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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Panggung Gondang: Jurnal Seni dan Budaya Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Journal of Social, Humanity, and Education Ranah Research : Journal of Multidisciplinary Research and Development Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Panggung

Marzam Marzam

Universitas Negeri Padang

Author-ID : 317027

Religion Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Public Health Social Sciences Transportation Other

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STRUKTUR DENDANG LELA AMPALU DALAM RABAB PASISIA DI DESA AMPALU KECAMATAN SUTERA KABUPATEN PESISIR SELATAN Khairullah, Khairullah; Marzam, Marzam
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106621

AbstractÂ The purpose of this research was to describe theÂ dendang lelaÂ ampaluÂ in the presentation structure ofÂ Rabab PasisiaÂ in Ampalu Village, Kecamatan Sutera, Pesisir Selatan Regency. This type of research was a qualitative study using descriptive methods. The main instrument in this study was the researcher self and assisted with supporting instruments such as stationery and cameras. Techniques of data collection were observation, literature study, interviews and documentation. The steps for analyzing data were collecting data, clarifying data and making conclusions.The results showed thatÂ Dendang Lela AmpaluÂ was included in the structure of the presentation ofÂ dendangÂ in aÂ Rabab PasisiaÂ show. However,Â Dendang Lela AmpaluÂ does not stand alone butÂ Dendang Lela AmpaluÂ is also a part of theÂ Dendang.Â Dendang Lela AmpaluÂ is conveying the message of suffering experienced by a household. In the past,Â Dendang Lela AmpaluÂ was only sung by mothers who were initially without any instruments. But at this time Dendang Lela Ampalu has been accompanied by the instrument ofÂ Rabab PasisiaÂ and displayed in the performing arts ofÂ Rabab PasisiaÂ Keywords: Structure, Dendang Lela Ampalu, Rabab Pasisia

ANALISIS SOAL UJIAN SEMESTER OLEH GURU SENI BUDAYA DI KELAS X SMK NEGERI 2 PARIAMAN Sari, Welly Agita; Sudarman, Yos; Marzam, Marzam
SENDRATASIK UNP Vol 8, No 1 (2019): Seri E. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105703

AbstractÂ This study aims to describe the implementation of analysis of examination questions by the cultural arts teachers at Class X of Accounting Department in SMK Negeri 2 Pariaman. This type of study was qualitative research with using descriptive analysis method. The instrument of the study was the researcher and it was assisted by interview note, observation note, and documentation files. The researcher was involved in the research as a participant observer. The types of data were primary and secondary with qualitative data analysis techniques that described the problem. The result of this study indicates that the analysis of examination questions of cultural art (music) done by the teachers of SMK Negeri 2 Pariaman, which have been tested on the final exam in odd semester 2018/2019, shows the results of the existence of categories of questions that are easy, medium and difficult, based on the results of examination of students correct answers which have been recapitulated and summarized. there are six items whose material are not related to the subject, the description of questions are too broad and the questions that the teachers have never been explained in the Indonesian traditional music insight material, then the questions can be removed, replaced or corrected. The results of the analysis of questionsÂ Keywords: semester exam analysis, cultural art teacher

Penggunaan Metode Konvensional Oleh Guru Pada Pembelajaran Seni Budaya (Musik) Di SMP Negeri 2 Painan Alexander Pratama Saputra; Yos Sudarman; Marzam Marzam
SENDRATASIK UNP Vol 8, No 4 (2019)
Publisher : FBS Universitas Negeri Padang

The study aims to explain the using of conventional learning method in the learning of cultural art (music) at SMP 2 in Painan. Besides of the usage of the relevant studies as additional references, then theoretical framework is used in this study that related to study and learn, conventional learning method and cultural art learning. Based on theoretical framework, it is known that the method used is conventional learning method such as lecture, discussion, demonstration/excerice and assignment. The result of study and discussion shows that the teachers teach the cultural art (music) at class VII in SMP 2 Painan use the conventional learning method with lecture method dominantly. The choosen method is used by the teachers, besides of the teachers want to, it is attached in RPP, it is also because the teachers who have expreience in teaching for a long time. Eventhough the leture method is used dominantly, the cultural art learning is still run well at the class, the students is active and enthusias in learning. The conclusion can be drawn that eventhough the learning only use the lecture method, the teachers are able to use the another methods such as discussion that cause cultural art learning (music) become interesting and enjoyable.

GURAU PAUAH Try Wahyu Purnomo; Wimbrayardi Wimbrayardi; Marzam Marzam
SENDRATASIK UNP Vol 3, No 2 (2014): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract This music work is an innovative art taken from Pado-pado rhytm in Saluang Pauah show. This music work was was arranged based on the consept of the rhytm and melody combination of any traditional music tools (Saluang Pauah, talempong, canang, adok, djembe) and modern ones (Bass, electric guitar, piano, percussion set, conga, violin, viola and cello). Technically, the melody of Pado-pado is used as the main melody which was further developed into three compositions. Kata Kunci: Karya Seni, Gurau, Pauah, Saluang Pauah

MINANG GROOVY Asadul Haq; Marzam Marzam; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 3, No 2 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract This study was animed at promoting the Minangkabau traditional artinto new form of artwork. Through musical work of Minang Groovy, the writer intended to show that the traditional music could be collaborated woth modern music. This,however, also could be developed by using various design and was combined with other modern musical instruments. The traditional music then could be more attractive and enjoyed by all of people especially the young generation. Hence, the traditional music could be more interesting and preserved by the next generation. Kata kunci : komposisi, Minang Groovy, kesenian

MINAT SISWA TERHADAP PEMBELAJARAN SENI MUSIK DI SMP NEGERI 1 PAINAN KABUPATEN PESISIR SELATAN Suyata Suyata; Tulus Handra Kadir; Marzam Marzam
SENDRATASIK UNP Vol 2, No 3 (2013): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract The purpose of this study was to reveal the picture of students' interest to wards learning the art of music in SMP Negeri 1 Painan South Coastal District. This type of researc his descriptive, while research conducted in February-March 2013. The instrument used was a questionnaire to collect data using a Likert scale. Data were analyzed using frequency distribution formula in the form of a percentage. From the analysis of the data obtained the following results: 1. Minat siswa in SMPN egeri 1 Painan seen from the classification indicators are sufficient participation (74.1%). 2. Student interest in SMP Negeri 1 Painan seen from the classification indicators are sufficient attention to the percentage of75.7%. 3. Student interest in SMP Negeri 1 Painan seen from the feeling of being on the classification of the indicators enough with the percentage of 79.3%. It means that of the three indicators of interest needs to be improved, so that students become better. Kata kunci : Minat, pembelajaran, musik, deskriptif.

SISTEM PEWARISAN KESENIAN RABAB PASISIE DI NAGARI ANAKAN KOTO NAN DUO KECAMATAN BATANG KAPAS KABUPATEN PESISIR SELATAN Kens Fahta Aulia; Marzam Marzam; Yensharti Yensharti
SENDRATASIK UNP Vol 5, No 1 (2016)
Publisher : FBS Universitas Negeri Padang

This article aims to describe Art Inheritance Rabab Pasisie System In Nagari Anakan Koto Nan Duo Kecamatan Batang Kapas Kabupaten Pesisir Selatan.The method used is qualitative, which aims to get everything related to the topic. The data related to the topic above is collected through library research, observation, interview and documentation techniques.From the research results can be concluded that Art Inheritance Rabab Pasisie System in Nagari Anakan Koto Nan Duo Kecamatan Batang Kapas Kabupaten Pesisir Selatan, inherited enculturation. Where, man as a creature of reason, has the power of reflection and intelligence, learn to understand and adapt the mindset, knowledge and culture bunch of other human beings. The process of enculturation is the process of learning the culture through the study of socio-cultural norms and patterns of action in social interactions in order to belong to his personal and attitudes formed in temperament

Struktur Penyajian Dikia Pauah Pada Masyarakat Nagari Sungai Sapih Kecamatan Kuranji Kota Padang Mutia Yamesty; Marzam Marzam
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This research aims to reveal and describe the Structure of Peyajian Dikia Pauah in Nagari Sungai Sapih Community Kuranji District, Padang City. This type of research is qualitative research using descriptive methods. This research instrument is the researcher himself and assisted with supporting instruments such as stationery, flashdisk, and mobile phone. The data type uses primary data and secondary data. Data collection techniques are conducted utilizing observation, interviews, and documentation. The steps of analyzing data are collecting data, describing data, and concluding data. The results showed that the presentation structure of dikia was done at the time after Isha to dawn because the Prophet Muhammad SAW was born at dawn precisely on the 12th of Rabi’ul Awal. The existence of dikia is very difficult to find because fans of badikia in the millennial era are very minimal. Badikia players have stepped on the elderly which makes it difficult for the next generation to understand more about the structure of badikia. The Covid-19 pandemic also became an obstacle to badikia performances because it allegedly invited crowds. Concerns about the existence of Dikia Pauah will be lost because the younger generation as the successor of many do not understand the presentation of Dikia Pauah in a structured manner.

PENGGUNAAN ALAT MUSIK GAJEUMA’DALAM MASYARAKAT DI DESA MUNTEIKECAMATAN SIBERUT KABUPATEN KEPULAUAN MENTAWAI Susirawati Susirawati; Jagar Lumban Toruan; Marzam Marzam
SENDRATASIK UNP Vol 2, No 3 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract The research aimed at describing the use of music instrument Gaejuma in the society of Mentawai at Siberut Selatan Mentawai. Such traditional arts possessed by the society included vocal music, traditional music instruments and daily traditional dances. The three traditional arts were closely related to social activities such as wedding party, the coronation of shaman, the expansion of new farming area, the construction of new houses and the medication of people. One of the traditional music which was always performed during the local ceremonies in Mentawai was the music instrument Gaejuma. The performance of Gaejuma in every ceremony was to tone up the ceremonies like in the wedding party, to cure those who were sick or ill, to remove the bad spirits during the expansion of new farming area or the construction of new houses, during the coronation. Keywords: The use, Gaejuina, Social activities

Upaya Pelestarian Musik Talempong Pacik di Kecamatan Koto XI Tarusan Kabupaten Pesisir Selatan Jeni Martha Wuri; Wimbrayardi Wimbrayardi; Marzam Marzam
SENDRATASIK UNP Vol 4, No 1 (2015)
Publisher : FBS Universitas Negeri Padang

Abtract This research was conducted to reveal and describe the efforts done to preserve Talempong Pacik traditional art in Koto XI Tarusan Kabupaten Pesisir Selatan. The object of the research was Talempong Pacik traditional art in Koto XI Tarusan. Talempong Pacik was chosen as the object of the research as this traditional art is almost exinct. This was a qualitatif research. The data were gathered through interview, obsevation and documentation. The instrument of the research was the reseacher herself as the key instrument. The data were selected, presented and verified. The result of the research indicated that there were some efforts were done by the people in Koto XI Tarusan to preserve Talempong Pacik. The efforts were done by establishing an art group, recruiting new members, and carring out regular training once a week in Koto XI Tarusan Kabupaten Pesisir Selatan. Keywords: Pelestarian, Talempong Pacik.

Co-Authors Akhyar Ulfa Alexander Pratama Saputra Ambiyar, Ambiyar Andar Indra Sastra Andar Indra Sastra Ardipal Ardipal Arrithem Mosizi Asadul Haq Aziz, Ishak Azwar Ananda Belirda Wulan Dhari Boyke Bobbi Andreas Deby Indrawati Depi Elpina Desi Kumalasari Devika Duri Devina Sari Dewi Martha Diva Nia Zulnita Eka Putri Wardana Erfan Erfan Erfan Erfan Esy Maestro Fajry Sub'haan Syah Sinaga Feby Yola Pradana Fitra Hayati Fitri Anggia Gusti Laraski Gusti Rahayu hadi, Harisnal Hasanuddin WS Hengky Septiawan Herlina Herlina Hidayat Alkara Hidayat, Hengki Armez Indrayuda Indrayuda Ingria Nada Contesi Irdhan Epria Darma Putra Jagar Lumbantoruan Jeni Martha Wuri Jovi Kurniawan Kens Fahta Aulia Khairullah, Khairullah Khintar Rajmal Chair Lastri Elita M. Arif Anas M. Riko Nurrohim Marlis Putri Nandina Marlisna Marlisna Mei Hanum Sahef Miki Padreawan Mirnawati Mirnawati Mutia Padila Mutia Yamesty Neneng Apriani Nesya Amalyah Neviyarni Neviyarni Nike Oktaveroni Nila Suryati Anggini Nova Rita Satria Nurhizrah Gistituati Pano Pio Putra Rafsanjani Rafsanjani Relly Dyona Rendi Alfajri Reza Silfi Rizki Ayu Ridho Putra Rusdinal Rusdinal Sari, Welly Agita Shocia Septipa Suhanda Suhanda Susirawati Susirawati Suyata Suyata Syafa’atussara Silahudin Syahrel Syahrel Syeilendra Syeilendra Sylvia Sylvia Tetenia Saputri Yuliost Tri Ananda Tri Fajri Tri Rahayu Zulfiana Try Wahyu Purnomo Tulus Handra Kadir Uswatul Hakim Vani Melda Zarlin Vika Arifiani Wahyu Prima Nelga Welly Agita Sari Wimbrayardi Wimbrayardi Wulan Larasaty Yensharti Yoni Irawandi Yos Sudarman Yunia Dwi Safitri Yut Nurrahmi Zahra Nur Illahi

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