUNE
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jupiis.v15i1.43850

Abstract

Wayang wahyu grows and develops among Catholics as a proclamation of church teachings. Church teachings have moral values that need to be instilled in humans for character education. Dalang presents a reflection of a life that is full of moral messages through the drama of the Wayang wahyu so that the delivery of moral messages becomes familiar to the Javanese community. This study aims to reveal the moral values contained in Lakon Naaman Sang Senopati. This research uses a qualitative descriptive method with a value analysis approach. The results of this study can be concluded that the Wayang Wahyu performance is an effort by Catholics to bring their teachings closer to the Javanese community, especially Catholics. The performance of Naaman Sang Senopati contains moral values that are useful for building the character of Catholics. The result of this study is that this performance is full of values of religiosity, trust, self-surrender, nationalism, obedience, universality, and love. The puppet revelation performance of the play Naaman Sang Senopati implies a moral message, namely: religious, trust, self-surrender, nationalist, universal, obedient, and love. These values are in accordance with the morals that must be shown as Catholics. Because by implementing these values, peace and harmony between religious communities can be realized. Naaman’s attitude of respecting other people’s principles and not imposing the beliefs of his king is a reflection of the principles of Catholics in Indonesia, namely 100% Catholics and 100% Indonesians. Being 100% Catholic is manifesting the law of love; while 100% of Indonesia is creating harmony between religious communities, solidarity, working together, helping each other, and taking part in nation-building programs. These values are expected to form a national character full of morality.
Co-Authors Andi Wicaksono Andi Wicaksono Ansari, Isa Ari Nurzeto Arieska Wulandari Bambang Suwarno Bambang Suwarno Bugov, Dobrin Tsvetanov Cahyani, Sinta Rizki Catur Nugroho Catur Nugroho Catur Nugroho Darius, Nanda Dayari, Achmad Dela Cahyaning Permata Delfin Febriansyah Elis Puspitasari Fauziyah, Nur Febriansyah, Delfin Handriyotopo Handriyotopo Jaka Rianto Permata, Dela Cahyaning Qohhar Dwi Hatmono S., Sunardi Seruni Widaningrum Sri Harti Sunardi Tatik Harpawati Tatik Harpawati Widaningrum, Seruni Wulandari, Arieska