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Lakon Jurnal Pengkajian & Penciptaan Wayang

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Published by Institut Seni Indonesia Surakarta

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Core Subject : Education,

Education

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Articles 7 Documents

Search results for , issue "Vol 4, No 1 (2007)" : 7 Documents clear

Sekilas Tentang Perkembangan Pertunjukan wayang kulit di jawa dari masa ke masa Sebuah tinjauan historis Sarwanto Sarwanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

The article discusses about the life and development of puppet show from time to time since 1920s until 1990s. PuppetÂ show, nowdays, has become more sophisticated and professional and it can become a guarantee that puppet show will continuously develop and will be able to compete with over popular art shows. Besides, the dalang with their developing creativities are able to work on tke pakeliran elements which can touch the aesthetic feeling and the audience interest. For the reason, the function of puppetÂ show as a guadiance as well as entertaining can be obtained.Â Key words: puppet show, lif and development, historical.

Lakon Kalebandu Sajian Ki Mantep Soedharsono Di Mata seorang Pengamat Wayang Blacius Subono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

The article entitled pakeliran observation on lakon Kalendu presented by Manteb Sedharsono on 25 March in Taman Budaya Surakarta, studies about problems in relation to garap elements in lakon Kalendu. Problem which is found is how the presented lakon elements are. This study aims to describe garap lakon, catur, sabet, and iringan presented by Manteb Soedharsono in lakon Kalendu. The result shows that presented garap lakon is suitable for the present day. The presented garap catur is, sometimes, brought up exactly and densely, but it can gove an interesting performance. Garap sabet shows that wayang movements in certain condition, event without previous dialogues. Garap iringan is also presented in unity with other elements.Key words: Kalendu, Mantep Soedharsono, shadow play

Perbandingan Serat Dewarunci dan Nawarunci Sugeng Nugroho
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

This article compares between th content of Dewarunci and Nawarunci. Both tell about Bhimaâ€™s in seeking knowledge of life perfection. Serat Dewarunci which is previously believed to be created by the Moslem saints (para wali) as syncretics teachings ( a unifications of Hinde-Jawa-Islam) is most probable a composition of Nawarunci written at the end of Majapahit era.Key words: Dewarunci and Nawarunci, comaprison

Purwakanthi dalam Pertunjukan Wayang Kulit Purwa Tatik Harpawati
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

This article will study the exploiting of language medium to get the certain effect of catur in the puppet plays. One of the language mediums that can be exploited in the form of the usage of sound language related to rime rhythm. The study of rime or purwakanthi involves purwakanthi guru swara, basa and sastra indicate that there is an existence of sound similarity at nearby words. It can strengthen the compability of rhythm and create the atmosphere and also certain impression. It can be happened because of contact of sharpened hearing sense that will be able to feel the beauty, compatibility in sound which emergency successive and oreder.Key words : purwakanthi, catur, puppet plays

Campur Kode Dan Alih Kode Dalam Teks Ginem/Dialog Pedalangan (Kajian Sosiolinguistik) Sri Hesti Heriawati
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Sociolinguistics as a linguistics branch puts language in relation to the language usage. According to sociolinguistics point of view, language has variations. A sociolinguistics explains about the relation between variations and the social and situational aspect. In connection with the various usage of language, there appears what is called dwibahasawan (bilingualist). The effects the language used by the dalang which includes non puppet language anytime. The phenomenon of language usage changing because of the changing situation is called alih kode (code change). Alih kode is usually followed by campur kode (code mix) that is basic code which used and has autonomous function. A speaker who inserts other language into the language which he is using is called campur kode. Background of campur kode and alih kode can be seen in the language used by the user which uses more than one language. The special characteristics of the speaker will color his campur kode. A speaker who has mastered more than one language will has a change to execute campur kode. But it doesnâ€™t mean that a speaker who has mastered more than one language always have more campur kode.Â Key words: sociolinguistics, campur kode, alih kode.

Riwayat Sukerta Sebuah Pengetahuan Kearifan Budaya Jawa Sumanto Sumanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

This article tries to describe the function and meaning of ruwatan for the Javanese. This is to answer the problem concerning ruwatan sukerta as a spiritual knowledge in Javanese culture. From the analysis, it can be found that ruwatan as one form of cultural events is neutral. It means that it can be used for any purpose; it depends on the arganizer motivation, for example, to increase prestige, to protect the ancestor tradition, as a purifying instruments, etc.The understanding or ruwatan as one of the cultural knowledge will be seen for example, from how people place themselves in the relation to the God, to other people, and tto nature and environment. Ruwatan is one form of beliefs so it depends oofn each individual. For the reason, it doesnâ€™t force anyone to believe.Â Key words: ruwatan sukerta, Javanese culture, a wise knowledge.

Lakon Banjaran : Apa dan Bagaimana ? Timbul Subagya
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

As we know that before Ki Nartasabda appears, puppet society only has standard story (lakon baku) or jejer, carangan and/or carang kadhapur. The appearance of banjaran puppet in 1970s by Ki Nartasabda leads to the pros and cons in puppet society. Nevertheless, the kind of story is often presented by some dalag today. This paper illuminates briefly about the existence of banjaran puppet story introduced by Ki Nartasabda. Because of the minimum abservation, this paper just tries to convey what andÂ how the storyÂ of banjaran is and is still seem incomplete.Key words: lakon banjaran, Nartasabda.

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Contact Name
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Journal Mail Official
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Location
Kota surakarta,

Jawa tengah

INDONESIA