cover
Contact Name
Rahayu Budhi Handayani
Contact Email
rahayu.handayani@ciputra.ac.id
Phone
-
Journal Mail Official
jurnalmoda@ciputra.ac.id
Editorial Address
CitraLand CBD Boulevard, Made, Kec. Sambikerep, Kota SBY, Jawa Timur 60219
Location
Kota surabaya,
Jawa timur
INDONESIA
Moda : The Fashion Journal
ISSN : 26565005     EISSN : 26558203     DOI : https://doi.org/10.37715/moda
Core Subject : Art,
MODA merupakan jurnal akademik yang diterbitkan secara online oleh Program Fashion Product Design Universitas Ciputra. Jurnal ini merupakan kompilasi dari hasil penelitian, produksi, perancangan, review teori dan literatur maupun praktik-praktik bisnis dari produk-produk fashion, yang tidak terbatas dalam ruang lingkup nasional namun juga dalam kajian internasional. Nama Moda, diambil dari bahasa Italia yang artinya Fashion dalam bahasa Indonesia. Harapannya ke depan Moda dapat menjadi salah satu rujukan mutakhir dan terpercaya di bidang produk fashion baik secara akademik maupun industri. . Artikel yang dimuat belum pernah diterbitkan di media lain dan atau proceeding ber-ISBN/ISSN. Isi artikel beserta semua akibat yang ditimbulkan oleh artikel itu menjadi tanggung jawab penuh penulisnya.
Articles 65 Documents
PENGAPLIKASIAN TEKNIK ENGINEERED PRINT DENGAN KONSEP ZERO WASTE FASHION DESIGN PADA POLA BUSANA DIGITAL READY TO WEAR WANITA Nadhillah Tenrioja Mulyadi
Moda : The Fashion Journal Vol 4 No 1 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i1.2067

Abstract

Ready-to-wear clothing is the most common type of clothing that is categorized with a massive, fast production process and the affordable prices tendencies in order to fulfill the human clothing needs. Due to the massive and fast production process, the fashion industry has an adverse effect for the environment because of its inefficiency to generate the fabric waste which is more than 15%. There are two types of fabric waste, production waste that carried out by the industry and post-production waste generated by consumers. One of the efforts in optimizing fabrics is using the zero waste fashion design method by utilizing technology. Engineered print is one surface techniques by adjusting the motifs on clothing patterns using computer software to produce clothing that gives the illusion of a shape that is not interrupted by stitches.The engineered print technique with the concept of zero waste fashion design has the potential to be more effective in reducing fabric residue in the production process by at least 15 percent. Based on the previous statement, this research is conducted to producing women's ready to wear clothing with the concept of zero waste fashion design and to explain how the production process of clothing using engineered print techniques with zero waste fashion design. The methodology in this study uses qualitative methods in the form of literature studies, indirect observations, exploration of clothing patterns based on the concept of zero waste fashion design, and Rafflesia arnoldii stylization for engineered print motifs as a surface technique. Keywords: zero waste fashion design, engineered print, ready-to-wear.
PENERAPAN TEKNIK ZERO WASTE PADA PEMBUATAN BUSANA DEMI COUTURE Shella Wardhani Putri
Moda : The Fashion Journal Vol 4 No 1 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i1.2198

Abstract

The development of dynamic fashion trends greatly affects the fashion industry, where it has an impact on the increase in the amount of waste every year. Considering the increasing use of synthetic fabrics because they are considered more efficient, the waste reduction must also be carried out through efficient use of fabrics. So that it encourages designers to make changes in the design and production process so that the resulting product does not produce a lot of waste and does not even produce waste. Zero waste is a technique that can be used to reduce residual waste from production because the waste generated is less than 15%. The application of the zero waste method in Indonesia has been applied by several ready-to-wear fashion brands. Thus, the application of the zero-waste technique in this study was carried out on clothes for the sake of couture, because clothes for couture that use a lot of various design lines and silhouette shapes, make clothes for couture tend to produce more waste. This study using a qualitative method, through the collection of observational and exploratory data on a zero waste pattern. The use of this method is based on the purpose of the study, which is to show that zero waste can be the right solution in reducing fabric waste from clothing production for the sake of couture, so that the use of fabric is more optimal. Keywords : Fashion, Zero Waste, Demi couture.
PENERAPAN ZERO WASTE FASHION PADA BUSANA DEMI COUTURE DENGAN TEKNIK SASHIKO Vidya Kartika Dewi
Moda : The Fashion Journal Vol 4 No 1 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i1.2199

Abstract

In the process of making a fashion product, especially clothes, it is known that at the end of the production process there is waste produced in the form of cloth. To reduce fabric waste generated in the production process, there is potential to apply the zero-waste fashion design method. Zero-waste fashion design is a method of reducing waste in the fashion production process. The zero-waste fashion design method maximizes the use of fabric dimensions in the fashion-making process by adjusting the pattern of clothing used to produce less than 15% waste. This study aims to apply the zero-waste fashion design method to demi-couture clothing collection. As an added attraction, the clothing produced in this study uses the application of the Sashiko technique as a decorative element. The research method that being used is a qualitative research method with data collection techniques in the form of literature study, observation, and exploration. The result of this research is in the form of a demi-couture clothing collection with the application of the zero-waste fashion design method into the clothing collection. Keywords: zero waste fashion design; demi-couture; sashiko.
PENGAPLIKASIAN TEKNIK SMOCKING PADA BUSANA DEMI-COUTURE Susiana Susiana
Moda : The Fashion Journal Vol 4 No 1 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i1.2200

Abstract

In the development of fabric manipulating techniques, there are several types of fabric processing techniques in the community that can be used as decorative elements in decorating fabrics, namely smocking. Smocking is one of the surface techniques that require hand skills in turning a plain cloth into an embossed patterned cloth. Along with the development of smoking techniques, the creative industry can utilize and develop a piece of cloth into creativity that has a high selling value. In addition, smocking can be used as an alternative that can provide beauty in clothing with various varied forms. Based on the process of making smoke, it requires high hand skills, so this surface has the potential to be used as an application for demi-couture clothing. This study aims to develop the potential of the direct smoking technique in demi-couture clothing. The final result of this research is a demi-couture clothing collection by applying the direct smoking technique. This study uses qualitative methods, namely by collecting data such as trend and material observations as well as exploring smoking techniques. Keywords: Demi-couture, Smocking, Surface
PENERAPAN OLAHAN MATERIAL CLING WRAP MENGGUNAKAN TEKNIK HOT PRESS PADA PRODUK AKSESORIS FASHION Azkia Amalia Budiarti
Moda : The Fashion Journal Vol 4 No 1 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i1.2203

Abstract

Peningkatan konsumsi serta permintaan material tekstil membuat produk tekstil dari segi material dan elemen dekoratif berkembang. Perkembangan tersebut dapat dicapai dengan pengaplikasian tekstur pada plastik cling wrap menggunakan teknik hot press secara sederhana dengan setrika. Tujuan dari penelitian ini, yaitu untuk memahami cara menerapkan teknik hot press pada material cling wrap sebagai upaya menghasilkan olahan bertekstur yang kemudian dapat diolah menjadi produk fashion berupa perhiasan. Penelitian Tugas Akhir ini merupakan penelitian kualitatif dengan metode pengumpulan data, yaitu studi literatur, observasi, dan eksplorasi dengan batasan masalah berupa jumlah lembaran, suhu, waktu dan tema. Hasil dari penelitian ini berupa alternatif pengolahan material plastik sebagai upaya menghasilkan produk aksesoris fashion.
PENGEMBANGAN DESAIN PAKAIAN OUTERWEAR SEBAGAI PENUNJANG AKTIVITAS KOMUNITAS STRONG NATION DI KOTA BANDUNG
Moda : The Fashion Journal Vol 4 No 2 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i2.2083

Abstract

Bandung merupakan salah satu kota yang menerapkan gaya hidup sehat dengan membuat Forum Bandung Sehat dan diikuti dengan tren gaya hidup sehat terkait makanan, toko organik, dan olahraga. Banyak komunitas olahraga di Bandung yang memotivasi Bandung untuk berolahraga, salah satunya KomunitasStrong Nation Bandung. Strong Nation adalah spesialis dalam program olahraga Zumba. Setelah melakukan wawancara lebih lanjut dengan para pemain Strong Nation, selain kegiatan utama Strong Nation, para pelaku sering melakukan jogging keliling kota dan mengunjungi kafe setelah berolahraga. Karena pakaianyang pas di tubuh, pemain Stong Nation membutuhkan pakaian luar untuk menutupi lekuk tubuh mereka yang terlihat dan tempat penyimpanan untuk meletakkan benda-benda kecil seperti handphone dan dompet. Penelitian ini bertujuan untuk mempelajari perkembangan Strong Nation di Bandung dan merancang outerwear untuk memenuhi kebutuhan mereka. Penelitian ini menggunakan metode kualitatif dan analisis melalui studi pustaka, observasi, wawancara, dan eksplorasi dengan teknik SCAMPER. Desain outerwear ini mengadaptasi konsep dari inspirasi Monumen Perjuangan yang memiliki elemen geometris untuk menggambarkan sisi maskulin para pemain olahraga Strong Nation. Selain itu, Monumen Perjuangan yang berlokasi di Bandung, Jawa Barat, merepresentasikan identitas dari target pasar komunitas Bandung Strong Nation.
PEMBERDAYAAN UMKM TAS KULIT YANG TERDAMPAK PANDEMI DENGAN PERANCANGAN DESAIN YANGTIMELESS GUNA MEMPERLUAS SKALA PASAR
Moda : The Fashion Journal Vol 4 No 2 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i2.2379

Abstract

ABSTRACTEMPOWERMENT OF MSMES LEATHER BAG WITH MORE TIMELESS BAG DESIGN TO EXPAND THE MARKET SCALE IN THE MIDDLE OF THE PANDEMIC CRISISThe Covid-19 pandemic in Indonesia has harmed all aspects of social life, one of which is affected by the Micro, Small, and Medium Enterprises business or commonly referred to as MSMEs. The tanned leather bag MSMEs center in Tanggulangin District, Sidoarjo also experienced a decrease in customers by up to 450 customers every month. The purpose of this research is to help MSMEs to get back up during a pandemic crisis, through designing a more timeless design so that it suits the tastes of a broad market scale. The method used in this research is through the in-depth interview (IDI), observation, journal surveys, and other internet sources. By implementing the design process and using good materials, it is hoped that MSME products can become products that have high competitiveness during the crisis during the Covid-19 pandemic.Keywords: MSME, Bags, Tanned Cow Leather, Timeless Design. ABSTRAKPEMBERDAYAAN UMKM TAS KULIT DENGAN PERANCANGAN DESAIN TAS YANG LEBIH TIMELESS GUNA MEMPERLUAS SKALA PASAR DI TENGAH KRISIS PANDEMIPandemi Covid-19 di Indonesia telah membawa dampak negatif dalam segala aspek kehidupan bermasyarakat, salah satu yang terkena dampak adalah bisnis Usaha Mikro Kecil dan Menengah atau yang biasa disebut dengan UMKM. Sentra UMKM tas kulit samak di Kecamatan Tanggulangin, Sidoarjo pun mengalami penurunan pelanggan hingga sebesar 450 pelanggan setiap bulannya. Tujuan penelitian ini adalah untuk membantu UMKM agar dapat kembali bangkit di tengah krisis pandemi, melalui perancangan desain yang lebih timeless sehingga sesuai dengan selera skala pasar yang luas. Metode yang digunakan dalam penelitian ini adalah melalui metode in-depth interview (IDI), observasi, survei jurnal dan sumber internet lainnya. Dengan penerapan proses desain dan pemanfaatan material yang baik diharapkan dapat menjadikan produk UMKM sebagai produk yang memiliki daya saing tinggi di tengah-tengah krisis masa pandemi Covid-19. Kata Kunci: UMKM, Tas, Kulit Sapi Samak, Timeless Design.
PERANCANGAN READY-TO-WEAR UNTUK ANAK MUDA DENGAN BATIK PHOENIX KONTEMPORER PADA BRAND DRL
Moda : The Fashion Journal Vol 4 No 2 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i2.2730

Abstract

Batik is an Indonesian cultural heritage that has been recognized by UNESCO, batik in Indonesia has diverse motives and in each region has unique and different characteristics. The batik technique was originally handmade batik which was processed using canting and wax, as well as the process of using human labor, because of that it has more value and high price. But as the times evolve, various batik techniques emerge which process is faster, by using mechanical power so that it can be sold at a cheap price, the technique is of various kinds, one of which is stamp batik. This modern batik technique makes it possible to make motifs that are more modern and most commonly found on the market. Therefore, batik also requires the development of motifs so that it can compete with other batik techniques, moreover handmade batik is an original technique that must be preserved. Batik in the past was quite in demand in the field of fashion, but with the rapid development of the world with the influence of technology and culture from outside which also influenced fashion trends. Because of that batik began to lag behind, because it was considered too formal, old-fashioned, so that young people are less interested. Therefore the development of batik needs to be done so that it can continue to compete with other fashion trends, and so batik is not forgotten because it is inferior to other developing trends. Therefore the research was conducted with interview techniques and surveys of experts and extreme users, and it is known that batik can develop through motifs and designs. And from the results of research on the target market can also be known colors and designs that are preferred. From these results obtained ideas to design batik with contemporary motif designs, as well as modern styles that follow fashion trends.
PERANCANGAN OFFICE WEAR PADA WANITA KARIR INDUSTRI KREATIF MENGGUNAKAN BAHAN POLYESTER PADA PT. GISTEX
Moda : The Fashion Journal Vol 4 No 2 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i2.2731

Abstract

For creative industrial career women that works in many places, office wear is usually considered not comfortable with boring designs, so it is not suitable and not practical for leisure, and also cannot be a medium to express their selves, which always need to think creative, so they need more clothing with fun design. The main purpose of making this final project is to create a B-Leisure fashion design for career women who work in the creative industry, with a more comfortable yet still stylish design, for carious occasions, using polyester that is not easily wrinkled. The research method of this writing uses qualitative method by interviewing experts and tested on extreme users, as well as quantitative methods by conducting a survey. The results of the design of the final project have been realized and tested on extreme users and experts, which concluded that the design is in accordance with the concept, with a good selection.
PERANCANGAN BUSANA READY TO WEAR MENGGUNAKAN TEKNIK BORDIR DENGAN INSPIRASI MOTIF BENANG BINTIK
Moda : The Fashion Journal Vol 4 No 2 (2022)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v4i2.3161

Abstract

Keanekaragaman seni dan budaya yang dimiliki Indonesia menjadi ciri khas yang dibanggakan setiap suku yang memilikinya. Salah satu ragam hias tersebut adalah ragam hias dari suku Dayak Ngaju di Kalimantan Tengah, yang dapat ditemukan pada batik khas Kalimantan Tengah yang disebut Benang Bintik, dengan motif Batang Garing yang selalu ada menjadi motif utama. Hingga saat ini penggunaan Benang Bintik hanya terbatas pada busana untuk kegiatan formal seperti upacara adat, pernikahan, seragam kerja, perlombaan, dan pagelaran seni. Dari sekian jenis penerapan produk Benang Bintik, hingga saat ini tidak banyak penerapan yang dapat ditemukan pada busana sehari-hari dan belum banyaknya fashion designer yang mengembangkan busana ready-to-wear dengan memanfaatkan inspirasi visual khas Benang Bintik yaitu motif Batang Garing dengan teknik penerapan bordir sebagai elemen dekoratif. Dengan menggunakan metode kualitatif , teknik pengumpulan data yang dilakukan yaitu studi literatur, observasi, wawancara dan eksplorasi. Penelitian ini bertujuan untuk melakukan eksplorasi teknik bordir sebagai teknik pengaplikasian elemen dekoratif dengan inspirasi visual khas Benang Bintik yaitu motif Batang Garing. Hasil akhir penelitian berupa satu koleksi busana ready-to-wear dengan pengembangan corak khas Benang Bintik yaitu motif Batang Garing melalui penerapan teknik bordir. Busana ini menggunakan warna yang banyak digunakan oleh masyarakat Dayak Ngaju dalam membuat berbagai ragam hias agar tetap memuat nilai dan kepercayaan yang terkandung didalamnya.