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ARTic
Published by Universitas Komputer Indonesia
ISSN : -     EISSN : 27152618     DOI : https://doi.org/10.34010/artic
Core Subject : Art,
Arts
The aim of ARTic journal is the dissemination of knowledge related to design. It covers particular issues on education, practice, and research of design (Interior, Industrial Product, and Visual Communication) . Letters and commentaries of our published articles are welcome.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 64 Documents
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Sporty Design on the Body of the Honda Civic Gen 10 Wafa Ulin Nuha; Ahadiat Joedawinata
ARTic Vol 4 No 1 (2021)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i1.8510

Abstract

The Honda Civic car is a sedan that adheres to a front-wheel drive system which was launched in 1972. Over time, Honda's design The Civic has undergone many changes, until now the Honda Civic has entered its tenth generation which was launched in 2016. The 10th gen Honda Civic car has a sporty this is based on a futuristic body shape. This research was conducted to review the design form of the Honda Civic gen 10 by identifying the elements visual that represents Sporty design. This study uses a qualitative method descriptive, the purpose of this descriptive research is to make a systematic, factual and accurate description, picture, or analysis of the facts, characteristics and relationships between the phenomena studied. Keywords: Design, Honda Civic, Sporty
Function of Motives in Karawo Gorontalo Embroidery Fabric Wira Pratama Rumambie; Yusuf Affendi Djalari
ARTic Vol 4 No 1 (2021)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i1.4787

Abstract

The purpose of this research is to see and categorize some of the functions of the Karawo embroidered cloth seeing from the motifs in Goronalo, Karawo itself is a typical traditional cloth originating from Gorontalo whose manufacture is produced by handicrafts. Karawo itself has a unique way of doing it, such as making karawo which requires patience and thoroughness, making karawo takes one week to make one karawo that is ready to use. To support the research, we use descriptive methods and the data collected in the preparation of journals are analyzed descriptively, data collection is also in the form of interview data and study results from literature sources. The results show that Gorontalo karawo embroidery has its own meaning to the function of the motifs that will be used as a complementary ornament of the cloth so that the karawo embroidery is formed. This is because each of the motifs continues to develop and shift to a more modern direction which makes the karawo motif in a certain function has its own meaning for its users which is then adjusted to what the consumer likes. However, this can add to the function of the more modern karawo motifs as time goes by which then choose to leave Gorontalo customary and cultural motifs. The conclusion of the research is to find that the karawo embroidery handicraft has a function of every motif that has been made, from traditional cultural motifs to modern motifs that tend to be liked or interested by users. Keyword: Culture; Embriodery; Gorontalo; Karawo; John and Fritz Koraag
Tri Mandala in the Layout of Pakraman Penglipuran Bangli, Bali Reandini Syu'ara Dewi; Ahadiat Joedawinata
ARTic Vol 4 No 1 (2021)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i1.4790

Abstract

Penglipuran Pakraman Village, located in the administrative village of Kubu, Bangli District, Bangli Regency, is one of the Pakraman villages in Bali Province. Penglipuran Pakraman Village maintains the traditions and traditional values of Balinese people in daily life based on Hindu teachings and also as a tourist village. The people of Penglipuran Pakraman Village carry out the philosophy of Tri Hita Karana in terms of their lives, one of which is applying the concept of Tri Mandala in the spatial layout of the village. This can be seen from the arrangement of houses, temples and other areas that produce a spatial layout that provides order, comfort and beauty. The purpose of this study is to determine the concept of Tri Mandala applied in Penglipuran village layout through literature study. Based on the literature study, the Tri Mandala concept is the concept of division of space and the value of the space area, the concept of traditional Balinese architecture, the concept of house layout, the concept of village layout, consisting of Nista Mandala, Madya Mandala and Utama Mandala. in the Nista Mandala area there is a village cemetery, Pura Dalem Pelapuhan, Pura Dalem Pingit, Bangli Regency hero's graveyard, sports field and agricultural area. In the Madya Mandala area there are Pakraman village settlements, banjar halls and sports fields, in the Main Mandala area there are Penataran Temples / Bale Agung Temples / Puseh Temples and bamboo forests. Keyword: Culture; Desa Pakraman; Penglipuran; Spatial planning; Tri Mandala
Analisis Visual Kostum dan Atribut Sekhmet dalam Komik Marvel Syaima Antar Morsi; Yully Ambarsih Ekawardhani
ARTic Vol 4 No 1 (2021)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i1.8482

Abstract

The purpose of this study is to analyze the costume and attributes of Sekhmet's character in one of marvel's comic books titled "The Heroic Age: Prince of Power, where Sekhmet is a female supervillain character that was adapted from Egyptian mythology. In The Heroic Age: Prince of Power, issue 3, Sekhmet is visualized wearing costumes and attributes that match the description and visualization that can be found in ancient Egyptian artifacts. This research used descriptive qualitative with a narrative method and one of Tsukamoto's manga matrix theories, the costume matrix, to analyze further the ornaments and attributes that Sekhmet wore in the comic. This study found that Sekhmet's ornaments and costumes were indeed adapted from Egyptian mythology. However, even with so much similarity, there was an additional costume and attributes that differentiated the visualization of female supervillain Sekhmet and the Egyptian mythology goddess Sekhmet where female supervillain Sekhmet is visualized wearing attributes and costumes specialized for male soldiers, which adds masculinity factor to Sekhmet's female character. Keywords: Egyptian Mythology; Manga Matrix; Marvel; Sekhmet; Visual Analysis
Analisis Modifikasi Visual Gerakan Pencak Silat Melalui Teknik Gerakan Kamera Pada Film The Raid 2 Iklima Nur Mufida; Yully Ambarsih Ekawardhani
ARTic Vol 4 No 2 (2022)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i2.8511

Abstract

The purpose of this study is to find the visual modifications of Pencak silat movements in The Raid 2 movie through camera movement techniques. The martial arts movements used in The Raid 2 movie have been modified according to the needs of the movie. A descriptive qualitative method was used to collect and process data and information that was needed for this research. The author of this research also did a visual analysis of the Pencak silat movements that were shown in several selected scenes. The analysis was carried out by choosing several scenes from The Raid 2 movie and analyzing the camera movement techniques such as tilting, following, and panning in the selected scenes. The results of this study indicate that in The Raid 2 movie, there are Pencak silat movements that have been modified according to the needs of the film that was analyzed from camera movement techniques. And this research can describe how the original movement has been modified according to the interests of a film. This research also found that the Pencak silat movements modification as the result of mixing traditional martial arts and modern movie technology raises the interest of the audience.
Design Analysis of Kori in Palebahan Ancak Saji at Puri Agung Ubud, Bali Ni Putu Eka Trisnasari Subrata; Kankan Kasmana
ARTic Vol 4 No 2 (2022)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i2.8548

Abstract

Balinese Traditional Architecture is an architectural concept used by the Balinese people in designing buildings and is still applied on an ongoing basis today. Traditional Balinese architecture has existed since the days of the Hindu kingdoms in Bali. Puri Agung Ubud is one of the heritages of traditional Balinese architecture during the royal period whose buildings are still well maintained and functioning. The current function of the Puri is not only as a residence for the royal family but also functions as a tourist attraction. The areas that can be visited by tourists are the palebahan ancak saji area and the semanggen area. In palebahan ancak saji there is a kori building, a kori is a building that functions as a door for exit and entry access to other palebahans. Kori has the form of a cecandian building structure with various ornaments on each side. The focus of this research is to analyze the shapes and ornaments used on the kori in the northern part of palebahan ancak saji at Puri Agung Ubud. In this study using a qualitative descriptive method following the study of cultural artifacts. The results of this study are to know the shape and types of ornaments used in the North Kori building. Keywords: Kori; Form; Ornamens; Palebahan Ancak Saji
Angkul-Angkul in Ubud Village and It’s Change Ayu Ardana Putri; Rini Maulina
ARTic Vol 4 No 2 (2022)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i2.8589

Abstract

The architecture of buildings in Ubud Village has a peculiarity because it uses the concept of Traditional Balinese Architecture, and the Ubud people mostly work as sculptors, so the building has more carvings or ornaments. One ofthe buildings is angkul-angkul. Angkul-angkul is one of the buildings in the area of a traditional Balinese house that is an access or entrance to the yard of a Balinese Hindu community. With the influence of technological advances, globalization and cultural acculturation, and tourism, the use of angkul-angkul today has begun to shift, both in terms of shape, function, and material. Based on these problems, this study aims to determine the change in the shape and use of angkul-angkul material. Descriptive methods are used to analyze the form of angkul-angkul, with data collection through interviews, observations, and literature studies. The result of the study was that there were variations in new forms and materials in angkul in Banjar Junjungan, Ubud Village. Keywords: Angkul-Angkul; Form; Hindu; Ubud Bali; Design
The Role of Ornaments for the Gedhe Kauman Mosque Rifa Nur Fadhilah; Taufan Hidayatullah
ARTic Vol 4 No 2 (2022)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i2.8593

Abstract

This study aims to describe the role of the ornaments found in the Gedhe Kauman Mosque by having various forms with different meanings. The Gedhe Kauman Mosque building is a place of worship whose history is still attached to the local community, especially in Yogyakarta. The Gedhe Kauman Mosque was built during the Sultanate of Hamengku Buwono with an architect Ki Wiyukusumo with the aim of forming an Islamic state which at that time, the city of Yogyakarta was still in the process of Islamization and the spread of Islam was still being moved. This research is descriptive qualitative by discussing some of the history of the Gedhe Kauman Mosque building as well as some parts of the ornaments printed on the Gedhe Kauman Mosque building. The research data was obtained by means of literature study, observation, documentation and interviews with sources who know about the Gedhe Kauman Mosque building and its contents. There are several ornaments that will be discussed with each having a different meaning. The conclusion of this study is to add insight into works of art that are applied to buildings of worship with a very important meaning in them. Keywords: Art and Ornament Mosque; Design; Islam; Moslem; Yogyakarta Indonesia
Tenun Baduy Luar Sebagai Identitas dan Perwujudan Pikukuh Karuhun Iza Mahendra; Kankan Kasmana
ARTic Vol 4 No 2 (2022)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v4i2.8603

Abstract

The Baduy Luar tribe is one of the many tribes in Indonesia that produces garments in the form of woven fabrics they create. In the course of its development, the weaving of the Baduy Luar Tribe was gifted by the cultural anguish of the Baduy Tribe, who always respect the universe and nature that they preserve, which is part of the Pikukuh Karuhun that they carry out as adherents of Sunda Wiwitan. Pikukuh Karuhun is a way of life for the Baduy Tribe and is applied thoroughly in their lives, including woven fabrics made by the Baduy Luar Tribe. The woven fabrics of the Baduy Luar have gone through various developments, including the use of additional tools and manufacturing techniques using songket, which is used to make motifs and decorations on woven fabrics, and synthetic threads as a substitute material used to make woven fabrics. In addition to the development they have made of the woven fabrics they make, the Baduy Luar Tribe creates several cloth motifs that become the identity of the Baduy Luar Tribe and distinguish it from the Baduy Dalam Tribe, whose ancestors they respect and obey. The Baduy Luar tribe also instills their philosophy of life in some of the woven fabrics they make so that they have sacred values for the Baduy Luar tribe, such as the Adu Mancung weaving, which is specifically for the traditional events they carry out. Keywords: Cultural Wisdom; Nature and Cultural Conservation; Sunda Wiwitan; Weaving of the Baduy Luar Tribe
KAJIAN VISUAL ILUMINASI MOTIF HANJUANG PADA AL-QUR’AN MUSHAF SUNDAWI Ibrahim, Agus Malik; Ekawardhani, Yully Ambarsih
ARTic Vol 5 No 1 (2022)
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/artic.v5i1.8604

Abstract

This research is motivated by the illumination of the Hanjuang motif on the Sundawi Mushaf Al-Qur'an. Meanwhile, in general, manuscripts that are often circulated in fine print from middle eastern Indonesia use illumination with Islamic geometric patterns. The purpose of this study is to explain the Sundawi Mushaf Al-Qur'an in its entirety related to the formulation of the concept of visualization of Hanjuang motif illumination, explanation of Hanjuang motif illumination, and its influence on Sufism. This study uses descriptive qualitative methods with visual creation approaches and Sufism that systematically describe the things that are the focus of the research. The data collection technique used in this research is library research and field research in the form of document analysis and personal communication with designers, humanists and Sufism experts. The results of this study found that the visualization of Hanjuang motif illumination with Al-Qur'an Mushaf Sundawi is part of plants that exist in West Java and also as a means of introducing West Javanese ornaments in the Sundawi Qur'an. This visual illumination will have an impact on the synergy between the Al-Qur'an Mushaf Sundawi, the Hanjuang motif as part of culture and Sufism. The results of this study refer to the analysis of objects that are concrete or tangible and abstract or conceptual objects that do not refer to objects but the meaning possessed by the illumination object. Keywords: Illumination, Mushaf, Pattern, Hanjuang, Sufism

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