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gempur sentosa
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Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
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INDONESIA
PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences Other
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 5 Documents
 1 
Search results for , issue "Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN" : 5 Documents clear
PENELUSURAN LIRIK ISLAMI LAGU KAWIH SUNDA 'KUDU KASAHA' KARYA WINARYA ARTADINATA Solihin, Asep
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1859

Abstract

'Kudu  Kasaha' is the song  title or rumpaka written by Winarya Artadinata. The theme  of the lyrics  conveys a mindset  based  on  religious  ideology, Islam. It's the result  of the resignation facing complaints, fluctuation and uncertainty  offaith. If it is listened deeply, the  lyrics  reminds the listeners to  submit   the  complaints  and  uncertainties of faith  in  God Almighty. Moreover,  the choice ofwords is composed in the  literary  mindset. The lyric of 'Kdu Kasaha', thus, isthe morals of religion and  art.
GAMELAN SELAP - PADA WAYANG GOLEK SUNDA Sopandi, Caca
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1860

Abstract

The show of wayang golek purwa in Sunda has under gone considerable creativities by using gamelan selap as  the karawitan element. The use  of gamelan selap by the puppeteers  in the show of   waang  golek purwa becomes so phenomena that its background  needs to be known. Gamelan selap is created as  the fulfillment of laras/surupan  which  has not been fulfilled so that there  is an innovation  in  the instruments  which produce several series of tones as  the  new formation. Gamelan selap  is also used as  the puppeteer 's attraction to get market opportu nities.  This is proven by the  increase  ownership of gamelan selap by the groups  of wayang golek purwa   in   West  Java.    Nevertheless, the   use  of  gamelan  selap   has weakness  on  percussion   technique  problems, especially   on  the   bar instrument.  At Gamelan   selap  the  tones   can  be automatically  stepping passes through  three or even four tones.  The organological improvements are  therefore  required   in  order  the  use gamelan  selap  really  brings significant changes, not only for  the  benefit of working on the  composition but also for the sake of aesthetics.
SENI KARAWITAN YANG MANDIRI Sekarningsih, Ening
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1861

Abstract

Sundanese Karawitan is currently experiencing stagnation resulting from the foreign cultural influences thereby impacting the continuity of Karawitan itself.    Various attempts of preservation,    fostering, and development for Karawitan have continuously and sustainably been done by individuals, communities, and institutions for the sake of the continuity and eternity of the art.  One of Karawitan  arts  needs   to be preserved is Karawitan Mandiri that  comes from  people for  people"   such  as  the Gamelan   Ajeng/ Goong  Renteng,   Pantun   Beton   and  Tarawangsa.   Theexistence of such art is currently quite alarming so it is needed efforts to preserve to remain preferable and sought by various segments of society. It is required innovative and creative thinking by supporting artistsof Karawitan  Mandiri but is still grounded in the cultural roots of their regions.  Creativity and innovation performed on the folk arts are expected to lift up the art with local culture spirit into the art with national and even international spirit.   Ultimately the folk arts are able to become a local cultural asset and provide social welfare.
BASALE SIRIH LAYANG NGUBAT REVITALISASI UPACARA BASALE PADA SUKU ANAK DALAM Nopiansyah, Radius
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1862

Abstract

Basaleis  name  ofthe  ritual  of Anak Dalam  Tribe  in Jambi.  There are some function soft his ritual, such  as  wedding  ceremony,  santet  (local  voodoo ),  and medication. Since1978, their Basale's medication ceremony is developed to an art performance  without losing its sanctity  named Basale Sirih Layang  Ngubat.  This performance has been developed  by Darwan Asri  with  Maliki (Alm.),  one  of the leaders of Anak Dalam Tribe in Batanghari Regency of Jambi
PATRONAGE DALAM DENDANG MINANG BASIROMPAK VERSUS BAUWOIK Herizal, Maspon
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1863

Abstract

The purpose  of this research  is to determine the function  of patronage in Basirompak and Bauwoik cases  in Payakumbuh.  This research applies descriptive-analytical approach undertaken by  a systematic procedure. The the theory applied is the decisional  theory that  explains about   thinking concept of culture,  music, patronage, and social events.  Basirompakand Bauwoik  are  originatedfrom  Payakumbh.The developmentofIslamin thelocal community  is not  necessarily  removing  the animistic understanding.  This ideology persists in the development of Basirompak and Bawoik inwhich  ever show always creates  the scary impression especially among    women.    Such  condition affects   the psychological community    that   the  existence   of  Basirompakand  Bauwoik   become detestable  andeventually marginalized from public support. However,  the patronage makes Basirompak  still be  maintained.  This is  not  valid  on Bauwoik which gradually  becomes drowned and died

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