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DIMENSI: Journal of Architecture and Built Environment
Published by Universitas Kristen Petra Surabaya
ISSN : 0126219X     EISSN : 23387858     DOI : https://doi.org/10.9744/dimensi
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
Journal of DIMENSI: Journal of Architecture and Built Environment is a peer-reviewed journal devoted to the applications of architecture theory, sustainable built environment, architectural history, urban design and planning, as well as building structure. We accept National and International original research articles which are free of charged at this moment. The manuscript will be reviewed by two independent National or International advisory boards who are in their expert field. DIMENSI: Journal of Architecture and Built Environment is published, twice a year, in July and December, by the Institute for Research and Community Services, Petra Christian University, Surabaya-Indonesia. DIMENSI will be distributed to other universities, research centers, and National or International advisory board as well as to regular subscribers.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 202 Documents
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MANAJEMEN PENGAJARAN DI STUDIO DISAIN ARSITEKTUR Liliany Sigit Arifin; Istiawati Kiswandono
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

Design activities in a studio do not only involve students, but also need to be accompanied by tutors, guest lecturers, consumers, and the professionals. Each of these individuals gives different contribution according to each own competency. The involvement that takes place between these individuals does not only consist of tutorials, and is not just an activity in which "the student asks and the tutor answers". The involvement consists of various programs, which must be arranged and coordinated inside a tight schedule. This wrong image of studio instruction has been prevalent, and this seems to be caused by the practice of tutors of treating their students not as students whom they are educating and instructing, but more as junior designers who are working in a design project. The activities of the students and tutors in the studio then are just training and not teaching while in reality both of them are absolutely necessary in studio instruction. Abstract in Bahasa Indonesia : Aktivitas kerja desain di sebuah studio jurusan aritektur melibatkan tidak hanya mahasiswa, tetapi membutuhkan kehadiran pembimbing, dosen tamu, calon pengguna, dan professional (baca: praktisi). Setiap individu yang terlibat mempunyai peran yang berbeda-beda sesuai kompetensinya, sedangkan keterlibatan antar individu tidak sekedar dilakukan dengan cara asistensi. Aktivitas di studio bukanlah sekedar aktivitas "mahasiswa bertanya dan pembimbing menjawab", melainkan terdiri dari bermacam-macam program aktivitas yang harus didisain dengan penjadwalan waktu yang ketat. Image belajar di studio selama ini lebih pada kebiasaan pembimbing memperlakukan mahasiswa bukan sebagai anak didiknya, tetapi sebagai junior arhitect dalam menyelesaikan desain sebuah proyek. Aktivitas yang dilakukan oleh mahasiswa dan pembimbing di studio hanyalah sekedar pelatihan (training) dan bukan pengajaran (teaching), padahal kedua-duanya mutlak diperlukan dan diwadahi pada sebuah studio desain. Kata kunci: Manajemen studio, studio fisik, pengajaran disain di studio.
RUMAH TRADISIONAL OSING KONSEP RUANG DAN BENTUK Iwan Suprijanto
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

Osing is one of the Javanese sub-ethnic community. One of the Osing center community is the village of Kemiren, the county of Glagah, the district of Banyuwangi, East Java, where historically-genealogically-sosiologically still keeps the traditional life style and has a rich inheritance of Osing houses. The purpose of this research is to study of the spaces and shapes concept of Osing traditional house in Kemiren village and to get the factors that lie behind them. The result which were obtained of this research find that : 1. The Space Concept of Osing House The space pattern consists of Bale, Jrumah and Pawon as ordered from the front house to the back. The space organization follows the closed ended plan. Space concept shows the presence of duality and centrality. 2. The Shape of Osing House The roof shapes are the main indicator of Osing houses, which can be differentiated to be Tikel Balung, Baresan, and Cerocogan. The special characteristic of Osing houses is the usage of 1, 2 or 3 of those basic shapes at once from the front to back as followed by the space order. 3. The Background Factors The concept of each space was influenced by the function and activity, the meanings of activity, and the person, who lives or does the activity. The space organization was a manifestation of the inclusive character, careful and suspicious of the society. The shapes of Osing house have a close relation with the social rank, which inclined with egality. The name of the house parts and building structures reveals the massages, meanings, and wills as the expressions of the senses and wills of the owner. The meanings did not exist in the shape it self, but in the person who desired that shape, it reflects the latent and associational character, but also describe his appreciation to create and work. Abstract in Bahasa Indonesia : Osing merupakan salah satu komunitas sub-etnis Jawa. Salah satu pusat komunitas Osing adalah Desa Kemiren, Kecamatan Glagah, Banyuwangi-Jawa Timur, yang secara historis-genealogis-sosiologis masih memperlihatkan tata kehidupan tradisional dan memiliki rumah Osing relatif banyak. Tujuan penelitian adalah memperoleh konsep ruang dan bentuk pada rumah tradisional Osing di Desa Kemiren dan faktor-faktor yang melatarbelakanginya. Hasil penelitian adalah : 1. Konsep Ruang Rumah Osing Pola ruang menganut susunan ruang Bale, Jrumah dan Pawon secara berurut dari depan ke belakang. Organisasi ruang menganut prinsip closed ended plan. Konsep ruang memperlihatkan adanya dualitas dan centralitas. 2. Konsep Bentuk Rumah Osing Bentuk atap merupakan indikator utama bentuk rumah Osing, yang dapat dibedakan menjadi Tikel Balung, Baresan dan Cerocogan. Karakteristik bentuk rumah Osing terletak pada penggunaan 1, 2 atau 3 bentuk dasar tersebut secara sekaligus dalam susunan berurut dari depan ke belakang sesuai dengan susunan ruangnya. 3. Faktor-faktor yang melatarbelakangi Konsep masing-masing ruang dipengaruhi oleh fungsi dan aktivitas, makna kegiatan yang dilakukan serta siapa yang boleh menghuni/melakukan kegiatan. Organisasi ruang merupakan manifestasi sifat tertutup, berhati-hati dan curiga masyarakatnya. Bentuk rumah Osing berkaitan erat dengan struktur sosial masyarakat yang cenderung egaliter. Nama bagian-bagian rumah dan susunannya merupakan pengungkapan pesan, makna dan kehendak sebagai ekspresi rasa dan karsa pemiliknya. Makna tersebut tidak terkandung dalam bentuk itu sendiri, melainkan dalam diri manusia yang menginginkan bentuk tersebut mencerminkan sifat laten dan asosiasional, sekaligus menggambarkan apresiasi cipta dan karya. Kata kunci: dualitas dan centralitas; Tikel Balung, Baresan dan Cerocogan.
RELASI KEKUASAAN DAN ARSITEKTUR: DARI DEKONSTRUKSI KE SUSTAINABLE CITY M.S. Barliana Iskandar
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

Indonesian old cities as the sites of government, trading, and ports have been established before the arrival of the Europeans. The form and pattern of settlements which served as the centres of the hinterlands were influenced by Indian or Hindu and afterwards by Chinese and European cultures. Makassar has been the dominant trading centre in Nusantara Archipelago. Its strategic location on South West peninsula of the sprawling island of Sulawesi gave it excellent access to the busy sea lanes of Java Sea, the Makassar straits, the Celebes and Banda seas and hence to many local trading networks as well as to the crucial long distance trade with India, China, and ultimately with Europe. The history of the city of Makassar began with the fort which was turned into the site of government, military and trade after the destruction of the Somba Opu fort. Despite of its similarities, there were principal differences with cities in Java which were also established in the same period.
DUTCH COLONIAL ARCHITECTURE AND CITY DEVELOPMENT OF MAKASSAR Yulianto Sumalyo
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

Indonesian old cities as the sites of government, trading, and ports have been established before the arrival of the Europeans. The form and pattern of settlements which served as the centres of the hinterlands were influenced by Indian or Hindu and afterwards by Chinese and European cultures. Makassar has been the dominant trading centre in Nusantara Archipelago. Its strategic location on South West peninsula of the sprawling island of Sulawesi gave it excellent access to the busy sea lanes of Java Sea, the Makassar straits, the Celebes and Banda seas and hence to many local trading networks as well as to the crucial long distance trade with India, China, and ultimately with Europe. The history of the city of Makassar began with the fort which was turned into the site of government, military and trade after the destruction of the Somba Opu fort. Despite of its similarities, there were principal differences with cities in Java which were also established in the same period.
STUDY ON THE PHILOSOPHY AND ARCHITECTURE OF ZEN BUDDHISM IN JAPAN : On syncretism religion and monastery arrangement plan Antariksa Antariksa
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

Zen Buddhism was introduced to China in the sixth century. After going through a long process in China, finally Zen came to Japan in the thirteenth century brought by Japanese monks. A unique spiritual genius one of the greatest epoch-making events in the history of mankind, which in the course of time has come to enrich the human mind over many centuries. During the process of spreading of Zen Buddhism there were influences experienced by two Chinese great religions, Tao and Confucian. This study will discuss the philosophy and architectural aspects of the Zen monastery arrangement plan. Zen Buddhism is syncretism from Taoism and Confucianism.The layout plan of the Zen monastery temple principally was placed on a single axis and facing south. The typical layout plan was borrowed from the architecture of the Chinese monastery.
SERAT BALEWARNA: JAWA MENOLAK JAWA KOLONIALISASI ATAUKAH RASIONALISASI PENGETAHUAN ARSITEKTUR JAWA? Josef Prijotomo
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

Perceptual ambiguity is a state of thinking that disturbs the either-or mode of knowledge. It causes one to face with the condition of two possible correct knowledges. This state of thinking, however, might be advantageous and contributive positively. Robert Venturi's dictum both-and is just one example of taking the advantageous of this perceptual ambiguity. Taking one Jawanese corpus titled Serat Balewarna, this study tries to present the practice of either-or mode of knowledge in Jawa around the 1920-s. A critical examination upon its content shows that the rational-universal knowledge had only becomes one lethal weapon against the Jawanese architectural knowledge. Toward thee end of the examination, this paper proposes to locate the jawanese architecture in a state of perceptual ambiguity. This re-location will open the way to allow the Jawanese architectural knowledge enter the world of discourse of knowledge in architecture. Abstract in Bahasa Indonesia : Ambiguitas perseptual adalah sebuah keadaan berpikir yang memusingkan pengetahuan ini-itu (either-or), mengingat keadaan itu memaksa seseorang untuk memilih satu dari dua kebenaran pengetahuan. Dari sisi lain, ambiguitas perseptual ternyata dapat menjadi keadaan yang menguntungkan dan memberi sumbangan yang positif. Diktum Robert Venturi "yang ini - dan - yang itu" adalah salah satu contoh dari penggunaan keadaan itu dari segi keuntungan dan sumbangan positif bagi pengetahuan. Dengan mengambil salah satu naskah Jawa tentang bangunan yang berjudul Serat Balewarna, kajian ini mencoba untuk memperlhatkan praktek pengetahuan 'ini-atau-itu' di Jawa dalam kurun waktu 1920-an. Pemeriksaan kritis atas naskah tersebut menunjukkan bahwa pengetahuan rasional-universal ternyata menjadi senjata yang ampuh dalam mematikan pengetahuan arsitektur Jawa. Menjelang akhir kajian ini, dicoba pula untuk ditunjukkan bahwa keadaan "yang ini-atau-yang itu" dapat dimanfaatkan untuk mendapatkan keuntungan dan sumbangan pengetahuan yang tersendiri. Re-lokasi keadaan, dari merugikan menjadi menguntungkan ini, ternyata dapat digunakan untuk menempatkan pengetahuan arsitektur Jawa di lingkungan wacana pengetahuan arsitektur seumumnya. Kata kunci: Ambiguitas perseptual, pengetahuan arsitektur Jawa, wacana pengetahuan arsitektur.
MEMPREDIKSI POLA PERUBAHAN TEMPERATUR DALAM RUMAH TROPIS LEMBAB DENGAN MENGGUNAKAN MODEL ANALOGI ELEKTRIK SATU DIMENSI Sangkertadi Sangkertadi
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

This study concern in the application of a simplified heat transfer model for simulation of thermal behaviour of tropical buildings. The model is to be integrated to a transient simulation program TRNSYS. The objective of this study is to predict the variable of indoor air temperature due to outdoors environmental climatic. The first case is about the comparison of the model with other model from ASHRAE (i.e. Transfer Function Method). The second case is the application of the model for a thermal simulation of a 7-zones typical tropical house. The simulation results (indoor air temperature and surfaces temperature) are to be then compared to the results from field measurement. The comparison shows that there is similarity between those two approaches. Abstract in Bahasa Indonesia : Studi ini diarahkan pada validasi dan penggunaan suatu model perhitungan perpindahan panas sederhana satu dimensi untuk memprediksi perubahan suhu udara dalam ruang rumah beriklim tropis lembab. Model tersebut adalah model analogi elektrik yang dapat dipakai untuk membuat simulasi perpindahan panas pada kondisi tak-stedi.Pada penerapan di kasus pertama, hasil perhitungan dengan model sederhana tersebut dibandingkan terhadap perhitungan dengan model lainnya yaitu model TFM (Transfer Function Method) dari ASHRAE (American Society of Heating, Referigerating and Air conditioning Engineers). Pada penerapan di kasus kedua, dilakukan pembandingan terhadap hasil pengukuran pada kasus rumah tinggal 7 zona. Hasilnya menunjukkan bahwa tidak terdapat perbedaan yang signifikan antara hasil perhitungan dengan model sederhana tersebut dibandingkan terhadap hasil perhitungan dengan model TFM maupun terhadap hasil pengukuran di lapangan.
DESAIN JENDELA BANGUNAN DOMESTIK UNTUK MENCAPAI "COOLING VENTILATION" Kasus uji: rumah sederhana luas 45m2 di Yogyakarta Christina E. Mediastika
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

A two dimensional computational program was used to explore type, dimension, and number of windows in a 45 sqm domestic building to achieve cooling ventilation rates in 0 m/s outdoor windspeed. Prior to this, a manual calculation was constructed to limit and predict how the input for computational test would be. As in the manual test, the type of windows to be tested is jalousie (louvre) and casement. Primary and secondary weather data was also prepared for input. Subject to change variable is dimension and number of windows. Both manual and computational test indicated that to provide cooling ventilation rates (30 ach) in 0 m/s outdoor windspeed, the domestic building requires window area of approximately 50% floor area. Abstract in Bahasa Indonesia : Desain jendela bangunan domestik untuk mencapai "cooling ventilation" (30 air change per hour (ach) yang sangat dianjurkan bagi bangunan di daerah tropis lembab diuji pada studi ini. Pengujian dilakukan dengan sistem komputasi dua dimensi dan difokuskan pada kondisi kecepatan angin di seputar bangunan = 0m/det. Untuk memperkirakan model, dimensi dan jumlah jendela, sebelumnya telah dilakukan uji manual pada beberapa bangunan sejenis. Hasil uji manual yang telah dilengkapi dengan data-data primer dan sekunder mengenai suhu, kecepatan dan arah angin kemudian disusun sebagai input uji komputasi. Variabel yang senantiasa dirubah pada proses uji kali ini adalah dimensi dan jumlah jendela. Uji komputasi ini juga bertujuan untuk mem-validasi hasil uji manual tersebut. Kesimpulan yang dihasilkan tidak terlalu jauh berbeda dari kesimpulan pada uji manual, yaitu bahwa untuk memperoleh tingkat ventilasi cooling (30 ach) diperlukan luas jendela sekitar 50% luas lantai.
ALTERNATIF DISAIN ARSITEKTUR DAERAH TROPIS LEMBAB DENGAN PENDEKATAN KENYAMANAN THERMAL Eddy Prianto
DIMENSI (Journal of Architecture and Built Environment) Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Abstract

One important challenge to provide comfort in tropical humid region is an elevated air temperature and a high relative humidity. In this climate, it could be solved by providing high interior air flows. Air flows in building theoretically needed to restore comfort , therefore, the buildings should be designed to provide cross ventilation. Air movements inside a building depend not only on external wind velocity, but also a number of architectural design element. This study aims to find out the effect of architectural design in naturally ventilated building to obtain thermal comfort in tropical humid regions. The applicability of some architectural design elements such as balcony configuration, and internal division established by numerical modelled was assessed. The analysis shows that balcony configurations and interior division plays a significant role in modifying the indoor thermal condition but it doesn't always need a higher air speed. Abstract in Bahasa Indonesia : Suhu udara dan tingkat kelembaban yang tinggi (T>28°C, RH >70%) di daerah tropis lembab merupakan suatu kendala untuk mendapatkan kenyamanan. Namun hal ini dapat diatasi dengan penciptaan aliran udara di dalam ruangan dengan kecepatan yang cukup tinggi.Sirkulasi udara di dalam ruangan tidak hanya ditentukan oleh kecepatan udara exterior tetapi juga oleh penempatan element design arsitektur. Study ini bertujuan untuk mengetahui pengaruh dari design arsitektur suatu bangunan berventilasi alamiah dalam tercapainya situasi nyaman. Beberapa alternative design arsitektur seperti keberadaan balkon dan penataan tata ruang interior yang dibangun dengan modelisasi numerik diuji coba dalam penelitian ini. Hasil analisis menunjukan bahwa keberadaan balkon dan penataan interior mempunyai peranan yang signifikan dalam usaha memperbaiki kondisi kenyamanan thermal di dalam ruangan, akan tetapi hal tersebut tidaklah selalu membutuhkan kecepatan udara yang tinggi. Kata kunci: Daerah tropis lembab, kenyamanan thermal, design arsitektur, simulasi numerik,kecepatan udara di dalam ruangan.
IMAJI DAN PERAN MEDIA DESAIN DALAM PROSES DESAIN ARSITEKTUR Joyce M. Laurens
DIMENSI (Journal of Architecture and Built Environment) Vol. 31 No. 1 (2003): JULY 2003
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.31.1.%p

Abstract

Architectural forms are created by human minds. Because of this they are tied tightly to the perceptual experience and concept of designer. Designers are creating images and models for thought and communication, through which the intentions of a design idea may be captured and transmitted, so that the concepts can be understood, and perceived as reality. In a creative design process, a wide range of media are applied. It plays an important role, not only in conveying architectural messages and but also in operating as a catalyst to explore design ideas. This paper discusses the role of design media on the reception and conception of the architectural message. Abstract in Bahasa Indonesia : Bentuk arsitektur diciptakan oleh pikiran manusia. Oleh karena itu bentuk-bentuk arsitektur sangat terkait pada pengalaman dan konsep perseptual perancangnya. Perancang menciptakan imaji-imaji dan model bagi pemikiran dan komunikasi sedemikian rupa agar gagasan desainnya dapat ditangkap dan dipancarkan, sehingga pada akhirnya konsep arsitek bisa dimengerti dan diterima sebagai realitas. Dalam proses desain kreatif, beragam jenis media desain dapat digunakan. Media ini memainkan peran penting bukan hanya sebagai pengantar informasi atau pesan arsitektural saja, akan tetapi juga berperan sebagai katalisator dalam menggali dan mengembangkan gagasan desain. Tulisan ini akan menelaah peran media desain tersebut terhadap penerimaan dan konsepsi pesan arsitektural. Kata kunci: desain arsitektur, imaji-persepsi, komunikasi

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