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Contact Name
Salsa Solli Nafsika
Contact Email
essa.navzka@upi.edu
Phone
+62895346080851
Journal Mail Official
ftv_fpsd@upi.edu
Editorial Address
Jl Dr Setiabudi No 229 Isola Kec Sukasari Kota Bandung Jawa Barat 40154 Bandung Provinsi Jawa Barat 0222009198
Location
Kota bandung,
Jawa barat
INDONESIA
Cinematology Journal Anthology of Film and Television Studies
ISSN : 27977099     EISSN : 27979903     DOI : https://doi.org/10.17509/ftv-upi.v0i0
Core Subject : Art,
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
Articles 116 Documents
Character Study: Studying The Personalities of Two Ghibli Characters Facing Humans’ Destructive Behaviors Towards the Ecosystem
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 1 (2025): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v5i1.79594

Abstract

As forests are considered the earth’s lungs and are a source of habitat and life for various biodiversity, deforestation by humans which threatens the survival of forests has become an urgent worldwide environmental issue. Hence, the United Nations designed SDG 15: Life on Land where countries were urged to collaborate to protect and restore forests, encourage the use of land ecosystems through sustainable forest management, fight desertification, stop and reverse land degradation, and stop the loss of biodiversity. One form of implementation is through social criticism with films. Hayao Miyazaki, a founder of the Ghibli animation studio, is famous for making films that highlight environmental themes and the importance of maintaining balance between humans and nature. Thus, the characters in Ghibli's films are known to be pro-nature and try to protect it from destruction, like San from 'Princess Mononoke' and Nausicaa from 'Nausicaa: The Valley of The Wind'. San and Nausicaa each fight to save the ecosystem around them from humans' destructiveness. However, they show different attitudes when achieving their goals. Using qualitative methods of literary psychology, it was found that San preferred to fight alone with violence because she was raised with minimal understanding of empathy and acceptance. Meanwhile, Nausicaa, who grew up full of compassion and peace, was more open to the help of others and fought diplomatically. Both ways of fighting are not wrong, have their pros and cons, and are embedded in the personality and life journey of each character.
Interpreting Food Images in Gina S. Noer's Films
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 3 (2024): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i3.66131

Abstract

In an evolution of cinematography, the depiction of food in film serves not only as a visual element but also as a means of conveying artistic messages. This research aims to comprehend how Gina S. Noer, an Indonesian filmmaker, imbues meaning into the depiction of food in her works. Through an analysis of her films, including “Dua Garis Biru” and “Like and Share” this study explores various semiotic analysis employed by Noer to communicate the underlying significance of food imagery. The study utilizes film analysis and semiotics to interpret the use of food as symbols and metaphors within the context of the stories presented by Gina S. Noer. This research contributes to a deeper understanding of the use of food imagery in a cinematic context, particularly within the works of Gina S. Noer. These insights may serve as a foundation for further exploration into how visual elements such as food can enhance the audience experience and deepen the narrative significance in the context of Indonesian cinema.
Gender Constructions and Stereotypes of Women in "Bebas" (Roland Barthes Semiotics Analysis)
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 2 (2024): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i2.65079

Abstract

'Bebas' is an adaptation of the 2019 South Korean film, directed by Riri Riza and produced by Miles Film. This comedy-drama genre film tells how gender construction and stereotypes of women are born in society. In this study, researchers used qualitative descriptive research methods with Roland Barthes semiotic analysis, used to analyze scenes that show gender constructions and female stereotypes reinforced with several references or references from books and journal articles. This study identified the meaning of denotations, connotations, and myths contained in 'Bebas' so that a result was found, namely the construction of gender and stereotype women in 'Bebas' shown in the characters of the characters Vina, Mia, and Kris.
The Need for Love and a Sense of Belonging in the Character of Ash in the Film “Fantastic Mr. Fox”
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 2 (2025): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/cinematology.v5i2.86269

Abstract

The animated film Fantastic Mr. Fox (2009), directed by Wes Anderson, tells the story of a heist carried out by Mr. Fox and his friend Kylie. The main focus of this study is the unfulfilled hierarchy of needs experienced by a character in Fantastic Mr. Fox. In the film, Ash feels humiliated because of his behavior, talent, and appearance. This study aims to identify how the character Ash fulfills his need for love and belonging. The research applies intrinsic elements such as character and characterization, plot, setting, and conflict, as well as the extrinsic element of Abraham Maslow’s hierarchy of needs. This is a qualitative study using a descriptive qualitative approach. The findings show that Ash’s problems are caused by his family, his surrounding environment, and feelings of jealousy. As a result, Ash attempts to overcome these issues by showing his talents and changing his bad habits.
Artistic : Paintings in Mary Poppins Film (1964)
Cinematology: Journal Anthology of Film and Television Studies Vol 4, No 1 (2024): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v4i1.60097

Abstract

This study discusses the paintings in the film Mary Poppins (1964) which were made manually, aiming for the background set and also supporting the storyline in the form of paintings. Setting of place is an important thing in the process of film making. Sometimes filmmakers use matte painting to create the illusion of an environment that doesn't exist on the set. The storyline of Mary Poppins who enters the world of chalk also uses matte painting to show the change between the world of chalk and the real world. It certainly does not escape the technique of painting. To create realistic settings that are logical and interactive with the actors. The methodology used in this study is a research base design, with steps of concept idea, identification, analysis, implementation and evaluation. This study succeeded in explaining art and design studies on film background from the film Mary Poppins (1964) with the matte painting. This research can be a reference for producer designer who take the matte painting technique and also for general painters. The study from this research can be a reference material for painters, animators, and film makers. The data taken in this study is a study of art and design in paintings with a theme on the storyline. A blend of the art of painting and design for setting the stage for films.
Semiotic Analysis of Body Shaming Communication in True Beauty Film
Cinematology: Journal Anthology of Film and Television Studies Vol 5, No 1 (2025): February
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v5i1.82425

Abstract

The film, in addition to containing elements of entertainment, also encompasses aspects such as education for the audience. Films often portray stories that reflect real-life societal experiences. They also include both verbal and non-verbal communication elements related to body shaming. Films are typically enjoyed not only as entertainment but also as sources of life lessons. Through this, viewers can understand the communication that occurs within those two aspects. In the film True Beauty, the method used in this study is qualitative. This research applies a descriptive approach to explain the events presented. The author explores incidents related to body shaming depicted in True Beauty, along with the potential mental health risks it causes, such as: developing insecurity, social withdrawal, hindrance to self-development, engaging in extreme measures to alter one’s physical appearance, and even committing self-harm or suicide. Society often equates beauty with physical appearance; however, this drama presents a contrast between outer beauty and inner beauty. Recognizing and being grateful for both the strengths and weaknesses of oneself and others is one of the most valuable lessons that can be learned from this film.

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