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Langgeng Prima Anggradinata
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INDONESIA
Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia
Published by Universitas Pakuan
ISSN : -     EISSN : 2684821X     DOI : https://doi.org/10.33751/jurnal%20salaka
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Jurnal Salaka: Jurnal Bahasa, Sastra, dan Budaya Indonesia adalah jurnal bahasa, sastra, dan budaya Indonesia yang memuat makalah, gagasan ilmiah, dan hasil penelitian bahasa, sastra, dan budaya dalam bentuk artikel ilmiah dari para peneliti, akademisi, seniman, budayawan, dan mahasiswa. Jurnal Salaka: Bahasa, Sastra, dan Budaya Indonesia menerbitkan hasil penelitian dengan berbagai metode, baik kualitatif maupun kuantitatif, dan berbagai pendekatan dan teori bahasa, sastra, dan budaya dan berfokus pada kajian bahasa, sastra, dan budaya.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 82 Documents
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VALUES OF STRUGGLE IN THE NOVEL SISI TERGELAP SURGA BY BRIAN KHRISNA Setiawan, Jodi Ari
Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia Vol 7, No 1 (2025): Volume 7 Nomor 1 Tahun 2025
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jsalaka.v7i1.11974

Abstract

This study was conducted to describe the values of struggle contained in Brian Khrisna's novel Sisi Tergelap Surga (The Darkest Side of Heaven). The research method used in this study is a qualitative descriptive method. The data in this study consists of quotations in the form of words, phrases, or sentences that contain values of struggle. The source of data for this study is the novel Sisi Tergelap Surga by Brian Khrisna. The data collection techniques used are reading and note-taking techniques. The data validity technique used in this study is theoretical triangulation. Data analysis was conducted through data reduction, data presentation, and conclusion drawing. The results of this study on the novel Sisi Tergelap Surga reveal the value of self-sacrifice, as demonstrated by the characters Gofar, Sobirin, Juleha, and Rini. The value of mutual respect is shown by the characters Danang, Esih, Tomi, and Juleha. The value of unity is demonstrated by the characters Pulung, Karyo, the silver-painted boy, Kuncahyo, and the frame maker. The value of cooperation is shown by the characters Tomi, the three teenagers, Danang, and Mr. Syamsuar.
DEMYSTIFICATION OF BOGOR AS A CITY WITHOUT WORRIES Permana, Tenu; Yudhistira, Reza; Trisari, Agatha; Riandi, Muhammad Fadhilah
Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia Vol 7, No 1 (2025): Volume 7 Nomor 1 Tahun 2025
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jsalaka.v7i1.12625

Abstract

This study analyzes the history and sociocultural background that gave rise to the mystification of Bogor (Buitenzorg) as a city without worry, and then demystifies and deconstructs it. This research aims to deconstruct the mystification of Bogor as a city without fear by examining the history of collective action that led to resistance in the Bogor area. This study also describes the sociological factors and changes in natural conditions that have changed from the colonial period to the present day. This research employs a qualitative descriptive approach and draws on deconstruction theory to reconstruct the history that shapes the identity of the Bogoran. The results of this study show that Bogor, which is famous for being a city without worry, is a result of colonial power conditions. That inherent and maintained identity is the result of knowledge imposed by power. The deconstruction carried out in this study ultimately led to the dismantling of meaning, revealing that Bogor had a more complex history than just being a resting place. There is also a stage for various forms of collective action of resistance from the colonial era, independence, to post-independence.  

Page 9 of 9 | Total Record : 82

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