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DIMENSI: Journal of Architecture and Built Environment
Published by Universitas Kristen Petra Surabaya
ISSN : 0126219X     EISSN : 23387858     DOI : https://doi.org/10.9744/dimensi
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
Journal of DIMENSI: Journal of Architecture and Built Environment is a peer-reviewed journal devoted to the applications of architecture theory, sustainable built environment, architectural history, urban design and planning, as well as building structure. We accept National and International original research articles which are free of charged at this moment. The manuscript will be reviewed by two independent National or International advisory boards who are in their expert field. DIMENSI: Journal of Architecture and Built Environment is published, twice a year, in July and December, by the Institute for Research and Community Services, Petra Christian University, Surabaya-Indonesia. DIMENSI will be distributed to other universities, research centers, and National or International advisory board as well as to regular subscribers.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 202 Documents
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ARSITEKTUR "GUNA DAN CITRA" SANG ROMO MANGUN IN MEMORIAM : YUSUF BILYARTA MANGUNWIJAYA
DIMENSI (Journal of Architecture and Built Environment) Vol. 27 No. 2 (1999): DECEMBER 1999
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.27.2.%p

Abstract

Yusuf Bilyarta Mangunwijaya is not only recognized as a pastor but also as a cultural observer, writer and architect. The architectural works he produced even touch the marginal people. The work does not only result in the physical building but also the total work of human development, "use" and "image". World Architecture never escapes from Vitruvius trilogy saying : Firmitas, Utilitas and Venustas. In his amazing writing, Mangunwijaya offered a distillation of trilogy (three categories) into two categories, 'use' and 'image'. This writing is going to impart how the distillation of three categories becomes a 'two-categories. Abstract in Bahasa Indonesia : Yusuf Bilyarta Mangunwijaya tidak saja dikenal sebagai seorang Pastor, tetapi dia juga seorang budayawan, sastrawan, bahkan arsitek. Karya arsitekturnya menyentuh bahkan sampai ke mereka-mereka yang dipinggirkan (kaum marjinal). Karya arsitekturnya tidak saja sebuah sosok bangunan, tetapi sekaligus karya total dengan pembangunan manusianya, "Guna" dan "Citra". Arsitektur dunia tidak dapat melepaskan diri dari Trilogi Vitruvius: Firmitas, utilitas dan venustas. Dalam karya tulisnya yang luarbiasa, Romo Mangunwijaya menyingkatnya hanya dwilogi saja, Guna dan Citra. Tulisan ini akan membahas bagaimana perasan trilogi itu menjadi dwilogi saja. Kata kunci: Mangunwijaya, Vitruvius, guna, citra.
PERLETAKAN STASIUN KERETA API DALAM TATA RUANG KOTA-KOTA DI JAWA (KHUSUSNYA JAWA TIMUR) PADA MASA KOLONIAL Handinoto Handinoto
DIMENSI (Journal of Architecture and Built Environment) Vol. 27 No. 2 (1999): DECEMBER 1999
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.27.2.%p

Abstract

Railway Company in Indonesia started in 1860's. They were held by both government (SS- Staad Spoorwegen) and private (NIS, etc). The same happened as in Europe after rev. industry, railway station's placement as new kind of building became very important in urban planning. Faster progression,in railway services in Indonesia in the begining 20 th century, that reached almost all of town in Java; caused railway station's placement, either in larger city or Kabupaten city will be importance. In the end of 19 th and 20 th century, railway transportation was one of important infrastructure.But in the second part of 20 th century, after independence, the roadway progression caused railway services become come down, so railway stations were careless. In the end of 20 th century, the dense of roadway in Java caused railway's function raise again. In general towns has been develop, so railway station placement which been though exactly in urban planning, become to make trouble for city trafic. The scoupe of this paper covered about the placement of railway station in the past, as input for development city in Java for the future. Abstract in Bahasa Indonesia : Per kereta api an di Indonesia baru dimulai pada th. 1860 an. Perusahaan kereta api ditangani oleh dua instansi yaitu oleh pihak pemerintah (seperti: S.S - Staad Spoorwegen) dan pihak swasta (seperti :NIS - Nederlandsch Indische Spoorweg Maatschappij, dan sebagainya). Seperti halnya di Eropa setelah revolusi industri, perletakkan stasiun sebagai suatu jenis bangunan baru, menjadi sangat penting dalam tata ruang kota. Dengan makin majunya per kereta api an di Indonesia pada awal abad ke 20, yang hampir mencapai seluruh kota di Jawa, maka penempatan stasiun kereta api baik di kota-kota besar maupun kota Kabupaten menjadi suatu pemikiran yang penting. Pada akhir abad ke 19 dan abad ke 20, angkutan dengan kereta api, menjadi salah satu sarana yang sangat penting, baik angkutan barang maupun manusia. Tapi pada bagian kedua abad 20, setelah kemerdekaan, karena kemajuan jalan darat, peran kereta api menjadi menurun, sehingga stasiun kereta api menjadi merana. Di akhir abad 20, karena padatnya arus lalu lintas jalan darat di P. Jawa, peran kereta api menjadi hidup kembali. Kota-kota pada umumnya telah berkembang pesat, sehingga letak stasiun kereta api yang dulunya telah dipikirkan dengan sangat baik sekali dalam tata ruang kotanya, sekarang menjadi masalah dalam pengaturan lalu lintas kota. Tulisan ini membahas tentang perletakkan stasiun kereta api dimasa lampau sebagai masukan dalam pemikiran perkembangan kota-kota di Jawa untuk masa mendatang. Kata kunci: Stasiun kereta api, Tata ruang kota.
PERAN SAINS BANGUNAN DAN SAINS LINGKUNGAN TERHADAP BENTUK ARSITEKTUR Danny Santoso Mintorogo
DIMENSI (Journal of Architecture and Built Environment) Vol. 27 No. 2 (1999): DECEMBER 1999
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.27.2.%p

Abstract

Energy Saving on buildings is part of the building sciences and environmental sciences, and will impact directly with the form of the buildings. Architects all over the world who have strong background sciences in building and environmental control system will design different way that effect the style and form of architecture. This paper discusses and strengthen the need of the building sciences and environmental control systems for architects in their works now and the coming millennium year. Abstract in Bahasa Indonesia : Strategi hemat energi merupakan bagian salah satu sains bangunan dan sains lingkungan yang masih banyak diterapkan oleh banyak para arsitek di berbagai dunia. Arsitek yang berbekal sains bangunan akan sangat berbeda dalam menghasilkan karya -karya bentuk arsitektur. Tulisan ini bertujuan memperkuat adanya sains bangunan dan lingkungan yang terkaitkan langsung dengan bentuk suatu bangunan arsitektur. Kata kunci: Sains Bangunan dan Lingkungan, Bentuk Arsitektur.
TRADISI DAN INOVASI MATERIAL FASADE BANGUNAN TINGGI Jimmy Priatman
DIMENSI (Journal of Architecture and Built Environment) Vol. 27 No. 2 (1999): DECEMBER 1999
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.27.2.%p

Abstract

Designers of tall building realize that the product of their creativity will impact the built environment for hundred of years. Differ from the past (great pyramids Giza Egypt, the Parthenon Athens- Greece, Cliff Palace Mesa Verde- Colorado), current tall buildings are designed with systems and materials to be properly maintained to enhance the life expectancy of the building. These timeless structures demand a higher level of performance and integration among its major components such as structure, mechanical-electrical, interior and envelope system, which can be extensively monitored and modified. The building facade as "the epidermis" plays a significant role in the protective outer layer. The research was initiated in response to fulfill this criteria had lead to creative innovations in building envelope materials as a future prospective material. Abstract in Bahasa Indonesia : Para perancang bangunan tinggi menyadari bahwa hasil karya kreativitas perancangannya akan mempengaruhi tatanan lingkungan hidup manusia untuk jangka waktu lama. Berbeda dengan bangunan tinggi masa lalu (piramida agung Giza di Mesir, kuil Parthenon di Yunani, Cliff Palace Mesa Verde di Colorado), bangunan tinggi dewasa ini dirancang dengan perangkat sistim dan material yang mudah dirawat untuk meningkatkan umur bangunan. Gedung gedung tinggi ini menuntut suatu kinerja dan integrasi prima diantara komponen komponen utama yang terkait melalui sistim struktur, mekanikal, interior dan sistim selubung bangunan, yang dapat di monitor dan dimodifikasi secara ekstentif. Fasade bangunan sebagai "epidermis" memainkan peran penting melalui fungsi pelapis luar yang protektif. Serangkaian riset yang telah dilakukan sebagai tindakan responsif untuk menjawab kriteria ini telah menuntun kepada inovasi inovasi kreatif di bidang material selubung bangunan sebagai material masa depan yang dapat diandalkan. Kata kunci: selubung bangunan, fasade bangunan.
BERPIKIR KREATIF SUATU PENDEKATAN MENUJU BERPIKIR ARSITEKTURAL Istiawati Kiswandono
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

This article discusses about "creative thinking" which always has connection with new ideas and finding.It is generally known that the first idea often comes in flash like a lightning, with a reference to experience. A method of thinking in a more specific scope, in this case "thinking architecturally" also occurs in a similar way. In a study on "creativity" which has relation to design, there are three main subject:the product,the process and the person. By analysing the potensialities of human brain in separating relevant messages from unrelevant ones,and by dividing them into two ways of thinking.And with a study on the application of "a model of mixed thinking",the writer hopes that 'a formula" might be set up as a rough guidance towards thinking architecturally. Abstract in Bahasa Indonesia : Tulisan ini bermaksud membahas berpikir kreatif yang selalu terkait dengan gagas dan penemuan-penemuan baru. Secara umum diketahui bahwa memperoleh gagas pertama terjadi melalui kilatan yang begitu cepat dengan pengalaman sebagai acuannya. Cara berpikir dalam lingkup yang lebih spesifik 'cara berpikir arsitektural' tidak jauh berbeda. Dalam studi mengenai kreativitas yang berkaitan erat dengan kegiatan mendesain, sebenarnya ada tiga hal yang perlu mendapatkan perhatian: produk, proses dan individu manusianya. Mencermati potensi otak yang berfungsi sebagai pemisah bagi pesan-pesan yang relevan dan yang tidak relevan kemudian membaginya ke dalam dua cara berpikir, dicoba dicari keterkaitannya dengan operasionalisasi berpikir kreatif. Setelah mengamati pula suatu terapan 'model berpikir gabungan', maka akan memungkinkan diwujudkan 'formulasi' sebagai arahan kasar bagi berpikir arsitektural. Kata kunci: ideologi, jenis pendekatan, jenis masalah
MODERNISATION ISSUES OF GENDER AND SPACE Titien Saraswati
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

Jurgen Habermas proposes a theory of modernisation based on the notion of a progressive "uncoupling" or separation of some aspects of everyday life, and their take over or "colonisation" by an expanding state and formal economy. This model is criticised by Nancy Fraser on the basis that it ignores the place of gender in the various roles that the individual plays in society and which mediate between the world of everyday life and the "system world" of the state and the official economy. Habermas's argument is further criticised for ignoring the issue of space (the house, the neighbourhood) in that mediation. Further, Habermas and also Fraser arguments however yield to what they call symbolic reproduction and material reproduction, socially integrated action contexts and system integrated action contexts, and also private sphere and public sphere. The above terms will be elaborated more fully in this paper.
ARSITEKTUR DVD (Digital Virtual Design) Danny Santoso Mintorogo
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

Soon after the millennium year of 2000 and toward 21th century, the ways of architecture design will be a great change from traditional hand design and drawings to super computer digital virtual design models with tremendous of high-end architectural 3D software domains. Virtual Technology will be a plus to architectural design stage to obtain several "scheme" and observe with real - time feedback of the quality (height, light, furniture), shape, and environment as well as the sequential of the space, site context or massing studies. Abstract in Bahasa Indonesia : Strategi dalam desain arsitektur pada abad 22 atau setelah tahun milinium 2000 ini akan banyak didominasi dengan perangkap teknologi canggih yang tentunya akan mengandalkan pada perangkap keras (komputer) dan perangkap lunak (software) untuk tujuan desain arsitektur secara digital. Teknologi "Virtual" akan dimanfaatkan untuk bidang arsitektur dalam mengoptimasikan disain arsitektur secara digital maya, untuk mengobservasi/mengkaji kwalitas ruang, model suatu ruang/massa secara maya dalam phase perancangan arsitektur. Kata kunci: arsitektur, desain, digital, maya.
PERKEMBANGAN STRUKTUR PNEUMATIK MEMPERKAYA DISAIN ARSITEKTUR LMF LMF. Purwanto
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

Pneuimatic Structure is one of the structural system in the Soft Shell Structure. The main characteristic of this structure is that all the forces occurred in the membrane are in the form of tensile strength. In the Pneumatic, the tensile strength 0ccurs because of the air pressure inside the pneumatic structure is different form the one outside this structure. Pneumatic structure is classified into two major groups, Air Inflated Structure and Air Supported Structure. Each of this group is developed form the side, the various shaping, the functions, even recently is has been developed vertically. At the beginning, Pneumatic structure was merely developed as the roof covering, and for the horizontal-span structure it has been used to support the floor in the Medium Rise Building?Multy Story Building. It is interesting to pay close attention to the development of pneumatic structure as the structural system which has typical shapes and working systems. This progress is not as fast as the other simple structures, however this structure is appealing to be developed due to its typical working principles and innovative shape. Abstract in Bahasa Indonesia : Pneumatic Structure merupakan salah satu sistem struktur yang termasuk dalam kelompok Soft Shell Structure yang memiliki ciri khas semua gaya yang terjadi pada membran-nya berupa gaya tarik. Pada Pneumatic, gaya tarik terjadi karena adanya perbedaan tekanan udara di dalam struktur pneumatic dengan tekanan udara diluar struktur ini. Pneumatic Structure dibagi dalam dua kelompok besar yaitu Air Inslated Structure dan Air Supported Structure. Dari kedua kelompok ini masing-masing dikembangkan dari sisi; olah bentuk yangbermacam-macam, fungsinya dalam sebuah bangunan, bahkan kini telah dikembangkan secara vertikal. Pneumatic Structure pada mulanya hanya dikembangkan sebagai bidang penutup atap dan untuk bangunan berbentang lebar, sekarang mulai dipikirkan untuk memikul beban lantai pada bangunan bertingkat sedang (Medium Rise Building). Mencermati perkembangan pneumatic structure sebagai sistem struktur yang memiliki bentuk dan sistem kerja yang khas ini, sangatlah menatik. Walaupun pengembangannya tidak secepat sistem struktur lain yang lebih sederhana, namun sistem struktur ini ternyata menarik perhatian untuk dikembangkan karena kekhasannya prinsip kerjanya dan bentuknya yang inovatif. Kata kunci: struktur pneumatik, desain dan aplikasi.
PENGARUH KEBUDAYAAN KONTEMPORER DALAM PERANCANGAN ARSITEKTUR MAL Freddy H. Istanto
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

Market is traditionally known as the place where the seller and the buyers meet. In its development, it grows to be big shopping centers and even malls. Along with it, the concept of market has also changed within this building. It is not only the place where the transaction between the sellers and the buyers happen but also it expands to be the one where each person has turned to be the "player" in the nowadays "cultural-theatre". Being the designers, the architect is challenged to respond the changing pattern in the society by making use of the building. Abstract in Bahasa Indonesia : Pasar dikenal sebagai tempat dimana penjual dan pembeli bertemu. Dalam perkembangan lebih lanjut muncul pusat-pusat pertokoan yang sangat besar sampai hadirnya shopping-mall. Di dalam bangunan inilah konsep pasar secara tradisional telah berkembang, tidak saja tempat transaksi antara penjual dan pembeli, tetapi telah melebar menjadi tempat dimana setiap individu telah menjadi "pemain" di dalam sebuah teater kebudayaan masa kini. Arsitek sebagai perancang bangunan harus menyikapi perubahan-perubahan perilaku yang terjadi di masyarakat dalam menggunakan bangunannya. Kata kunci: kebudayaan kontemporer, arsitek, arsitektur mal, kebudayaan milenium tiga.
STUDY ON THE HISTORY AND ARCHITECTURE OF THE RINZAI ZEN SECT BUDDHIST MONASTERIES IN KYÔTO Antariksa Antariksa
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

In the middle of the 14th century, the Five Temples or Five Mountains (Gozan) of Rinzai Zen sect were developed rapidly in the city of Kyôto. The ranking system of officially sponsored by Zen Buddhist monasteries were created by the Kamakura and Muromachi government. The Gozan system originally included three monasteries in Kyôto and three in Kamakura, but immediately spread to five monasteries in several cities. While the two great monasteries, are not members of the Gozan group, which belonged to the Rinka group of Rinzai Zen sect temples. The system, which corresponds to a Chinese hierarchical model, was established in Japan during the Kamakura period. The purpose of this study is to attempt to clarify the history and architecture of Rinzai Zen sect Buddhist monastery. The central functioning building of the Zen Buddhist monastery reflects the repetition, consistency, persistence, and order of the monastic ritual.

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