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Cinematology Journal Anthology of Film and Television Studies
Published by Universitas Pendidikan Indonesia
ISSN : 27977099     EISSN : 27979903     DOI : https://doi.org/10.17509/ftv-upi.v0i0
Core Subject : Art,
Arts
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 116 Documents
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Aesthetics and Simbolism: The Essence of Purple Colour in Yuni Film
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 2 (2024): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i2.60798

Abstract

Aesthetics in multimedia works is defined as an artistic phenomenon to beautify the form of moving image works. Aesthetics plays a role in the elements of film visualization and creates symbols that can be identified by the audience. Aesthetics and symbolism in film function as a communication and foundation for understanding accompanied by creative ideas. The meaning of aesthetics cannot be separated from the form of meaning of an object related to an idea and feeling. One of the Indonesian films that applies aesthetics through artistic elements is Yuni film. The film tells of a student named Yuni who is frustrated between continuing her education to college or getting married at an early age because of the patriarchal culture inherent in her social environment. Yuni's character is synonymous with the color purple based on three elements, namely clothing, setting, and object/property because it has its own meaning for the theme of the story and the character's character. This study uses a qualitative method with an analytic descriptive approach. Sources of data come from Yuni film and scientific journals that examine similar topics regarding the film's work. The data analysis technique was carried out by watching Yuni film and interpreting the meaning of the purple color present in it. The result of this study is that the color purple is a symbol for the identity/characteristics of the Yuni character and has its own artistic value in it.
The Construction of Gender Roles in Fictional Soap Opera within the Film Joy (2015): A Stuart Hall Reception Analysis
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 2 (2025): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v5i2.83720

Abstract

Although centered on its female audiences, soap operas have long served to legitimize the practice of traditional gender roles. In Joy (2015), soap opera is depicted as one of the medias that construct traditional gender roles while also offering different responses from the characters. This study aims to examine how audience reception influences the meanings constructed by media. By utilizing Stuart Hall’s Encoding/Decoding theory, it analyzes two reading positions represented by the characters Joy and Terry. Terry embodies the dominant reading position by accepting the traditional values, whereas Joy embodies the oppositional reading by rejecting traditional gender roles. The findings suggest that media is not an entirely hegemonic force, as oppositional readers—such as the one presented by Joy—do exist. Ultimately, audiences possess the power to interpret media messages.
The Relationship Between Street Skateboarders and the Need for Skateable Public Space in Bandung
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 1 (2024): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i1.46467

Abstract

Skateboarding is an extreme sport that is quite challenging for adrenaline. Skateboarding scene lately is increasing in popularity, due to the increasing demand over time, especially in the city of Bandung. But unfortunately this is not accompanied by the addition of supporting facilities for the activists, it causes skateboarders to start taking to the streets to play using public spaces such as street sidewalks and other public facilities, which can actually be said to be less supportive for skateboarding. The writing of this journal uses quantitative methods with correlational studies. Data collection techniques using survey methods and data collection techniques using questionnaires. The results of this study are to see how the relationship between skateboarders who play on the streets and their need for supportive public spaces or commonly called 'skateables' in the city of Bandung.
Geographical Analysis of the Kirin Technique in Naruto Shippuden: A Meteorological Study of Storm Formation by Sasuke Uchiha
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 1 (2025): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v5i1.82427

Abstract

Anime serves as a powerful medium that can depict natural phenomena in a visually engaging manner. This study explores the depiction of meteorological processes in the anime Naruto Shippuden, particularly through the technique Kirin used by Sasuke Uchiha. The analysis focuses on how the anime portrays storm cloud formation, condensation, cyclonic winds, and lightning, comparing these representations with real-world atmospheric and meteorological principles. Using a descriptive qualitative method, this research draws from visual scenes and scientific literature to evaluate the accuracy of the weather-related processes depicted. The findings reveal that while the anime takes creative liberties for dramatic effect, the underlying concepts reflect a basic understanding of weather modification and storm formation. This study aims to bridge scientific literacy and popular culture by showing how fiction can inspire interest in meteorological science.
Semiological Studies of Christian Symbolism in the Film and Series Neon Genesis Evangelion
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.66435

Abstract

This study analyzes the use of Christian symbolism in the film and series Neon Genesis Evangelion through a semiological approach. The research employs a semiotic analysis based on Charles Sanders Peirce's theory. The findings indicate that Neon Genesis Evangelion systematically employs Christian iconography to depict the existential transformation of humanity in an apocalyptic context. The cross, which appears in the explosions following the defeat of each Angel, serves as a marker of divine death while also signifying salvation. The Lance of Longinus, traditionally used in Christian teachings to confirm the death of Jesus on the cross, functions in the series as the primary instrument in the Third Impact event—a reality reconstruction that blurs the boundaries between destruction and re-creation. Additionally, the use of Angel names derived from the Christian angelic hierarchy reinforces the spiritual narrative that intertwines religious mythology with the fictional world-building of Neon Genesis Evangelion. Through this analysis, the study asserts that Christian symbolism in Neon Genesis Evangelion is not merely aesthetic or decorative but constructs a complex dialectic concerning human existence, suffering, and the pursuit of salvation. The series demonstrates how religious symbols can be adapted in popular media to convey broader narratives about the meaning of existence and human destiny within the landscape of contemporary culture.
A Morphological Study of Aesthetic Styles in Spider-Man Animated Series and Film Adaptations
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 3 (2025): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v5i3.89529

Abstract

To this day, many still perceive animation merely as a product for children, a perspective that motivated the push for the movement of “animation is cinema.” Driven by this movement, this research focuses on the artistic and technological evolution of animation through three Spider-Man adaptations, each representing a different era: Spider-Man (1967), Spider-Man: The New Animated Series (2003), and Spider-Man: Across the Spider-Verse (2023). Using a qualitative method with a content analysis approach, this research examines the three works through the frameworks of animation aesthetic morphology, and also Paul Wells’ classification of animation styles. The results of the study show a clear progression from one work to another, with each possessing its own characteristics and identity that represent the era in which they were made. The development of animation, as represented by the aesthetics of these three objects, affirms that animation is a medium of boundless artistic expression. So with this article, the researcher hopes could help those who read it to better understand animation capabilities as a medium.
Interpreting A Dream In The Movie “When It Stops Here” With Psychoanalysis Theory Using The Symbolic Method By Freud
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 2 (2024): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i2.66411

Abstract

Film is a visual art form that combines moving images, sound and narration to convey a story or message to the audience, it can also act as a medium to deepen understanding of the mental state possessed by humans. In interpreting dreams according to Freud, it can be done through two methods, namely Dream Interpretation using one of Freud’s methods, namely the symbolic method, which means interpreting dreams as a whole with dreams that are thought about repeatedly, it can affect human memory about the meaning of these dreams carried out using qualitative methods through an analytical descriptive approach. In the movie Ketika Berhenti Disini, in every scene where Dita wears glasses given by Ed, glasses are interpreted as clarity in seeing. A sign that there will be clarity in seeing, if in the context of this film is Ed's existence in the form of AI. which if you remove the food will disappear, is interpreted as a blur in the glasses because Ed cannot be seen again. The unity of a complete dream that is felt or done repeatedly can have an impact on the thinking of the brain itself in understanding a dream and seeing the dream. Every human being has fears, deep fears and also sadness that every human being always has. All of these things will be healed with good support from the environment and people around.
Semiotic Analysis of Visual and Auditory Framing in Film Art: A Critical Synthesis of Bordwell, Thompson, and Barthes’ Theories
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 2 (2025): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v5i2.87731

Abstract

This study scientifically explores the elements of visual and auditory framing through the theoretical perspectives of David Bordwell and Kristin Thompson. The objective of this research is to uncover the processes involved in the formation of symbols and meanings in the art of film. To achieve this, a qualitative research approach is employed, utilizing a literature study model. Data is gathered from scholarly journal articles and books that discuss the ideas of Bordwell, Thompson, and Barthes, as well as topics related to visual and auditory framing in film art and semiotic analysis in cinema. All collected data is analyzed and structured through the semiotic perspective of Roland Barthes, serving as a methodological framework for understanding the formation of symbols and meanings within a film work. The study finds that through visual and auditory framing—such as cinematography, mise-en-scène, sound effects, and film scoring—a text is constructed and presented to the audience. Through semiotic analysis, this text is deconstructed using the theories of connotation, denotation, myth, signifier, and signified, resulting in the emergence of symbolic forms. These symbols are then interpreted by viewers based on their individual life experiences, leading to the creation of meaning. This process fosters a new awareness that can serve as a foundational reference or guideline for both film studies and film production.
The Construction of Consumerism Through Television Advertisements in the Film Joy (2015)
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 1 (2024): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i1.81318

Abstract

Film is one of the products of popular culture that is quite attached to society. In its popularity, Joy (2015) is one of the films that highlights explicitly or implicitly on how television as a mass media can construct people's consumptive behavior through the advertisements. Undeniable, popular culture is closely related to consumerism which is characterized by a sense of continuous dissatisfaction and consumption based not on needs, but desires or prestige. Currently, advertising in the media plays an important role in shaping the habitus of consumptive society and also as a medium of promoting commodities. This article studies the construction of consumerism through advertisements on television in the film Joy (2015) using qualitative methods. There are several stages of the research, namely observation, data collection in the form of verbal and non-verbal signs in the film, data analysis, and data presentation. The results of this study indicate that in the film, the representation of consumerism can be seen in people's enthusiasm for new commodities, which can be seen in the high sales figures, and consumers who buy commodities at high prices based on trends and desires. In this film, commodity advertising on television greatly affects consumers. However, consumers also play an important role in constructing consumerism through advertisements on television.
Biographical Analysis of Saint Augustine through Film “Restless Heart”
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 1 (2025): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v5i1.70075

Abstract

This research was created with the aim of analyzing and describing the biography of one of the medieval philosophical figures, namely Saint Augustine, through a film entitled “Restless Heart: The Confessions of St. Augustine” as well as the connection between the film and historiography in the early Christian period. Through qualitative methods presented descriptively, the researcher attempted to carry out an analysis of Saint Augustine as a subject as well as an object that was targeted and supported by utilizing library sources that were relevant to the research topic starting from understanding films, film descriptions, to analysis of historical events and their relationship to writing. history in early Christian times.

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