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Jurnal Sendratasik
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023201     DOI : 10.24036
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 27 Documents
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Search results for , issue "Vol 9, No 1 (2020)" : 27 Documents clear
Perkembangan Musik Talempong Duduak Di Sanggar Seni Puti Tungga Kabupaten Dharmasraya Shelvy Alvionita; Esy Maestro
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i3.108145

Abstract

The tradition of talempong music has been hereditary into a part of the Minangkabau social life. In its journey, traditional art has been in contact with the sharing of symptoms that develop in the life of a dynamic society, based on it, there also emerged the genre of talempong creation in the Minangkabau region. Puti Tunggastudioplays talempong with the type of talempong duduak (diatonic). The form of the talempong duduak performance is usually combined with several modern instruments such as electric guitar, sexophone, drums and also other traditional Minangkabau musical instruments. The purpose of this study is to analyze the development of talempong duduak music at Puti Tungga Studio in Dharmasraya Regency. Type of this research was qualitative with using a descriptive analysis approach. The object of this research was Talempong in the Pulau Punjung sub-district, Dharmasraya Regency. Techniques of data collection were done by using library studies, observations, interviews and documentation. Efforts that are done by Puti Tungga Studio for the development of the Talempong Duduak are such as gathering members, training in a week and being active in the appearance of the Talempong Duduak in Dharmasraya. There are several obstacles found by Puti Tungga Studio in developing the Talempong Duduak , such as the players who often change because of their busy activities, the higher flow of modern music and the high interest of the society towards modern music. The development and preservation of the Talempong Duduak musical instrument currently needs to be done by socializing to the wider society, especially the younger generation through the Department of Education by incorporating traditional art knowledge both in theory and practice into the curriculum through elementary school to senior high school level. 
Idealisme Syofyani Terhadap Gaya Tari Berdampak Pada Popularitas Keseniannya Anugrah Prima Insani; Indrayuda Indrayuda; Susmiarti Susmiarti
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1518.894 KB) | DOI: 10.24036/jsu.v8i3.108024

Abstract

AbstractThis article aims to reveal and explain Syofyani's idealism againsts dance style that has an impact on its popularity in the community. This type of research was qualitative with using descriptive method. The research instrument was the researcher as a key instrument, and it was assisted by both audio and visual recording devices. Location of the research was in Padang city. The informants were dance performers, choreographers and managers of studios and user communities. Data were collected by taking observation, interview, documentation study and literature study. Data analyses were done by referring to the Miles and Huberman technique, namely the stages of collecting, reducting, presenting, verificating and making conclusion of data. The results of the research show Syofyani's idealism regarding her style such as dance attitude, dance motions motive, motions rhythm, movement characters and expressions, distinguishing the dance styles created by Syofyani with dance works from other choreographers. Besides that, Syofyani's idea about her dance style is departing from the Minangkabau concept of women and men, as well as about Minangkabau customs towards the position of women and men who naturally changed. By looking at this distinctive dance style, Syofyani has become popular among the dance lovers community in West Sumatra.
Tari Balanse Madam “Faktor-faktor Yang Mempengaruhi Eksisnya Tari Balanse Madam Di Seberang Palinggam” Dwi Witri Anggraini; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1051.388 KB) | DOI: 10.24036/jsu.v8i3.108112

Abstract

This study aims to express the factors that influence the existence of Madam balanse dance at Seberang Palinggam. Type of this research was a qualitative study with using descriptive method. The main instrument of this study was the researcher. The additional instruments used were such as stationery, camera and flash disk. Techniques of data collection werecarried out by using literature study, observation, interviews, documentation. The steps in analyzing data were data collection, reduction, data presentation and drawing conclusions of the research. The results show that the dance originated from trading activity which led to cultural encounters, namely Portuguese culture (dance) with Nias culture (maena). The cultural meeting creates a form of art performance  namely Madam Balance Dance. The existence of the Madam balanse dance is influenced by several factors such as: customs, religion, community and government environment. This dance has changed its function from dance as a custom to dance as entertainment, this is because of the lack of interest in the community and the government of Padang to preserve and learn the Madam Balanse dance. One of the efforts to keep the Madam Balanse dance alive and sustainable is that the government have to promote or introduce the Madam Balanse dance again to the public. 
Pelaksanaan Pembelajaran Vokal Group Dalam Mata Pelajaran Seni Budaya Di Kelas VII-4 SMP Negeri 3 Padang Vivi Angraini; Tulus Handra Kadir
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (995.268 KB) | DOI: 10.24036/jsu.v8i3.108106

Abstract

This study aims to describe implementation of group vocal learning in cultural arts subject at Class VII-4 in SMP Negeri 3 Padang.. Type of this research was a descriptive study with using qualitative method. The research instrument was the researcher. It was assisted by using supporting instruments such as stationery, camera, and voice recorder. Techniques of data collection were carried out by taking observation, interviews, documentation and literature study. The steps in analyzing data were done by collecting, identifying, classifying, clarifying, describing and summarizing data. The results show that group vocal learning carry out by the teacher at class VII-4 in SMP Negeri 3 Padang is not going well and does not catch the target of learning objectives. It can be seen from the planning, implementation, and evaluation that is less relevant between the lesson plans and those implemented by the teacher. The teacher does not understand the concepts and techniques of group vocal singing well so that the students do not understand singing in the form of group vocals. At the time of learning, the teacher should provide musical training to students, so that students' understanding of singing group vocal can be carried out properly, and not just memorizing the song. Therefore, there are still some students who have not been able to practice it properly, due to lack of guided practice, lack of understanding of the material and practice of singing vocal groups correctly which impact on the student grades. In the results of the evaluation of learning to sing in vocal groups of the students at class VII-4, the highest score only reach 87 and the lowest score is 75.
Pelaksanaan Pembelajaran Teknik Vokal Di Kelas VII-3 SMP Negeri 12 Sijunjung Shilvi Yunita; Syeilendra Syeilendra
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1082.449 KB) | DOI: 10.24036/jsu.v8i3.108139

Abstract

The purpose of this study is to describe and find out the implementation of vocal Technique learning at class VII-3 in SMP Negeri 12 Sijunjung. This type of study was a qualitative research with using descriptive methods. The object of this study was the students at class VII-3 in SMP N 12 Sijunjung who participated in vocal technique learning. The main instrument in this study was the researcher. The additional instruments were stationery and camera. Techniques of Data collection were carried out by taking literature study, observation, interviews, documentation study. The type of data used primary and secondary data. The steps in analyzing data were done by collecting, reducting, presentating and drawing data conclusions. The result shows that the vocal technique learning thatis carried out by the teacher atclass VII-3 does not run well and meet the target of the learning objectives. The teacher does not understand the material of vocal technique well so that the students do not understand the vocal technique. Therefore, there are still some students who have not been able to sing properly due to lack of practice, lack of understanding of the material and practice of vocal technique learning so that they get a low scores. The results of the practice of various vocal techniques namely the highest value only reaches 87 and the lowest value is 58 with an average value is 74.4%.
Penggunaan Dan Fungsi Saluang Panjang Di Nagari Ujuang Jalan Kecamatan Alam Pauah Duo Kabupaten Solok Selatan Jovi Kurniawan; Marzam Marzam
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1017.619 KB) | DOI: 10.24036/jsu.v8i3.108100

Abstract

The purpose of this study is to express and describe the usage and function of Saluang Panjang in Nagari Ujuang Jalan Alam Pauah Duo District, Solok Selatan Regency. Type of this research was qualitative study with using descriptive analysis method. The main instrument in this study was the researcher. The additional instruments used supporting instruments such as stationery, photo camera and camcorder. Type of data used primary and secondary data. Technqiues ofdata collection were carried out by taking observation, interview and documentation. The steps in analyzing data were done by collecting, describing and making conclusion of data. The results show that Saluang Panjang can still be found and displayed on various occasions and events. Saluang Panjang is only used as an entertainment but now it has developed into a musical accompaniment to randai dance. The existence of Saluang Panjang in Nagari Ujuang Jalan Alam Pauah Duo District, Solok Selatan Regencyis not only limited to traditional arts used in various events, but of course it has its own meaning or function for the society in Nagari Ujuang Jalan Alam Pauah Duo District, Solok Selatan Regency. Saluang Panjang contains various values and norms that are useful as a way of life in society. The values of the norm are contained in various Dendang dendang and the rules in the art.
Minat Siswa Terhadap Pembelajaran Seni Budaya Di SMA Negeri 1 SUMBAR Devina Sari; Marzam Marzam
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1003.055 KB) | DOI: 10.24036/jsu.v8i3.108138

Abstract

This study aims to determine students’ interest inmusical art learning and what factors that influence students' interest in musical art learning in SMA Negeri 1 Sumatra Barat.This type of studywas a qualitative with using a descriptive approach. The main instrument in this study was the researcher. It was assisted by supporting instruments such as stationery and camera. Techniques of Data collection were carried out by taking literature study, observation and interview. The analysis process was startedby analyzing data and seleceting selectively, then the data were displayed in a descriptive form.The result shows that the lack of students’ interest occur inmusical art learning in SMAN Sumatra Barat. The cultural art teacher in the learning process does not understand the learning material and the teaching method is not variative. The Factors that influence students' interest in learning at SMAN 1Sumatra Barat in the subject of musical art are internal and external factors. 

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