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ARTic
Published by Universitas Komputer Indonesia
ISSN : -     EISSN : 27152618     DOI : https://doi.org/10.34010/artic
Core Subject : Art,
Arts
The aim of ARTic journal is the dissemination of knowledge related to design. It covers particular issues on education, practice, and research of design (Interior, Industrial Product, and Visual Communication) . Letters and commentaries of our published articles are welcome.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 64 Documents
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KUALITAS VISUAL DAN REPRESENTASI FOTO MAKANAN KULINER BANDUNG DI INSTAGRAM Irma Rochmawati
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2373.1-12

Abstract

Food photography is now becoming popular in the form of online photo sharing through social media Instagram. The phenomenon of photography using the camera on mobile device and spread to social media Instagram produce different visual quality and representations, especially to the object of food. In this research also discussed the development of food photography from the birth of photographic technology (non-photo technique), the technological change from mechanical to digital photography, until the born of Instagram photographic technology in food photography and share it widely to social media. This study aims to find out the causes and the factors that affected of the differences in the visual quality and representation of food photography that spread in Instagram. By using descriptive qualitative method through observation of food photography spread on Instagram, analyzes each food photograph that were examined from visual elements, should be able to represent the reality of the food object or not. Results from the study indicate that there are differences in visual quality and representation of the food photography spread in social media Instagram in case study of Bandung Culinary. The visual quality of photography determined by the quality of camera and capability of the photographer (maker) in photographic techniques. The Visualization of food photography can not fully represent the reality, because it involves not only the sense of sight (visual) but also involve other sense, such as auditory. Through a good understanding, expecting the designers and photographers of food can be more precise in making design decisions including the selection of the visual elements because they already know the impact of generated representation.
VISUALISASI BUDAYA SUNDA DALAM KOMIK MAD HURI DAN SI BOGEL PADA MAJALAH MANGLÉ Setia Surya Kusumah
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2375.21-32

Abstract

The comic strip of “Mad Huri” and “Si Bogel” are comics found inside Mangle magazine. Those comics tell about Sundanese story and its cultural backgrounds. The research study those comic strips which aims to find out the uniqueness of their visualizations, image and story-telling style using visual language as the structure of visual communication. The methodology used was Primadi Tabrani visual language analysis. The methodology explained how an object can explain its message through the image contents (Isi Wimba), the image way (Cara Wimba), and its grammar so it can tell the story. From the research it was concluded that “Mad Huri” and “Si Bogel” comic strips had unique Sundanese characteristics supported by the image contents (Isi Wimba) in accordance with the stereotypes of Sundanese society on the characteristics of their figures based on their outfits and Sundanese attributes, face posture and body shapes, and levels on society. The background of the image caught the Sundanese natural environment such as the uniqueness of architectural. Moreover, the comic strips showed a leuit and a lisung which meant that Sundanese people were still preserve their culture as their system of technology. The image way with the natural point of views communicated the social levels of the upper and the lower social classes (menak and somah) and Sundanese etiquette. Stylized depiction caught the reality of Sundanese culture in real situation. The inner grammar showed the uniqueness of gesture in Sundanese people such as emok, sila tutug, honorary behaviors that show the relationships on how a personal attribute can affect gestures. The outer grammar on the frequency of appearance showed that those comics were affected by traditional story telling.
PENGARUH WARNA BAGI PENIKMAT FOTOGRAFI LANSKAP Tony Kurniawan
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2376.13-20

Abstract

Landscape photography started with black and white photos. There is a tradition of landscape photography that began more than 150 years ago. At the time, the photographer using film that is very slow and very less sensitivity. So the landscape becomes a perfect subject for a photograph. The reason is because the landscape is not moving during the long exposure. At that time also for landscape photography became a way to discover and explore the world. Landscape photography strange turn at the beginning of the 1900s when photographers think they should be like a painter and create an image that does not look too real. Up until now photography landscape continues to evolve. This raises the serious effect of the emergence of different representations of landscape photography. Based on these problems researchers conducted the study by dissecting photos - landscape both color and black and white of the few photographers in Indonesia with using visual analysis (composition, light, color, etc.). Based on visual analysis of some landscape color and black and white photos found several factors that influence the weather and light and dark colors, the experience and knowledge of the photographer affects the photo. Representation of a landscape photo color is affected by color. Chartreuse colors - brass provides warmth while -biruan bluish color gives the impression of cold. Landscape photography in black and white are displayed with more talk about sharpness, detail and atmosphere that feels somewhere. black and white landscape photography represents nature becomes visible not too real. Photo black and white landscape provide opportunities for photo connoisseurs imagination. Photography landscape aesthetics and beauty because the photographer as creator photograph to enter the spirit of adventure, self-expression and even culture in the work.
FRAMING DAN REPRESENTASI SIMBOL ABSTRAK (STUDI KASUS SAMPUL NOVEL SUPERNOVA) Ria Fathya Luqman
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2378.33-40

Abstract

At year 2012-2014, Bentang Pustaka Publisher, republished 5 Supernova novels by Dee Lestari which the cover was designed by Fahmi Ilmansyah with displays visual abstract symbol on the novels cover. This research discusses 5 Supernova cover published by Bentang Pustaka publisher. The novels is Supernova series 1 Kesatria, Putri, dan Bintang Jatuh, series 2 Akar, series 3 Petir, series 4 Partikel, and series 5 Gelombang. The methodology of study uses qualitative method that approach framing analysis that is a discussion of selection an aspect of an issue or reality to make it look more attractive. The result shows that the designer has been done framing 5 cover of Supernova novel Bentang Pustaka publisher with visualization of abstract symbol on the cover that is Supernova series 1, 3, and 5 cover selecting climax of the story, while series 2 and 4 cover selecting conflict of the story. As well as meaning of the abstract symbols and reality on the novel that has been selected, except on the series 5 cover. From this research, it can be concluded that designer have framed section are important in the novels and external factor of the novels content, as a long age of novels, segmentation, and effort to build a visual identity of it also effect to designer is framing on showing visual abstract symbol on the cover of Supernova novels.
PERAN ANAK-ANAK DALAM IKLAN TELEVISI Linda Mega Silviana
ARTic Vol 1 No 1 (2018)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2018.1.2381.41-49

Abstract

Television advertisements played by children get violations related to advertising rules called EPI (Etika Pariwara Indonesia), including Tri Indie + ads, Wall’s Selection ads, and Forvita margarine advertisements. The message contained in the advertisements studied emphasizes more on the description of the nature, character, and way of view of children about the life around their environment in carrying the message content of each advertised product. The depiction of the perspective of advertising is packaged in an advertising approach and style that contains elements of criticism and comedy reinforced from the Wimba Content that depicts the stereotypes of children based on the attributes used, depictions of the environment that are close and in accordance with the character of the child, and the narrative in the ad.
KAJIAN VISUAL KOSTUM DAN KOREOGRAFI TARIAN MOLAPI SARONDE KOTA GORONTALO Siska Udilawaty
ARTic Vol 2 No 2 (2019)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2019.4.2416.155-166

Abstract

This study aims to examine the Visual Molapi Saronde Dance Dress. The Saronde dance is a typical Gorontalo regional dance that has been inherited and patented as a non-fine heritage. Molapi dance saronde is a dance performed on the engagement night by the groom to see prospective wives. The results of this study are to explain the meaning of the molonde dance clothing starting from materials, clothing colors and motifs as well as the accompanying accessories and explain the meaning of the choreography of the Molapi saronde dance along with creative saronde dance. The approach used in this study is a qualitative descriptive approach. The technique of collecting data is done through observation, interviews, documentation studies and document studies. So, the conclusion of this study is that there is a meaning contained in the molapi saronde dance clothes, one of which is the meaning of headdress, namely Baya lo boute is a special headband for women's hair that gives a symbol, that women who wear it have been bound with a responsibility. As for Saronde dance, it is an innovation from Molapi Saronde dance, but the dance still has meaning or meaning that is maintained and cannot be changed. Although there was a slight change from movement, clothing, and musical accompaniment.
KAJIAN ORNAMEN MESJID HUNTO SULTAN AMAY GORONTALO Risti Puspita Sari Hunowu
ARTic Vol 2 No 2 (2019)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2019.4.2418.167-176

Abstract

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.
REPRESENTASI IDOLA FILM ANIMASI SHINGEKI NO KYOJIN PADA TOKOH LEVI DAN MIKASA Endah Riana Endarini
ARTic Vol 2 No 2 (2019)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2019.4.2448.177-192

Abstract

This study aims to identify the visual aspects and personality of Levi and Mikasa that make it an Idol. The method uses descriptive qualitative analysis, with an approach design to examine each visual aspect of the face, hair, and clothing. It also uses a psychological and cinematographic approach in examining Levi and Mikasa's personality which is displayed through scenes in the movie. The results of this study indicates that the idol figures in the Shingeki no Kyojin movie were chosen based on their personality rather than their visual appearance. The figure who is used as an idol is a character who has a calm, cool personality, can put aside the feelings but still has a sense of caring, not so much talk, strong and strength is recognized by many people, brave and skillful. Visually, idol figures are displayed through color themes that tend to be black, white and gray, as well as the shape of the eyes and lips that have the meaning of strength. Other aspects such as lighting, coloring, shooting size, angle of shooting, and additional lines have an effect on strengthening the personality of the characters displayed in the movie scene.
KAJIAN MONUMEN PATUNG PERJUANGAN NANI WARTABONE MELALUI VISUALISAI DAN LATAR BELAKANGNYA Muhammad Isla
ARTic Vol 2 No 2 (2019)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2019.4.2456.193-202

Abstract

This study aims to find out how to study the Nani Wartabone statue in terms of visuals, to provide knowledge to the people of Gorontalo the meaning of the Nani Wartabone statue and to describe the background study and visualization of the Tilongolo Nani Wartabone monument statue. This research was written using descriptive qualitative research methods, the authors observed in detail the background and visualization of the Tilongolo Nani Wartabone monument, the results of this study allow the writer to know the historical background of the Tilongolo Nani Wartabone monument statue and the writer can also know the visual meaning of the Tilongolo Monument statue Nani Wartabone. The research results obtained by the author are quite good because there are two sources who are quite helpful in the process of writing this research, the conclusion or the final result of this study is that the writer and the public can find out the background of the Nani Wartabone statue made to commemorate his services in fighting the invaders and the meaning of the visualization of the statue of the struggle of Nani Wartabone, namely: (1) The pointing hand has a meaning, namely his birthplace, Bube Village, Suwawa District, Bone Bolango Regency, Gorontalo Province; (2) Bayonet in the left pocket is made by Suwawa which has the mystical power to protect Nani Wartabone in certain situations; (3) The pistol in the right pocket is used as a helper for the main weapon in the left hand of Nani Wartabone; (4) The weapon in the left hand of Nani Wartabone is a long rifle (hunting rifle) that can be used on the battlefield; (5) The Safari uniform used by Nani Wartabone has patriotic meaning and strength; and (6) Base of 2 and the curve of base of 3 represents the number 23 celebrated as patriotic day by the people of Gorontalo.
KAJIAN BENTUK DAN MAKNA RUMAH ADAT GORONTALO Almer Hassan Ali
ARTic Vol 2 No 2 (2019)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.2019.4.2457.203-214

Abstract

This research generally aims to gain knowledge about the traditional values of the Bantayo Po 'Boide Traditional House by trying to express the cultural values of the people of Gorontalo Regency. Specifically: First describe the architectural components of the Bantayo Po' Boide Traditional House of Gorontalo Regency including the roof, parts of the body and the bottom of the building; and second Expressing the meaning of the symbols in the Bantayo Po 'Boide Traditional House of Gorontalo Regency. This research uses descriptive method by collecting various qualitative and quantitative data relating to the form and symbolic meaning of the Bantayo Po' Boide Traditional House of Gorontalo Regency, while the data collection uses the method of Observation, Documentation, Interview and Literature Study. The results of this study are: 1) Total of poles house supporting totaling 32 is known as the symbol of 32 directions of the compass. This means that the leaders must have attention to all aspects of people's lives without knowing favoritism; 2) Total of the front steps that amounted to 8 as a symbol of 8 small kingdoms that helped so that the kingdom of Limutu became large; 3) The main pillars, total 2, are embedded directly into the roof frame, as a symbol of the pledge of unity between the kingdoms of Hulonthalo and Limutu; 4) 6 pillars have 6 main characteristics of the Gorontalo people, namely: Tinepo (tolerance), Tombulao (respect), Tombulu (devotion to the government), Wu'udu (according to fairness), Adati (obedient to regulations), and Buto'o (obedient to judges decisions). In addition to the meaning of construction, the writer also found a variety of decorative meanings found in the Bantayo Po' Boide traditional house. 1) The front of the house there is a stylized ornament of lotus and breadfruit plants and grouse. Symbol of lotus ornament of leaders who love democratic life. The meaning of breadfruit plants as protectors, while the grouse described as Gorontalo people who are small but agile and smart. 2) Ornaments on the edge of the banyan and triangular tree ceiling. The meaning of the banyan tree is strength and unity, while the triangle is the 3 elements of life (God, King, People). 3) Ornaments in the ventilation of doors and windows are stylized in the form of spears and shields, which have the meaning of guardianship or vigilance. 4) The living room ceiling ornament is a combination of lotus flowers and chains. Where the lotus means the leader of the people while the chain means the kinship ties of the kingdoms of Hulonthalo and Limutu. 5) Ornaments on lyst plank are stylized from jasmine plants which have the meaning of glory and friendliness.

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