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Hendra Santosa
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Program Studi Seni Karawitan Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Denpasar Jalan Nusa Indah Denpasar Bali, 80235. Telp. (0361) 227316 Fax.(0361) 236100.
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Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 14 Documents
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Search results for , issue "Vol 4 No 4 (2024)" : 14 Documents clear
Increasing The Creativity Of Teenagers In Rendang Village Through The Creation Of The Balaganjur "Jajar Wali" Composition | Meningkatkan Kreativitas Remaja Di Desa Rendang Melalui Penciptaan Komposisi Balaganjur “Jajar Wali” Bayu Apriana, I Komang
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4041

Abstract

Adolescence is a transition period from childhood to adulthood, including mental, emotional, social, and physical maturity. In a cultural context, especially in Bali, teenagers certainly have a vital role because they will carry on the cultural heritage of their predecessors in the area where they live. In Rendang Village, a custom has become part of the culture, namely matetegen. Matetegen is a culture where people from different banjars in Rendang village exchange their living environments with the aim that later, if there are people from one of the banjars holding a Yadnya ceremony, people from other banjars can come together to help with the ceremony. From this culture, the author was inspired to create a work entitled "Jajar Wali," which will focus on teenagers in Rendang Village. In Balaganjur's "Jajar Wali" work, the artist relies on local arts and cultures in Rendang village by pouring them into the medium of Balaganjur Semarandana gamelan to create a harmonious atmosphere and give a majestic impression.
Postmodern Aesthetics in Karawitan's Work "Menteng" | Estetika Postmodern dalam Karya Karawitan “Menteng” Putu Budiartawan, Pande
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4339

Abstract

"Menteng" is a work of musical art, the Final Project of the ISI Denpasar Musical Arts Study Program. This work is inspired by the process of making Selonding gamelan blades, which is called menteng (forging). The phrasing medium used in this work is the Selonding gamelan. This article aims to describe the stages of creation and form of the musical work "Menteng" and the postmodern aesthetic values contained therein. This research proposes the descriptive qualitative method. Through this approach, it is hoped that we can describe a comprehensive picture of the stages of creation, the structure of the work, and the elements of postmodern aesthetics contained in the musical work "Menteng." The results of this research show that the musical work "Menteng" uses the Panca Sthiti Nawi Sani creation stages, which consist of five stages: ngawirasa, ngawacak, ngaplan, ngawangun, and ngebah. This work has a three-part structure consisting of part 1, part 2, and part 3. In addition, the musical work "Menteng" contains postmodern aesthetic values such as pastiche, camp, and schizophrenia.
Aktivasi Subang sebagai Habitat Ekosistem Angklung Ragam Laras: Studi Kasus pada Sanggar Toléater | Activation of Subang as an Ecosystem Habitat for Angklung Ragam Laras: A Case Study of Sanggar Toléater Irawan, Endah; Ridwan, Indra; sentosa, Gempur; Sudrajat, Mustika Iman Zakaria; Karwati, Uus; Sutanto, Toni Setiawan
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4522

Abstract

After the establishment of Angklung as a world cultural heritage by UNESCO, there are consequences for Indonesia to protect, develop, utilize, and foster the life of Angklung. One of the efforts to face these consequences is to activate the angklung ecosystem in Subang Regency as a development effort so that angklung as a world heritage can maintain its existence. This research uses an experimental approach by providing training to Sanggar Toleater through a process of socialization, data collection, and work training in an art governance workshop, which ends with an evaluation; it is hoped that with this approach, this research and experimentation can protect the life of angklung that lives sustainably.
Genderan Ada-Ada Ngobong Dupa Sumiyati Style | Genderan Ada-Ada Ngobong Dupa Gaya Sumiyati Pembayun, Wahyu Thoyyib
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4538

Abstract

This research is entitled "Genderan Ada-ada Ngobong Dupa Sumiyati Style". This research was motivated by researchers' admiration for the virtuosity and uniqueness of Sumiyati's style gender. The problem that will be elaborated in this study is how the techniques, patterns and dynamics used by Sumiyati in presenting genderan ada-ada Ngobong Dupa. The research method used is descriptive analysis. The analysis is carried out with several stages, namely: perceptive listening, participatory observation, transcription, identification of techniques, patterns, dynamics and drawing conclusions. Based on the analysis conducted, this research has obtained several findings regarding the technical elements, patterns, dynamics, and rhythms used by Sumiyati in presenting the ada-ada Ngobong Dupa. The technical elements that have been identified include cepengan, tutupan, and ukelan. The cepengan technique consists of the methit and sendhon techniques. The tutupan technique consists of balung, samparan, sarukan, lumpatan, umbaran, and pethetan. The ukelan technique consists of the two-tone and three-tone ukelan. The pattern elements that have been identified include kawitan, rambatan, seleh, oloran, and tutupan. The dynamic elements that have been identified include keras, sedheng, and lirih. The rhythmic elements that have been identified include seseg, sedheng, and tamban.

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