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Zamrud Whidas Pratama
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jurnalmebang@gmail.com
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Jl. Ki Hajar Dewantara, Gunung Kelua, Kec. Samarinda Ulu, Kota Samarinda, Kalimantan Timur, Indonesia, 75123
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Kota samarinda,
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INDONESIA
Jurnal Mebang
Published by Universitas Mulawarman
ISSN : 27763919     EISSN : 27762513     DOI : https://doi.org/10.30872/mebang
Core Subject : Humanities, Art,
Arts Humanities
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik is academic, open access, peer-reviewed journal founded and first published in 2021 by the Department of Ethnomusicology, Faculty of Cultural Studies, Mulawarman University. Issues are published two times a year in April and October. Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik contains the results of music research, such as ethnomusicology; music performance art; music creation and research; and music education.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 5 Documents
 1 
Search results for , issue "Vol. 3 No. 1 (2023)" : 5 Documents clear
Musik Ritual Bebalai dalam Upacara Adat Pesta Laut Bontang Kuala di Bontang Kalimantan Timur Hirda Yulinalmi; Asril Gunawan; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.42

Abstract

This research aims to describe the presentation form and function of Bebalai music in the traditional ceremony of "Pesta Laut" Bontang Kuala. The "Pesta Laut" ceremony is a ritual for the indigenous people of Bontang Kuala that is still preserved and held every year from November to December. The "Pesta Laut" ceremony has meaning as a form of gratitude to God Almighty to be kept away from danger and various kinds of diseases. The Pesta Laut ceremony is divided into seven processions: (1) mencera buluh; (2) balai pompong; (3) melabuh perahu; (4) menjamu karang; (5) ance; (6) pagar mayang; and (7) balai puncak. The "Pesta Laut" ceremony also involves the arts, which include Bebalai music. The theories used are ceremony theory by Koentjaraningrat and function theory by R.M. Soedarsono. This research uses a descriptive method with a qualitative approach. The result of this research is that along with the times, the "Pesta Laut" ceremony has experienced a shift by adjusting to the environmental conditions of the community. It can be seen from the traditional rituals that were once highly sacred by the people of Bontang Kuala but are now carried out as ceremonial events.
Pembelajaran Alat Musik Ritmis pada Siswa Kelas VII di SMP Negeri 2 Belitang Jaya Kabupaten OKU Timur Irawan Sukma
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.52

Abstract

This study aims describe the preparation, implementation, and evaluation in Learning Rhythmic Musical Instruments for Grade VII Students at SMP Negeri 2 Belitang Jaya, East OKU Regency. The thing that wants to be examined is how the learning of rhythmic musical instruments for seventh grade students at SMP Negeri 2 Belitang Jaya can be conveyed well by the Cultural Arts Teacher, as evidenced by the ability of students to play rhythmic musical instruments. The descriptive qualitative method is very appropriate to use in this study. The results of this study indicate that the learning process of rhythmic musical instruments in class VII students has been classified as good, this is evidenced by many students who can play rhythmic musical instruments correctly and reach an average score of 85. Another factor is because it is supported by teaching strategies and musical abilities possessed by cultural arts teachers at SMP Negeri 2 Belitang Jaya is very good. In addition, the readiness of teachers in preparing learning tools in accordance with the 2013 Curriculum and other supporting facilities greatly supports the achievement of the objectives of rhythmic music learning.
Karya Karawitan Inovatif “Ngincung” I Made Agus Natih Sutyasa; Saptono Saptono; I Ketut Muryana
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.53

Abstract

Pangilen can be interpreted as a procession carried out through certain stages or steps tailored to the type of ritual activity. There are several series of pangilen processions, one of which is the Ngincung procession. The term ngincung is the last procession or the closing part in the stages of the Pangilen-ilen Mangku procession in Kesiman village. This work is realized in the form of an innovative musical work using the medium of expression of Semar Pegulingan and Selonding gamelan. This innovative musical work is divided into 3 parts with a duration of 12 minutes, using 17 musicians, including the composer. The creation method used in creating this innovative musical work entitled Ngincung is the Alma M. Hawkins creation method, which contains three stages: the exploration stage, the experimental stage, and the formation stage. Research, observation, or interviews are conducted in the exploration stage on the idea raised. After getting the idea raised for the Innovative Karawitan work, move on to the second stage, which is experimentation. In the experimental stage, the idea was put into the form of a musical piece. After that, we began the formation stage by starting the process of rehearsing the work with the supporters of the work, starting with determining a good day to do nuasen.
Linearitas Wujud Tradisi Lisan terhadap Lagu Bedandeng Suku Kutai di Kecamatan Tenggarong Kresna Syuhada Rawanggalih; Yofi Irvan Vivian; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.54

Abstract

Bedandeng is one of the traditional vocals found in the Kutai tribe in Tenggarong District and is sung while working (in the fields) and putting children to sleep. Currently, many young people from the Kutai tribe are not familiar with the Bedandeng song because it is rarely performed, so they do not know its musical characteristics and the context in which it is spoken. Bedandeng song research uses qualitative methods with a descriptive analysis approach to determine musical forms and (non-musical) speech contexts. There are four Bedandeng lyrics which adjust the function, place, and activities of the singer (wailing, advising, and putting the child to sleep). The four lyrics of Bedandeng have musical characteristics by Jean Ferris which include phrases (antecedents and consequents), melodies (C – D – Eb – F – G – Ab), themes (adjusting the place and activities of the singer), scale (C scale Original Minor), and uses melismatic and syllabic concepts in each of its lyrics. Context of speech is also found in Bedandeng's fourth lyrics, namely culture, situation, social, and ideology. The songs in the four Bedandeng lyrics have a linearity that is related to the musical characteristics and speech context (oral tradition) in the lyrics conveyed by the singer.
Eksistensi Pujian Himne “Mengikut Yesus Keputusanku” dan Perkembangan Musik Kontemporer pada Liturgi Ibadah Masa Kini Jhonnedy Kolang Nauli Simatupang
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.57

Abstract

The purpose of this research is to see and provide an understanding of the existence of a hymn in the liturgy of Christian worship today, both hymns and contemporary hymns, and the meaning of the hymn "Mengikut Yesus Keputusanku." A qualitative research method is used through a literature review in writing this scientific work. The results of this research are as follows. First, as church music grows in the liturgy of worship, it can be noted that whether or not the hymns of hymns are a little less, added several church denominations are coming to comfortable with the use of contemporary praise in the liturgy of worship, second, the "Mengikut Yesus Keputusanku." Praise is one of the great testimonies of those who sing this praise, regardless of this praise, it is a form of faith that one believes in God to this day, even this praise continues to grow with various translations and insights. Third, the presence of contemporary music and the praise of hymns should be combined into God.

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