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Repertoar Journal Prodi Seni Musik Jurusan Seni Drama, Tari dan Musik Fakultas Bahasa dan Seni (FBS) Universitas Negeri Surabaya Gedung T14 Lantai 2 Kampus UNESA Lidah Wetan Surabaya 60213 Jawa Timur - Indonesia email : repertoarmusik@unesa.ac.id
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Kota surabaya,
Jawa timur
INDONESIA
Repertoar Journal
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 27461718     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Repertoar is a periodical scientific journal dedicated to publishing papers and research works in the field of music. This journal includes research articles along with ideas, which fall into the scope of: 1. Music 2. Music Works 3. Ethnomusicology 4. Music Therapy 5. Film Music 6. Digital Music
Arjuna Subject : Seni dan Humaniora - Musik
Articles 216 Documents
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Content Analysis of Music Videos on the @Eunike.Tanzil Instagram Account’s Reels in the “Hum Me a Melody” Series Muhammad Rafi Ansi Atallah
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to examine the process of creating musical content and packaging it for the series “Hum Me a Melody.” This qualitative study employed a “   ” approach, with data collection methods including interviews, observation, documentation, and literature review. The data analysis techniques used in this study were data reduction, data presentation, and conclusion. The data was tested for validity through source and technique triangulation. The first finding of the study concerns the content creation process, in which Eunike Tanzil went through the following stages of video and music creation: 1.) Preparation, 2.) Incubation 3.) Illumination 4.) Verification. The points above describe the stages from the emergence of an idea through the problem and solution to finalization. After that, the researcher moved on to a discussion of content packaging, which is divided into three aspects: 1) Visual, 2) Entertainment, and 3) Education. Overall, content packaging addresses the content itself.
The Pic Coustic Band’s Performance at a Worship Service at the GKJW Congregation in Surabaya Jesisca Hardani
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The Pic Coustic band is one of the bands based at the Jawi Wetan Christian Church Congregation in Surabaya. This study aims to explain the existence of the Pic Coustic band and the factors that support its existence at the Jawi Wetan Christian Church Congregation in Surabaya. This study employs a qualitative descriptive approach. The data collection techniques used include observation, interviews, and documentation. The results of this study are: (1) The existence of the Pic Coustic band is based on its activities and factual evidence; (2) The factors supporting the existence of the Pic Coustic band include external factors such as the community and social media, while internal factors include cooperation among members toward a common goal, distinctive characteristics, and performance experience.
Implementation of the Suzuki Method in the Cognitive Development of Classical Piano Students at Purwacaraka Music Studio in Surabaya Alsadan Putra Sallawa
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to analyze the application and impact of the Suzuki method on children’s cognitive development in classical piano courses at Purwacaraka Music Studio in Surabaya, specifically at the Rungkut branch. This study employs a qualitative approach that emphasizes in-depth observation to understand a phenomenon, supplemented by observation, interviews, and documentation, focusing on the formal aspects of cognitive development and the learning materials used by children enrolled in classical piano courses. The five main aspects[i] applied in the Suzuki method for music education include teaching music reading, creating a pleasant practice environment for children, fostering the habit of listening to recordings, providing guidance through private lessons, and an educational system focused on talent development. These findings were obtained after the data were analyzed through data reduction, data presentation, and conclusion drawing. These findings were obtained after the data were analyzed through data reduction, data presentation, and conclusion drawing. To ensure the credibility of the research results, data validity was assessed using source and method triangulation. The application of the pedagogical system is influenced by several key factors, including student factors, musical instruments, playing techniques, and the concept of individuality derived from Dr. Pono Banoe’s “Music Class Method” theory. Cognitive development was examined based on Jean Piaget’s theory, covering conservation, decentring, classification, animism, series and transitivity, and reversibility. This study found that applying the Suzuki method enhances children’s cognitive development.
The Production Process for the Song “Detroit” by the Band The Flins Tone in the Independent Music Industry Demas Labib Azzaki
Repertoar Vol 6 No 2 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The purpose of this study is to explain the process of creating and recording the song “Detroit” by the band The Flins Tone. This process will be discussed through an analysis of the production and recording processes, based on the theories of Arnold Schoenberg, Hepworth-Sawyer, and Golding. The research method used in this study is qualitative descriptive research through direct observation, structured interviews, and documentation. The data analysis techniques in this study include data collection, data reduction, data presentation, and conclusion. After data collection, they were validated through source and technique triangulation. This study consists of two parts: first, the creative production process, which includes pre-production for the song “Detroit”—involving the development of a conceptual outline and an understanding of each member’s role; developing variations by refining the existing ideas to serve as a final guide; and combining practical exercises with spontaneous studio rehearsals to foster communication and improvisation among members; followed by the recording process, which involved recording all stages in accordance with the theme of the song “Detroit,” and post-production, which refined the audio from the recorded material to prepare it for distribution.
A Comparative Study of the Sound Systems Used by Sound Horeg Rajawali Audio and JL Music at the Artes Squad Anniversary Festival in Jombang Ahmad Nur Azizul Hakim
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to compare the sound systems used by Rajawali Audio and JL Musik at the Artes Squad Anniversary Festival. The process began with a description of the sound system setups, followed by an analysis of the results by both vendors. The data in this qualitative case study were analyzed by following a cycle of data collection, reduction, and verification of findings to arrive at accurate conclusions. Based on the analysis, it can be concluded that, in terms of technical sound setup, both vendors took a similar approach. The absence of an input source was the main distinguishing factor for JL Musik. Regarding audio quality, Rajawali Audio excelled at producing powerful low frequencies for maximum “horeg” effects. Meanwhile, JL Musik prioritizes clarity and midrange balance, though its subwoofer performance does not yet match Rajawali Audio's intensity.
Nurfauzi Krisna’s Interpretation in His Performance of “Lagu Biasa” by R.A.J. Soedjasmin M Iyyaka Bustanul Karim Karim
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The purpose of this study is to examine interpretations of the composition “Lagu Biasa” by R.A.J. Soedjasmin and to analyze Nurfauzi Krisna’s interpretation in his performance of the piece. The research method used is qualitative research, supported by journals, literature, and studies. The data consisted of relevant previous journal articles, expert theories, interview results, and documentation. The results of the study indicate that the song “Lagu Biasa” by R.A.J. Soedjasmin is a musical adaptation of Chairil Anwar’s poetry in the form of a serious song. This song uses an andantino tempo, varied dynamics, changes in meter, and key modulations to build emotional nuance. Nurfauzi Krisna’s interpretation demonstrates a good command of rhythm, tempo, and intonation, though dynamics and vocal timbre still need improvement.
The Creative Process of Musical Composition “Sebatas Mimpi” Through the Exploration of Melodic Variations Dimas Ilham Wibisono
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The song titled “The Composition of ‘Sebatas Mimpi’ Through the Exploration of Melodic Variations” tells the story of a person’s heartfelt emotions as they accept with an open heart the reality that the one they love does not love them in return. The purpose of this work is to serve as a new reference for other composers regarding orchestration techniques in programmatic music, particularly songs themed around disappointment and sadness; to serve as a reference for creating similar works; and to offer a musical composition that can be performed in concerts as a contribution to the development of music in the present and future. The result of this composition is a piece totaling 98 measures in the key of A. It features various sections, including choruses, verses, and others, and incorporates modulations throughout. It is performed in a chamber music format, with a double quartet augmented by piano and double bass. The compositional technique employed in this piece utilizes homophonic texture. During the creation of this piece, the researcher drew significant inspiration and ideas from Yovie Widianto.
The Jazz Patrol Community’s Strategy for Preserving Traditional Osing Songs in Banyuwangi Fahmi Fahmi Dhiya'ul Auliya Milady
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to describe the musical style and strategies of the Jazz Patrol community in preserving traditional Osing songs in Banyuwangi. The Jazz Patrol community is a music group focused on preserving local culture through an innovative musical approach that combines traditional musical elements—such as patrol, angklung, and suling—with modern instruments like guitar, bass, and keyboard, all within the jazz genre. This approach serves as a cultural strategy that can reintroduce Osing-language songs to the younger generation. This study employs a qualitative descriptive method with data collection techniques including observation, interviews, and documentation. The results indicate that the Jazz Patrol’s musical style is collaborative and improvisational, while maintaining local character through the Osing language and the pentatonic scale characteristic of Banyuwangi. The strategies implemented by this community include planning creative programs, organizing performances, collaborating with national and international musicians, and using digital media for promotion and cultural education. Thus, Jazz Patrol not only serves as a platform for artistic expression but also acts as an agent of cultural preservation, adapting to changing times. This study is expected to serve as a reference for efforts to preserve other forms of traditional music in Indonesia.
A Cover of Rhoma Irama’s Song “Rambate Rata Hayo” by the Dangdut Group Gita Bayu Reborn Gresik: An Analysis of the Arrangement and Song Structure Ade Candra Bima Sakti
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study examines the cover version of Rhoma Irama’s “Rambate Rata Hayo” by the Gita Bayu Reborn Dangdut Group from Gresik, focusing on its arrangement and form. The author employed a qualitative descriptive method using interviews. This study aims to analyze the song structure and arrangement of the cover version of Rhoma Irama’s “Rambate Rata Hayo” by the Gita Bayu Reborn Dangdut Group. This study concludes that the song “Rambate Rata Hayo” by Rhoma Irama, as performed by the Gita Bayu Reborn Dangdut Group from Gresik, is structured in a dangdut rock band format consisting of 128 measures in the key of (2#, do = D) at a tempo of 105, with a 4/4 time signature, and utilizes a distorted guitar effect that brings the rock-dangdut atmosphere to life. Furthermore, the arrangement of this song differs from the original in its structure, key, instruments, and playing style, resulting in an engaging song that has gained popularity with the public.
Branding Strategy for the Band “The Flins Tone” through a Showcase Titled “The Flins Tone 19 Years Still Pop Punk Showcase” Syafira Azzahra
Repertoar Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to analyze the branding strategies implemented by the band The Flins Stone through the “The Flins Stone 19 Years Still Pop Punk Showcase” event and to examine their impact on the band’s continued existence. The study employs a descriptive qualitative approach using interviews, observation, documentation, and questionnaires. The results show that the branding strategy was realized through clear market segmentation, differentiation of the pop-punk identity, the personification of each band member, and a showcase experience that featured music, visuals, interaction, and gimmicks. These strategies proved effective in strengthening the band’s image, maintaining the loyalty of long-time fans, and attracting new audiences. Thus, the showcase served not only as a celebration of the band’s 19-year career but also as an effective way to expand the reach of the Indonesian pop-punk market.

Page 21 of 22 | Total Record : 216

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