cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
jacam@isi-dps.ac.id
Phone
-
Journal Mail Official
jacam@isi-dps.ac.id
Editorial Address
Program Studi Seni Progam Magister (Master Program in Arts), Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235
Location
Kota denpasar,
Bali
INDONESIA
Journal of Aesthetics, Creativity and Art Management
Published by Institut Seni Indonesia Bali
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Arts
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 91 Documents
 6   7   8   9   10 
Performance Annotation: Analysis of Maria Callas' Interpretive Vocal Ornamentation in George Bizet's Aria Habanera Clarissa Jessy Setiawan; Ni Wayan Ardini; I Made Kartawan; Gede Pasek Putra Adnyana Yasa
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6214

Abstract

The aria Habanera from Georges Bizet's opera Carmen showcases Carmen's sensual and free characterization through its distinctive melody and rhythm. Although this work has been widely researched, specific studies of vocal ornamentation are rare. Ornamentation plays a crucial role in enriching interpretation while balancing artistic freedom with fidelity to the score.  This study asks: how can Maria Callas's interpretive ornamentation serve as a reference for performing the Habanera? The methods used include transcriptions of vocal ornamentation by Maria Callas Elina Garanca and Teresa Berganza, followed by interpretive analysis to understand artistic expression and intent. A comparative analysis is conducted to assess its suitability to the score and its expressive impact on characterization. The result is a singer's note framework that can be utilized by singers and vocal educators, as well as a contribution to the musicological study of interpretive ornamentation in French opera.
The Art Ecosystem of Amreta ing Huma I Gusti Ngurah Diva Ismayana; I Wayan Mudra; I Ketut Sariada
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6215

Abstract

Amreta ing Huma is an art ecosystem whose ideas sparked the subak phenomenon and its current existence. By linking culture, society, education, politics, technology, economics, and stakeholders, it can become an alternative way of thinking for Balinese society, both nationally and internationally. This paper is compiled based on the results of fieldwork through a qualitative approach, namely the implementation of interview methods accompanied by direct observation, the process of transcribing information in the form of field data, processing data to compiling data into a systematic and coherent data report. The aesthetic approach used is that of Clive Bell and William Morris, along with a sustainable ecological art approach. Amreta ing Huma, interpreted as the water of life in rice fields, is a product of thought in the form of an art ecosystem. The achievement of an art ecosystem begins with the creation of the Amreta ing Huma artwork, ecological art, which ultimately forms an art ecosystem. Based on this artwork, a role model for interaction within the community is established through the perspectives of culture, education, politics, economics, and stakeholders.
Tabuh Leluangan in the Piodalan Ceremony in Banjar Buagan, Pemecutan Kelod, Denpasar, Bali I Kadek Agus Erwan Maherwan
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6216

Abstract

The development of the times has driven many changes in the community environment, including in the Balinese Karawitan community. One significant change is the rise of gending from Seka Gong Buagan, Pemecutan Kelod, Denpasar, Bali, namely gending leluangan, which origins and the form of the gending itself are unknown. Unwittingly, these tabuh tabuh have undergone changes in style over time by different trainers so that they can be debated by the penglingsir and Pemangku in the Dewa Yadnya ceremony. This study aims to investigate the origin of gending leluangan in Dewa Yadnya as well as its form and instrumentation. The research method used is a survey and statistical data analysis, with penglingsir who are still actively involved in Seka Gong Buagan. The results show that the gending used in the Dewa Yadnya Ceremony in Banjar Buagan is a leluangan type of gending that has experienced changes in rhythm, tempo, dynamics and harmony or different gangsa strokes so that problems arise in its structure. This finding indicates that the gending leluangan has the same structure as leluangan in general but has its own unique melody so that the percussion is not widely known by the local community and is only used in the Dewa Yadnya ceremony in Banjar Buagan.
The Role of Indonesian Dance as a Therapy Mediumin Nursing Homes in Europe Nova Marseline
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6320

Abstract

Each country has nursing homes and elderly care facilities with different standards of practice, adapted to various factors including climate, anatomy, and culture. The varying needs of nursing homes mean that routine activities are held within the homes to improve the quality of life of the residents. The challenge is how to introduce Indonesian dance to gain recognition and approval from the various agencies overseeing nursing homes in Europe, as a regular weekly program. This study used a qualitative approach, including interviews with sports therapists and elderly residents, observations of routine activities held in several nursing homes and elderly care facilities, and organizing and participating in small Indonesian-themed events, including dance performances and workshops, as a movement experiment for the elderly. In addition to its range of movements supporting respiratory function, Indonesian dance has high aesthetic value, carries specific meanings that can build the audience's psychological well-being, and can promote relaxation, especially for residents of nursing homes. Creating dance movements as therapy, based on various Indonesian dances, can help improve the quality of life for seniors through regular exercise through dance.
Optimizing Optimizing the Balance Between Aesthetics and Technological Efficiency in 3D Animation: A Systematic Literature Review of the Uncanny Valley Phenomenon and Stylized Visual Style Rayhan Maulana Prawira; Agus Jugana
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i2.6332

Abstract

The aim of this Systematic Literature Review is therefore to scope, synthesize, and state the findings of prior research on the balance between aesthetics and technological efficiency relating to 3D animation production, focusing on the uncanny valley phenomenon and stylized visual style. In the current research study, no experiments or empirical data collection are involved; instead, the literature was investigated using Scopus between 2015 and 2025, according to the methodology PRISMA. The selected articles identified, referring to 3D animation, an uncanny valley, and rendering techniques, will be systematically selected and analyzed, based on strict inclusion and exclusion criteria. The following research questions were considered for this systematic review: To what extent does the uncanny valley influence aesthetic perception and user acceptance? What is the role of the degree of character similarity in evoking affective responses? What potential does a stylized and abstract style have for mitigating the uncanny valley effect while enhancing artistic expressiveness? By synthesis, it will be shown that a high level of photorealism has the tendency to raise the uncanny valley effect, which reduces the emotional response of the audience, while a stylized style is able to provide an effective and emotional visual design without losing any efficiency in the production process. In this direction, the findings of this systematic review will show in a conceptual way how future 3D animation will be developed by innovative, efficient design strategies, formulation supported by systematic literature reviews.
The Rejang Dahe Dance Inheritance System in Building the Character of Young Generation in Catur Village, Kintamani, Bali I Gusti Ngurah Agung Manik Pranawa; Ida Ayu Trisnawati; Ni Made Arshiniwati
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i2.6833

Abstract

This study aims to determine the inheritance system of the Rejang Dahe Dance and its contribution in building the character of the younger generation in the Catur Traditional Village, Kintamani, Bangli, Bali. The Rejang Dahe Dance is a sacred dance that is passed down through generations through traditional mechanisms. Along with the increasingly strong currents of globalization and changes in the lifestyles of the younger generation, the process of inheriting local culture faces significant challenges, decreasing interest and time for youth in traditions, and the strong influence of popular culture. This study uses a qualitative approach with a case study method. Data were collected through in-depth interviews, participatory observation, and documentation. Data analysis was carried out using data reduction techniques, data presentation, and drawing conclusions. The research results show that the inheritance system of Rejang Dahe Dance is carried out through three stages: vertical inheritance, oblique inheritance, and horizontal inheritance. This inheritance process reveals character education values inherent in Rejang Dahe Dance, including religious, honesty, tolerance, discipline, hard work, creativity, independence, democracy, curiosity, nationalism, love for the homeland, appreciation for achievement, friendship and communication, peace-loving, environmental care, social care, and responsibility.
Nuwur Performance’s Management of the Bebali Art in Payangan District, Gianyar, Bali I Kadek Yogi Mahendra; I Made Marajaya; I Gede Yudarta
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i2.6834

Abstract

Bebali Art is one of Bali's cultural treasures that has a dual function, namely as part of a religious ceremony (Yadnya) as well as a means of entertainment containing spiritual values. Situated between the sacred and profane dimensions, Bebali Art demands flexible performance management while remaining grounded in traditional and religious values. This study aims to design and implement a structured, professional, and local wisdom-based Bebali Art performance management system in the form of the Arja Dance Drama through the Nuwur Kalanguan Performance. Problems that often arise in Bebali Art performances include weak planning, limited human resources, and lack of coordination between related parties, which impact the effectiveness and suitability of the performance with traditional values. This study uses Goldblatt's (2014) event management theory and Walter Benjamin's religious aesthetic theory with the stages of production, presentation, and control. The results of the study indicate that the implementation of a structured management system can improve the quality of performance management and maintain the integrity of the values, meanings, and local wisdom of Bebali Art, especially the Arja Dance Drama.
"An-Ki" Immersive Music Creation with Dolby Atmos Technology Christianus Billy Antonio Gan; Desak Made Suarti Laksmi; Ni Wayan Ardini
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i2.6933

Abstract

The immersive musical work "An-Ki" is a composition rooted in the musiqueconcrète idiom and inspired by Sumerian mythology about the cosmic duality of An (sky) and Ki (earth). The goal is to explore the integration of the musiqueconcrète approach with Dolby Atmos spatial audio technology as the primary compositional medium, to present a purely auditory narrative experience without visual elements. The creation follows the Wallas Model (preparation, incubation, illumination, verification). Raw sound material was recorded from the environment (natural, urban, objects) using Zoom H1n and H3-VR, then digitally manipulated in a Digital Audio Workstation (DAW) using pitch shifting, time stretching, and granular synthesis techniques. The composition of five movements was then arranged and spatialized in 3D using Dolby Atmos Composer software for 7.1.4 format. The result is a 30-minute immersive acousmatic musical work entitled "An-Ki". This work consists of five movements representing symbolic narratives: eternal union, separation and chaos, longing and emptiness, search and memory, and reunion and resolution. Each movement utilizes sound design and 3D spatialization to build a dramatic flow and immersion. This work contributes to a practical exploration of Indonesian experimental music, demonstrating the potential of Dolby Atmos not only as a tool for film, but as a primary creative medium in musical composition. The creation process also provides detailed documentation of the integration of compositional techniques, speaker installation, and system calibration as a unified artistic process.
Transformation of Classical Gamelan Joged Bumbung into Koplo Music: A Study of Multicultural Values Gede Nikolas Candra Biagi
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i2.6934

Abstract

With the development of technology and the influence of popular music, Balinese Gamelan Joged Bumbung has undergone a significant transformation through the adoption of elements of koplo, a popular music genre known for its fast and energetic rhythms. This study analyzes in depth how koplo musical elements are integrated into the structure of Gamelan Joged Bumbung, resulting in changes in melody, harmony, rhythm, and even its social function. Furthermore, this article presents a comprehensive cultural analysis, exploring the driving factors behind this transformation, including globalization, mass media, and evolving audience preferences. This research uses a descriptive qualitative approach within a framework of cultural studies and ethnomusicology. This approach was chosen to examine in depth the transformation of classical Gamelan Joged Bumbung into koplo music and to uncover the cultural and multicultural values contained within it.Gamelan Joged Bumbung Koplo is not simply a new form of entertainment, but rather a manifestation of cultural vitality capable of adapting and innovating without losing its essential identity. This transformation not only represents musical evolution but also reflects the dynamics of cultural identity and adaptation to modernity. This paper also highlights the multicultural values inherent in the Gamelan Joged Bumbung Koplo phenomenon, where local traditions meet global influences, creating space for cultural dialogue and artistic innovation.
"Wonderland Indonesia" Music Video: The Commodification of Indonesian Regional Songs in New Media Gideon Bima Maharesi; Ni Made Ruastiti; Ni Wayan Ardini; I Ketut Garwa
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/pjjcdr39

Abstract

This study aims to reveal the commodification process of Indonesian regional songs in the “Wonderland Indonesia” music video, as well as its implications for artistic aesthetics, ethnic music practitioners, and the public. The research employs an interdisciplinary approach utilizing qualitative methods and quantitative sentiment analysis of 30,000 YouTube comments. Data were collected through observation, in-depth interviews with the creator and creative team, cultural experts, musicians, and the public (via Focus Group Discussions), as well as a literature review. The analysis draws upon ethnomusicology theory, commodification theory, and the hierarchy of needs theory. The results indicate that the music video serves as a visual and musical narrative, packaging nine regional songs and one national song into an EDM-infused medley. Commodification occurs across three technology-driven production stages—pre-production, production, and post-production—with distribution executed via YouTube. Sentiment analysis reveals a 71.9% positive response. The commodification has implications for postmodern artistic aesthetics, the socioeconomic status of ethnic music practitioners, and the general public. The study proposes a packaging model for ethnic cultural music videos termed “New Media Folk Song.”

Page 9 of 10 | Total Record : 91

 6   7   8   9   10 

Filter by Year

2022 2026


Reset
Filter By Issues
All Issue Vol. 5 No. 2 (2026): Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 1 (2025): Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management