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Program Studi Seni Progam Magister (Master Program in Arts), Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235
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Journal of Aesthetics, Creativity and Art Management
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Arts
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 84 Documents
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Study of The Implementation of the Regional Art Lovers Community Program at SMP Negeri 1 Pupuan Tabanan Dewi, Ni Putu Rahayu Mas Ruscita; Karja, I Wayan; Mawan, I Gede
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.5673

Abstract

The background of this research stems from the importance of arts education as a foundation for developing children's emotional and social intelligence amid the challenges of globalization. Arts education not only serves as a vehicle for artistic expression but also as an effective medium for instilling values such as character, cooperation, empathy, and love for local and national culture. In the context of formal education, art is an important instrument for building children's adaptive, creative, and cultured personalities. This study aims to examine in depth the implementation of the Regional Art Lovers Community Program (Kopi Sianida) at SMP Negeri 1 Pupuan Tabanan and analyze its impact on students emotional and social development. The study employs a descriptive qualitative approach using observation, in-depth interviews, and documentation techniques. Analysis is conducted comprehensively to identify patterns of the program's impact on students, including emotional, social, and cultural preservation aspects. The research findings indicate that the Kopi Sianida program significantly enhances students artistic skills, communication, cooperation, discipline, and emotional management. Art activities based on local wisdom, such as dance, music, and dharma gita, not only strengthen cultural identity but also shape the character of the younger generation to be virtuous and resilient in facing the dynamics of the times. This program serves as a relevant and applicable model for art education that can be implemented in other schools.
The Meyah Marriage System in Manokwari, West Papua, as a Means of Preserving Local Culture and Aesthetics Dowansiba, Yosias; Syufi, Yafet; Nauw, Monica M.
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.5731

Abstract

Marriage as a means of procreation and establishing kinship networks forms the basis of societal structures, with offspring ensuring continuity of lineage and social status. The traditional marriage system of the Meyah tribe in Manokwari Province, West Papua, Indonesia, is of interest to study to assess a process commonly practiced by the indigenous people. In this research, an ethnographic approach facilitates a comprehensive examination of cultural practices and rituals, as well as their aesthetics, yielding significant insights into the relevance of the Meyah community's marriage customs. The analysis reveals that the implementation of the marriage system is currently a challenge for the majority of the Meyah population, especially young men and women. The indigenous Meyah community still has a limited understanding of cultural values, such as marriage structure, normative framework, legal system, and specific regulations still applied in daily life. The decline in traditional leaders leading this traditional system has resulted in differences between the older and younger generations regarding the understanding and implementation of marriage customs. This requires initiatives aimed at educating and representing the importance of cultural and artistic values.
The Creative Process in the Creation of Tabuh Lelambatan Kreasi Works by I Ketut Gede Asnawa Manik, I Made Dwi Rustika; Yudarta, I Gede; Ardini, Ni Wayan
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6068

Abstract

Traditional music is experiencing rapid development from various aspects, including the creative process of making original works and the psychological expression of the artist in the creation process. This research examines the creative process in working on lelambatan music by I Ketut Gede Asnawa, with the aim of analyzing the stages of creation and exploring the knowledge contained in the work. The method used is qualitative with an ethnomusicology approach, which emphasizes direct involvement in the cultural context. The research location was determined purposively, while data collection techniques included observation, interviews, and in-depth documentation. The results showed that the creativity process includes three main modalities: imagination, skill, and sensitivity. In addition, “The Four P's of Creativity” approach (person, process, press, and product) plays an important role in the dynamics of creation. The resulting works are widely appreciated for demonstrating artistic integrity, depth of process, and high sincerity in realizing monumental works of art.
The Analysis of the Art Ecosystem in the Development of Musicmathematics Samuel, Samuel; Mudra, I Wayan; Sariada, I Ketut
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6085

Abstract

Musicmathematics is the integration of mathematical principles in music, offering a new approach in contemporary music composition. This study arises from the urgency to understand the impact of musicmathematics on the art ecosystem holistically, encompassing cultural, social, economic, educational, legal, and technological aspects. The research employs document analysis and audiovisual analysis methods to identify patterns, relationships, and the influence of musicmathematics on various elements of the art ecosystem. The study is based on the art ecosystem theory by Becker (1982), which emphasizes the interaction between art actors and social structures, and Benoît Mandelbrot’s fractal theory (1989), which observes recurring patterns in music structures. Additionally, the concept of dynamic culture (Geertz, 1973a) is used to understand cultural transformation through the application of mathematical innovations. The results of the research indicate that musicmathematics significantly contributes to music composition innovation, despite facing challenges in social acceptance and commercialization. Culturally, musicmathematics creates tension between innovation and tradition; socially, this genre forms a limited experimental community; and in education, it enriches curricula with analytical approaches facilitated by technology. The study concludes that musicmathematics holds great potential in supporting the transformation of contemporary arts, particularly through strengthening education and technology. However, adaptive strategies are needed to increase the acceptance of this concept in a broader art ecosystem. Keywords: musicmathematics, art ecosystem, music innovation, music education, art technology.
The Phenomenon of Baris Pendet Dance at Dalem Tanjung Sari Temple, Tanjung Bungkak Traditional Village, Denpasar City, Bali Sariada, I Ketut; Swarsana, I Putu; Sulistyani, Sulistyani; Yulianti, Ni Ketut Dewi; Santika, Sang Nyoman Gede Adhi
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6086

Abstract

This research aims to obtain a holistic understanding of Baris Pendet Dance in Tanjung Sari Temple, Tanjung Bungkak Traditional Village, Denpasar City, Bali Province. This research was conducted by analyzing aspects of dance form, function, and philosophical meaning of Baris Pendet Dance. This research uses a qualitative research model with a descriptive approach. Data collection using observation techniques, interviews, literature studies and documentation studies. Several theories such as Aesthetic Theory, Structural Functionalism Theory, and Semiotics Theory are used to analyze data about the form, function and meaning of dance. The results showed that Baris Pendet dance in Pura Dalem Tanjung Sari is a group dance consisting of eight boys who have not yet entered puberty. The function of this Baris Pendet dance is the function of ritual, spectacle, and cultural preservation. Denotatively, this dance symbolizes respect for the value of spirituality in periodic rituals at Tanjung Sari Temple. While connotatively, this dance symbolizes the welcoming of humanity to the descent of the gods during the ceremony held at Tanjung Sari Temple.
A Biophilic Design Approach Resort in the Pari Island of Kepulauan Seribu, Jakarta Province Fais, Muhammad Noer; Ardhiati, Yuke
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6087

Abstract

One of the Jakarta City islands iis the Pulau Pari (Pari Island). eventhough small, it has the natural beauty includes white sandy beaches, coral reefs, and a unique marine ecosystem. Unfortunately, the remarkable tourism potential of Pari Island has not been matched with adequate facilities. The lack of proper accommodations and poorly organized tourist areas are some of the main issues. Therefore, this study in qualitative method aims to design a resort hotel using a biophilic approach, which integrates natural elements into architectural design. The biophilic concept was chosen to respond to the tropical island climate of Pari Island by offering architectural solutions that connect the built environment with nature. by employee the metaphoric in architecture form. Based on literature studies, the biophilic design approach contritbuted to built environments fostering a strong connection between humans and nature. by accomadated thie biophilic design approach is implemented through natural lighting, incorporation of water elements, and the integration of vegetation.
Origami Architecture of an Office Tower in Mega Kuningan, Jakarta Fauzi, Marsha Dzakira; Ardhiati, Yuke
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6088

Abstract

Mega Kuningan as a business district has a future vision. An Application of Postmodern Architecture theory by one of its styles is one choice. This study proposed design aims to redefine conventional office buildings, offering forward-thinking solutions that meet the evolving needs of modern businesses. The increasingly developing economy by created more workers rental offices in tall buildings by innovative workplace. By exploring new design approaches we offering a facade building by inspiring of the origami of architecture folded.
A Historical Study of Gandrung Art in Tinggarsari Village, Buleleng, Bali Made Wahyu Arya Wisesa
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6107

Abstract

Kesenian Gandrung di Desa Tinggarsari merupakan tarian sakral atau tarian wali unen-unen di Pura Penataran sebagai penolak bala dan melambangkan kesuburan sebagai acuan sumber kehidupan bagi masyarakat yang hanya dipentaskan pada saat upacara keagamaan di Desa Tinggarsari. Dalam penelitian ini penulis menggunakan metode penelitian kualitatif pada saat observasi. Penggunaan teori yang relevan dengan fokus pada bentuk gending menggunakan teori CC (Contour Class) pengklasifikasian empat nada notasi ding-dong. Penulis menganggap gending Gandrung di Desa Tinggarsari menyerupai fitur-fitur gending palegongan yang menjadi pijakan awal untuk membongkar struktur hierarkis gending Gandrung. Meskipun kesenian tentang Gandrung telah diulas oleh beberapa Penulis, namun belum ada yang membahas mengenai bentuk gendingnya sehingga beberapa kajian terkait bisa bersintetis membentuk satu-kesatuan informasi yang terintegrasi. Tidak hanya itu, tulisan ini lebih diniatkan untuk mengidentifikasi kesejarahan Gandrung di Desa Tinggarsari dengan memperhatikan aspek musikalitasnya dan berupaya sebisa mungkin untuk menggali bagaimana kebudayaan gending tertentu bertemu dalam satu pendekatan analitis.
The Creative Process in the Instrumental Karawitan “Biang Kerok” I Putu Dony Suryawan
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6185

Abstract

"Biang Kerok" was created using traditional musical instruments consisting of two Gender Wayang in slendro tuning and two Gender Rambat Semara Pegulingan Saih Pitu in pelog tuning. The choice of these different yet similar instruments aims to combine different tunings. The combination of these two different tunings is the key to this work, where the combination of pelog and slendro tunings produces previously unheard notes and creates new variations in timbre. During the creative process and stages, the composer combined the "Musical Composition Method" method, an article entitled "Karya Karawitan Baru Manikam Nusantara” (New Karawitan Works of Manikam Nusantara", and the "Panca Sthiti Ngawi Sani" method. This combination of several methods is crucial because it is closely related to the process of realizing this work. "Biang Kerok" is divided into three parts, each with a different textual and contextual focus, and is always directed by the composer's idea.
The Impact of Information Overload on Art Appreciation Patterns in the Digital Era Putri Gracia Simatupang; I Gede Yudarta; Ni Wayan Ardini
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6213

Abstract

The phenomenon of information overload arising from the flood of data in the digital era has impacted almost all aspects of life, including patterns of art appreciation. This article aims to examine how information overload, particularly through social media and digital spaces, is changing the way society understands, evaluates, and enjoys works of art. This study uses a qualitative approach with literaturea analysis and a critical examination of contemporary visual culture phenomena. The results show that art appreciation, which was previously reflective and in-depth, has shifted toward a consumerist, instantaneous, and digital popularity-based pattern. The appreciation process is now more often determined by algorithmic logic, virality, and the speed of information distribution, rather than the aesthetic value and intrinsic meaning of the artwork itself. This change poses a challenge for artists and art institutions to maintain the quality of art appreciation amidst the rapid flow of digital information.

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