Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora
Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora (P-ISSN 1410-8062, E-ISSN 2528-3936) is an international journal devoted to the publication of original papers published by Center for Humanities Studies of FBS Universitas Negeri Padang. It is a peer-reviewed and open access journal of humanity studies, including linguistics, literature, philosophy, and cultural studies. Humanus accept manuscript in English, Indonesian, and Malay.
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<![CDATA[TARI KAIN DALAM RANAH INDUSTRI HIBURAN: SEBUAH PROBLEMATIKA KEMASAN DAN PELESTARIAN ]]>
<![CDATA[Susmiarti, Susmiarti]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5682
<![CDATA[This article aims at explaining the problems in traditional Kain dance in Painan Timur district, Pesisir Selatan regency. Nowadays problems in Kain dance revolve around its preservation and packaging. The presentation of Kain dance is no longer relevant with the growth of preference of entertaining art of the society. The preservation does not suit the sustainability of the Kain dance in the future. Therefore, Kain dance is no longer functional but marginal. The research is qualitative, where data is collected through observation, interviews, and documentation. The data is then analysed using ethnography and phenomenology. The research found that the weakness of traditional Kain dance in its presentation comes from its artistic movement aspect, dramatization, dynamics of the show, and originality of the costume and make-up. Besides that, the pattern of preservation is found only in keeping the training form of a specific place of the heir of the dance. There is no visible effort to further preserve the Kain dance in actual and effective model of its sustainability.]]>
<![CDATA[KESENIAN RONGGENG GROUP SENANDUNG RINDU DI KECAMATAN GUNUANG TULEH KABUPATEN PASAMAN BARAT ]]>
<![CDATA[Delmalia, Delmalia]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5678
<![CDATA[The purpose of the research is to reveal and explain about the matters of Ronggeng performance as a traditional art in Muaro Kiawai village. As a traditional art, Ronggeng now is in endangered due to the declining number of its presentations. This study is qualitative, where data is collected by observation, interviews, and documentation. The research informants were the actors who are involved in Ronggeng art, the ethnic group elites, and the society. The research instruments were the researcher, helped by recording instrument. The data was analyzed using Miles and Huberman model. The study finds that Ronggeng is formed by two type arts; dance and music. Ronggeng is marginalized by the society, because it does not adapt with the current changes and civilization. Therefore, most Ronggeng artists establish Senandung Rindu group in an effort to save Ronggeng from extinction. In the end, the effort contributes to the preservation and sustainability of the existence and activities of Ronggeng in Muaro Kiawai.]]>
<![CDATA[NYANYIAN ANAK BALAM: TERAPI MISTIK PERDUKUNAN KE SENI PERTUNJUKAN RABAB PASISIE DI PESISIR SELATAN SUMATERA BARAT ]]>
<![CDATA[Kamal, Zahara]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5683
<![CDATA[This article is part of reserch,which reveals the problem of singing of anak balam in the context of shamanism entered the real of the performing art tradition of rabab pasisie in south pesisir.in the context of shamanism,the singing of anak balam serves as a means of communication between shamans and spirit of ancestor to identify a patient’s disease and type of medicine.while the singing of anak balam in context of performing arts rabab, serves as ameans of intertainment to enliven various local community activities.this reserch use a quanlitative method sosiology approach,antropology approach,easthetic approach.data colected through observasion, interview and documentation.this research found that in term of aesthetics singing of anak balam in context of shamanic different with the singing of anak balam in the context of art performing rabab pasisie, because in shamanism context eathetic value is not considered by shamans, because preferred here is to communicate with the spirit of ancestors,while in the context of performing arts rabab,aesthitic value higly considered by rabab artists both from the cultivation of musical and singing text.]]>
<![CDATA[PERSPEKTIF SOSIOLOGIS TENTANG KEMANDIRIAN NAGARI DI SUMATERA BARAT MELALUI PENERAPAN UNDANG-UNDANG NOMOR 6 TAHUN 2014 ]]>
<![CDATA[Eriyanti, Fitri]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5679
<![CDATA[The passage of Village Act No. 6 2014 spurs pros and cons among the community of West Sumatera. Some see the act as the chance to re-implement “nagari†system (a traditional village administration in Minangkabau community who lives in West Sumatera); others view it as an encouragement to separate from the Republic of Indonesia. However, this act is a product of the nation’s law, and elaborated in The Indonesian Government Regulation No. 47 2015 about the Change of Government Regulation No. 43 2014 about the Regulation on Implementation of Village Act No.6 2014, which says that it has to be implemented and obeyed nationwide. The implementation causes opportunities and challenges to the traditional village. Traditional village, called ‘nagari’ in West Sumatera, is recognized as legal community based on its traditional and historical rights. This means West Sumatera’s nagari is recognized autonomically after the passage of the Village Act No. 6 2014. This article deliberates the discourse on implementation of the Village Act to improve the nagari’s autonomy in West Sumatera from the sociological perspective.]]>
<![CDATA[MODERNISASI PENDIDIKAN ISLAM AWAL ABAD 20 (Studi Kasus di Sumatera Barat) ]]>
<![CDATA[Rahman, Rini]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5684
<![CDATA[The modernisation of Surau is marked by the start of Islamic Education institutions such as Sekolah Adabiyah, Sumatera Thawalib, Madrasah Diniyah, Madrasah Tarbiyah Islamiyah, and Normal Islam. These institutions apply a curriculum which includes both Islamic subjects as well as general subjects.The students graduating from these modern institutions bring positive influences to the development of Islamic education especially in West Sumatera.]]>
<![CDATA[TARI TRADISIONAL DALAM RANAH TARI POPULER: KONTRIBUSI, RELEVANSI, DAN KEBERLANJUTAN BUDAYA ]]>
<![CDATA[Indrayuda, Indrayuda]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5680
<![CDATA[Recent development of dance performance is not only esthetical and artistic; it has improved farther along with social cultural changes and economic development, which is supported by the scientific and technological changes that have encouraged the improvement of the art and knowledge about dances. In choreographic learning in academic environment, the arrangement pattern in choreography is not limited to the conventional that the consequence of movement, but also a media for criticism and expression of the artists. Currently dance does not belong to certain tradition of a community but to individuals. The individual belonging of the dance is widely known as popular dance, both monumental and contemporary dance. In Indonesia, both monumental and contemporary popular dances tend not to be detached from their traditional idiom or spirit in their cultural choreographic background, even all of their arrangement source stems from traditional kinesthetic dance. This phenomenon becomes a new trend in dance creation and dance choreographic learning in Indonesia, many of which are developed by art academicians, art studios and workshops.]]>
<![CDATA[STRATEGI BERTAHAN HIDUP PEREMPUAN PENJUAL BUAH-BUAHAN (Studi Perempuan di Pasar Raya Padang Kecamatan Padang Barat Kota Padang Propinsi Sumatera Barat) ]]>
<![CDATA[Irwan, Irwan]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5685
<![CDATA[This research is inspired by women’s involvement in public sectors with limited resources and access. One of the sectors is fruit selling. Various problems in selling demands the women to find strategies to continue to meet family needs. The purpose of the study is to describe factors that push women to choose selling fruits and their strategies to overcome the problem of income for the family. The theory used is the action actor from Max Weber. This research is qualitative descriptive. Data is collected through observation, interview, and documentation. Based on the results, it can be concluded: 1. Driving factors of women choosing to sell fruits are; a) economic factors; small capital is needed, b) social factors and cultural heritage; the efforts of parents and their relationships with fruit growers, c) seasonal characteristic of the fruits, and d) educational factors; most female fruit sellers are low educated. 2. Survival strategies of the women are; a) having dual income, b) reducing household spending, c) cooperating with fruit growers or agent, d) arisan (collective saving), e) changing the type of fruits sold according to the periods of the fruits, and f) changing the type of goods sold.]]>
<![CDATA[THE PADANG ADMINISTRATION’S POLICY IN OVERCOMING AND DEVELOPING STREET CHILDREN ]]>
<![CDATA[Frinaldi, Aldri]]>;
<![CDATA[Putri, Nora Eka]]>;
<![CDATA[Fitria, Helen]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5676
<![CDATA[This study aims to analyze policy of Padang city administration in overcoming and developing street children. This qualitative descriptive research is located in the city of Padang, West Sumatra Province, Indonesia. The findings of this study indicate that street children activities around Padang’s Bagindo Azis Chan Street lasted on average six to twelve hours per day. The street children sell brooms, clean the windshield during rainy days, clean windshield using feather dusters, and sing. Most of the street children are no longer in school. Those who do not live with their parents tend to drop out of school. The average street children in the area confirm to have families with permanent residence in Padang area, but not all of them settle down with their family. The Padang city admnistration have trained and provided capital assistance for street children and their parents but is not yet sustainable while the funding can not afford to start adequate business.]]>
<![CDATA[REFLEKSI PSIKOLOGI MUSIK DALAM PERILAKU MASYARAKAT SEHARI-HARI ]]>
<![CDATA[Iswandi, Iswandi]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5681
<![CDATA[Music is a branch of art close to and present in human’s life every day. Through the social study perspective, this kind of concentration is usually called musical semiology or how music functions as an art creation in the society. In the daily life, men always listen to music intentionally or unintentionally. Therefore, music is inseparable from human life. The logical consequence is an effort to improve the role of music in the society, along with the fast development of media technology and culture. Art as a human creation has various functions which are not only for artistic interests. From the psychological context, music functions in and influence the increase of intelligence, therapeutic benefit that are not detached with its cultural, technical, and methodical background. Here, as part of the hybrid between music and psychology, musical therapy adopts relevant psychoterapic techniques. The term musical therapy has also been used in the curriculum of educational institution and foundation for children with specific needs of education with qualification of education or psychology for the specific needs.]]>
<![CDATA[PENGARUH PEMAHAMAN NILAI AGAMA ISLAM TERHADAP BUDAYA KERJA PEGAWAI NEGERI SIPIL DI KABUPATEN PASAMAN BARAT ]]>
<![CDATA[Armida Sari, Jayanti]]>;
<![CDATA[Frinaldi, Aldri]]>;
<![CDATA[Syamsir, Syamsir]]>
<![CDATA[ Humanus Vol 14, No 2 (2015) ]]>
Publisher : <![CDATA[Pusat Kajian Humaniora FBS Universitas Negeri Padang ]]>
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DOI: 10.24036/jh.v14i2.5686
<![CDATA[The purpose of this reaseach to reveal how the West Pasaman regency’s civil servants’ understanding of Islamic values particularly those associated with; (1) sincerity, (2) patience, (3) piety and trust in working influence their work culture. This study uses a quantitative approach. Data is collected through questionnaire and documentation. Quantitative data analysis was performed through multiple regression analysis and partial. This reaserch indicates that (1) the comprehension of Islamic values including sincerity, patience, piety and trust in work at the same time influence the work culture with 38.9% contribution, which is considered low category. (2) Sincerity in work influences work culture at 11.5%, which is very low category. (3) Patience in work influences work culture at 25%, which is low category. (4) Piety and trust in work influence work culture at 31%, which is low category.]]>
