Retorik: Jurnal Ilmu Humaniora
Retorik: Jurnal Ilmu Humaniora was founded in 2001 with the aim of seeking a new scientific ethos in the humanities with an interdisciplinary, political, and textual spirit. It was, and still remains, the aspiration of Retorik to foster humanities research with a scientific ethos capable of responding to the needs of the Indonesian society that continues to strive to become more democratic, just, and pluralistic in the aftermath of long authoritarian rule, under social, economic, and political conditions still characterized by inequality. In its interdisciplinary spirit, Retorik has drawn insights from an array of disciplines, most notably, political economy, language (including semiotics), and psychoanalysis, to that end. As various managerial requirements stifle the passion for academic and intellectual life, while simultaneously in the broader Indonesian society, the ideals of Reformation are frustrated by political and economic oligarchy that continues to exist with impunity, Retorik affirms the need to defend a scientific ethos at present, for the future. In light of its aims, Retorik promotes original research that makes advances in the following areas: 1. Historically-informed studies that engage with the conditions, contexts, and relations of power within which the humanities were born, and with which the humanities are entwined. 2. Dialogues with various disciplines in the humanities and social sciences, including history, sociology, psychology, and anthropology. 3. Interdisciplinary research pertaining to critical pedagogy, religious and cultural studies, art studies, and new social movements. 4. Experimentation with new forms of knowledge that foster the formation of a more democratic, just, and plural society. 5. Studies that are sensitive to the vital role of both technology and art in contemporary society and seek to understand the ways in which art, technology, and economy together contribute to the formation of contemporary cultures and societies.
Articles
102 Documents
Gairah Tabu: Mengimajinasikan Kembali Indonesia Melalui Pornografi
Smith, Malcolm Le
Retorik: Jurnal Ilmu Humaniora Vol 13, No 1 (2025): "Menemukan Kembali Resonansi": Peringatan 25 Tahun Kajian Budaya di Sanata Dhar
Publisher : Sanata Dharma University
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DOI: 10.24071/ret.v13i1.11986
This essay draws a parallel between the Indonesian Romance industry and Pornography industry; and Indonesian “legacy” media (print, radio and television news) and social media. In the classic romance narrative, true love can only be found when the heteronormative moral order has been restored. In pornography, there are always two players—the voyeur and the narcissist, who are locked in a feedback loop of transgression and pleasure. The essay charts how pornography played an important role in the development of internet technologies, not only through the injection of capital into innovation, but also in the way users subjectively engaged with these images. As human interaction and political discourse increasingly shifts online, it is timely to consider how online technologies determine those interactions.
Penjungkirbalikan: Pascakolonialitas dan Hantu-hantu Nostalgia
Kusno, Timoteus Anggawan
Retorik: Jurnal Ilmu Humaniora Vol 13, No 1 (2025): "Menemukan Kembali Resonansi": Peringatan 25 Tahun Kajian Budaya di Sanata Dhar
Publisher : Sanata Dharma University
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DOI: 10.24071/ret.v13i1.12062
This experimental essay unfolds as a journey through memory, ruins, and rituals, tracing the lingering presence of a colonial past in contemporary Indonesia. It explores the layered relationship between colonialism, postcolonial nation-building, and the enduring structures of imperial power that continue to shape cultural and political life. At its centre is a paradox: in pursuing national unity, the newly independent state often reproduced the very systems of control it aimed to dismantle. Colonial nostalgia, expressed through aesthetic revivals, architectural restoration, and performative rituals, emerges not only as a sentiment but as a structural force within collective memory. Through a weaving of critical reflection and poetic interludes, the essay invites readers to reflect on the shifting boundary between history and feeling. It lingers in what is remembered but also in what is imagined, suppressed, and restaged.