Besaung : Jurnal Seni Desain dan Budaya
Besaung is a scientific journal Visual Communication Design Study Program, Faculty of Government and Culture of the University of Indo Global Mandiri which includes the results of research, meetings, community service, conceptual coordination (thinking), and analytical studies in the fields of art, design and culture. Besaung is expected to be a medium for writers to publish their works, so publishing this journal can help in advancing science in the fields of art, design and culture. This journal is published twice in one year in March and September.
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<![CDATA[Bentuk Penyajian Drumband SMA Negeri 3 Unggulan Kayuagung Kabupaten Ogan Komering Ilir ]]>
<![CDATA[Ahmad Heryanto]]>;
<![CDATA[Dedy Firmansyah]]>;
<![CDATA[Annisa Anggraeni]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1455
<![CDATA[The purpose of this study was to determine and describe the form of Drumband Presentation at SMA Negeri 3 Unggulan Kayuagung, Ogan Komering Ilir Regency. This study uses a qualitative method. Based on the results of the study, the Presentation Form of Drumband High School 3 State High School Kayuagung Ogan Komering Ilir Regency is divided into two (2) versions, namely Defile and Display. The presentation order consists of the initial (Pampare), Middle (Mars and Song) and the final ( Down tool). While the Display in terms of Drumband SMA Negeri 3 Featured Kayuagung is a form of presentation Drumband that plays one or several songs by using a number of combinations of musical instruments on the Out door page (In the open stage) or In door (Stage Arena) in a line that forms a formation with a pattern that always changes according to the choreography flow of the song being played. For this version of the Display the composition of the formation and sequence of presentation from beginning to end consists of: Solo Fox in - Early Respect - Mars, Formations and Songs (Tentative according to Duration and Event) - Final Respect - Solo Fox Out. The types of musical instruments presented from the defile and display versions consist of: 1) Command Sticks, 2) Types of melodic musical instruments consisting of Trumpets, Mellophone, Bellyra, and Marching Bell, 3) Types of rhythmic musical instruments, namely: Drum Strings , Tenor Drum and Bass Drum, and 4) Flag (Flag).]]>
<![CDATA[Manfaat Pemisahan Sampah Organik dan Anorganik Melalui Media Buku Ilustrasi Anak ]]>
<![CDATA[Suseno, Ardani Ari]]>;
<![CDATA[Albab, Nabila Ulul]]>;
<![CDATA[Martadireja, Sonde]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1461
<![CDATA[Garbage was defined as the residue of people's daily activities. In the social environment, to facilitate decomposition, garbage was generally grouped into two simple parts; namely organic garbage and inorganic garbage. garbage management was needed to reduce the possibility of positive and negative impacts to the environment. Economic value was grouped into positive impact, while the source of odors and disease clusters were grouped as negative impact. In this study, the focus of the problem is on the negative group. Because if garbage is allowed to pile up in one place in community settlements, it will become a source of unpleasant odors so that it can then become an area for germs to develop. This condition is an indication that the garbage had not been managed properly and could worsen the surrounding environment. Therefore, proceeded from the scientific visual communication design, then at least hazard information and proper garbage processing method needed to be made. Knowledge of garbage separation to reduce environmental pollution would be better if known or understood since childhood. The choice of work form for dissemination of this information was children illustration book. The process of realizing this illustration book work used several stages, the first stage was the process of collecting data about garbage and its processing, then data on the type of book that match the target audience. The second stage was the process of making books, in this stage it went through several processes from pre-production to production.]]>
<![CDATA[ANALISIS KONSEP DAN KOMPONEN VISUAL DASAR POSTER “TOBACCO BREAK HEARTS†]]>
<![CDATA[Yulius, Yosef]]>;
<![CDATA[Hallim, Bobby]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1468
<![CDATA[In line with the increasing public need for information about health, public service advertisements are one of the appropriate media to be used by activists in carrying out health promotion. Media as a source of information must be designed as well as possible, starting from the concept to the visual form. During its development, public service advertising media in Indonesia still needs to be developed so that its quality can be globally equal. Increasing the quality of public service advertising media will have a positive impact on the target of delivering messages in a persuasive manner, creativity and innovation must continue to be implemented. Based on this, the field of visual communication design is here to collaborate in designing public service advertising media as a problem solver. The design process cannot be done instantly, there are several processes that must be passed, such as the process of drafting the concept and visual layout. In compiling basic visual concepts and layouts, there are several aspects that need to be considered, including communication and visual aspects. The communication aspect is needed as a form of a detailed communication strategy in conveying information to audiences, while the visual aspect is needed as a form of good presentation in perceiving ideas so that the media is easily accepted and remembered by the audience. The qualitative research method is used in analyzing the public service advertisement poster media as the research object. This understanding is expected to be able to improve the quality of the media, especially public service advertisements engaged in the health sector.]]>
<![CDATA[Hubungan Peletakan Kamera (Angle) dalam Iklan Berbentuk Video ]]>
<![CDATA[Bobby Halim]]>;
<![CDATA[Yosef Yulius]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1456
<![CDATA[In an advertisement sometimes there is a meaning that is presented not straightforward. Every TVC that uses real human talent cannot be separated from the camera's perspective. THE IMPORTANCE OF CAMERA VIEWS ON VIDEO MEDIA ADVERTISING examines the relationship of camera placement (angle) in influencing the message conveyed by a TVC and how cinematography is used as visual rhetoric. The study was conducted qualitatively with a semiotic film analysis approach. Data THE IMPORTANCE OF CAMERA VIEWS ON VIDEO MEDIA ADS is grouped into 4 structures, namely Visual Structure, Verbal Structure (Language, Character, Settings, Time), Narrative Structure and Audio Structure. Diachronic analysis using signifier (sign) and signified (sign) views. Some types of angles are Extreme Long Shot (ELS), Very Long Shot (VLS), Long Shot (LS), Medium Long Shot (MLS), Medium Shot (MS), Medium Close Up (MCU), Close Up (CU), Big Close Up (BCU), Low Angle Shot, Eye Level Shot. The selection of the selected images to be analyzed is carried out on the following basis: (1) Selecting an image according to the type of camera angle. (2) Sort images according to the type of camera angle. (3) Analyze each film and the impression built from each camera's perspective. (4) Comparing the impressions of the two analyzes. (5) Explain the reasons for the different impressions that arise, when the viewpoint of the camera is the same but the impression obtained is different. The camera angle is important in creating certain impressions, for example the impression of horror.]]>
<![CDATA[Pelestarian Sardundun Sebagai Budaya Masyarakat Di Desa Tanjung Bulan ]]>
<![CDATA[Hidayatullah, Fadhilah]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1462
<![CDATA[This article discusses the results of research on Sardundun's spoken literature in Tanjung Bulan village, Pulau Beringin district (OKU Selatan). The background is the need for local cultural inheritance that has a life value, but has begun to be abandoned by the community. The approach used in this research is qualitative with descriptive methods. The results of this study are to present poetry that contains elements of language and art culture that have local cultural richness in the local area. The purpose of this research is to make the public know that the province of South Sumatra has a culture in Sardundun's speech. The value contained is the principle of life that exists in a creature is to convey gratitude to the creator, which is based on conscience through the medium of the spoken language. Through inheritance, it can be done using the medium of the language spoken. However, it is not limited to oral, but written orally. Initially in the form of spoken speech, now it can only be done by means of written speech. Through local cultural inheritance, it is very appropriate to do it with written media and then tell it. Inheritance is more effectively carried out in educational institutions, because it serves as a forum for learning and teaching. Recommendations for further research, so that it can be used as material for the world of education, so that the transformation of the local Sardundun culture is carried out and its inheritance can be realized. Thus the local culture still exists and exists in the community where the speech was born, and is familiar with the community in general.]]>
<![CDATA[Bentuk dan Fungsi Musik Dol pada Masyarakat Kota Bengkulu ]]>
<![CDATA[Irfan Kurniawan]]>;
<![CDATA[Zelly Marissa Haque]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1457
<![CDATA[This article discusses the form and function of Dol music in Bengkulu city society. This study uses qualitative methods, data collection is done by observation, interviews, and documentation. The results of this study indicate that Dol music is an important element integrated in the Tabot ritual procession in the city of Bengkulu. 3 Dol music reporters in carrying out Tabot rituals, namely tamatam, swena, and sweri. The role of Dol music in the procession is to express the musical spirit of ritua tabot namely struggle, war and sadness. The existence of Dol music performance both in the context of Tabot rituals, as well as its development outside the Tabot event contest, has important values and functions for the community namely; 1) Functioning as entertainment for the community, 2) The function of emotional disclosure, seen from the emotional overflow of players in the “beruji Dol” 3) functions as a ratification of social institutions, in this case Dol music is an important requirement in the Tabot ceremony, 4) symbolic function, as a symbol manifested through musical aspects expressing sadness or the spirit of warfare, 5) the function of community integration, uniting the community in togetherness and being involved in the wisdom of the Tabot ceremony, and 6) the function of cultural continuity; the existence of Dol music as a form of effort to preserve and strengthen the cultural identity of the people of Bengkulu city.]]>
<![CDATA[Keberadaan Musik Gong Buleuh pada Masyarakat Kota Sungai Penuh Provinsi Jambi ]]>
<![CDATA[Sepdwiko, Deria]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1463
<![CDATA[This research was conducted to reveal the existence of Gong Buleuh Music in Sungai Penuh City Community, Jambi Province, this type of research is a qualitative research method of interpreting phenomena based on art issues in the Sungai Penuh community. The object of this research is the existence of Gong Buleuh music in the Sungai Penuh community of Jambi Province. Data collected through literature study, observation, interviews, and documentation. Data analysis was carried out based on ethnographic techniques. The findings of this study indicate that the existence of this Gong Buleuh music in the community plays an important role in the Kenduhai Sko ceremony. The uniqueness of an instrumental made of reeds in accordance with the ecological conditions of the Sungai Penuh city. Thus the existence of this Gong Buleuh music does not decline for the younger generation, of course, to explore its existence so that it is preserved by culture, especially Sungai Penuh City. Gong Buleuh music as a traditional art gives meaning to the life of the Kerinci community and its appearance has certain rules that must not be violated. If it is violated, there will be sanctions so that Gong Buleuh's music is a ritual in the Kenduri Sko ceremony. The Kenduri Sko ceremony, which is held once every ten years as a cleanser for heirlooms, is also a gathering place between layers of society. In this event without performing Gong Buleuh music, the ceremony is considered meaningless for the people of Sungai Penuh City. With the music of Gong Buleuh in the Kenduri Sko ceremony, the community can communicate with traditional and community leaders to officiate the opening of the Kenduri Sko.]]>
<![CDATA[Konsep dan Strategi Upaya Pelestarian Kerajinan Laker Palembang Melalui Pelatihan dan Workshop ]]>
<![CDATA[husni mubarat]]>;
<![CDATA[Safar Junoko]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1459
<![CDATA[This research is focused on aspects of the Process and Identification of Lkauer Crafts in Palembang, with the objectives being, 1) to support efforts to preserve the art of laker crafts in Palembang, 2) to find out the development of the design of the laker craft, 3) to find out the local cultural values contained in Palembang laker crafts, 4) to add insight and teaching materials to art and design lectures, especially DKV. The method used is descriptive qualitative method, with the method of collecting field observation data, which is to see firsthand the laker handicraft products in the craft center, and at the Bala Putra Dewa Museum in Palembang, the data collection method is also carried out by interviewing techniques and documenting the object research. The results of the data processing are the authors' analysis through the identification of problems encountered in the field. From these results the conclusions drawn by the author are summarized in the form of a draft strategy for the preservation of the laker craft. In addition to preservation efforts, the laker craft can also provide business opportunities and employment opportunities for the people of Palembang city, of course it cannot be separated from the assistance of the Regional Government in the form of training, workshops, capital assistance as well as providing a place for marketing.]]>
<![CDATA[ANALISIS KONSEP DAN KOMPONEN VISUAL DASAR POSTER “TOBACCO BREAK HEARTS†]]>
<![CDATA[Yulius, Yosef]]>;
<![CDATA[Halim, Bobby]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1707
<![CDATA[Seiring meningkatnya kebutuhan masyarakat akan informasi tentang kesehatan, iklan layanan masyarakat merupakan salah satu media yang tepat untuk dipakai para penggiat dalam melakukan promosi kesehatan. Media sebagai sumber informasi haruslah dirancang sebaik mungkin mulai dari konsep hingga bentuk visualnya. Dalam perkembangannya, media iklan layanan masyarakat di Indonesia masih perlu dikembangkan agar kualitasnya bisa setara secara global. Meningkatnya kualitas media iklan layanan masyarakat akan berdampak positif terhadap target penyampaian pesan secara persuasif, kreatifitas dan inovasi harus terus diterapkan. Berdasarkan hal ini, bidang keilmuan desain komunikasi visual hadir untuk berkolaborasi dalam perancangan media iklan layanan masyarakat sebagai pemecah masalah. Proses perancangan tidak bisa dilakukan secara instan, ada beberapa proses yang harus dilalui seperti proses penyusunan konsep serta layout visual. Dalam menyusun konsep dan layout visual secara mendasar ada beberapa aspek yang perlu diperhatikan meliputi aspek komunikasi dan aspek visual. Aspek komunikasi dibutuhkan sebagai bentuk strategi komunikasi yang terperinci dalam menyampaikan informasi kepada khalayak, sementara aspek visual dibutuhkan sebagai bentuk penyajian yang baik dalam mempersepsikan gagasan agar media mudah diterima dan diingat oleh khalayak. Metode penelitian secara kualitatif dipakai dalam menganalisis media poster iklan layanan masyarakat sebagai objek penelitian. Pemahaman akan hal tersebut diharapkan mampu meningkatkan kualitas media terutama iklan layanan masyarakat yang bergerak di bidang kesehatan.]]>
<![CDATA[Analisis Estetika pada Karya Seni Patung Dolorosa Sinaga ]]>
<![CDATA[mukhsin Patriansah]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1 ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v5i1.1801
<![CDATA[Karya seni merupakan wujud visual yang senantiasa mengkomunikasikan bahkan mengekspresikan gagasan dan pengalaman yang dilahirkan oleh sisenimannya. Di samping itu karya seni merupakan wujud visual yang senantiasa mengkomunikasikan bahkan mengekspresikan gagasan dan pengalaman yang dilahirkan oleh sisenimannya. Karya seni yang hadir merupakan representasi dari fenomena-fenomana yang ada di lingkungannya yang memiliki makna dan arti tertentu untuk dibedah dan dianalisis. Menganalisis sebuah karya seni rasanya tidak adil kalau kita tidak menentukan konteks budaya dari zaman di mana karya seni itu dilahirkan. Dolorosa Sinaga merupakan seorang perempuan yang lahir di lingkungan suku Batak. Batak sendiri memiliki sitem kekerabatan Patrilineal. dalam susunan masyarakat Patrilineal yang berdasarkan garis keturunan bapak (laki-laki), keturunan dari pihak bapak (laki-laki) dinilai mempunyai kedudukan lebih tinggi serta hak-haknya juga akan mendapatkan lebih banyak. Penjelasan latar belakang seniman secara ringkas ini sudah menjadi referensi untuk dikembangkan dalam menafsirkan karya yang dianalisis nantinya. Makna dan pesan yang ingin disampaikan terlihat dari figur seorang ibu yang sedang menggendong anaknya. Ibu merupakan kaum perempuan yang tidak mendapat tempat tertinggi dikalangan suku batak, sehingga harta warisan sepenuhnya milik laki-laki. Penderitaan kaum perempuan tersebut tergambar dari ekspresi seorang ibu pada karya ini yang menderita dengan mulut yang terbuka. Mulut terbuka merupakan bagian dari kompleksitas pada karya ini karena memiliki arti dan makna yaitu seorang ibu yang ingin meminta pertolongan ketika seorang ibu tersebut ditinggal oleh kaum kaum laki-laki.]]>
