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UNSUR INTRINSIK DAN UNSUR PENDIDIKAN DALAM RUBRIK WACAN BOCAH PADA MAJALAH JAKA LODHANG (BULAN JANUARI-AGUSTUS TAHUN 2013) Yunita, Tri Erna
Sutasoma : Jurnal Sastra Jawa Vol 3 No 1 (2014): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v3i1.4046

Rubrik bocah wacan adalah cerita ringan pada majalah Jaka Lodhang dikhususkan untuk anak-anak. Sebagai salah satu kolom di majalah, wacan bocah laki-laki yang relatif menarik sehingga pembaca selalu ditunggu-tunggu, terutama anak-anak. Cerita anak-anak memiliki kekhasan tersendiri yang dapat dilihat dari karakteristik struktural dari cerita. Selain cerita anak-anak juga merupakan sarana untuk menanamkan nilai-nilai dan moral kebijakan mengandung unsur pendidikan di dalamnya. Oleh karena itu perlu dilakukan penelitian secara mendalam tentang unsur-unsur intrinsik dan unsur-unsur dalam rubrik pendidikan bocah wacan pada majalah Jaka Lodang. Teori yang digunakan dalam penelitian ini adalah teori strukturalisme. Penelitian ini menggunakan pendekatan objektif. Metode yang digunakan adalah metode analisis struktural. Tujuan dari penelitian ini adalah unsur intrinsik dan unsur-unsur rubrik pendidikan bocah wacan pada majalah Jaka Lodhang (bulan Januari-Agustus 2013). 35 eksemplar majalah yang dipilih 10 cerita berdasarkan tema kontinuitas yang signifikan antara satu cerita dan cerita-cerita lain yang seharusnya penuh dengan pendidikan karakter. Ke-10 cerita EMOH ngalah (12 Januari 2013), Omah Ing Tengah Alas (23 Februari 2013), Sega Kuning (30 Maret 2013), Mbah Mur (20 April 2013), Warisan menyanyikan Murakabi (4 Mei 2013), Momong Adhik (8 Juni 2013), Pangumbara lan Manuk Podhang (1 Juli 2013), Nandur Culika Ngundhuh Cilaka (27 Juli 2013), Putri Dhuyung (3 Agustus 2013) dan Keweleh (24 Agustus 2013). Penelitian ini menghasilkan dua kesimpulan, (1) unsur-unsur intrinsik cerita dalam bocah wacan rubrik majalah Jaka Lodhang (bulan Januari-Agustus 2013) terdiri dari plot, karakter dan karakterisasi, pengaturan, tema dan amanat, dan sudut pandang. Semua cerita menggunakan alur yang lurus. Karakter dan karakterisasi memiliki karakter tertentu dan tidak semua tokoh utama ditampilkan karakter baik hati / protagonis. cerita menggunakan sudut pandang Diaan-mahatahu. (2) Elemen yang terkandung dalam cerita pendidikan adalah pendidikan sosial, moral, karakter dan keilahian. Berdasarkan penelitian menyarankan bahwa anak itu menjadi alternatif rubrik bahan ajar bocah wacan di sekolah-sekolah dan apresiasi sastra diharapkan menjadi motivasi dan inovasi bagi peneliti lain untuk melakukan literatur penelitian lebih kreatif. Rubric wacan bocah is a light story on Jaka Lodhang magazine devoted to children. As one of the column in the magazine, wacan bocah relatively attractive boy so readers always eagerly awaited, especially the children. Children's story has its own peculiarities which can be seen from the structural characteristics of the story. In addition to the children's story is also a means to instill values and morals policy contains elements of education in it. It is therefore necessary to study in depth about the intrinsic elements and elements within the rubric of education wacan bocah on Jaka Lodang magazine .The theory used in this study is the theory of structuralism. This study uses an objective approach. The method used is the method of structural analysis. Objectives of this study are intrinsic elements and elements of education rubric wacan bocah on Jaka Lodhang magazine (month from January to August 2013). 35 copies of the magazine selected 10 stories based on the theme of significant continuity between one story and the other stories that supposedly full of character education. All 10 stories are Emoh Ngalah (January 12, 2013), Omah Ing Tengah Alas (23 February 2013), Sega Kuning ( March 30, 2013 ), Mbah Mur (20 April 2013), Warisan sing Murakabi (May 4, 2013), Momong Adhik (June 8, 2013), Pangumbara lan Manuk Podhang (July 1, 2013), Nandur Culika Ngundhuh Cilaka (July 27, 2013), Putri Dhuyung (August 3, 2013) and Keweleh (August 24, 2013). This study resulted in two conclusions, (1) the intrinsic elements of the story in the rubric wacan bocah of Jaka Lodhang magazine (month of January-August 2013) consists of plots, characters and characterization, setting, theme and mandate, and viewpoints. All stories using a straight furrow. Character and characterization has a specific character and not all key figures displayed good-natured character/ protagonist. All stories using Diaan-omniscient viewpoint. (2) Elements contained in the story of education is the education of social, moral, character and divinity. Based on the research suggested that the boy be an alternative rubric wacan bocah teaching materials at schools and literary appreciation is expected to be the motivation and innovation for other researchers to conduct research literature more creative.

GEGURITAN MBELING OF ROHMAT DJOKO PRAKOSA IN KUMPULAN GURITAN NGELUK DUWUNG NGGELUNG GUNUNG PRADANASARI, URI
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.15358

Geguritan mbeling is one kind of geguritan that is rarely encountered in Javanese literature. Rohmat Djoko Prakosa through a work entitled  Kumpulan Guritan Ngeluk Duwung Nggelung Gunung presents a new thing in geguritan. This is a renewal of elements within geguritan creator in the form of theme, the use of language, and facial expression. The theme of sex is a theme that dominates the geguritan Rohmat Djoko Prakosa. Rohmat Djoko Prakosa also delivers with the use of language that includes sounds, word combinations, shortening of words, proprietary writing, and language combinations. Rohmat Djoko Prakosa also uses facial expression that  represents the contents of geguritan mbeling. The shape of faceis mostly using the symbol of fertility. They are female genitals, male genitals, and triangles. Keywords; geguritan mbeling, renewal, structure

Istilah-Istilah dalam Tradisi Reresik Sendhang di Desa Wonosoco Kecamatan Undaan Kabupaten Kudus (Suatu Kajian Etnolinguistik) Janah, Miftahul; M.Pd., Widodo; Astuti, Eka Yuli
Sutasoma : Jurnal Sastra Jawa Vol 7 No 2 (2019): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v7i2.25800

Reresik sendhang tradition is one of social culture in Wonosoco village which is conserved until today. This tradition has a special uniqueness compared with the other place, it has seven steps of tradition ritual and Wayang Klitik exhibition played by a Dalang from one generation. Reresik sendhang is not only a tradition, but also related with the social life and a legend of Wonosoco village. Besides that, that traditions also has some purposes and functions which are contained in the terminology. The data collections in this research used an observation and talking with advanced technique, those are interview, inducement, record, and note. The data analysis methods in this research are distributional and padan methods. The results of this research are (1) the terminology contained in Reresik sendhang tradition organized by words and phrases. (2) the terminology in Reresik sendhang tradition has lexical and cultural meaning. (3) the terminology in Reresik sendhang tradition has some functions, those are as the homage to the ancerstors, as the gratitude, cultural conservation, depict share-work attitude, water conservation, and the entertainment medium. Key words: Reresik sendhang tradition, terminology, meaning

Pemertahanan Bahasa Jawa Santri Pondok Pesantren Durrotu Ahlissunnah Waljamaah Banaran Gunungpati Semarang sih, Sri Ning; Kurniati, Endang; M.Pd., Widodo
Sutasoma : Jurnal Sastra Jawa Vol 7 No 2 (2019): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v7i2.27541

AbstractJavanese language as a regional language along with the development era is starting to be forgotten. Various attempts to maintain language are carried out as a preservation effort so that Javanese language is not extinct. This study describes the problem of Javanese language retention in Durrotu Ahlissunnah Waljamaah Islamic Boarding School students. The research method used is descriptive qualitative research data source of speech by students of Islamic Boarding School Durrotu Ahlissunnah Waljamaah. The data used is a fragment of the speech of students of the Islamic Boarding School Durrotu Ahlissunnah Waljamaah. Data collection techniques using record techniques and note taking techniques. The results of the analysis can be concluded: (1) Javanese language retention Santri Islamic Boarding School Durrotu Ahlissunnah Waljamaah consists of two forms, namely (a) a form of active detention that is the use of Javanese as a whole in which no other languages are mixed, and (2) a form of passive retention that is a form of language retention characterized by the use of Javanese but containing one foreign language element or the use of other languages but there is Javanese in it.Keywords: language retention, boarding school.

INVENTARISASI CERITA RAKYAT DI KABUPATEN SRAGEN Dewi, Fista Nuhlia Kumala
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.28999

Tujuan penelitian ini adalah mendeskripsikan proses inventarisasi cerita rakyat di Kabupaten Sragen dan membuat hasil inventarisasi cerita rakyat di Kabupaten Sragen dalam kumpulan cerita rakyat. Teori yang digunakan dalam penelitian ini adalah teori inventarisasi Danandjaja. Penelitian ini menggunakan pendekatan inventarisasi dan metode yang digunakan adalah metode deskriptif kualitatif. Penelitian ini menghasilkan dua simpulan (1) proses inventarisasi cerita rakyat di Kabupaten Sragen dimulai dari survei pendahuluan yang dilakukan di Dinas Pariwisata dan Kebudayaan, Perpustakaan Daerah Kabupaten Sragen, dilanjutkan dengan observasi dan wawancara yang dilakukan langsung dengan narasumber, data-data cerita rakyat kemudian diketik dalam bentuk tulisan wacana bahasa Jawa yang dilengkapi terjemahan, lalu disusun menjadi buku kumpulan cerita rakyat; (2) hasil inventarisasi cerita rakyat Kabupaten Sragen berupa kumpulan cerita rakyat Kabupaten Sragen berbahasa Jawa yang mencakup Dumadine Desa Watu Gong, Pangeran Honggowongso, Kaliyoso Jogopaten, Gunung Tugel, Sendhang Watu Gong,  Jati Poleng, Gunung Banyak, Kyai Mada, Dumadine Pasar Tambak,  Tumenggung Alap ? alap lan Pangeran Mangkubumi, Ki Gede Arum, Wadhuk Brambang, Dumadine Mejid Mujahiddin, Kyai Grasak, dan Kyai Nengku.   The purpose of this study is to describe the process of inventorying folklore in Sragen and make inventory of folklore in Sragen in folklore groups. The theory used in this research is Danandjaja inventory theory. This study uses the approach of the inventory and the methods used are a qualitative method. This research resulted in two conclusions: (1) the process of inventorying folklore in Sragen starts from a preliminary survey carried out in the Department of Tourism and Culture, the Regional Library of Sragen, followed by observation and interviews conducted directly with sources, data folklore then typed In the form of written Javanese discourse with translation, then compiled into a folklore book; (2) inventory folklore Sragen a group folklore Sragen Java language that includes the creation of village stone Gong, Prince Honggowongso, .Rainfall Jogopaten, Mount Crop, spring stone Gong, Teak Poleng, Mount Many, YAI, through the causeway, Minister - tailed and PangeranMangkubumi, Ki Gede Arum, U.S. Onion, made Mejid Mujahedeen, Grasak Passengers, Passengers and Tengku.© 2015 Universitas Negeri Semarang

PELESTARIAN CERITA RAKYAT DI KABUPATEN JEPARA Noviani, Ellisa
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29000

Penelitian Peletarian Cerita Rakyat di Kabupaten Jepara mendokumentasikan cerita-cerita rakyat yang ada di Kabupaten Jepara dalam bentuk buku kumpulan cerita rakyat di Kabupaten Jepara. Tahapan pelestarian cerita rakyat di Kabupaten Jepara melalui tiga tahap, yakni tahap prapenelitian ditempat, tahap penelitian di tempat, dan tahap pembuatan cerita rakyat untuk pengarsipan. Hasil penelitian ini berhasil mengumpulkan sembilan belas cerita rakyat yang ada di Kabupaten Jepara.  Research on Folklore Studies in Jepara Regency documenting the folklore in Jepara Regency in the form of books of folklore in Jepara. Stages of preservation of folklore in Jepara regency through three stages, namely prelenelitian stage, research stages in place, and stages of folklore making for archiving. The results of this study have collected nineteen folklore in Jepara.

BENTUK DAN MAKNA WANGSALAN Prasetya, Teguh
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29001

Wangsalan dapat dibagi menjadi dua, yaitu (1) berdasarkan bentuk satuan lingual dan (2) berdasarkan ruang persepsi bagian cangkrimannya. Bentukwangsalan berdasarkan satuan lingual, yaitu berupa frasa dan kalimat. Bentuk wangsalan berupa frasa meliputi wangsalan berstrukturkata+kata, kata+frasa, frasa+kata, frasa+frasa, kata+klausa, dan frasa+klausa. Bentuk wangsalan berupa kalimat meliputi kalimat dasar dan kalimat turunan. Berdasarkan ruang persepsi manusia yang dirumuskan oleh Haley, wangsalanyang diketemukan mencakup tujuh kategori ruang persepsi, yaitu kategori BEING (keadaan), kategori ENERGY (energi), kategori TERRESTRIAL (bumi), kategori OBJECT (benda), kategori LIVING (kehidupan), kategori ANIMATE (bernyawa), dan kategori HUMAN (manusia). Makna yang terkandung dalam wangsalan antara lain berupa nasihat, informasi, sindiran, dan permohonan. Makna tersebut sekaligus sebagai fungsi komunikatif antara penyampai dengan pendengarnya.   The money can be divided into two, namely (1) based on the lingual unit and (2) based on the perception space of the crescent. Formation based on lingual unit, which is in the form of phrases and sentences. Forms of formulas include phrasebook + word structure, word + phrase, phrase + word, phrase + phrase, word + clause, and phrase + clause. Forms of form of sentence include basic sentences and derivative sentences. Based on Haley's human perception room, the findings include seven category of perception space, BEING (state), category ENERGY (energy), TERRESTRIAL (earth) category, OBJECT category (object), LIVING category (life), ANIMATE (Animate), and human category (human). The meaning contained in the deed is in the form of advice, information, innuendo, and application. The meaning as well as the communicative function between the presenter and the audience.© 2015 Universitas Negeri Semarang

POTRET ARDINI PANGASTUTI DALAM NOVEL ALUN SAMUDRA RASA Riyanti, Intan Puji
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29002

Masalah yang terdapat dalam penelitian ini yaitu bagaimana dinamika kepribadian tokoh utama di dalam novel Alun Samudra Rasa (ASR) karya Ardini Pangastuti dan bagaimana ekspresi Ardini Pangastuti dalam novel ASR sebagai bentuk ketidaksadaran pengarang. Tujuan penelitian ini yaitu menganalisis dinamika kepribadian tokoh utama novel ASR karya Ardini Pangastuti dan mendiskripsikan ekspresi Ardini Pangastuti dalam novel ASR sebagai bentuk ketidaksadaran pengarang. Penelitian ini menggunakan pendekatan ekpresif dan kajian psikoanalisis Sigmund Freud sebagai landasan teori. Teknik pengumpulan data yang digunakan adalah hermeneutik dan interview. Hasil penelitian ini adalah dinamika kepribadian Intan Purnami yang berupa naluri kematian dan kehidupan, kecemasan, mencakup kecemasan moral, kecemasan neurotik, dan kecemasan realistik, distribusi dan penggunaan energi psikis, dan mekanisme pertahanan ego di dalam novel ASR dan ekspresi Ardini Pangastuti dalam novel ASR yang berupa id, ego, dan superegonya yang tercermin melalui id, ego, dan superego tokoh, superegonya yang tercermin melalui penggambaran beberapa karakter tokoh di dalam novel, dan dinamika kepribadiannya melalui dinamika kepribadian tokoh Intan.   The problem in this study is how the dynamics of main character's personality in Alun Samudra Rasa (ASR) novel by Ardini Pangastuti and how Ardini Pangastuti's expressions in ASR novel as an unconscious of author. The purpose of this study is described the dynamics of main character's personality of ASR novel by Ardini Pangastuti and describe Ardini Pangastuti's expressions in the novel ASR as an unconscious of the author. This study uses the approach of expressiveness and psychoanalysis Sigmund Freud as the foundation of the theory. Data analysis techniques using hermeneutic and interview. The results of this study are the dynamics of Intan Purnami's personality which is the instinct of death and life, anxiety, including moral anxiety, neurotic anxiety, and real anxiety, distribution and use of psychic energy, and ego resistant mechanisms in ASR novel and Ardini Pangastuti's expressions in the ASR novel which is her id, ego, and superego, are reflected through the id, ego, and superego characters, her superego through the depiction of some characters in the novel, and dynamics of her personality are reflected through the dynamics of Intan's character personality.

STRUKTUR DRAMATIK LAKON PARIKESIT DADI RATU OLEH KI ENTHUS SUSMONO Irawan, Benny
Sutasoma : Jurnal Sastra Jawa Vol 4 No 1 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i1.29008

Lakon Parikesit Dadi Ratu yang ditampikan oleh Ki Enthus Susmono mengisahkan tentang proses pelantikan Parikesit. Kelebihan dari lakon ini adalah inovasi unsur garap dalam pakeliran mulai dari lakon, teknik penyajian tokoh, iringan, dan properti yang digunakan telah disesuaikan dengan perkembangan masyarakat, sehingga lakon ini menarik untuk diteliti. Permasalahan yang muncul dalam penelitan ini adalah bagaimana struktur dramatik lakon Parikesit Dadi Ratu. Adapun tujuan dari penelitian ini adalah untuk mendeskripsikan struktur dramatik yang terdapat dalam lakon Parikesit Dadi Ratu. Penelitian ini menggunakan pendekatan objektif dengan metode struktural. Metode struktural dipandang sebagai pendekatan penelitian yang menganalisis unsur-unsur pembangun struktur dalam karya sastra. Pengumpulan data menggunakan teknik catat, karena data dalam penelitian ini berupa rekaman video. Hasil penelitian ini berupa strutur dramatik yang meliputi alur, tokoh, latar, tema, dan amanat. Saran yang akan disampaikan diharapkan dapat dijadikan sebagai acuan dan tambahan referensi dalam penelitian mengenai struktur dramatik wayang.  Play called Parikesit Dadi Ratu which is played by Ki Enthus Susmono tells about the process of Parikesit induction. The excess of this play is innovation of element of the work in the show such as the play itself, the technique of figures displaying, the music, and the properties which are used have been associated to the development of the society, so that it makes this play becomes interesting to analyze. A problem which is raising in this study is how the dramatic structure of Parikesit Dadi Ratu described. The purpose of the study is to describe the dramatic structure of the play called Parikesit Dadi Ratu. This study uses objective approach with structural method. Structural method is taken as an approach to a study to analyze the elements which are building a structure in a literary work. The data collecting, uses inventorying technique, because the data are in form of video recording. The result of the study is the dramatic structure of the work includes plot, characters, setting, theme, and message. Suggestion to deliver is a hope that this study can be a guidance and reference to be added in the future analysis toward dramatic structure of wayang.

STRUKTUR TEKS WAYANG GOMBAL DI MAJALAH JAYA BAYA Masdar, Muhamad
Sutasoma : Jurnal Sastra Jawa Vol 4 No 2 (2016): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v4i2.29010

Cerita wayang gombal merupakan bentuk penggambaran ide, gagasan, dan inspirasi pengarang dari lakon cerita wayang Mahabarata. Cerita Wayang Gombal di majalah Jaya Baya memiliki struktur teks yang membangun cerita tersebut, diantaranya terdapat tokoh penokohan, alur dan latar. Tujuan dalam penelitian ini yaitu mendeskripsikan tokoh dan penokohan,  alur  dan latar pada cerita Wayang Gombal. Sasaran penelitian meliputi: tokoh penokohan, alur dan latar dari enam cerita Wayang Gombal di majalah Jaya Baya. Teknik pengumpulan data menggunakan teknik simak dan catat. Penelitian ini menggunakan teknik analisis struktural. Hasil penelitian ini meliputi: Tokoh dan penokohan yang digunakan dalam cerita wayang gombal semuanya berasal dari tokoh Mahabarata. Karakter dalam cerita tersebut juga sama dengan karakter tokoh Mahabarata. Latar yang digunakan dalam cerita wayang adalah latar tempat dan latar waktu pada zaman modern. Alur cerita yang digunakan dalam cerita wayang adalah alur sederhana.    The story of wayang gombal is a form of depiction of ideas, ideas, and inspiration of the author of the plays Mahabarata puppet story. The Wayang Gombal story in Jaya Baya magazine has a text structure that builds the story, including characters of characterization, plot and background. The purpose of this research is to describe characters and characterizations, plot and background on wayang gombal story. Research targets include: characterization figures, plot and background of six stories Wayang Gombal in Jaya Baya magazine. Techniques of data collection using techniques refer and note. This research uses structural analysis technique. The results of this study include: Figure and characterizations used in the story puppet gombal all come from Mahabarata figures. The characters in the story are also similar to the characters of the Mahabharata. The setting used in wayang stories is the setting of the place and the backdrop of modern times. The storyline used in wayang stories is a simple groove.

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Rahma Ari Widihastuti

Contact Email
rahmajawa@mail.unnes.ac.id

Phone
+6285600820277

Journal Mail Official
rahmajawa@mail.unnes.ac.id

Editorial Address
Jurusan Bahasa dan Sastra Jawa, Gedung B8 Fakultas Bahasa dan Seni Universitas Negeri Semarang, Kampus Sekaran, Gunungpati, Semarang 50229

Location
Kota semarang,

Jawa tengah

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Rahma Ari Widihastuti

Contact Email rahmajawa@mail.unnes.ac.id

Phone +6285600820277

Journal Mail Official rahmajawa@mail.unnes.ac.id

Editorial Address Jurusan Bahasa dan Sastra Jawa, Gedung B8 Fakultas Bahasa dan Seni Universitas Negeri Semarang, Kampus Sekaran, Gunungpati, Semarang 50229

Location Kota semarang, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Rahma Ari Widihastuti

Contact Email
rahmajawa@mail.unnes.ac.id

Phone
+6285600820277

Journal Mail Official
rahmajawa@mail.unnes.ac.id

Editorial Address
Jurusan Bahasa dan Sastra Jawa, Gedung B8 Fakultas Bahasa dan Seni Universitas Negeri Semarang, Kampus Sekaran, Gunungpati, Semarang 50229

Location
Kota semarang,

Jawa tengah

INDONESIA