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<![CDATA[KAJIAN FURNITURE PADA RUMAH HUNIAN KOLONIAL BELANDA ]]>
<![CDATA[Irena Vanessa Gunawan]]>;
<![CDATA[Citra Amelia]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 3 No 2 (2018): Jurnal Idealog Vol 3 No 2 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v3i2.1489
<![CDATA[The era of Colonization in Indonesia left many architecture and interior influence. For many years, colonizers especially Dutch and English have developed many architectural building which included their interior elements. Bandung, is one of the cities which enjoyed massive influence of Dutch colonialism design. However the change of people way of living and conducting business, change the city area planning. Most of residential areas now have becoming commercial/business area. Houses area are being leased or sold to be transformed into offices, cafes, restaurant or being entirely demolished into new buildings. There are still residential buildings from this era which are being kept as it is.Either by the owner and endorsed by the appeals of communities intended to preserve them as historical buildings. However there are not yet efforts to preserve the interior elements, especially the furnitures. Hence there are little knowledge about the development of furnitur design as a result of living culture of this period. The ones left are difficult to study as furnituer has shorter life span than building so it could be already altered, moved or sold. And in the meantime new furnitures could be acquired.Hence, it is the intention of this research to study what is left of furnitur from colonialization era in this paticular residential house. To try to documents and analyze what style and influence the commonly called “Dutch Furniture†by Indonesian antique dealers and also by the people in general.. This research will try to find out how and why this particular style still exist through the colonialism era in Indonesia to be compared to the development of styles in the European world.]]>
<![CDATA[TEKNIK FUSING PADA DAUR ULANG LIMBAH KANTONG PLASTIK DAN IMPLEMENTASINYA PADA DESAIN PRODUK ]]>
<![CDATA[Devanny Gumulya]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 4 No 1 (2019): Jurnal Idealog Vol 4 No 1 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v4i1.1849
<![CDATA[Indonesia has become the second larget plastic waste contributor in the world after China. Saddens by this fact, this research is conducted to recycle plastic bag waste. Fusion technique is a technique to fuse two or more plastic plies by heating them. It is easily done because the equipment need is very easy to find. With fusion technique the plastic waste can be turned into durable and waterproof material. In this research, a card wallet is made out of the recycle material. Carry goods is a commodity that is continuously needed by market. The research used material driven design process, in which tries to explore the recycle material both in technical and experiential qualities. Aside from material exploration, this research also studiesabout user perception regarding this material, this study is needed to remove the waste stigma. From the study founded thatemotional and performative are affecting each other. The three traits that user about plastic fusing material are pattern, contras color and transparency. The results are design recommendation on how to design using this new material and functional products like wallet designed with different style that express the material uniqueness.]]>
<![CDATA[PERWUJUDAN PRINSIP DESAIN AKTIF PADA REVITALISASI RUANG TERBUKA PUBLIK KOTA. Studi Kasus : Lingkungan Saparua Park, Kota Bandung ]]>
<![CDATA[Raden Rangga Ilham Irfandian]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 4 No 1 (2019): Jurnal Idealog Vol 4 No 1 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v4i1.1589
<![CDATA[The advancement of development, technology and urban culture, globally has produced various positive and negative impacts on environmental conditions and human life. One of the negative impacts is the declining public health factor. At present, the main cause of death in urban communities is cardiovascular disease caused by people's lifestyles that are minimal to carry out physical activity or sedentary lifestyle. Based on these phenomena there are various design principles for the physical environment, one of which is the principe of Active Design. The Active Design can be understood as a set of principles in designing the physical setting of the environment so that it can stimulate its users to carry out physical activity without them knowing it. The Active Design Principle is seen as having a significant impact on increasing public health factors when applied to the urban public spaces. In line with these thoughts, in the city of Bandung there has been a phenomenon of improvement in the city's public space, one of which is the revitalization of Saparua Park. There is an interesting thing about the revitalization of the Saparua Park environment, namely the incorporation of two dominant concepts in one unit of the environment, thematic garden concepts for recreational needs and the concept of sports complexes for the needs of public sports facilities. This research is a qualitative-descriptive study which contains the formulation of Active Design indicators in the urban public space based on literatures. Then evaluate the physical settings of Saparua Park environment after revitalization based on Active Design indicators that have been formulated. Produced an understanding of the extent to which the principles of Active Design materialize in the physical environment of Saparua Park, the potential for future development and any manifestation that can be used as an example for designing urban public spaces elsewhere. Keywords : Active Design, Urban Public Space, Public Health, Revitalization]]>
<![CDATA[PEMETAAN MEDAN GEOPATIS SEBAGAI SALAH SATU KONSTRAIN PADA PERENCANAAN ZONING DAN BLOCKING INTERIOR RUMAH TINGGAL Studi Kasus: Lahan di Jalan Budi Indah no.9 ]]>
<![CDATA[stella sondang sihombing]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 3 No 2 (2018): Jurnal Idealog Vol 3 No 2 ]]>
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DOI: 10.25124/idealog.v3i2.1515
<![CDATA[Humans are part of this universe thousands of years ago has developed a sense to detect the presence of energi from the earth itself or the so-called flow field geopatis. This energi can be separated into positive and negative energy. Negative energy generated by the flow field can lead to human become ill if man is above the flow for a long times. To avoid that, humans above the soil surface must move up to other place for become healthy. People build homes for they shelter, grow and develop. Nearly a third of human life is spent in the home and about 6 to 8 hours a day humans do rest to get the energy back to move well and healthy physically and mentality. This study tries to map the flow of negative terrain geopatis that exist in a land occupancy by using a special tool in order to avoid the flow pattern field geopatis. So that a planner residential design can plan zoning and blocking the right so that people who live in it can avoid the flow negatif. Also proff that maping the flow of negatif terrain geopatis can support space planning especialy for residential plan.]]>
<![CDATA[SIMBOL DAN ORNAMEN-SIMBOLIS PADA ARSITEKTUR GEREJA KATOLIK REGINA CAELI DI PERUMAHAN PANTAI INDAH KAPUK-JAKARTA ]]>
<![CDATA[Reginaldo Christophori Lake]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 4 No 1 (2019): Jurnal Idealog Vol 4 No 1 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v4i1.1932
<![CDATA[The Catholic Church building always displays symbols and ornaments as an expression of religious (sacred) faith and atmosphere. Symbols in the form of two-dimensional and three-dimensional objects arranged and beautified the church as well as religious significance. Symbols and ornaments are placed inside the church (interior) and outside the church (exterior), function to support the atmosphere of the church visually and help appreciate aesthetic, psychological and religious faith. Regina Caeli Catholic Church in Pantai Indah Kapuk Jakarta is a Catholic church that is characterized by modern architecture and features symbols and ornaments on the interior and exterior of the church. This paper describes the existence of symbols and ornaments -symbols in the church associated with obedience to the principles of modern architecture that underlies the design of the church. The research problem is how the existence of symbolic symbols and ornaments in the Regina Caeli Catholic Church, which are modern-minimalist architecture? The study was carried out by analyzing secondary data (photos and texts) and literature studies, then compared with the basic guidelines of Catholic church architecture and the principles of modern architecture. As a result, Regina Caeli's Catholic Church architecture is a modern architecture with a modern-minimalist expression. The existence of a symbol of the cross marks the existence of a Catholic church visually, the interior ornaments strengthen the uniqueness as a sacred (religious) space. The Regina Caeli Catholic Church has a modern architecture and provides a place for symbolic symbols and ornaments; there is a mixture of modern architecture with church symbolism as a relogious building.]]>
<![CDATA[OPTIMASI BUKAAN DENGAN MEMANFAATKAN EFEK WIND TUNNEL PADA RUMAH DERET Studi kasus : KAMPUNG DERET PETOGOGAN, JAKARTA ]]>
<![CDATA[Anggi Oktovianto]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 3 No 2 (2018): Jurnal Idealog Vol 3 No 2 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v3i2.1422
<![CDATA[Energyconsumptionon domestic uses in Indonesia provokes designers to implement passive design concept as an effort to reduce the use of mechanical and electrical solution for household comfort. This research observed KampungDeretPetogoganwhich a wind tunneleffect could not accurately provide natural comfort inside the row houses. Openings design was a key element to determineoptimization of air movement indoors, including its positions, types, and dimensions. Thegoals wereto identify the causes and determine ideal openings design to optimize air circulation indoors. First assessmentinvolvedrelevantdesign theories that conducted as guidelines. Then the existed design openings were examined and compared with guidelines, thus the ideal design openings were generated. The final results concluded multiple solutions for optimizing air movement control. Anaddition of wing wall, to help control the air movement. Repositioning the openings, both on walls and roofs. The selection of opening types which would be suitable basedonairmovement pattern. Lastly, redesign the dimension of the openings to fit the needs of natural comfort inside the houses.]]>
<![CDATA[SPATIAL DESIGN ANALYSIS DALAM PROSES PERENCANAAN DAN PERANCANGAN INTERIOR ]]>
<![CDATA[Cahyatika Try Widiyanti]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 3 No 2 (2018): Jurnal Idealog Vol 3 No 2 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v3i2.1559
<![CDATA[The design of inner space or better known as interior design is the study of design in a building and used to solve human problems. One of scientific studies based on design science, this scientific field aims to beable to create a built environment (inner space) along with its supporting elements, both physical and non-physical. So that the quality of human life in it becomes better.The interior design process aims to solve complex problems related to human response to space. To be able to solve the problem in its entirety, it requires an appropriate design concept. The success of the design concept depends on the approach taken in the preparation process.Interior spatial concepts can be built by understanding several things, including: components of design understanding, analytical design schemes, design mindset mapping, design approach methods, and ending with the design concept used in interior planning & design processes. By understanding these things, a scope of interior design in solving design problems is expected to be resolved clearly and systematically, so that the process of drafting the proper interior design & planning concepts can be done more easily. The right concept will eventually be able to tie the design results into a fully integrated design]]>
<![CDATA[KAJIAN KONSERVASI BANGUNAN MELALUI UNSUR PEMBENTUK ARSITEKTUR DALAM UPAYA PELESTARIAN BANGUNAN TUA DI KOTA BANDUNG Studi Kasus : Gedung Panti Karya, Jalan Merdeka no. 39 Bandung, Jawa Barat ]]>
<![CDATA[Raden Gurmilang Nur Rahadian]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 4 No 1 (2019): Jurnal Idealog Vol 4 No 1 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v4i1.1628
<![CDATA[City of Bandung is known as a city that has many historical heritage buildings. City of Bandung’s imageas a city of Art Deco needs to be treasuredand maintained as it is known worldwide as a point of interest which drivepeople from around the world to visit and study it. As time goes, modernization concentratingon economic development often presents a threat to historic old buildings in the city of Bandung. One of the impact of this dynamicdevelopment is the potential loss of historical heritage as an object of tourism,therefore, conservation efforts should be done accordingly. One of the effortis strategic approach in developing and improving tourism, especially in the city of Bandung, namely through the preservation of old buildings. The presentation in this study focuses on building conservationstudybya case study of Panti Karya Building located on Jalan Merdeka Number 39 Bandung West Java. The research method used for analysisis the qualitative method using architectural forming elements and building studies in the composition of triadic functions-forms-meanings. The findings of this study statedthat the Panti Karya Building has strongerModern Architecturecharacteristics rather than Art Deco Architecture. The value of preserving the architecture of Panti KaryaBuilding is described according to Bandung City Regulation No.19 of Year 2009 concerning Management of Cultural Heritage Areas and Buildings includingHistorical value–the third highest building of Southeast AsianWorkers' Union and also as a pioneer of post-independence development;Architectural value–the style of Modern Architecture that shows the spirit of independence;The value of science–the style of Modern Architecture represents the progress of science andtechnology;Social culturalvalues–as a place for socializing and holding cultural performances;lastly, Building age–63 years oldof agemakes this building worthy of being categorized as a cultural heritage building]]>
<![CDATA[ANALISA BENTUK FURNITURE SEBAGAI MEDIA DUDUK PADA AREA FOODTRUCK ]]>
<![CDATA[Desy Dwi Putri]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 3 No 2 (2018): Jurnal Idealog Vol 3 No 2 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v3i2.1440
<![CDATA[Basically the application of Foodtruck in modern society is classified as a sales medium that is required to move freely with consideration of location that can change, in the application of foodtruck design must include efficiency in mobilization and interior that is in accordance with the character of foodtruck , namely the use of interior elements as optional gasket that must be considered in the foodtruck design method, including furniture thatdominates the layout of the room. Furniture design in the foodtruck area becomes the foundation in the form of rules that answer the problem of an activity. The process to produce an object that has a high value of economic, aesthetic and functional. In the method of applying geometry to a stoolcan be used as a reference in construction, supporting activities, capacity and integrity of the results of a design process, in the stoolthere are some basic problem identification and relevance to the geometry transformation process and examine any errors that must be avoided in a stooldesign with the aim of meeting standards, to minimize errors in a design concept stoolthat plays in the scope of geometry and shape transformation]]>
<![CDATA[KAJIAN TATA LAYOUT DAN FASILITAS KERJA DOSEN TELKOM UNIVERSITY KASUS STUDI : RUANG KERJA DOSEN FIK TELKOM UNIVERSITY ]]>
<![CDATA[Doddy Friestya Asharsinyo]]>;
<![CDATA[Ully Irma Maulina Hanafiah]]>
<![CDATA[ Ide dan Dialog Desain Indonesia (Idealog) Vol 3 No 2 (2018): Jurnal Idealog Vol 3 No 2 ]]>
Publisher : <![CDATA[Universitas Telkom ]]>
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DOI: 10.25124/idealog.v3i2.2391
<![CDATA[The quality and performance of lecturers apart from the quality of their education, are also obtained from the surrounding academic environment, which is related to the workspace environment in conducting Tridarma activities. The lecturer workspace is Tridarma's activities take place, it is also a space for lecturers to actualize themselves through their fields of expertise, science and works. The layout of the lecturers' workplaces related to scientific fields at the Faculty of Creative Industries differs from one another, due to the results of work activities, research carried out, and the resulting paperwork varies from dimension / size in the field of expertise / science. The standard of work space for lecturers in general is the same for all fields of science. This research method is carried out with a qualitative approach, starting by observing empirical facts about the working space of the lecturers in the Faculty of Creative Industries, and then explaining the existing conditions and analyzing in accordance with applicable standards. The results & findings of this study conclude that the activity patterns and layout in the Tel-U lecturer workspace at the Faculty of Creative Industry are associated with the field of knowledge of each study program have the same cubical pattern and facilities, with a centralized orientation circulation in the middle of the room, there is no no special work storage space.]]>
