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Journal of Aesthetics, Creativity and Art Management
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Arts
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 84 Documents
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Performance Annotation: Analysis of Maria Callas' Interpretive Vocal Ornamentation in George Bizet's Aria Habanera Clarissa Jessy Setiawan; Ni Wayan Ardini; I Made Kartawan; Gede Pasek Putra Adnyana Yasa
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6214

Abstract

The aria Habanera from Georges Bizet's opera Carmen showcases Carmen's sensual and free characterization through its distinctive melody and rhythm. Although this work has been widely researched, specific studies of vocal ornamentation are rare. Ornamentation plays a crucial role in enriching interpretation while balancing artistic freedom with fidelity to the score.  This study asks: how can Maria Callas's interpretive ornamentation serve as a reference for performing the Habanera? The methods used include transcriptions of vocal ornamentation by Maria Callas Elina Garanca and Teresa Berganza, followed by interpretive analysis to understand artistic expression and intent. A comparative analysis is conducted to assess its suitability to the score and its expressive impact on characterization. The result is a singer's note framework that can be utilized by singers and vocal educators, as well as a contribution to the musicological study of interpretive ornamentation in French opera.
The Art Ecosystem of Amreta ing Huma I Gusti Ngurah Diva Ismayana; I Wayan Mudra; I Ketut Sariada
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6215

Abstract

Amreta ing Huma is an art ecosystem whose ideas sparked the subak phenomenon and its current existence. By linking culture, society, education, politics, technology, economics, and stakeholders, it can become an alternative way of thinking for Balinese society, both nationally and internationally. This paper is compiled based on the results of fieldwork through a qualitative approach, namely the implementation of interview methods accompanied by direct observation, the process of transcribing information in the form of field data, processing data to compiling data into a systematic and coherent data report. The aesthetic approach used is that of Clive Bell and William Morris, along with a sustainable ecological art approach. Amreta ing Huma, interpreted as the water of life in rice fields, is a product of thought in the form of an art ecosystem. The achievement of an art ecosystem begins with the creation of the Amreta ing Huma artwork, ecological art, which ultimately forms an art ecosystem. Based on this artwork, a role model for interaction within the community is established through the perspectives of culture, education, politics, economics, and stakeholders.
Tabuh Leluangan in the Piodalan Ceremony in Banjar Buagan, Pemecutan Kelod, Denpasar, Bali I Kadek Agus Erwan Maherwan
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6216

Abstract

The development of the times has driven many changes in the community environment, including in the Balinese Karawitan community. One significant change is the rise of gending from Seka Gong Buagan, Pemecutan Kelod, Denpasar, Bali, namely gending leluangan, which origins and the form of the gending itself are unknown. Unwittingly, these tabuh tabuh have undergone changes in style over time by different trainers so that they can be debated by the penglingsir and Pemangku in the Dewa Yadnya ceremony. This study aims to investigate the origin of gending leluangan in Dewa Yadnya as well as its form and instrumentation. The research method used is a survey and statistical data analysis, with penglingsir who are still actively involved in Seka Gong Buagan. The results show that the gending used in the Dewa Yadnya Ceremony in Banjar Buagan is a leluangan type of gending that has experienced changes in rhythm, tempo, dynamics and harmony or different gangsa strokes so that problems arise in its structure. This finding indicates that the gending leluangan has the same structure as leluangan in general but has its own unique melody so that the percussion is not widely known by the local community and is only used in the Dewa Yadnya ceremony in Banjar Buagan.
The Role of Indonesian Dance as a Therapy Mediumin Nursing Homes in Europe Nova Marseline
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6320

Abstract

Each country has nursing homes and elderly care facilities with different standards of practice, adapted to various factors including climate, anatomy, and culture. The varying needs of nursing homes mean that routine activities are held within the homes to improve the quality of life of the residents. The challenge is how to introduce Indonesian dance to gain recognition and approval from the various agencies overseeing nursing homes in Europe, as a regular weekly program. This study used a qualitative approach, including interviews with sports therapists and elderly residents, observations of routine activities held in several nursing homes and elderly care facilities, and organizing and participating in small Indonesian-themed events, including dance performances and workshops, as a movement experiment for the elderly. In addition to its range of movements supporting respiratory function, Indonesian dance has high aesthetic value, carries specific meanings that can build the audience's psychological well-being, and can promote relaxation, especially for residents of nursing homes. Creating dance movements as therapy, based on various Indonesian dances, can help improve the quality of life for seniors through regular exercise through dance.

Page 9 of 9 | Total Record : 84

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