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Ranang Agung Sugihartono
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INDONESIA
ARTISTIC : International Journal of Creation and Innovation
Published by Institut Seni Indonesia Surakarta
ISSN : 27219445     EISSN : 27219321     DOI : https://doi.org/10.33153/artistic
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
 1 
Search results for , issue "Vol 2, No 1 (2021)" : 5 Documents clear
UTILIZATION OF STRAW IN FURNITURE DESIGN Dharsono Dharsono; Sumarno Sumarno; N.R. Ardi Candra Dwi Atmaja
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (280.137 KB) | DOI: 10.33153/artistic.v2i1.3413

Abstract

Waste straw from rice harvesting in Indonesia, especially in the city of Solo and its surroundings, is very abundant and has not been utilized optimally yet. This is an economic potential if it is developed with furniture products which are the leading export products in the city. The purpose of this creation is (1) Utilization of straw rope as a material for supporting application in making furniture (2) Furniture products using wood and straw  applications. To achieve the goal, it takes steps or methods of creating works by utilizing emic and ethical data, including: experimentation, contemplation, and formation. From the creative process, it produces: (1) quality straw gyres and is suitable for use as supporting applications in furniture products, (2) Furniture products with wood and straw rope applications that are tested and feasible to produce.
DESIGN OF LEATHER FRINGE BAG THROUGH THE IMPLEMENTATION OF BALI GRINGSING WOVEN FABRIC Mutiana Pramita sari; Prima Yustana
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (780.261 KB) | DOI: 10.33153/artistic.v2i1.3543

Abstract

Indonesia has an extraordinary wealth of cultural arts, one of which is the Gringsing woven fabric in Bali. The beauty of Gringsing weaving attracts the author to apply it to bag products as an aesthetic element. This design aims to design a women's bag with a fringe model through a combination of Grinsing weaving elements. This design uses the method of creation, namely: exploration, design, and realization stages. In addition, the design also pays attention to the approach to practical functions, themes/styles, ergonomics, and aesthetics. This design resulted in five designs of women's bags with fringe bag models with the application of Gringsing woven fabric, namely fringe tote bags, fringe slingbags, fringe backpacks, fringe handbags, and fringe waist bags. Of the five designs, two designs were realized into women's bag products, namely the fringe sling bag and backpack models. Through the design of creative bags that use motifs on Gringsing woven fabrics, can produce unique and distinctive typical creations that reflect Indonesian culture.
EARTH'S CREATION STIMULUS: CREATION OF GRAPHIC ARTS WITH USED PLYWOOD MEDIA Sigit Purnomo Adi; Pande Made Sukerta; M. Dwi Marianto; Sri Hadi
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (314.355 KB) | DOI: 10.33153/artistic.v2i1.3634

Abstract

 Natural phenomena, especially climate change, are increasingly worrying lately. Graphic art can be used to express concern for the environment in response to climate change. The creation of this graphic art work uses the concept of the earth's creation stimulus. The creative methods used include: experimentation, contemplation, and formation. Abstract Expressionism was chosen as the style of personal expression in the creation of this work. The creative technique used is high printing technique with used plywood media. The results of the creation process show that the visualization of the concept of the earth's creative stimulus produces the forms of circles and lines. These forms are the main motif in the creation of graphic art with the stimulation of this earth's creativity 
TRANSFORMATION OF TENGKULUK TANDUK WITH WEAVING TECHNIQUES Lidia Purnama Sari; Ahmad Akmal; Dharsono Dharsono
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (232.001 KB) | DOI: 10.33153/artistic.v2i1.3925

Abstract

Tengkuluk is one of the traditional clothing equipment (head cover) of a Bundo Kanduang (biological mother) in the Minangkabau tribe. Currently tengkuluk is rarely used in everyday life, only used in traditional events or other official activities. This reality encourages the creation of this tengkuluk work to be carried out. The method of creating works used consists of three stages, namely experimentation, reflection, and formation. The result of the creation of this work shows that the tengkuluk made with woven techniques and pandan leaf material and decorated with Swarovski looks practical and flexible when used by mothers and teenagers in their daily lives. This new creation in the form of the Koto Gadang tengkuluk expresses the meaning of philosophical values, namely the responsibility of women when they have married.
PANCA WASTA TEACHINGS AS A SOURCE OF INSPIRATION CREATION FOR DHAPUR KRIS Haris Fajar Nugroho; Dharsono Dharsono
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (590.988 KB) | DOI: 10.33153/artistic.v2i1.3931

Abstract

Panca Wasta is a teaching at the level of family life  which contains advice on values that elevate human position in personality, nobility, welfare and knowledge that must be possessed by a man (Javanese) in particular. The focus of the creation of the work is in the form of a kris blade which is inspired by the five elements of the Panca Wasta teachings which contain; wisma, turangga, kukila, curiga and wanita, using recycled metal. The purpose of the creation of this work is to create a dhapur kris blade using recycled metal with a metaphorical tinatah motif from the five elements of the panca wasta teachings. The creation of works uses an artistic creation approach, namely; experiment, contemplation and embodiment of works. The resulting work is a kris blade complete with warangka, hulu/jejeran/ukiran, mendhak, and pendok of Surakarta style. When the teachings of Panca Wasta are used as the concept of creating a kris, it shows that the work of a kris is quite interesting, has aesthetic beauty and full of philosophical values and meanings.

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